1735 Collection (page 8)

Jakob Frey, Swiss (1681-1752), A Sculpture of Saint Benedict in a Niche, 1735, red chalk heightened with white on laid paper

Edme Bouchardon, Rocaille Fountain with Venus, Amorini, and Swans, French, 1698-1762, c. 1735, red chalk on 2 joined sheets of laid paper

Nicolas Lancret, French (1690-1743), Picnic after the Hunt, probably c. 1735-1740, oil on canvas

Caspar Wolf (Swiss, 1735 - 1783), Architectural Fantasy of Antique Ruins with a Watermill, 1760s, gouache on laid paper

Benoat-Louis Pra vost after Jean-Baptiste Oudry (French, c. 1735 - 1804), Le roi
Benoat-Louis Pra© vost after Jean-Baptiste Oudry (French, c. 1735 - 1804), Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter), published 1759, hand-colored etching

Franazois Boucher after Abraham Bloemaert (French, 1703 - 1770), Reclining Shepherd Boys, published 1735, etching on laid paper

Joseph Ducreux (French, 1735 - 1802), Head of a Gentleman [recto], 1770-1780, red, black, and white chalks with stumping on brown paper

Paul Revere, Masonic Certificate, American, 1735 - 1818, 1773, engraving printed by Herbert Pasternack in 1954 on wove paper

Portrait of Carlo Broschi, Alexander van Haecken, 1735

Trade Label of a Leiden cloth trade, The Netherlands, Jan Wandelaar, 1735

Shepherds and Shepherdesses in a Landscape, Hieronymus van der Mij, c. 1735

Portrait of Adriaen Caspar Parduyn, Councilor and Alderman of Middelburg, Son of Caspar Adriaen Parduyn and Maria van Citters, Philip van Dijk, 1735 - 1753

Deer Hunting, Anonymous, 1715 - 1735

Anna of Hanover, Anna van Hannover, 1709-59, Sister of Frederick Louis, Prince of Wales, and wife of Prince William IV. Willem IV. Anonymous, 1735 - 1745, Portrait miniature

Frederick Louis, 1707-51, Prince of Wales. Son of King George II, Anonymous, 1735 - 1740, Portrait miniature

Four Landscapes Representing the Four Seasons, Jacques-Guillaume van Blarenberghe, Louis Nicolas van Blarenberghe, Anonymous, c. 1735 - c. 1745

Portrait of Abraham Patras, Governor-General of the Dutch East India Company, Theodorus Justinus Rheen, 1735 - 1800

Portrait of Diederik van Hemert, Lord of Babylonienbroek at six years of age, Harmen Serin, 1735

Fete galante in a Landscape, Jean Baptiste Francois Pater, c. 1730 - c. 1735

Giovanni Ottoviani (Italian, 1735 - ca. 1808) after Guercino (aka Giovanni Francesco Barbieri) (Italian, 1591 - 1666). Angelica and Medora. Etching

Jean Daulle (French, 1703-1763) after Pierre Mignard II (French, 1640 - 1725). Portrait of Catherine Marguerite Mignard, Comtesse de Fouquiere, Daughter of the Painter Pierre Mignard, 1735

Study of a Reclining Nude; Francois Boucher, French, 1703 - 1770; France, Europe; 1732 - 1735; Red and white chalk on oatmeal paper

Flight into Egypt (recto), Various Studies (verso); Giovanni Battista Tiepolo, Italian, 1696 - 1770; Italy, Europe; 1725 - 1735; Pen and brown ink with brown wash over black chalk (recto)

Self-Portrait, Yawning; Joseph Ducreux, French, 1735 - 1802; by 1783; Oil on canvas; Unframed: 114.3 x 88.9 cm (45 x 35 in.), Framed: 138.1 x 112.1 x 6.4 cm (54 3/8 x 44 1/8 x 2 1/2 in.)

Before the Ball; Jean-Francois de Troy, French, 1679 - 1752; Paris, France, Europe; 1735; Oil on canvas; Unframed: 83 x 65.4 cm (32 11/16 x 25 3/4 in.)

Mercury and Argus; Produced in the Ginori Porcelain Factory, Italian, active 1735 - present, After models by Giovanni Battista Foggini, Italian, 1652 - 1725, Probably made by Gaspero Bruschi

Wall Clock (Pendule); Clock movement by Jean-Jacques Fieffe, French, about 1700 - 1770, master 1725, case possibly after a design by Juste-Aurele Meissonnier, French, born Italy, 1695 - 1750

Vase (vase bouc du Barry B); Painted by Fallot, French, active Sevres, France 1764 - 1790, Gilded by Jean Chauvaux le jeune, French, 1735 - 1807, active at Sevres, France 1764 - 1800

Desk Chair (Fauteuil de cabinet); Attributed to Etienne Meunier, French, master 1732; Paris, France, Europe; about 1735; Walnut with leather upholstery; silk velvet linings; brass studs; Object: H

Pair of Firedogs; Unknown; about 1735; Gilt bronze; Various, see extensions

Pair of Vases (vases hollandois nouveaux, deuxieme grandeur); Painted by Jacques-Francois-Louis de Laroche, French, about 1740 - about 1802, active Sevres, 1758 - 1800

Chair (fauteuil de toilette); Georges Jacob, French, 1739 - 1814, master 1765, and Pierre-Claude Triquet, French, active second half of 18th century, and Jean-Baptiste-Simon Rode, French

Armchair (Fauteuil a la reine); Unknown; France, Europe; about 1735; Gilded walnut; modern upholstery; brass studs; Object: H: 104.8 x W (at knees): 64.1 cm (H: 3 ft. 5 1/4 in. x W (at knees): 2 ft

Two Armchairs (fauteuills a la reine) and Two Side Chairs (chaises a la reine); Unknown; Paris, France, Europe; about 1735 - 1740; Gessoed and gilded beech; modern silk upholstery; Various

Tea Service; Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; Chantilly, France, Europe; about 1730 - 1735; Soft-paste porcelain, polychrome enamel decoration; Various

Bust of Louis XV; Mennecy Porcelain Manufactory, French, active 1735 - 1773; Mennecy, France, Europe; about 1750 - 1755; Soft-paste porcelain; Object: H: 43.2 x W: 24.3 x D: 14.4 cm (H: 1 ft. 5 in)

Tapestry: Portiere aux Armes de France; woven under the direction of Etienne-Claude Le Blond, French, about 1700 - 1751, active at Gobelins, 1727 - 1751, Gobelins Manufactory, French

Figure of a Street Vendor; Mennecy Porcelain Manufactory, French, active 1735 - 1773; Mennecy, France, Europe; about 1755 - 1760; Soft-paste porcelain; Object: H: 23.8 x W: 11.4 x D: 10.8 cm (H)

View of the Ruins of the Temple of Ceres in the Valley of Agrigento; Jean-Pierre-Louis-Laurent Houel, French, 1735 - 1813; Italy, Sicily

Dancing Girl An Indian Dancing Girl with a Hookah signed and dated 1772, Tilly Kettle, 1735-1786, British

William, later Dr. Vyse Dr. Vyse Inscribed, upper left: William Vsfe Esq
William, later Dr. Vyse Dr. Vyse Inscribed, upper left: " William Vsfe Esq. | [underlined:] Fellow of Allsouls College" Signed and dated, center right: " T

View near Rome, Nathaniel Dance-Holland, 1735-1811, British

Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti, Nathaniel Dance-Holland, 1735-1811, British

Thomas Sense Browne Thomas Brown, Garter King of Arms Thomas Brown, Garter
Thomas " Sense" Browne Thomas Brown, Garter King of Arms Thomas Brown, Garter King Signed in black paint, lower left: " NDANCE", Nathaniel Dance-Holland, 1735-1811, British

Tobias Smollet, Nathaniel Dance-Holland, 1735-1811, British

David Garrick Miniature: Tassie Glass Paste Portrait Medallion of David Garrick Chiseled on spine of book: " GARRICK STRAT

Shuja-ud-daula, Nawab of Oudh Shuja-ud-Daulah, Nawab of Awadh, holding a bow, Tilly Kettle, 1735-1786, British

James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne A Conversation Piece in Rome: James Grant, Mr. Mytton, the Hon. Thomas Robinson, and Mr

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"Exploring the Vibrant World of 1735: A Journey Through Art, Botany, and History" Step into the captivating world of 1735, where artistry, botany, and history intertwine to create a tapestry of intrigue. In this year, Elizabeth Blackwell's remarkable book "A Curious Herbal" was published in London. The delicate line engravings within its pages transport us to an era when chili peppers were depicted with meticulous detail - their fiery essence captured on paper. But it doesn't stop there; Blackwell also immortalized the cardamom plant in her engravings. Its seedpod stands tall as a testament to nature's wonders and the artist's skillful hand. As we delve deeper into this time period, we encounter Hogarth's iconic series "The Rake's Progress. " Plate by plate, he unravels the moral decline of his protagonist through vivid imagery that still resonates today. Amidst these artistic endeavors lies another milestone – Harrison’s First Chronometer. This groundbreaking invention revolutionized navigation at sea and forever changed our understanding of timekeeping accuracy. Meanwhile, Allington Castle near Maidstone beckons us with its grandeur and rich history that dates back centuries. Intriguingly enough, John Adams makes an appearance in Chappel’s portrait from 1735 - a glimpse into the life of one who would later become America’s second president. Eltham Palace emerges as well; its regal architecture evoking visions of lavish gatherings and royal affairs. As we journey further through time via Hogarth’s plates four and eight from "The Rake's Progress, " we witness both folly and consequence unfold before our eyes. These cautionary tales serve as reminders that choices have repercussions even across centuries. Let us not forget Plate Five – a pivotal moment in Hogarth’s narrative where consequences come crashing down upon his wayward protagonist amidst a backdrop of opulence and despair.