1752 Collection (page 6)

Paul Felix February 5 1752 Engraving sheet 16 1 / 8 x 20 11 / 16
Artokoloro

Fountain Villa Panfili Italy 1752 Stephen Riou
Artokoloro

Warwick Castle East Front 1752 Pen brown ink
Artokoloro

Actor Ichimura Uzaemon Eighth Samurai Carring
Artokoloro

1752, Homann Heirs Map of Switzerland, topography, cartography, geography, land, illustration
1752, Homann Heirs Map of Switzerland

1752, Vaugondy Map of Greece, Macedonia and Albania, topography, cartography, geography
1752, Vaugondy Map of Greece, Macedonia and Albania

1752, Homann Heirs Map of Hungary, the Balkans, and Northern Greece, topography, cartography
1752, Homann Heirs Map of Hungary, the Balkans, and Northern Greece

1752, Schely Plan or Map of Edo or Tokyo, Japan, topography, cartography, geography
1752, Schely Plan or Map of Edo or Tokyo, Japan

1752, 1850 Scull and Heap Map of Philadelphia and Environs, first view of Phillidelphia State House

BENJAMIN FRANKLIN (1706-1790). American printer, publisher, scientist, inventor, statesman and diplomat. Franklin, assisted by his son William

Dalibards scientific experiment conducted in Marly, 10 May 1752. First demonstration of the presence of electricity in thunderclouds

The experiment of the electric kite conducted in Philadelphia by Franklin in September 1752

Jean-Franazois Janinet after Jean Jacques Lagrenee, French (1752-1814), L oisseau prive, color aquatint and etching

Jean-Franazois Janinet after Sir Peter Paul Rubens, French (1752-1814), Henry IV, 1777, color aquatint

Jean-Franazois Janinet after Charles-Nicolas Cochin the Younger, French (1752-1814), Two Male Nudes, c. 1774, chalk manner printed in red ink on laid paper

Jakob Frey, Swiss (1681-1752), A Sculpture of Saint Benedict in a Niche, 1735, red chalk heightened with white on laid paper

Giuseppino Galliari, Italian (1752-1817), Stage Design: A Piazza with a Domed Church and an Obelisk, 1783, pen and brown ink with brown wash over graphite on laid paper

Georg Friedrich Schmidt, German (1712-1775), Self-Portrait Sketching, 1752, black and red chalk with watercolor and pastel and pen and black ink

Jean-Franazois Janinet after Pierre Alexandre Wille (French, 1752 - 1814), Le repas des moissonneurs, 1774, color aquatint and etching with roulette work

Jean-Franazois Janinet after Franazois Boucher, French (1752-1814), La toilette de Venus
Jean-Franazois Janinet after Franazois Boucher (French, 1752 - 1814), La toilette de Venus, 1783, wash manner, printed in blue, red, carmine, yellow, and black inks

Jean-Franazois Janinet after Caspar Wolf (French, 1752 - 1814), Chute de la Tritt dans la valla© e de Muhlethal, 1776, etching and wash manner printed in color on laid paper [proof]

Jean-Franazois Janinet (French, 1752 - 1814), Vue de Thun du Cote du Midi, probably 1776, color aquatint and etching

Jean-Franazois Janinet after Jean-Jacques-Franazois Le Barbier I (French, 1752 - 1814), La Venus aux colombes, color aquatint and etching

Jean-Franazois Janinet after Nicolas Lavreince (French, 1752 - 1814), Le petit conseil, color aquatint

Charles-Nicolas Cochin II (French, 1715 - 1790), Henry Philippe Chauvelin, 1752, etching on laid paper

John Raphael Smith after John Hoppner (British, 1752 - 1812), Phoebe Hoppner, published 1784, mezzotint

John Raphael Smith after George Romney (British, 1752 - 1812), Lady Hamilton as Nature, published 1784, mezzotint

John Raphael Smith (British, 1752 - 1812), Amanthis with Pearls, 1797, mezzotint touched with black and white chalk on laid paper [proof]

John Raphael Smith after Henry Fuseli (British, 1752 - 1812), Lear and Cordelia, 1784, mezzotint on laid paper

Johann August Nahl II (German, 1752 - 1825), A Young Couple Seated near a Massive Rock Formation, pen and brown ink with brown wash over graphite on laid paper

Robert Smirke, British (1752-1845), Patriotic Fund, pen and brown ink with gray wash
Robert Smirke (British, 1752 - 1845), Patriotic Fund, pen and brown ink with gray wash heightened with white on laid paper

Johann Caspar Huber (Swiss, 1752 - 1827), A Leafy Oak by a Woodland Path, 1780s, graphite, black and white chalk, and gray wash on buff paper

John Robert Cozens (British, 1752 - 1799), Monte Circeo at Sunset, 1780s, watercolor on paper; laid down on original presentation mount

John Robert Cozens, Cetara on the Gulf of Salerno, British, 1752 - 1799, 1790, watercolor over graphite on wove paper

Charles-Antoine Coypel, Diana and Endymion, French, 1694 - 1752, 1720s, black chalk heightened with white and squared for transfer on brown paper

The woman peddler, Peter Snijers, 1700 - 1752

Portrait of Jean-Etienne Liotard at approximately 54 years of age (Self Portrait in Turkish Costume), Anonymous, c. 1752 - c. 1800

Portrait of the Brak Family, Amsterdam Mennonites, Tibout Regters, 1752

On the ice on the river Amstel, Abraham Zeeman, 1752

Shepherdess, Andreas van der Myn, John Boydell, 1752

Portrait of the knight of Pancey, Lodewijk Joseph Fruytiers, Anonymous, 1752

Charles-Antoine Coypel (French, 1694 - 1752) after Giovanni Benedetto Castiglione (Italian, 1609 - 1664). Hagar and Ishmael, ca. 1740-1750. Etching. Plate: 320 mm x 467 mm (12.6 in. x 18.39 in.)

A View of Place Louis XV; Attributed to Alexandre-Jean Noel, French, 1752 - 1834; about 1775 - 1787; Oil on canvas; Unframed: 49.8 x 74.9 cm (19 5/8 x 29 1/2 in.)

Before the Ball; Jean-Francois de Troy, French, 1679 - 1752; Paris, France, Europe; 1735; Oil on canvas; Unframed: 83 x 65.4 cm (32 11/16 x 25 3/4 in.)

Four Armchairs and One Settee; Jacques-Jean-Baptiste Tilliard, French, 1723 - 1798, master 1752; Paris, France, Europe; about 1770 - 1775; Carved and gilded walnut

Tapestry: La Poltronnerie de Sancho a la chasse, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Tapestry: Don Quichotte gueri de sa folie par la sagesse, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present

Tapestry: Le Repas de Sancho dans l Ile de Barataria, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

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"1752: A Year of Art, Literature, and Enlightenment" Step back in time to the year 1752, where history unfolded with remarkable events and influential figures. Thomas Chatterton, a prodigious poet and forger, captivated minds with his literary prowess. Engraving of a nautilus and an ammonite showcased the wonders of nature's intricate designs. In the realm of equestrian beauty, "One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom)" captured the grace and strength embodied by these magnificent creatures. Meanwhile, Johann Albrecht Bengel's theological contributions ignited intellectual debates that shaped religious discourse. The royal scene was not devoid of interest either; Maria Teresa Isabella graced courts with her elegance and charm. Chatterton's House on Brook Street stood as a testament to his legacy in London during 1857 while John Nash's captivating photography immortalized moments in time. Traveling afar brings us to Peter & Paul Fortress—a symbol of Russian might—where history unfolded within its walls. Fanny Burney (E Burney), through her writings, transported readers into vivid worlds filled with emotion and intrigue. Art enthusiasts marveled at the "Portrait Brak Family Amsterdam Mennonites Family portrait, " capturing familial bonds frozen in paint strokes. The profound ideas put forth by English philosopher John Locke resonated even beyond his lifetime through copper engravings like those created in 1752. Lastly but certainly not leastly is Benjamin Franklin who harnessed lightning itself—an emblematic moment that forever altered our understanding of electricity. As we reflect upon this pivotal year marked by creativity, intellectuality, scientific breakthroughs, artistic expressions, and societal changes—we are reminded how each passing year leaves an indelible mark on humanity's journey towards progress.