1725 Collection (page 6)

Pietro Rotari after Antonio Balestra (Italian, 1707 - 1762), Venus Appearing to Achilles, 1725, etching with engraving

Anton Maria Zanetti (Italian, 1679-1680 - 1767), Two Children Petting a Lamb, 1725, chiaroscuro woodcut printed from two blocks: black line block and blue tone block on laid paper

Louis Cheron (French, 1660 - 1725), Baptism of the Eunuch, etching

Bernhard Rode (German, 1725 - 1797), Alexander Setting Fire to Persepolis, pen and brown ink with brown wash over graphite on laid paper

Jean-Baptiste Greuze (French, 1725 - 1805), The Angry Mother, black and gray wash over graphite on laid paper

Jean-Baptiste Greuze, Head of a Woman Looking Back Over Her Shoulder, French, 1725 - 1805, red chalk on laid paper

Giovanni Battista Foggini (Italian, 1652 - 1725), A Monstrance with Two Angels Supporting a Chalice, black chalk and pen and brown ink, partially squared in black chalk, on laid paper

Bacchae with satyr masks, Gerard Melder, 1725

A group Bacchae fighting with each other and with a group of nymphs. Between fighting naked figures walk naked children. print maker: Gerard Melder, Dating 1725

Satyr Picture with garlands adorn, Gerard Melder, 1725

Triumph of Bacchus and Ariadne, print maker: Gerard Melder, 1725

Marriage of Bacchus, Gerard Melder, 1725

Bathing Nymphs and Bacchantes, Gerard Melder, 1725

Mercury gives Bacchus to the nymphs, Gerard Melder, 1725

Portrait of Maria van Citters, Wife of Caspar Adriaen Parduyn, Philip van Dijk, 1725 - 1753

Portrait of a preacher, Anonymous, c. 1725, Portrait miniature

Allegory of Peace, Kessel, B. ? van, 1700 - 1725
Allegory of Peace, Kessel, B.? van, 1700 - 1725

Design for a ceiling painting with the Apotheosis of Aeneas, in the corners the Four Seasons, Jacob de Wit, c. 1720 - c. 1725

Cupid Kissing Venus, Venus Kissed by Amor, manner of Adriaen van der Werff, 1700 - 1725

Portrait, a girl, probably a daughter of George II, King of England, Anonymous, 1715 - 1725, Portrait miniature

Family Portrait of Hermanus Boerhaave, Professor of Medicine at the University of Leiden, and his Wife Maria Drolenvaux and little Daughter Johanna Maria, Aert de Gelder, 1720 - 1725

Portrait of Gerrit Sichterman, Quartermaster General of the Cavalry, Colonel of the Orange-Groningen Infantry, Commandant of Grave, Cornelis Troost, c. 1725

Gerrit Sichterman, 1688-1730, General - quartermaster of cavalry, colonel of the infantry regiment Orange Groningen, commander of Grave, Cornelis Troost, 1725

Coat of arms of Susanna van Collen (1692-1745), wife of Jacob Feitama, Anonymous, 1725 - 1774

Coat of arms of Jacob Feitama II (1698-1774), Anonymous, 1725 - 1774

Four Putti with Grapes, Anonymous, c. 1725 - c. 1774

Four Putti Carrying a Fruit Basket, Anonymous, c. 1725 - c. 1774

Portrait of Cornelis Calkoen, Ambassador to the Ottoman Empire in Constantinople (Istanbul), Anonymous, 1725 - 1737

Vase, pear-shaped with long neck, Anonymous, 1675 - 1725

Portrait of Cornelis Sweerts, Jacob Houbraken, Philip Zweerts, 1725

View of a country retreat, Jan Luyken, Caspar Luyken, 1725

Laurent Cars (French, 1699-1771) after Jean-Baptiste Greuze (French, 1725 - 1805). The Blind Man Deceived (L aveugle trompe), ca. 1760-1770. Etching on laid paper. Plate: 385 mm x 360 mm (15.16 in)

Jean Daulle (French, 1703-1763) after Pierre Mignard II (French, 1640 - 1725). Portrait of Catherine Marguerite Mignard, Comtesse de Fouquiere, Daughter of the Painter Pierre Mignard, 1735

Hanauri, Flower vendor. Nishimura, Shigenaga, 1697-1756, artist, [between 1725 and 1730], 1 print : woodcut, color; 29.2 x 14.6 cm

The Fathers Curse: The Ungrateful Son; Jean-Baptiste Greuze, French, 1725 - 1805; France, Europe; about 1778; Brush and gray wash, squared in pencil; 50.2 x 64 cm (19 3/4 x 25 3/16 in.)

Study of the Head of an Old Woman; Jean-Baptiste Greuze, French, 1725 - 1805; about 1772 - 1775; Red chalk; 44.1 x 32.2 cm (17 3/8 x 12 11/16 in.)

Head of an Old Man; Jean-Baptiste Greuze, French, 1725 - 1805; about 1755; Red chalk; 39.7 x 32.1 cm (15 5/8 x 12 5/8 in.)

Study of a Seated Man (recto), Study of a Male Nude (verso); Jean-Simeon Chardin, French, 1699 - 1779; France, Europe; about 1720 - 1725; Charcoal and white chalk; 25.6 x 16.7 cm

Flight into Egypt (recto), Various Studies (verso); Giovanni Battista Tiepolo, Italian, 1696 - 1770; Italy, Europe; 1725 - 1735; Pen and brown ink with brown wash over black chalk (recto)

Landscape with Classical Ruins and Figures; Marco Ricci, Italian, 1676 - 1730, and Sebastiano Ricci, Italian, 1659 - 1734; about 1725 - 1730; Oil on canvas; Unframed

Laocoon; Giovanni Battista Foggini, Italian, 1652 - 1725; Florence, Italy, Tuscany, Europe; about 1720; Bronze; Object: H: 56 x W: 44 x D: 21.9 cm (H: 22 1/16 x W: 17 5/16 x D: 8 5/8 in.)

Mercury and Argus; Produced in the Ginori Porcelain Factory, Italian, active 1735 - present, After models by Giovanni Battista Foggini, Italian, 1652 - 1725, Probably made by Gaspero Bruschi

Wall Clock (Pendule); Clock movement by Jean-Jacques Fieffe, French, about 1700 - 1770, master 1725, case possibly after a design by Juste-Aurele Meissonnier, French, born Italy, 1695 - 1750

Paneling; Jacques Gaultier, French, active first half of the 18th century, and after designs of Armand-Claude Mollet, French, 1650 - 1742; Paris, France

Mantel Clock (Pendule); Movement maker Paul Gudin, French, active about 1729 - 1755, Case attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France

Card and Writing Table (Table a quadrille brise); Unknown; Paris, France, Europe; about 1725; Oak and fir veneered with bloodwood

One pair of Mounted Groups; Flowers made at the Chantilly Porcelain Manufactory, French, active about 1725 - about 1792, Porcelain maker Unknown maker, Chinese, Bronzier Unknown maker, French; China

Wall Clock (Pendule a repetition); Clock movement by Charles Voisin, French, 1685 - 1761, master 1710, Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; Paris, France

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"Exploring the Rich Tapestry of 1725: A Journey through History and Art" Step into the world of 1725, where British Coats of Arms proudly display their heraldic symbols, representing noble lineages and storied histories. Engraved with meticulous detail, Newshams fire engine captures the innovative spirit of the time, showcasing advancements in technology. Intriguingly, a portrait bust of Casanova stands as a testament to his adventurous spirit and literary prowess. This enigmatic figure's escapades continue to captivate our imaginations even centuries later. Johann Baptist Enderle's masterpiece "Saint Ignatius Leaving Antioch" transports us back to 1773, immersing us in religious fervor and spiritual contemplation. The delicate strokes convey emotions that transcend time. A prodigy emerges from this era - Heinecken - whose brilliance shines through his works. His contributions leave an indelible mark on art history for generations to come. The Great Sled of Catherine I takes center stage as a symbol of power and opulence during her reign over Russia. Its grandeur reflects her influence as she navigated political landscapes with finesse. Robert Lord Clive's presence looms large in this period; he shaped British colonialism in India with strategic military victories that altered the course of history forever. Johann Peter Miller's artistic vision brings life to canvases, capturing moments frozen in time like Friedrich Anton Heinitz’s masterpieces which evoke deep emotions within viewers' hearts. Vignettes from Grosser Atlas offer glimpses into different corners of the world through hand-colored engravings – each telling its own unique story while connecting humanity across borders. Peter the Great’s engraved image reminds us of his transformative leadership that propelled Russia onto the global stage during his reign from 1672 until his passing in 1725 – leaving behind an enduring legacy.