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Affresco Collection (page 2)

Step into a world of timeless artistry with the captivating frescoes that adorn the walls and domes of various historical masterpieces

Background imageAffresco Collection: 'Harvest', detail from the Camerino dei Baccanali (fresco)

"Harvest", detail from the Camerino dei Baccanali (fresco)
3707513 " Harvest", detail from the Camerino dei Baccanali (fresco) by Lippi, Filippino (c.1457-1504) (and workshop); Castello Estense, Ferrara, Italy; (add.info.: Ferrara)

Background imageAffresco Collection: Mercurius, 1517-18 (fresco)

Mercurius, 1517-18 (fresco)
2646204 Mercurius, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco)

Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco)
1630065 Saint Marc the Evangelist, detail of the Vault of the Choir, 1505-1510 (fresco) by Pinturicchio, Bernardino di Betto (c.1452-1513); Santa Maria del Popolo, Rome

Background imageAffresco Collection: View of the Loggia di Galatea, 1511-1514 (fresco)

View of the Loggia di Galatea, 1511-1514 (fresco)
2646173 View of the Loggia di Galatea, 1511-1514 (fresco) by Italian School, (16th century); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)

Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco)
2646161 Iris visiting the House of Sleep, asking Hypnos to send Orpheus at Alcyon, 1517-18 (fresco) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome)

Background imageAffresco Collection: Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)

Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco)
2646081 Scene of flood withe the myth of Alcyone and Ceyx, 1517-1518 (fresco) by Peruzzi, Baldassarre (1481-1536) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: The Hall of Perspectives, representing views of Rome, 1518-1519

The Hall of Perspectives, representing views of Rome, 1518-1519
2646078 The Hall of Perspectives, representing views of Rome, 1518-1519 by Peruzzi, Baldassarre (1481-1536); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina: The Hall of Perspectives)

Background imageAffresco Collection: Juno, or the Air, detail of the Hall of Olympus, 1560-1561 (fresco)

Juno, or the Air, detail of the Hall of Olympus, 1560-1561 (fresco)
2632657 Juno, or the Air, detail of the Hall of Olympus, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageAffresco Collection: Donna Barbaro, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)

Donna Barbaro, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)
2632654 Donna Barbaro, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser, Villa Barbaro)

Background imageAffresco Collection: Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)

Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco)
2632650 Donna Barbaro and her nurse, the Hall of Olympus, detail of 2632651, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser)

Background imageAffresco Collection: View of the Hall of Olympus, east side

View of the Hall of Olympus, east side
2632624 View of the Hall of Olympus, east side by Italian School, (16th century); Villa Barbaro, Maser, Veneto, Italy; (add.info.: View of the Hall of Olympus eastwards; in the background)

Background imageAffresco Collection: Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco)

Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco)
2632661 Fortune crowning the Merit, vault of the Room of the Little Dog, 1560-1561 (fresco) by Veronese, (Paolo Caliari) (1528-88); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Maser)

Background imageAffresco Collection: Ecce Homo, 1519 (fresco)

Ecce Homo, 1519 (fresco)
2562739 Ecce Homo, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona, Duomo (the Cathedral of S)

Background imageAffresco Collection: Flagellation, 1519 (fresco)

Flagellation, 1519 (fresco)
2562737 Flagellation, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona, Duomo (the Cathedral of S)

Background imageAffresco Collection: Jesus in front of Pontius Pilate, 1519, detail (fresco)

Jesus in front of Pontius Pilate, 1519, detail (fresco)
2562733 Jesus in front of Pontius Pilate, 1519, detail (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona)

Background imageAffresco Collection: Jupiter consoling Cupid, 1517-18 (fresco)

Jupiter consoling Cupid, 1517-18 (fresco)
2646198 Jupiter consoling Cupid, 1517-18 (fresco) by Romano, Giulio (1492-1546); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: Council of the Gods, 1517-18 (fresco)

Council of the Gods, 1517-18 (fresco)
2646189 Council of the Gods, 1517-18 (fresco) by Penni, Giovanni Francesco (il Fattore) (c.1488-1528); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: View of the Loggia of Cupid and Psyche (photo)

View of the Loggia of Cupid and Psyche (photo)
2646188 View of the Loggia of Cupid and Psyche (photo) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome)

Background imageAffresco Collection: The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)

The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174)
2646183 The Triumph of Galatea, 1513-14 (fresco) (detail of 2646174) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageAffresco Collection: 'The Ascension of Christ', Detail of an angel playing a drum, c. 1420 (fresco)

"The Ascension of Christ", Detail of an angel playing a drum, c. 1420 (fresco)
5051455 " The Ascension of Christ", Detail of an angel playing a drum, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

Background imageAffresco Collection: 'The Ascension of Christ', Detail of an angel playing a harp, c. 1420 (fresco)

"The Ascension of Christ", Detail of an angel playing a harp, c. 1420 (fresco)
5051454 " The Ascension of Christ", Detail of an angel playing a harp, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

Background imageAffresco Collection: 'Assumption of the Virgin'and 'the Virgin Mary dropping the girdle or Holy Belt to St

"Assumption of the Virgin"and "the Virgin Mary dropping the girdle or Holy Belt to St
5051426 " Assumption of the Virgin" and " the Virgin Mary dropping the girdle or Holy Belt to St. Thomas ", Detail of the Madonna dropping the girdle to St

Background imageAffresco Collection: View of the chapel with frescoes by the Master of Vignola, The Contrari Chapel

View of the chapel with frescoes by the Master of Vignola, The Contrari Chapel, Vignola Stronghold, c. 1420 (photo)
5051386 View of the chapel with frescoes by the Master of Vignola, The Contrari Chapel, Vignola Stronghold, c.1420 (photo) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

Background imageAffresco Collection: Supper in Emmaus, 1532-33 (fresco transferred on canvas)

Supper in Emmaus, 1532-33 (fresco transferred on canvas)
5973974 Supper in Emmaus, 1532-33 (fresco transferred on canvas) by Romanino, Girolamo (c.1485-c.1566); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Background imageAffresco Collection: Detail of the Martyrdom of St. Julia, frescoes on the Stories of S. Giulia and Christ, 1520 (fresco)

Detail of the Martyrdom of St. Julia, frescoes on the Stories of S. Giulia and Christ, 1520 (fresco)
5973965 Detail of the Martyrdom of St. Julia, frescoes on the Stories of S. Giulia and Christ, 1520 (fresco) by Ferramola, Floriano (1480-1528) (and workshop); Church of Santa Maria in Solario

Background imageAffresco Collection: Palazzina (Small Building): view of the first room and its frescoes representing episodes from

Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad
5962667 Palazzina (Small Building): view of the first room and its frescoes representing episodes from the Iliad: "Athena prevents Achilles from drawing his sword against Agamemnon"

Background imageAffresco Collection: Magnanimity of Scipio Africanus (detail), 1743 (fresco)

Magnanimity of Scipio Africanus (detail), 1743 (fresco)
5949079 Magnanimity of Scipio Africanus (detail), 1743 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Cordellina, Montecchio Maggiore, Vicenza, Veneto

Background imageAffresco Collection: 'The three faced Trinity and the Tree of Life', Detail of one of the faces, c. 1420 (fresco)

"The three faced Trinity and the Tree of Life", Detail of one of the faces, c. 1420 (fresco)
5051504 " The three faced Trinity and the Tree of Life", Detail of one of the faces, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

Background imageAffresco Collection: 'The Pentecost', Detail of the dove, c. 1420 (fresco)

"The Pentecost", Detail of the dove, c. 1420 (fresco)
5051485 " The Pentecost", Detail of the dove, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena, Italy; (add.info.: Vignola Stronghold)

Background imageAffresco Collection: 'The Ascension of Christ', Detail of an angel playing a violin, c. 1420 (fresco)

"The Ascension of Christ", Detail of an angel playing a violin, c. 1420 (fresco)
5051457 " The Ascension of Christ", Detail of an angel playing a violin, c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

Background imageAffresco Collection: 'St Matthew the Evangelist'writing 'Cum natus esset Yhesus', c. 1420 (fresco)

"St Matthew the Evangelist"writing "Cum natus esset Yhesus", c. 1420 (fresco)
5051370 " St Matthew the Evangelist" writing " Cum natus esset Yhesus", c.1420 (fresco) by Master of Vignola (15th century); Rocca di Vignola, Vignola, Modena

Background imageAffresco Collection: The Last Judgement, 1596 (fresco)

The Last Judgement, 1596 (fresco)
6298856 The Last Judgement, 1596 (fresco) by Fenzoni, Ferrau (1562-1645); (add.info.: Todi, Cathedral of Santissima Annunziata or Duomo)

Background imageAffresco Collection: The monkey with glasses reading a book, 1501-03 (monochrome fresco)

The monkey with glasses reading a book, 1501-03 (monochrome fresco)
6262997 The monkey with glasses reading a book, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageAffresco Collection: Portraits of Abu Ma shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco)

Portraits of Abu Ma shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco)
6262987 Portraits of Abu Ma shar (Albumasar) and Ptolemy, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageAffresco Collection: Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S)

Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S)
6262777 Lamentation of the Dead Christ between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), 1500-04 (fresco) by Signorelli

Background imageAffresco Collection: Damned to hell, detail, 1500-02 (fresco)

Damned to hell, detail, 1500-02 (fresco)
6262768 Damned to hell, detail, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)

Background imageAffresco Collection: Resurrection of the flesh, detail, 1500-02 (fresco)

Resurrection of the flesh, detail, 1500-02 (fresco)
6262761 Resurrection of the flesh, detail, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior)

Background imageAffresco Collection: Madonna with Infant Jesus and St. Simeon, second half of the XV century (fresco)

Madonna with Infant Jesus and St. Simeon, second half of the XV century (fresco)
6255437 Madonna with Infant Jesus and St. Simeon, second half of the XV century (fresco) by Mezzastris, Pier Antonio (c.1430-1506); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno)

Background imageAffresco Collection: The Hall of Liberal Arts and Planets

The Hall of Liberal Arts and Planets
6255415 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

Background imageAffresco Collection: Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424

Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424
6253782 Detail of vault: The angel guarantees the offspring to Joachim and Anne, 1424 by Nelli, Ottaviano (c.1370-c.1444); Palazzo Trinci, Foligno, Umbria

Background imageAffresco Collection: Detail of the Crucifixion, 1424

Detail of the Crucifixion, 1424
6253754 Detail of the Crucifixion, 1424 by Nelli, Ottaviano (c.1370-c.1444); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: The chapel: frescoes by Ottaviano Nelli, realised in 1424)

Background imageAffresco Collection: The Loggia of Romulus and Remus, 1411-12

The Loggia of Romulus and Remus, 1411-12
6253636 The Loggia of Romulus and Remus, 1411-12 by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno)

Background imageAffresco Collection: The Hall of Liberal Arts and Planets

The Hall of Liberal Arts and Planets
6253537 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

Background imageAffresco Collection: A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St

A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St
6204267 A fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. Jerome, St. John and St. Louis of Toulouse, Chapel of St

Background imageAffresco Collection: Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St

Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St
6204266 Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St. Louis of Toulouse, Chapel of St

Background imageAffresco Collection: The saint heals a man and a woman, Stories of S. Bernardino and Saints, Chapel of St

The saint heals a man and a woman, Stories of S. Bernardino and Saints, Chapel of St
6204262 The saint heals a man and a woman, Stories of S. Bernardino and Saints, Chapel of St. Bernardino of Siena, Church of St

Background imageAffresco Collection: Angels, detail of the Coronation of Mary, 1468-69 (fresco)

Angels, detail of the Coronation of Mary, 1468-69 (fresco)
6204135 Angels, detail of the Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, apse bowl-shaped vault)

Background imageAffresco Collection: Angels, detail of Coronation of Mary, 1468-69 (fresco)

Angels, detail of Coronation of Mary, 1468-69 (fresco)
6204123 Angels, detail of Coronation of Mary, 1468-69 (fresco) by Lippi, Filippo (c.1406-69); Duomo, Cathedral of S. Maria Assunta, Spoleto, Italy; (add.info.: Presbytery, apse bowl-shaped vault)



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Step into a world of timeless artistry with the captivating frescoes that adorn the walls and domes of various historical masterpieces. From the ethereal "Marriage of Cupid and Psyche" to Dante immersing himself in his own literary creations, these vibrant murals transport us to different eras. As we gaze upon the intricate details within the Basilica of Sant Andrea, our eyes are drawn towards celestial scenes painted on its interior dome. Eurybates and Talthybius guide Briseis towards Agamemnon, their figures frozen in time as if telling an ancient tale. In another corner, fragments from a detached cycle depict haunting imagery from "The Triumph of Death, " "Last Judgement, " and "Hell. " Limbs intertwine with demons while death claims its victims – a cardinal, a woman, and a nun. These remnants serve as reminders of mortality's grip on humanity throughout history. Moving forward in time, we witness Procris impaled by an unerring javelin while Cephalus races towards her side. Aurora and Titone glide across the sky in their chariot pulled by four majestic horses. The vivid colors bring this mythological scene to life before our very eyes. Further along our journey through frescoed corridors, Jesus stumbles under the weight of his cross—a poignant moment captured forever on canvas. Hercules stands tall as he slays Antaeus with unwavering strength—an epic battle immortalized for all to see. Lastly, we encounter the heart-wrenching depiction of innocence lost—the Massacre of Innocents unfolds before us with chilling detail. This tragic event serves as a stark reminder that even amidst beauty lies darkness waiting to be unveiled. These frescoes tell stories spanning centuries—each stroke capturing emotions that transcend time itself. They invite us to marvel at human creativity while contemplating themes both divine and mortal.