1765 Collection (page 8)

Modern Representation Poetess Kaga no Chiyo Edo period
Artokoloro

Cat Cradle Edo period 1615-1868 ca 1765 Japan
Artokoloro

ÚØƵÑ╝þ¥Äõ║║ÕÉê Courtesan Kasugano Writing Letter
Artokoloro

Úó¿µÁüõ©âÕ░Åþö║ÒÇÇÒüùÒü┐ÒüÜ Shimizu Temple Edo period
Artokoloro

Storming Camp Mount Gadan 1769 Etching engraving
Artokoloro

Kyo Shi Edo period 1615-1868 ca 1765 Japan
Artokoloro

Two Young Women Seated Kotatsu Playing Cat Cradle
Artokoloro

Amagoi Komachi Komachi Praying Rain Edo period
Artokoloro

Visit Shrine Hour Ox Ushi no toki mairi Edo period
Artokoloro

Engawa Tsuta-ya Edo period 1615-1868 ca 1765
Artokoloro

ÒÇÄÚû¿Òü«ÚøøÕ¢óÒÇÅÒÇǵ¡úµ£ê Plate Erotic Book Mounds
Artokoloro

Sacrifice Noah 1765 Etching Sheet 10 3 / 4 16 1 / 4
Artokoloro

Fountain Rome Villa d Este Tivoli 1765 Pen brown ink
Artokoloro

1765, Benjamin Donn Wall Map of Devonshire and Exeter, England, topography, cartography
1765, Benjamin Donn Wall Map of Devonshire and Exeter, England

1765, Bonne Map of West Africa, the Gulf of Guinea, and Benin, Rigobert Bonne 1727 - 1794, one of the most important cartographers of the late 18th century

Jean-Baptiste Delafosse after Carmontelle, French (1721-1775), La malheureuse famille Calas (The Unfortunate Calas Family), c. 1765, engraving on laid paper

Georges Franazois Blondel, French (1730-c. 1791), A View of the Inside of the New Prison at Rome, c. 1765, mezzotint on laid paper

Auguste-Claude-Simon Legrand after Jean-Honora Fragonard, French (1765-1815 or after)
Auguste-Claude-Simon Legrand after Jean-Honora© Fragonard, French (1765-1815 or after), Ma chemise brule, 1789, stipple and etching

Claude-Donat Jardinier after Jean-Baptiste Greuze, French (1726-1771 or before), La tricoteuse endormie, 1765, engraving

Stanislas-Jean de Boufflers, French (1738-1815), Mr. de Voltaire, 1765, etching and engraving on laid paper

Claude-Mathieu Fessard after Jean-Honora Fragonard, French (active 1765-1805), Fragonard
Claude-Mathieu Fessard after Jean-Honora© Fragonard, French (active 1765-1805), Fragonard and Bergeret with Their Wives Visiting a Tomb in Pompeii, 1781, etching on laid paper [proof]

Benoat-Louis Pra vost after Charles-Nicolas Cochin II, French (c. 1735-1804), Louis XV
Benoat-Louis Pra© vost after Charles-Nicolas Cochin II, French (c. 1735-1804), Louis XV, 1765, engraving on laid paper

Carle Van Loo, French (1705-1765), A Seated Male Nude, red chalk on laid paper

Luigi Schiavonetti after Francis Wheatley, Italian (1765-1810), Two Bunches a Penny, Primroses, 1793, color stipple engraving

Samuel Howitt, British (c. 1765-1822), Two Pigs, gray and brown wash over graphite on wove paper

Bartolomeo Tarsia, Italian (c. 1690-1765), The Triumph of Wisdom, c. 1750, brown ink with gray and brown wash and white heightening over black chalk, squared for transfer in black chalk on laid paper

Louis-Felix de La Rue after Raphael, French (1731-1765), The Prophets Hosea and Jonah, pen and black ink and gray wash over graphite on laid paper

Giovanni Paolo Panini, Italian (1691-1765), Interior of the Pantheon, Rome, c. 1734, oil on canvas

Jean-Baptiste Deshays, Man Reclining on the Ground and the Corner of a Bed [verso], French, 1729-1765, 1758-1765, counterproof in black and white chalks on brown laid paper

Louis Carrogis, called Carmontelle, Monsieur and Madame Blizet with Monsieur Le Roy the Actor, French, 1717-1806, c. 1765

Jean-Jacques de Boissieu, Mount Cairo from across the Melfa River, French, 1736-1810, c. 1765-1766, brush and gray wash on laid paper; laid down

Hubert Robert, Statue of Jupiter, Seated [recto], French, 1733-1808, 1754-1765, black chalk on laid paper

Louis-Felix de La Rue, La Marche de Silašne, Jeux de Satyres, French
Louis-Felix de La Rue, La Marche de Silašne, " Jeux de Satyres", French, 1731 - 1765, etching on laid paper

Johann Gottfried Haid after Johann Zoffany (German, 1710 - 1776), Mr. Foote in the Character of Major Sturgeon, in the Mayor of Garrat, 1765, mezzotint on laid paper

Auguste-Claude-Simon Legrand after Louis-La opold Boilly (French, 1765 - 1815 or after)
Auguste-Claude-Simon Legrand after Louis-La© opold Boilly (French, 1765 - 1815 or after), Le cocarde nationale, color aquatint and etching

Auguste-Claude-Simon Legrand after Nicolas Lavreince (French, 1765 - 1815 or after), Le joli chien, stipple, etching, and engraving

Jean-Claude-Richard, Abba de Saint-Non after Hubert Robert (French, 1727 - 1791)
Jean-Claude-Richard, Abba© de Saint-Non after Hubert Robert (French, 1727 - 1791), Interior of a Roman Villa, 1765, etching and aquatint in brown on laid paper

James McArdell after Sir Peter Paul Rubens (British, c. 1729 - 1765), The Gerbier Family, 1755, mezzotint on laid paper

Luigi Schiavonetti after Francis Wheatley (Italian, 1765 - 1810), Milk below Maids, 1793, color stipple engraving

Anton Wachsmann (German, c. 1765 - c. 1836), Market Scene, c. 1800, pen and black ink with gray wash over graphite

Richard Westall (British, 1765 - 1836), The Reaper (The Harvest Moon), pen and gray ink with gray wash and watercolor over graphite on wove paper

Carle Van Loo, Gentleman Lounging in a Chair, French, 1705 - 1765, red chalk with touches of black chalk

The Old Lyceum Theatre (w / c on paper)
XJF441911 The Old Lyceum Theatre (w/c on paper) by English School, (18th century); Private Collection; (add.info.: Old Lyceum Theatre was built in 1765)

Joseph, dreams of cupbearer and baker, Jan Gerard Waldorp, 1765

Vignette with a blindfolded child that is led by the Truth, Jan Matthias Cok, 1765

Portrait of Princess Charlotte Amalie, Daughter of Frederick IV, King of Denmark, Anonymous, 1755 - 1765

Portrait of Adriaen Paets, Director of the Rotterdam Chamber of the Dutch East India Company, elected 1734, Dionys van Nijmegen, 1734 - 1765

The Continence of Scipio, Giacinto Diana, 1765 - 1770

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"1765: A Year of Triumphs, Innovations, and Artistic Marvels" In 1765, a magnificent ship set sail towards victory on the vast ocean. Its lantern's flickering light guided the way through treacherous waters. Meanwhile, in England, an extraordinary invention was taking shape. The Watts Steam Engine revolutionized industry and propelled progress into new realms. Amidst these groundbreaking advancements, Joseph Berchoux made his mark twice. His literary prowess captivated readers with two remarkable works that stood the test of time. Across Europe, a young prodigy named Mozart showcased his exceptional talent at just nine years old. The motet manuscript "God is Our Refuge" bore witness to his genius and foreshadowed his future as one of history's greatest composers. As society flourished, Stewart Banks captured the grandeur within Sadlers Wells Interior. This painting immortalized the beauty and elegance found in theaters during this era. Notable figures like William IV and Jesse Brummel graced the social scene with their presence. Their influence shaped fashion trends and societal norms for years to come. Art also thrived outside city walls; Kirkstall Abbey in Yorkshire became a testament to architectural brilliance when it was signed and dated by an unknown artist in brown paint. The Duke Cumberland left a lasting impression on history as well – though details remain shrouded in mystery – while A Distant View of Hythe Village painted by an anonymous artist showcased Kent's serene charm from afar. Lastly, Jan Tersteeg depicted Socrates' tumultuous relationship with Xanthippe through artistry that resonated deeply with viewers across generations. Thus, 1765 stands as a year marked by triumphs at sea, technological breakthroughs on land, artistic marvels capturing human emotions and achievements alike – forever etched into our collective memory.