Album Leaf Collection (page 8)

Paintings Ancient Masters Rock Old Tree Bamboo
Paintings after Ancient Masters: Rock, Old Tree, and Bamboo, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Calligraphy 1598-1652
Paintings after Ancient Masters: Calligraphy, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Scholar Staff Brush
Paintings after Ancient Masters: Scholar with Staff and Brush, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Scholar Reading Thatched Hut
Paintings after Ancient Masters: Scholar Reading in a Thatched Hut by a Waterfall, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652)

Paintings Ancient Masters Volume 1 1598-1652
Paintings after Ancient Masters: Volume 1, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.); overall

Paintings Ancient Masters Daoist Crane Autumn Landscape
Paintings after Ancient Masters: Daoist and Crane in Autumn Landscape, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf

Paintings Ancient Masters Chrysanthemum 1598-1652
Paintings after Ancient Masters: Chrysanthemum, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Lady 1598-1652 Chen Hongshou
Paintings after Ancient Masters: A Lady, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Portrait Zhongqing
Paintings after Ancient Masters: Portrait of Zhongqing in a Landscape, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf

Paintings Ancient Masters Lotus Rocks 1598-1652
Paintings after Ancient Masters: Lotus and Rocks, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Portrait Tao Yuanming
Paintings after Ancient Masters: Portrait of Tao Yuanming, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Autumn Landscape 1598-1652
Paintings after Ancient Masters: Autumn Landscape, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters: Travelers Autumn Landscape
Paintings after Ancient Masters:Travelers in an Autumn Landscape, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Bird Peach-Blossom Branch
Paintings after Ancient Masters: A Bird and Peach-Blossom Branch, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Lohan [ Kuan-hsiu]
Paintings after Ancient Masters: A Lohan [after Kuan-hsiu], 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Mr Five Willows Wuliu
Paintings after Ancient Masters: Mr. Five Willows (Wuliu), Tao Yuanming, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652)

Paintings Ancient Masters Chrysanthemum Rock
Paintings after Ancient Masters: Chrysanthemum and Rock, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Narcissus Bare Trees
Paintings after Ancient Masters: Narcissus and Bare Trees, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Laozi Riding Ox 1598-1652
Paintings after Ancient Masters: Laozi Riding an Ox, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Paintings Ancient Masters Scholars Garden 1598-1652
Paintings after Ancient Masters: Scholars in a Garden, 1598-1652. Chen Hongshou (Chinese, 1598/99-1652). Album leaf, ink and color on silk; overall: 30.2 x 26.7 cm (11 7/8 x 10 1/2 in.)

Album Landscapes Leaf 7 1677 Wang Gai Chinese
Album of Landscapes: Leaf 7, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 1 1677 Wang Gai Chinese
Album of Landscapes: Leaf 1, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 8 1677 Wang Gai Chinese
Album of Landscapes: Leaf 8, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 6 1677 Wang Gai Chinese
Album of Landscapes: Leaf 6, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 5 1677 Wang Gai Chinese
Album of Landscapes: Leaf 5, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 3 1677 Wang Gai Chinese
Album of Landscapes: Leaf 3, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 4 1677 Wang Gai Chinese
Album of Landscapes: Leaf 4, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Landscapes Leaf 2 1677 Wang Gai Chinese
Album of Landscapes: Leaf 2, 1677. Wang Gai (Chinese, active c. 1677-1705). Album leaf, ink and light color on paper; each leaf: 20 x 22.3 cm (7 7/8 x 8 3/4 in.)

Album Miscellaneous Subjects Colophon 1600s Fan Qi
Album of Miscellaneous Subjects, Colophon, 1600s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall

Album Miscellaneous Subjects Leaf 8 1600s Fan Qi
Album of Miscellaneous Subjects, Leaf 8, 1600s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall

Conversation Thatched Hut late 1200s China Southern Song dynasty
Conversation in a Thatched Hut, late 1200s. China, Southern Song dynasty (1127-1279). Album leaf; ink and color on silk; overall: 26 x 27.3 cm (10 1/4 x 10 3/4 in.)

Album Miscellaneous Subjects Leaf 2 1600s Fan Qi
Album of Miscellaneous Subjects, Leaf 2, 1600s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall

Album Miscellaneous Subjects Leaf 7 1600s Fan Qi
Album of Miscellaneous Subjects, Leaf 7, 1600s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall

Album Miscellaneous Subjects Leaf 6 1600s Fan Qi
Album of Miscellaneous Subjects, Leaf 6, 1600s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall

Album Miscellaneous Subjects Leaf 4 1600s Fan Qi
Album of Miscellaneous Subjects, Leaf 4, 1600s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall

Album Miscellaneous Subjects Leaf 9 1600s Fan Qi
Album of Miscellaneous Subjects, Leaf 9, 1600s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall

Album Miscellaneous Subjects Leaf 3 1600s Fan Qi
Album of Miscellaneous Subjects, Leaf 3, 1600s. Fan Qi (Chinese, 1616-aft 1694). Album leaf, ink and color on silk; image: 12.6 x 17.3 cm (4 15/16 x 6 13/16 in.); overall

Miniature Album Figures Landscape Hill House
Miniature Album with Figures and Landscape (Landscape with Hill, House, Boat and Bridge), 1822. Zeng Yangdong (Chinese). Album leaf, ink and color on paper; overall: 6.1 x 7.7 cm (2 3/8 x 3 1/16 in.)

Miniature Album Figures Landscape Man Riding Carp
Miniature Album with Figures and Landscape (Man Riding Carp), 1822. Zeng Yangdong (Chinese). Album leaf, ink and color on paper; overall: 6.1 x 7.7 cm (2 3/8 x 3 1/16 in.)

Miniature Album Figures Landscape Old Man Donkey
Miniature Album with Figures and Landscape (Old Man on Donkey), 1822. Zeng Yangdong (Chinese). Album leaf, ink and color on paper; overall: 6.1 x 7.7 cm (2 3/8 x 3 1/16 in.)

Poem 1812 Shunsui Rai Japanese 1746-1816 Album leaf
Poem, 1812. Shunsui Rai (Japanese, 1746-1816). Album leaf; ink on ivory silk; sheet: 25.5 x 17.2 cm (10 1/16 x 6 3/4 in.)

Short Nap Long Summer Day late 18th-early 19th century
Short Nap on a Long Summer Day, late 18th-early 19th century. Beisanjin Okada (Japanese, 1744-1820). Album leaf; ink and light color on ivory silk; sheet: 25.7 x 16.8 cm (10 1/8 x 6 5/8 in.)

Wild Bridge Poets Walk late 18th-early 19th century
Wild Bridge, Poets Walk, late 18th-early 19th century. Gyokudo Uragami (Japanese, 1745-1820). Album leaf; monochrome ink on ivory silk; sheet: 25 x 16.8 cm (9 13/16 x 6 5/8 in.)

Landscape 1798 Chikuseki Nagamachi Japanese 1747-1806
Landscape, 1798. Chikuseki Nagamachi (Japanese, 1747-1806). Album leaf; ink and slight color on ivory silk; sheet: 26.1 x 18.3 cm (10 1/4 x 7 3/16 in.)

Landscape 1833 Kaioku Nukina Japanese 1778-1863
Landscape, 1833. Kaioku Nukina (Japanese, 1778-1863). Album leaf; ink and light color on buff silk; sheet: 28.5 x 18.4 cm (11 1/4 x 7 1/4 in.)

Children late 18th-early 19th century Aoki Mokubei
Children, late 18th-early 19th century. Aoki Mokubei (Japanese, 1767-1833). Album leaf; ink and color on ivory silk; sheet: 27.7 x 19.7 cm (10 7/8 x 7 3/4 in.)

Summer Retreat early 19th century Hanko Okada
Summer Retreat, early 19th century. Hanko Okada (Japanese, 1782-1845). Album leaf, ink and color on ivory silk; sheet: 26.7 x 17.5 cm (10 1/2 x 6 7/8 in.)

Inscription Two Seals 1829 Sanyo Rai Japanese
Inscription and Two Seals, 1829. Sanyo Rai (Japanese, 1780-1832). Album leaf; ink on buff paper; sheet: 26.2 x 18.2 cm (10 5/16 x 7 3/16 in.)

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"Journey through Time: Exploring the Beauty Art" Step into a world of artistic wonders as you flip through the delicate pages of these album leaves. Each leaf tells its own unique story, transporting you to different eras and captivating your imagination. Under the shade of towering pine trees, Wang Meng's brush strokes bring to life scenes from ancient China. With his book in hand, he writes under nature's canopy, finding inspiration amidst tranquility. In the Meiji period, a singing bird perched on a branch enchants with its melodious tunes. Its vibrant feathers seem to dance in harmony with the changing times, symbolizing hope and renewal. Dive beneath the surface as fishes gracefully swim across another album leaf from that same era. Their fluid movements capture both grace and strength, reminding us of nature's eternal rhythm. Sparrows take flight in Watanabe Seitei's masterpiece - their wings spread wide against a backdrop of blooming flowers, and is an ode to freedom and liberation; their joyous chirping resonates through centuries. On another page by Seitei, we witness a bird perched on a branch observing a spider spinning its intricate web below. A moment frozen in time captures nature's delicate balance between predator and prey. Unknown artists transport us further back as we encounter Tartar officers courting blonde ladies - tales shrouded in mystery unfold before our eyes. Love knows no boundaries or time periods; it transcends cultural barriers. Ma Yuan invites us into his serene landscape where deer roam freely along pine-shaded streams. The gentle flow soothes our souls while reminding us of humanity's connection to nature throughout history. The 18th-century ink-on-paper landscapes offer glimpses into ancient masterpieces recreated by unknown hands. These meticulous brushstrokes pay homage to Gao Shangshu and Dong Yuan – masters whose influence continues even today.