1752 Collection (page 7)

Robert Smirke, British (1752-1845), Patriotic Fund, pen and brown ink with gray wash
Robert Smirke (British, 1752 - 1845), Patriotic Fund, pen and brown ink with gray wash heightened with white on laid paper

Johann Caspar Huber (Swiss, 1752 - 1827), A Leafy Oak by a Woodland Path, 1780s, graphite, black and white chalk, and gray wash on buff paper

John Robert Cozens (British, 1752 - 1799), Monte Circeo at Sunset, 1780s, watercolor on paper; laid down on original presentation mount

John Robert Cozens, Cetara on the Gulf of Salerno, British, 1752 - 1799, 1790, watercolor over graphite on wove paper

Charles-Antoine Coypel, Diana and Endymion, French, 1694 - 1752, 1720s, black chalk heightened with white and squared for transfer on brown paper

The woman peddler, Peter Snijers, 1700 - 1752

Portrait of Jean-Etienne Liotard at approximately 54 years of age (Self Portrait in Turkish Costume), Anonymous, c. 1752 - c. 1800

Portrait of the Brak Family, Amsterdam Mennonites, Tibout Regters, 1752

On the ice on the river Amstel, Abraham Zeeman, 1752

Shepherdess, Andreas van der Myn, John Boydell, 1752

Portrait of the knight of Pancey, Lodewijk Joseph Fruytiers, Anonymous, 1752

Charles-Antoine Coypel (French, 1694 - 1752) after Giovanni Benedetto Castiglione (Italian, 1609 - 1664). Hagar and Ishmael, ca. 1740-1750. Etching. Plate: 320 mm x 467 mm (12.6 in. x 18.39 in.)

A View of Place Louis XV; Attributed to Alexandre-Jean Noel, French, 1752 - 1834; about 1775 - 1787; Oil on canvas; Unframed: 49.8 x 74.9 cm (19 5/8 x 29 1/2 in.)

Before the Ball; Jean-Francois de Troy, French, 1679 - 1752; Paris, France, Europe; 1735; Oil on canvas; Unframed: 83 x 65.4 cm (32 11/16 x 25 3/4 in.)

Four Armchairs and One Settee; Jacques-Jean-Baptiste Tilliard, French, 1723 - 1798, master 1752; Paris, France, Europe; about 1770 - 1775; Carved and gilded walnut

Tapestry: La Poltronnerie de Sancho a la chasse, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Tapestry: Don Quichotte gueri de sa folie par la sagesse, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present

Tapestry: Le Repas de Sancho dans l Ile de Barataria, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Tapestry: L Entree de Sancho dans l Ile de Barataria, from L Histoire de don Quichotte Series; Woven at the Gobelins Manufactory, French, active 1662 - present, under the direction of Michel Audran

Lidded Bowl and Dish (Ecuelle ronde et plateau rond); Vincennes Porcelain Manufactory, French, active about 1740 - 1756; Vincennes, France

Self-Portrait; Charles-Antoine Coypel, French, 1694 - 1752; 1734; Pastel on paper; Unframed: 98.1 x 80 cm (38 5/8 x 31 1/2 in.)

Study of a Woman (Rodugune) Turned toward the Left; Charles-Antoine Coypel, French, 1694 - 1752; about 1749; Black and white chalk on blue-gray paper; squared in black chalk; 43.8 x 32.9 cm

Plaque depicting Jacob choosing Rachel to be his Bride; Alcora Ceramic Factory, Spanish, active 1727 - about 1858, After painting by Jacopo Amigoni, Italian, about 1685 - 1752; Alcora, Spain

Belisarius; Jean-Baptiste Stouf, French, 1752 - 1826; about 1785 - 1791; Marble; Object (overall): H: 60 x W: 55 x D: 30 cm, 59.8748 kg (1 ft. 11 5/8 in. x 1 ft. 9 5/8 in. x 11 13/16 in)

Miss Susanna Gardiner (1752-1818) Miss Susan Gardiner, Thomas Gainsborough, 1727-1788, British

The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Robert Smirke, 1752-1845, British

One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head

The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton Two Horses in a Stable with a Groom Two Horses and a Groom in a Stable Signed and dated in brown paint

One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket, Attributed to James Seymour, 1702-1752, British

A Bay Racehorse with Jockey Up A Chestnut Racehorse with Jockey Up, James Seymour, 1702-1752, British

The Duke of Devonshires Flying Childers Flying Childers with a Groom Signed and dated, lower right: " [monogram] | 1742", James Seymour, 1702-1752, British

Old Fox held by a Groom, James Seymour, 1702-1752, British

The Seven Ages of Man: The Pantaloon, As You Like It, II, vii, Robert Smirke, 1752-1845, British

The Seven Ages of Man: Second Childishness, As You Like It, II, vii, Robert Smirke, 1752-1845, British

The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis, Robert Smirke, 1752-1845, British

A Sportsman An Unkown Sportsman Signed and dated, lower right: E Haytley Pinxit
A Sportsman An Unkown Sportsman Signed and dated, lower right: " E Haytley Pinxit | 1752", Edward Haytley, active 1740-1761, British

The Seven Ages of Man: The Justice, As You Like It, II, vii, Robert Smirke, 1752-1845, British

The Seven Ages of Man: The Soldier, As You Like It, II, vii, Robert Smirke, 1752-1845, British

The Seven Ages of Man: The Lover, As You Like It, II, vii, Robert Smirke, 1752-1845, British

The Seven Ages of Man: The Schoolboy, As You Like It, II, vii, Robert Smirke, 1752-1845, British

The Seven Ages of Man: The Infant, As You Like It, II, vii, Robert Smirke, 1752-1845, British

Sculpture, Sir Andrew Fountaine, Louis Francois Roubiliac, 1702-1762, French

Sir Roger Burgoyne Riding Badger Sir Roger Buroyne Upon His Favourite Horse Badger, With His Bitch Juno Inscribed, in artists hand, in brown paint

The Harbour of Pulo Condere The Harbour of Pulo Condore Inscribed in black paint, verso, center: " view in the Harbor of Pulo Condore" Signed and dated, verso

Burial Ground in the South Seas, John Webber, 1752-1793, British

View of Santa Cruz, Tenerife Signed and dated, lower right: J
View of Santa Cruz, Tenerife Signed and dated, lower right: " J. Webber pinx 1776", John Webber, 1752-1793, British

A Landscape with Distant Classical Ruins, a Bridge, Figures, and Cattle Signed and dated, lower left: " Wm Smith 1752", William Smith, 1707-1764, British

The Vicar of Wakefield, Vol. I, Chap. VIII: Dining in the Hayfields (Surprised by Mr. Thornhills Chaplain) Signed and dated, lower right: " C. R

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"1752: A Year of Art, Literature, and Enlightenment" Step back in time to the year 1752, where history unfolded with remarkable events and influential figures. Thomas Chatterton, a prodigious poet and forger, captivated minds with his literary prowess. Engraving of a nautilus and an ammonite showcased the wonders of nature's intricate designs. In the realm of equestrian beauty, "One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom)" captured the grace and strength embodied by these magnificent creatures. Meanwhile, Johann Albrecht Bengel's theological contributions ignited intellectual debates that shaped religious discourse. The royal scene was not devoid of interest either; Maria Teresa Isabella graced courts with her elegance and charm. Chatterton's House on Brook Street stood as a testament to his legacy in London during 1857 while John Nash's captivating photography immortalized moments in time. Traveling afar brings us to Peter & Paul Fortress—a symbol of Russian might—where history unfolded within its walls. Fanny Burney (E Burney), through her writings, transported readers into vivid worlds filled with emotion and intrigue. Art enthusiasts marveled at the "Portrait Brak Family Amsterdam Mennonites Family portrait, " capturing familial bonds frozen in paint strokes. The profound ideas put forth by English philosopher John Locke resonated even beyond his lifetime through copper engravings like those created in 1752. Lastly but certainly not leastly is Benjamin Franklin who harnessed lightning itself—an emblematic moment that forever altered our understanding of electricity. As we reflect upon this pivotal year marked by creativity, intellectuality, scientific breakthroughs, artistic expressions, and societal changes—we are reminded how each passing year leaves an indelible mark on humanity's journey towards progress.