1765 Collection (page 9)

Richard Westall (British, 1765 - 1836), The Reaper (The Harvest Moon), pen and gray ink with gray wash and watercolor over graphite on wove paper

Carle Van Loo, Gentleman Lounging in a Chair, French, 1705 - 1765, red chalk with touches of black chalk

The Old Lyceum Theatre (w / c on paper)
XJF441911 The Old Lyceum Theatre (w/c on paper) by English School, (18th century); Private Collection; (add.info.: Old Lyceum Theatre was built in 1765)

Joseph, dreams of cupbearer and baker, Jan Gerard Waldorp, 1765

Vignette with a blindfolded child that is led by the Truth, Jan Matthias Cok, 1765

Portrait of Princess Charlotte Amalie, Daughter of Frederick IV, King of Denmark, Anonymous, 1755 - 1765

Portrait of Adriaen Paets, Director of the Rotterdam Chamber of the Dutch East India Company, elected 1734, Dionys van Nijmegen, 1734 - 1765

The Continence of Scipio, Giacinto Diana, 1765 - 1770

Pieter Janson (1765-1851). Painter and etcher, major of Cuirassiers out of service, Monogrammist HK (Dutch), 1842

Cranes in the morning, Maruyama Okyo, 1765, scroll painting

Man with a pipe sitting at a table, Cornelis van Noorde, Cornelis Troost, 1765

View of the Market with New Church and Town Hall in Delft, The Netherlands, print maker: Iven Besoet, 1765

Anne-Claude-Philippe de Caylus (French, 1692-1765) after Baldassare Peruzzi (Italian, 1481 - 1536). Androcles with the Lion, ca. 1729- 1742

Jacopo Leonardis (Italian, 1723-1797) after Giovanni Domenico Tiepolo (Italian, 1727 - 1804). The Minuet (Il Minuetto), 1765. Etching and engraving

Jean-Baptiste de Grateloup (French, 1735-1817) after Godfrey Kneller (British (English), 1646 - 1723). Portrait of the Poet, John Dryden, 1765

Semitori, Catching crickets. Suzuki, Harunobu, 1725?-1770, artist, 1765. 1 print : woodcut, color; 27.7 x 19.1 cm. Print shows a woman and a child catching crickets

Cabinet (Cabinet); Roger Vandercruse Lacroix, French, 1727 - 1799, master 1755; Paris, France, Europe; about 1765; Oak and fir veneered with tulipwood, amaranth

Side Chair (chaise a la reine); Jean Boucault, French, 1705 - 1786, master 1728; Paris, France, Europe; about 1765 - 1770; Gessoed and gilded beech; modern silk velvet upholstery; Object: H: 91 x W

Chair (fauteuil de toilette); Georges Jacob, French, 1739 - 1814, master 1765, and Pierre-Claude Triquet, French, active second half of 18th century, and Jean-Baptiste-Simon Rode, French

Lidded Pot; Unknown; Dehua, China, Asia; porcelain about 1690 - 1700; mounts about 1765 - 1770; Hard-paste porcelain (blanc de chine); gilt bronze mounts; Object: H: 25.1 x W: 18.7 x D: 15.9 cm (H)

Cup and Saucer (gobelet litron et soucoupe, deuxieme grandeur); Painted by Etienne-Jean Chabry fils, French, active 1765 - 1787, Gilded by Michel-Barnabe Chauvaux, aine, French, active 1753 - 1788

Pair of Corner Cupboards; Pierre Garnier, French, about 1720 - 1800, master 1742; Paris, France, Europe; about 1765; Fir and oak veneered with ebony, tulipwood

Wine Bottle Cooler (seau a bouteille ordinaire); Painted decoration attributed to Charles-Eloi Asselin, French, 1742 - 1803, active 1765 - 1803, Model originally by Jean-Claude Duplessis pere

Porphyry Urn; Unknown, After a design by Ennemond-Alexandre Petitot, French, 1727 - 1801; Paris, France, Europe; vase 1700s; mount about 1765 - 1770; Porphyry; red marble; gilt-bronze mounts; Object

Assembled Set of Five Vases; Decoration attributed to Johann Gregor Horoldt, German, 1696 - 1775, active 1720 - 1756 and 1763 - 1765, Meissen Porcelain Manufactory, German

Wine Pot; Studio of Johann Gregor Horoldt, German, 1696 - 1775, active 1720 - 1756 and 1763 - 1765, Meissen Porcelain Manufactory, German, active 1710 - present; Meissen, Germany

Reading and Writing Stand; Abraham Roentgen, German, 1711 - 1793; Neuwied, Germany, Europe; about 1760 - 1765; Pine, oak, and walnut veneered with rosewood, alder, palisander, ivory

Table Bell; Painting attributed to studio of Johann Gregor Horoldt, German, 1696 - 1775, active 1720 - 1756 and 1763 - 1765, Meissen Porcelain Manufactory, German, active 1710 - present; Meissen

Covered Cup and Saucer (gobelet a lait et soucoupe, deuxieme grandeur); Sevres Manufactory, French, active 1756 - present, Painting attributed to Christian Gotthelf Grossman, German, 1737 - 1786

A Tea Service (dejeuner ruban); Etienne-Henri Le Guay, French, 1719/1720 - about 1799, active 1748 - 1749, 1751 - 1796, Sevres Manufactory, French

Console Table; Attributed to Pierre Deumier, French, active Paris 1760s, After a design dated 1766, attributed to Victor Louis, French, 1731 - 1807, and Jean-Louis Prieur, French

Vase (vase a chaine or vase a cote de melon); Sevres Manufactory, French, active 1756 - present, Design attributed to Jean-Claude Duplessis pere, French, about 1695 - 1774, active Sevres

Farmyard with Two Figures by a Well and a Large Wheelbarrow in the Foreground; Hubert Robert, French, 1733 - 1808; 1760 - 1765; Red chalk on buff-colored paper; 37.5 x 49.5 cm (14 3/4 x 19 1/2 in.)

Four Studies of a Male Figure; Giovanni Battista Piranesi, Italian, 1720 - 1778; 1760 - 1765; Pen and brown ink and brown wash, traces of black chalk; 25 x 17.3 cm (9 13/16 x 6 13/16 in.)

A Draftsman in the Capitoline Gallery; Hubert Robert, French, 1733 - 1808; Italy, Europe; about 1765; Red chalk; 45.7 x 33.7 cm (18 x 13 1/4 in.)

Saltwood Castle Signed and dated, lower center: G Lambert
Saltwood Castle Signed and dated, lower center: " G Lambert. 1762", George Lambert, 1700-1765, British

Landscape with Farmworkers, George Lambert, 1700-1765, British

A Race of Chimney-sweeps on Donkeys, Samuel Percy, 1753-1819, British

Ceramic Bust of the Reverend George Whitfield: with ruddy cheeks, prominent mole, black robes and clerical collar

Box Hill, Surrey, with Dorking in the distance Box Hill Signed and dated in black paint, lower left: " G[...]Lambert | 1733", George Lambert, 1700-1765, British

John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk Signed and dated in green paint, lower right: " J. Dunthorne | 1765", James Dunthorne, 1730-1815, British

J. & W. Chaplins Dover-London Stage on the Road Signed and dated, lower left: " Cordrey pinx : 1814", John Cordrey, active 1765-1825, British

A Gentleman with His Pair of Bays Harnessed to a Curricle Signed and dated, lower left: " J Cordrey P | 1806", John Cordrey, active 1765-1825, British

Lake Albano, George Lambert, 1700-1765, British

Thomas Dawson, 1st Baron Dartrey (Later 1st Viscount Cremorne) Chiselled within a circular band around an armorial cartouche on the front of the socle

The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat, c. 1754 Inscribed with text Dated, lower right: " August 1754", Richard Roper, active 1749-1765

The Brahmin Committing his Daughter Coraly to the Care of Blandford, Thomas Kirk, 1765-1797, British

Landscape, with Dover Castle in the Distance A Distant View of Dover Castle Signed in ocher-color paint, lower left: " A Nelson", Arthur Nelson, active 1765-1773, British

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"1765: A Year of Triumphs, Innovations, and Artistic Marvels" In 1765, a magnificent ship set sail towards victory on the vast ocean. Its lantern's flickering light guided the way through treacherous waters. Meanwhile, in England, an extraordinary invention was taking shape. The Watts Steam Engine revolutionized industry and propelled progress into new realms. Amidst these groundbreaking advancements, Joseph Berchoux made his mark twice. His literary prowess captivated readers with two remarkable works that stood the test of time. Across Europe, a young prodigy named Mozart showcased his exceptional talent at just nine years old. The motet manuscript "God is Our Refuge" bore witness to his genius and foreshadowed his future as one of history's greatest composers. As society flourished, Stewart Banks captured the grandeur within Sadlers Wells Interior. This painting immortalized the beauty and elegance found in theaters during this era. Notable figures like William IV and Jesse Brummel graced the social scene with their presence. Their influence shaped fashion trends and societal norms for years to come. Art also thrived outside city walls; Kirkstall Abbey in Yorkshire became a testament to architectural brilliance when it was signed and dated by an unknown artist in brown paint. The Duke Cumberland left a lasting impression on history as well – though details remain shrouded in mystery – while A Distant View of Hythe Village painted by an anonymous artist showcased Kent's serene charm from afar. Lastly, Jan Tersteeg depicted Socrates' tumultuous relationship with Xanthippe through artistry that resonated deeply with viewers across generations. Thus, 1765 stands as a year marked by triumphs at sea, technological breakthroughs on land, artistic marvels capturing human emotions and achievements alike – forever etched into our collective memory.