1735 Collection (page 9)

Two Armchairs (fauteuills a la reine) and Two Side Chairs (chaises a la reine); Unknown; Paris, France, Europe; about 1735 - 1740; Gessoed and gilded beech; modern silk upholstery; Various

Tea Service; Chantilly Porcelain Manufactory, French, active about 1725 - about 1792; Chantilly, France, Europe; about 1730 - 1735; Soft-paste porcelain, polychrome enamel decoration; Various

Bust of Louis XV; Mennecy Porcelain Manufactory, French, active 1735 - 1773; Mennecy, France, Europe; about 1750 - 1755; Soft-paste porcelain; Object: H: 43.2 x W: 24.3 x D: 14.4 cm (H: 1 ft. 5 in)

Tapestry: Portiere aux Armes de France; woven under the direction of Etienne-Claude Le Blond, French, about 1700 - 1751, active at Gobelins, 1727 - 1751, Gobelins Manufactory, French

Figure of a Street Vendor; Mennecy Porcelain Manufactory, French, active 1735 - 1773; Mennecy, France, Europe; about 1755 - 1760; Soft-paste porcelain; Object: H: 23.8 x W: 11.4 x D: 10.8 cm (H)

View of the Ruins of the Temple of Ceres in the Valley of Agrigento; Jean-Pierre-Louis-Laurent Houel, French, 1735 - 1813; Italy, Sicily

Dancing Girl An Indian Dancing Girl with a Hookah signed and dated 1772, Tilly Kettle, 1735-1786, British

William, later Dr. Vyse Dr. Vyse Inscribed, upper left: William Vsfe Esq
William, later Dr. Vyse Dr. Vyse Inscribed, upper left: " William Vsfe Esq. | [underlined:] Fellow of Allsouls College" Signed and dated, center right: " T

View near Rome, Nathaniel Dance-Holland, 1735-1811, British

Cristiano Giuseppe Lidarti and Giovanni Battista Tempesti, Nathaniel Dance-Holland, 1735-1811, British

Thomas Sense Browne Thomas Brown, Garter King of Arms Thomas Brown, Garter
Thomas " Sense" Browne Thomas Brown, Garter King of Arms Thomas Brown, Garter King Signed in black paint, lower left: " NDANCE", Nathaniel Dance-Holland, 1735-1811, British

Tobias Smollet, Nathaniel Dance-Holland, 1735-1811, British

David Garrick Miniature: Tassie Glass Paste Portrait Medallion of David Garrick Chiseled on spine of book: " GARRICK STRAT

Shuja-ud-daula, Nawab of Oudh Shuja-ud-Daulah, Nawab of Awadh, holding a bow, Tilly Kettle, 1735-1786, British

James Grant of Grant, John Mytton, the Hon. Thomas Robinson, and Thomas Wynne A Conversation Piece in Rome: James Grant, Mr. Mytton, the Hon. Thomas Robinson, and Mr

Eleanor Francis Grant, of Arndilly, Tilly Kettle, 1735-1786, British

Alexander Pope Chiseled on front of socle: POPE. Peter Gaspar Scheemakers
Alexander Pope Chiseled on front of socle: " POPE.", Peter Gaspar Scheemakers, 1691-1781, Flemish

Sculpture, Sir Isaac Newton, unknown artist, 18th century, British

An Unknown Man, Tilly Kettle, 1735-1786, British

A Bridge Over the River Wye, John Taylor of Bath, 1735-1806, American

Parrots and Fruit with Other Birds and a Squirrel Signed, lower right: T
Parrots and Fruit with Other Birds and a Squirrel Signed, lower right: " T. Stranover", Tobias Stranover, 1684-after 1735, German

John Faber II after Philip Mercier (Dutch, c. 1684-1756), Philip Mercier, 1735, mezzotint on laid paper

Canaletto (Italian, 1697-1768), La Torre di Malghera, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Mestre, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Le Porte Del Dolo, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Landscape with Tower and Two Ruined Pillars [left], c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), View of a Town with a Bishops Tomb, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), The Market at Dolo [lower left], c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Pra della Valle, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), View of a Town on a River Bank, c. 1735-1746, etching

Giovanni Antonio Faldoni after Parmigianino (Italian, c. 1690-c. 1770), Nude Man Blowing a Conch, 1735, etching and engraving printed in sanguine on laid paper

Canaletto (Italian, 1697-1768), Imaginary View of S. Giacomo di Rialto, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), Landscape with Ruined Monuments, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), Landscape with a Woman at a Well, c. 1735-1746, etching

Canaletto (Italian, 1697-1768), La Piera del Bando. V. c. 1735-1746, etching

LONDON: THE MALL, c1735. Fashionable Londoners parading in The Mall, Westminster, London. Oil, English, c1735

QUEEN CAROLINE WILHELMINA (1683-1737). Caroline Wilhelmina of Brandenburg-Ansbach. Queen consort of King George II of Great Britain. Oil on canvas, 1735, by Jacopo Amigoni

JOHN PETER ZENGER (1697-1746). American printer and journalist. Zenger in the dock defended by Andrew Hamilton at his trial for seditious libel in New York City, 1735. Drawing, late 19th century

JOHN PENRUDDOCK (1619-1655). English colonel and royalist. Line engraving, c1735

JAMES EDWARD OGLETHORPE (1696-1785). English soldier, philanthropist and founder of Georgia. Oil on panel after a painting by William Verelst, c1735

LINNAEUS: TITLE PAGE. The title-page of Carolus Linnaeus Systema Naturae, printed in Leyden, 1735

FREDERICK LEWIS (1707-1751). Prince of Wales. Father of King George III of England. Oil on canvas, c1735-36, by Philip Mercier

HOGARTH: SELF-PORTRAIT. William Hogarth (1697-1764). English painter and engraver. Oil on canvas, c1735-40

VENICE: SANTI APOSTOLI. Campo Santi Apostoli in Venice, Italy, with the canal Rio dei SS. Apostoli in the foreground. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: CAMPO DEI GESUITI. Campo dei Gesuiti in Venice, Italy, with Ponte dei Gesuiti in the foreground. To the right is the Jesuits church. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: MARIA FORMOSA. Campo Sta. Maria Formosa in Venice, Italy, with Palazzo Malipiero-Trevisan in the background. Engraving, 1735, by Antonio Visentini after Canaletto

VENICE: STEFANO, 1735. Campo San Stefano in Venice, Italy, (formerly named after Francesco Morosini) with Palazzo Morosini left of center and Palazzo Loredan on the right

VENICE: CHURCH, 1735. Santa Maria Zobenigo in Venice, Italy, also known as Santa Maria del Giglio. Engraving, 1735, by Antonio Visentini after Canaletto

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"Exploring the Vibrant World of 1735: A Journey Through Art, Botany, and History" Step into the captivating world of 1735, where artistry, botany, and history intertwine to create a tapestry of intrigue. In this year, Elizabeth Blackwell's remarkable book "A Curious Herbal" was published in London. The delicate line engravings within its pages transport us to an era when chili peppers were depicted with meticulous detail - their fiery essence captured on paper. But it doesn't stop there; Blackwell also immortalized the cardamom plant in her engravings. Its seedpod stands tall as a testament to nature's wonders and the artist's skillful hand. As we delve deeper into this time period, we encounter Hogarth's iconic series "The Rake's Progress. " Plate by plate, he unravels the moral decline of his protagonist through vivid imagery that still resonates today. Amidst these artistic endeavors lies another milestone – Harrison’s First Chronometer. This groundbreaking invention revolutionized navigation at sea and forever changed our understanding of timekeeping accuracy. Meanwhile, Allington Castle near Maidstone beckons us with its grandeur and rich history that dates back centuries. Intriguingly enough, John Adams makes an appearance in Chappel’s portrait from 1735 - a glimpse into the life of one who would later become America’s second president. Eltham Palace emerges as well; its regal architecture evoking visions of lavish gatherings and royal affairs. As we journey further through time via Hogarth’s plates four and eight from "The Rake's Progress, " we witness both folly and consequence unfold before our eyes. These cautionary tales serve as reminders that choices have repercussions even across centuries. Let us not forget Plate Five – a pivotal moment in Hogarth’s narrative where consequences come crashing down upon his wayward protagonist amidst a backdrop of opulence and despair.