Aeneas Collection (page 9)

Aeneas built a castle in Italy and sends his wise messengers to the king Latinus in Laurentum. Scene from the Aeneid of Virgil in french manuscript From the creation of the world to the conquest of

Venus Aeneas mid-18th century Etching engraving
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Plate 126 Aeneas Anchises AEnea perentem pietas
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Aeneas Farewell Dido Pen black ink 6 5 / 8 x 8 1 / 2
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Aeneas family fleeing Troy 1595 Engraving Sheet
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Aeneas Siblyl 1703-66 Pen brown ink brush gray wash
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Dido Aeneas recto Three Figures Traced Reverse
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Plate 141 Immortalization Aeneas AEneas Humitio flumine ablutus
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Fall Troy Escape Aeneas mid-1540s Engraving sheet
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Dream Aeneas Aeneas rests shield river god Tiber points upward
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Aeneas Mercury 1654 Etching engraving fifth state
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Aeneas Achates Entering Dido Palace Cloud 1624-63
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Aeneas Farewell Dido Etching 6 1 / 8 x 8 1 / 4in
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Aeneas Sibyl Underworld n. d Pen brown ink brush
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Aeneas Cumaean Sibyl Entering Infernal Regions
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Neptune calming Tempest Aeolus raised Fleet Aeneas
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View of Carthage with Dido and Aeneas (pen, watercolour and bistre wash)
XIR905600 View of Carthage with Dido and Aeneas (pen, watercolour and bistre wash) by Claude Lorrain (Claude Gellee) (1600-82); Musee Bonnat, Bayonne, France; French, out of copyright

Deification of Aeneas (oil on canvas)
XIR899033 Deification of Aeneas (oil on canvas) by Lafosse, Charles de (1636-1716); Musee des Beaux-Arts, Nantes, France; (add.info.: Deification d Enee PE6725); French, out of copyright

Venus asks Vulcan weapons for Aeneas (oil on canvas)
XIR899034 Venus asks Vulcan weapons for Aeneas (oil on canvas) by Lafosse, Charles de (1636-1716); 179x152 cm; Musee des Beaux-Arts, Nantes

Aeneas in the underworld, c. 1630 (oil on copper)
XIR897366 Aeneas in the underworld, c.1630 (oil on copper) by Brueghel, Jan the Elder (1568-1625); 26.7x35.9 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels

Aeneas carrying Anchises, 1729 (oil on canvas) (b / w photo)
XIR737043 Aeneas carrying Anchises, 1729 (oil on canvas) (b/w photo) by Loo, Carle van (1705-65); 110x105 cm; Louvre, Paris

Giulio Benso, Scene from Classical History (Aeneas Descending into the Underworld?), Italian, c. 1601 - 1668, pen and brown ink and brown wash over black chalk on laid paper

Gaspare Diziani (Italian, 1689 - 1767), Aeneas Carrying Anchises from Burning Troy, c. 1733, pen and brown ink with gray wash on tan laid paper

Antonio Balestra (Italian, 1666 - 1740), Venus Appearing to Aeneas, 1713, pen and brown ink with brown wash over black chalk on laid paper

Michel Corneille, The Purification of Aeneas, French, 1642 - 1708, c. 1663, pen and brown ink with blue wash over traces of graphite, on cream laid paper, squared in graphite for transfer

Aeneas at the Court of Latinus, Ferdinand Bol, c. 1661 - c. 1664

Design for a ceiling painting with the Apotheosis of Aeneas, in the corners the Four Seasons, Jacob de Wit, c. 1720 - c. 1725

Dido Aeneas mourns, Arnold Houbraken, Anonymous, 1700 - 1750

Juno and Aeolus, Cornelis Bos, Marcantonio Raimondi, 1546

Illustration from The Aeneid by Virgil (70-19 BC) (engraving) (b / w photo)
XJF128012 Illustration from The Aeneid by Virgil (70-19 BC) (engraving) (b/w photo) by English School, (18th century); Private Collection; (add.info.: great epic of the founding of Rome; ); English

Blazon of the Chamber of Rhetoric The Pellicaen Haarlem, with the crucifixion in allegorical frame, print maker: Jacob Matham, Hendrick Goltzius, 1597

The deification of Aeneas, Daniel van den Dijck, c. 1635 - c. 1670

Playwright Paul Scarron dances with satyrs, fauns and maenads, Aeneas saves his father from burning Troy

Aeneas saves his father from burning Troy, Jacob Folkema, 1703 - 1767

Aeneas at the Court of Latinus, c. 1661-c. 1664 (oil on canvas)
XOS1262577 Aeneas at the Court of Latinus, c.1661-c.1664 (oil on canvas) by Bol, Ferdinand (1616-80); 218x232 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: This painting)

The Dream of Aeneas; Salvator Rosa, Italian, 1615 - 1673; Italy, Europe; about 1663; Black and white chalk; 30 x 22.4 cm (11 13/16 x 8 13/16 in.)

Venus Receiving from Vulcan the Arms of Aeneas; Francesco Solimena, Italian (Neapolitan), 1657 - 1747; Italy, Europe; 1704; Pen and brown ink and brown wash over black chalk; 21 x 14.3 cm

Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British

Aeneas and the Sibyl, unknown artist, 19th century, British

Dosso Dossi (Italian, active 1512-1542), Aeneas and Achates on the Libyan Coast, c. 1520, oil on canvas

MYTHOLOGY: AENEAS. Aeneas, mythical founder of Rome. Drawing, 19th century, after an ancient Sicilian vase

Aeneas Arriving in Italy - Dawn of the Roman Empire. Oil on canvas. Claude (c1604-1682 - Claude Gellee also Claude Lorrain) French painter

Mercury Sent to Admonish Aeneas 1850. Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Relief of Aeneas sacrificing to Penates, on Ara Pacis Augustae, altar built between 13 and 9 B. C
Roman civilization, 1st century b.C. Ara Pacis Augustae, altar built between 13 and 9 b.C. to celebrate the peace established by Augustus. Detail, Aeneas sacrificing to Penates

Roman civilization, Fresco depicting scene from Aeneas cycle, From tomb of Statilius Taurus on Esquiline Hill at Rome
Roman civilization, 1st century b.C. Fresco depicting a scene from Aeneas cycle. From the tomb of Statilius Taurus on the Esquiline Hill at Rome

AGsERO, Benito Manuel de (1626-1670)

Aeneas and His Family Fleeing Troy

VIRGIL: THE AENEID. Aeneas relating his story to Dido. Line engraving, late 19th century, after the painting, c1815, by Pierre-Narcisse Gu

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"Aeneas: The Legendary Journey of a Hero" Step into the world of ancient mythology as we delve into the captivating tale of Aeneas, a Trojan hero whose adventures shaped the destiny of Rome. In this mesmerizing artwork titled "Arrival in Italy, " painted by Claude Lorrain during the 17th century, we witness the pivotal moment when Aeneas sets foot on Italian soil, marking the dawn of the Roman Empire. Aeneas's journey begins with his escape from Troy, depicted vividly in "Aeneas Flees from Troy. " Fleeing with his father Anchises and son Ascanius, he carries not only their hopes but also an emblematic symbol known as "The Golden Bough. " This sacred branch granted him access to the underworld where he sought guidance from his deceased father. Virgil's epic poem, "The Aeneid, " beautifully captured these heroic exploits and was later transformed into a stunning miniature during the 15th century. Through this intricate artwork, we glimpse at how Aeneas's encounter with Dido in Carthage ignited a passionate love affair portrayed in "Aeneas & Dido. " Another remarkable depiction is found in "AENEAS AND ANCHISES" where we witness their bond strengthened amidst adversity. The painting captures their poignant moment together before embarking on further trials and tribulations. In one such trial called "The Purification in the River Numicius, " painted around 1725 by an unknown artist, we see Aeneas purifying himself to appease divine forces before continuing his fateful journey towards founding Rome. To understand Aeneas's lineage and significance for Rome's future leaders like Romulus and Remus, a diagram showcasing Anchises' family tree becomes essential. It reveals how Aphrodite played her part as mother to our valiant hero.