1661 Collection (page 6)

A daughter and a son (Constantijn?) of the artist, Caspar Netscher, 1661 - 1684

The Old Drinker, Gabriel Metsu, c. 1661 - c. 1663

The Herring-Seller, Gabriel Metsu, c. 1661 - c. 1662

Self Portrait, so-called Portrait of Jan Fabus, Moses ter Borch, 1660 - 1661

Cavalry Captain Hendrik de Sandras Taking Leave from his Wife and Children, Pieter van Anraedt, 1661

The Castle of Batavia, Indonesia, Andries Beeckman, 1661

Title page for: Willem Sluiter, Psalms, Psalmen, lof-sangen, ende geestelike liedekens, 1661

Cicero and people who are discussing something, Theodor Matham, Lowijs Elzevier (III) en Daniel, Franciscus Hackius, 1661

Portrait of Francis Snellinx, Reinier van Persijn, Jan Vos, 1661

Love Garden, Nicolaes de Bruyn, Gerard Valck, 1661

Praise poems of various writers Lieven Willemsz or Coppenol, Cornelis Boey, Jacob Westerbaen, Joost van den Vondel, 1661

Savoy Palace 1661, Visschers London, London, England, engraving 19th century, Britain, UK

Christ on the Cross with the Virgin Mary, Mary Magdalene, and Saint John; Pietro da Cortona, Italian, 1596 - 1669; Italy, Europe; about 1661; Pen and brown ink and gray wash over black chalk

Christs Command to St. Peter, Feed My Sheep! ( Pasce Oves Mea
Christs Command to St. Peter, " Feed My Sheep!" (" Pasce Oves Mea" ); Andrea Sacchi, Italian, 1599 - 1661; about 1628; Red chalk and red wash; 25.4 x 17.9 cm (10 x 7 1/16 in.)

St. Bartholomew; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; 1661; Oil on canvas; Unframed: 86.7 x 75.6 cm (34 1/8 x 29 3/4 in.), Framed: 121.6 x 110.2 x 11.7 cm (47 7/8 x 43 3/8 x 4 5/8 in.)

Pictura (An Allegory of Painting); Frans van Mieris the Elder, Dutch, 1635 - 1681; 1661; Oil on copper; Unframed (arched top): 12.7 x 8.9 cm (5 x 3 1/2 in.)

Saint Gines de la Jara; Luisa Roldan (called " La Roldana" ), Spanish, 1652 - 1706, Polychromer: Tomas de Los Arcos, Spanish, born 1661; Spain, Europe; 1692

Four-Panel Screen (paravent); After designs by Alexandre-Francois Desportes, French, 1661 - 1743, Savonnerie Manufactory, French, active 1627 - present; Savonnerie, France

Tapestry: La Poltronnerie de Sancho a la chasse, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Tapestry: Don Quichotte gueri de sa folie par la sagesse, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present

Tapestry: Le Repas de Sancho dans l Ile de Barataria, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Tapestry: L Entree de Sancho dans l Ile de Barataria, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

One pair of Screens; Savonnerie Manufactory, French, active 1627 - present, Probably after cartoons by Jean-Baptiste Belin de Fontenay, French, 1653 - 1715, and Alexandre-Francois Desportes, French

One painted panel; Unknown; Paris, France, Europe; about 1661; Painted and gilded oak; Object: 205.7 x 87.9 cm (6 ft. 9 in. x 2 ft. 10 5/8 in.)

Tapestry: Le Cheval raye from Les Anciennes Indes Series; Woven at Gobelins Manufactory, French, active 1662 - present, after a cartoon painted by Albert Eckhout, Dutch, about 1610 - 1665

Portrait of a Woman, traditionally identified as the Countess of Arundel A Lady Called the Countess of Arundel Inscribed in artists hand in yellow paint

Sir Alexander Temple Inscribed in ocher paint, upper right: Actatis Suac, 37"
Sir Alexander Temple Inscribed in ocher paint, upper right: " Actatis Suac, 37" ; in ocher paint, lower left: " LD

William III, Prince of Orange, as a child William III of Orange, Aged 7 Signed and dated in black paint, lower right: " Cornelius Jonson. | Van Ceulen | fecit

Portrait of a Man, probably Sir Francis Godolphin Sir Francis Godolphin Signed and dated, lower left: " CJ Fecit | 1633", Cornelius Johnson, 1593-1661, British

Jan Gerritsz van Bronckhorst (Dutch, c. 1603-1661), Ruins, etching

Pieter Molijn (Dutch, 1595-1661), Soldier Receiving Orders from a Seated Officer, probably 1626, etching

Jan van Aken after Herman Saftleven (Dutch, 1614-1661), View of the River Rhine, etching

Ercole Bazicaluva (Italian, c. 1610-1661 or after), Men Fighting in a Landscape, 1638, etching on laid paper

BOWNE HOUSE, 1661. The Bowne House, built in 1661 by John Bowne at Flushing, New York, soon becoming a Quaker refuge and meetinghouse in defiance of the ban against Quakers ordered by New Netherlands

BOYLE: SCEPTICAL CHYMIST. Title-page of the 1661 London edition of Robert Boyle s
BOYLE: SCEPTICAL CHYMIST. Title-page of the 1661 London edition of Robert Boyles The Sceptical Chymist dealing with Boyles concept of matter as composed of atoms and clusters of atoms in motion

BOWNE HOUSE, 1661. The Bowne House, built in 1661 by John Bowne in Flushing, New York, which became a Quaker refuge and meetinghouse. Engraving, American, 19th century

St Matthew the Evangelist (1661). Rembrandt van Rijn (1606-1669), Dutch artist. Louvre, Paris

The Alchemist 1661. Oil on panel. Adriaen van Ostade (1610-1685) Dutch genre painter. Alchemist applying bellows to furnace

Procession of Charles II between the Tower of London and Westminster 22 April 1661, on the eve of his coronation: 1662. Dirk Stoop (c1618-c1676) Dutch painter and etcher

Euclid (active 300 BC) Ancient Greek mathematician. Frontispiece of an edition of his Elements of Geometry published London 1661

FYT, Jan (1611-1661). Still Life with Dog and Cat. Flemish art. Oil on canvas

First Earl of Leven
ALEXANDER LESLIE, first earl of LEVEN Scottish military commander, engaged in continental service until the Civil War, in which he led the Covenanters. Date: 1580 - 1661

Marie Ange. Fontanges
Marie Angelique de Scoraille de Roussille, duchesse de FONTANGES a mistress of Louis XIV Date: 1661 - 1681

Alex Leslie of Leven
ALEXANDER LESLIE OF LEVEN general during the Civil War, sometimes Royalist, sometimes Parliamentarian, as seemed best at the time Date: 1580 - 1661

MAP: CONNECTICUT, 1661. Map of Connecticut in 1661, from John Sellers contemporary Map of New England. Line engraving, 19th century

NEW AMSTERDAM MAP, 1661. A description of New Amsterdam, as it was in September 1661. Color wood engraving after the original of 1664

William Penn - Treaty with the Indians 1661

Drummer of Tidworth
THE DRUMMER OF TIDWORTH Apparition of drummer who irritated the people of Ludgarshall, Wiltshire, with his nocturnal drumming Date: 1661

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In the year 1661, a multitude of significant events and creations shaped history. Andreas Cellarius, a renowned astronomer, published his masterpiece "Atlas Coelestis, " unveiling the wonders of the celestial realm to eager minds. Meanwhile, Southwark Cathedral stood tall as a testament to architectural brilliance in this era. Artistic genius Rembrandt van Rhijn captured the essence of diversity by immortalizing two African men through his brush strokes in 1661. Their presence serves as a reminder that humanity's beauty transcends borders and cultures. Scientific progress thrived during this time with Robert Boyle challenging conventional wisdom through his groundbreaking work "The Sceptical Chymist. " His skepticism paved the way for new discoveries and advancements in chemistry. Marmaduke Langdale left an indelible mark on history with his valiant actions, while religious devotion found expression in depictions such as Christ Cross Virgin Mary Mary Magdalene Saint John. Amidst these cultural milestones, King Charles II ascended to power amidst great pomp and ceremony during his coronation. His reign would shape England's destiny for years to come. Across Europe, another monarch took center stage - Charles II of Spain - whose rule spanned several decades. The impact of their decisions reverberated far beyond their respective kingdoms' borders. James Hodder emerged as a prominent mathematician during this period, contributing valuable insights to the field that continue to influence scholars today. The universe itself became subject matter for exploration and understanding when Johannes Janssonius printed an engraving representing Copernicus' model of our cosmos. This representation served as both inspiration and guidepost for future astronomers seeking answers among the stars. Andreas Cellarius continued his astronomical pursuits with "Atlas Coelestis seu Harmonia Macrocosmica, " featuring intricate engravings like Hemisphaerium stellatum boreale antiquum – offering us glimpses into the Northern Hemisphere's celestial wonders.