1725 Collection (page 7)

Wall Clock (Pendule); Clock movement by Jean-Jacques Fieffe, French, about 1700 - 1770, master 1725, case possibly after a design by Juste-Aurele Meissonnier, French, born Italy, 1695 - 1750

Paneling; Jacques Gaultier, French, active first half of the 18th century, and after designs of Armand-Claude Mollet, French, 1650 - 1742; Paris, France

Mantel Clock (Pendule); Movement maker Paul Gudin, French, active about 1729 - 1755, Case attributed to Andre-Charles Boulle, French, 1642 - 1732, master before 1666; Paris, France

Card and Writing Table (Table a quadrille brise); Unknown; Paris, France, Europe; about 1725; Oak and fir veneered with bloodwood

One pair of Mounted Groups; Flowers made at the Chantilly Porcelain Manufactory, French, active about 1725 - about 1792, Porcelain maker Unknown maker, Chinese, Bronzier Unknown maker, French; China

Wall Clock (Pendule a repetition); Clock movement by Charles Voisin, French, 1685 - 1761, master 1710, Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; Paris, France

Chamber Pot (Bourdaloue); Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; Chantilly, France, Europe; about 1740; Soft-paste porcelain with polychrome enamel decoration;

Possibly a Model for a Ceramic Vessel; Unknown; Germany, Europe; about 1725 - 1730; Terracotta; Object: H: 32.4 x W: 29.8 x D: 29.8 cm (H: 1 ft. 3/4 x W: 11 3/4 x D: 11 3/4 in.)

Tea Service; Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; Chantilly, France, Europe; about 1730 - 1735; Soft-paste porcelain, polychrome enamel decoration; Various

Lidded Jar; Joseph Olerys Manufactory (Moustiers), French, active about 1650 - present; Moustiers, France, Europe; about 1723 - 1725; Tin-glazed earthenware (faience); Object: H: 26 x Diam

Armoire; Unknown; Paris, France, Europe; about 1720 - 1725; Oak, Scots pine, beech, and chestnut veneered with rosewood, olive, yew and cherry; Object: H: 175.9 x W: 97.5 x D: 43.8 cm (H: 5 ft)

Wine Pot; Studio of Johann Gregor Horoldt, German, 1696 - 1775, active 1720 - 1756 and 1763 - 1765, Meissen Porcelain Manufactory, German, active 1710 - present; Meissen, Germany

Table Bell; Painting attributed to studio of Johann Gregor Horoldt, German, 1696 - 1775, active 1720 - 1756 and 1763 - 1765, Meissen Porcelain Manufactory, German, active 1710 - present; Meissen

Pair of Magot Figures; Mounts: Unknown, Figures: Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; about 1740; Soft-paste porcelain

Leaf-Shaped Dish; Painting attributed to Ignaz Preissler, German, 1676 - 1741, Meissen Porcelain Manufactory, German, active 1710 - present; Meissen, Germany

Bracket; Unknown; France, Europe; about 1720 - 1725; Gilt bronze, with a core of oak; Object: H: 38 cm (H: 1 ft. 3 in.)

Two Seated Men; Nicolas Lancret, French, 1690 - 1743; about 1725 - 1730; Red, black and white chalk; 24.4 x 31.9 cm (9 5/8 x 12 9/16 in.)

Night Clock; Case and hardstone mosaics by Giovanni Battista Foggini, Italian, 1652 - 1725, Woodwork by Leonard van der Vinne, Flemish, active second half of 17th century - 1713

Andromeda and the Sea Monster; Massimiliano Soldani-Benzi, Italian, 1656 - 1740; Italy, Europe; designed before 1717; cast about 1725; Bronze on grey-green marble bases with bronze mounts; Object: H

Andromeda and the Sea-Monster, Leda and the Swan; Massimiliano Soldani-Benzi, Italian, 1656 - 1740; Italy, Europe; designed before 1717; cast about 1725; Bronze on grey-green marble bases with bronze

Mars and Venus, Allegory of Peace (Mars et Venus, allegorie sur la Paix); Louis Jean Francois Lagrenee, French, 1725 - 1805; France

Cimon and Pero: Roman Charity"
Cimon and Pero: " Roman Charity" ; Jean-Baptiste Greuze, French, 1725 - 1805; France, Europe; about 1767; Oil on canvas; Unframed: 65.4 x 81.4 cm (25 3/4 x 32 1/16 in.)

Fireback; Unknown maker, French; about 1703 - 1725; Cast iron; Object: 80 x 96 cm (2 ft. 7 1/2 in. x 3 ft. 1 7/8 in.)

Philip Dormer Stanhope, Fourth Earl of Chesterfield (1694-1773) Chiseled on front of base
The Fall of the Rebel Angels; Unknown maker, Southern German or Austrian; 1715 - 1725; Fine-grained, calcareous limestone; Object: H: 55 x W: 16.5 x D: 15 cm (1 ft. 9 5/8 in. x 6 1/2 in. x 5 7/8 in.)

Scene in a London Street The Bath Fly Signed and dated in black paint, lower right: " J. Collet pinx | 1770", John Collet, ca. 1725-1780, British

An Imaginary View of Westminster Bridge, London, Adrien Leprieur, active 1715-1725, French

Figures with a Donkey and Dog Crossing a Weir Signed and dated in ocher-color paint, lower right: " Ja: Lambert Lewes 1767", James Lambert of Lewes, 1725-1788, British

British Gentlemen at Sir Horace Manns Home in Florence, Thomas Patch, 1725-1782, British

A View of Tivoli Rome Italy Signed in yellow paint, lower left: Patch"
A View of Tivoli Rome Italy Signed in yellow paint, lower left: " Patch", Thomas Patch, 1725-1782, British

A Panoramic View of Florence from Bellosguardo Italy Firenze Signed and dated: [?Patch?]
A Panoramic View of Florence from Bellosguardo Italy Firenze Signed and dated: " [?Patch?] | 1775", Thomas Patch, 1725-1782, British

A River Scene with Thatched Huts by a Bridge over a Weir Signed and dated in ocher-color frame, lower right: " Ja: Lambert Lewes 1767", James Lambert of Lewes, 1725-1788, British

Giovanni Battista Piazzetta, Madonna and Child Appearing to Saint Philip Neri, 1683-1754, probably 1725 or after, oil on canvas

Giovanni Battista Tiepolo, Queen Zenobia Addressing Her Soldiers, Italian, 1696-1770, 1725-1730, oil on canvas

TEMPTATION OF ST. ANTHONY. Oil on canvas, c1725, by G. B. Tiepolo
TEMPTATION OF ST. ANTHONY. Oil on canvas, c1725, by G.B. Tiepolo

FIREFIGHTING, c1725. A hand-pulled fire engine dating from c1725. Engraving, English, 1885

FIRE ENGINE. Model of New York Citys first fire engine, which was hand-drawn, c. 1725

CHARLES VANE (c1680-1720). English woodcut, 1725

STEDE BONNET (c1688-1718). English pirate. English woodcut, 1725

PIRATE: EDWARD ENGLAND. Ne Edward Seegar. English (Irish born) pirate. English woodcut, 1725

PIRATE: JOHN RACKAM, 1725. Pirate, also known as Calico Jack. English woodcut, 1725

PIRATE: HOWELL DAVIS, 1725. Welsh pirate. English woodcut, 1725

BARTHOLOMEW ROBERTS, 1725. Welsh pirate. English woodcut, 1725

The system of ropes and masts supporting the valarium, or awning, which shielded spectators at the Colosseum from sun
COLOSSEUM: AWNING. The system of ropes and masts supporting the valarium, or awning, which shielded spectators at the Colosseum from sun and rain

Giuseppe Mazzuoli, Volterra, 1644 - Rome, 1725. Charity Terracotta sculpture

Robert Boyle (1627-91) experiments on Spring of the Air. Apparatus similar to Guericke s
Robert Boyle (1627-91) experiments on Spring of the Air. Apparatus similar to Guerickes water barometer. Found water could only be raised 33ft 6ins. Edition of Boyles works published 1725. Engraving

Evacuating bell jar to examine effect on animal in it. Robert Boyles second air pump c1660. Edition of Boyles work published 1725. Engraving

Formation of rainbow by dispersion and total internal reflection (top). Observing Newtons Rings (circular concentric interference fringes)

Percussion Pendulum. Experiment to investigate inertia of bodies using 2 suspended weights whose movements could be accurately measured. From WJ Gravesande Physices Elementa Mathematica London 1725

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"Exploring the Rich Tapestry of 1725: A Journey through History and Art" Step into the world of 1725, where British Coats of Arms proudly display their heraldic symbols, representing noble lineages and storied histories. Engraved with meticulous detail, Newshams fire engine captures the innovative spirit of the time, showcasing advancements in technology. Intriguingly, a portrait bust of Casanova stands as a testament to his adventurous spirit and literary prowess. This enigmatic figure's escapades continue to captivate our imaginations even centuries later. Johann Baptist Enderle's masterpiece "Saint Ignatius Leaving Antioch" transports us back to 1773, immersing us in religious fervor and spiritual contemplation. The delicate strokes convey emotions that transcend time. A prodigy emerges from this era - Heinecken - whose brilliance shines through his works. His contributions leave an indelible mark on art history for generations to come. The Great Sled of Catherine I takes center stage as a symbol of power and opulence during her reign over Russia. Its grandeur reflects her influence as she navigated political landscapes with finesse. Robert Lord Clive's presence looms large in this period; he shaped British colonialism in India with strategic military victories that altered the course of history forever. Johann Peter Miller's artistic vision brings life to canvases, capturing moments frozen in time like Friedrich Anton Heinitz’s masterpieces which evoke deep emotions within viewers' hearts. Vignettes from Grosser Atlas offer glimpses into different corners of the world through hand-colored engravings – each telling its own unique story while connecting humanity across borders. Peter the Great’s engraved image reminds us of his transformative leadership that propelled Russia onto the global stage during his reign from 1672 until his passing in 1725 – leaving behind an enduring legacy.