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Allegorical Figure Collection (page 2)

In the realm of art, allegorical figures have long captivated viewers with their symbolic representations and hidden meanings

Background imageAllegorical Figure Collection: Allegorical wall painting of Spring from the west side of the atrium of Regio IX.V.11

Allegorical wall painting of Spring from the west side of the atrium of Regio IX.V.11
FLO4687026 Allegorical wall painting of Spring from the west side of the atrium of Regio IX.V.11. She holds a basket of cheese and carries a lamb over her shoulders. Chromolithograph by J.G

Background imageAllegorical Figure Collection: Bill of Rights, 1942 (oil on canvas)

Bill of Rights, 1942 (oil on canvas)
CH89285 Bill of Rights, 1942 (oil on canvas) by Christy, Howard Chandler (1873-1952); 152.4x101 cm; Private Collection; (add.info)

Background imageAllegorical Figure Collection: British and Empire military personnel and civilians involved in the war effort parading before

British and Empire military personnel and civilians involved in the war effort parading before Britannia (colour litho)
6030881 British and Empire military personnel and civilians involved in the war effort parading before Britannia (colour litho) by English School

Background imageAllegorical Figure Collection: The End of Mankind. Creator: Hans Holbein the Younger

The End of Mankind. Creator: Hans Holbein the Younger
The End of Mankind

Background imageAllegorical Figure Collection: Screen with Rebus of Fortune, ca. 1639. Creator: Stefano della Bella

Screen with Rebus of Fortune, ca. 1639. Creator: Stefano della Bella
Screen with Rebus of Fortune, ca. 1639

Background imageAllegorical Figure Collection: The Parable of the Wise and Foolish Virgins, ca. 1560-63. Creator: Philip Galle

The Parable of the Wise and Foolish Virgins, ca. 1560-63. Creator: Philip Galle
The Parable of the Wise and Foolish Virgins, ca. 1560-63

Background imageAllegorical Figure Collection: The Triumph of Time, 1574. Creator: Philip Galle

The Triumph of Time, 1574. Creator: Philip Galle
The Triumph of Time, 1574

Background imageAllegorical Figure Collection: Prudence (Prudentia) from The Virtues, ca. 1559-60. Creator: Philip Galle

Prudence (Prudentia) from The Virtues, ca. 1559-60. Creator: Philip Galle
Prudence (Prudentia) from The Virtues, ca. 1559-60

Background imageAllegorical Figure Collection: Envy or Avarice at the right being driven from the temple of the Muses by Hercules who

Envy or Avarice at the right being driven from the temple of the Muses by Hercules who raises a club, the muses watching from the left, 1530-60

Background imageAllegorical Figure Collection: Temperance (Temperancia), 1530. Creator: Lucas van Leyden

Temperance (Temperancia), 1530. Creator: Lucas van Leyden
Temperance (Temperancia), 1530

Background imageAllegorical Figure Collection: The Abuses of the Law, Plate 7. n. d. Creator: Hendrik Goltzius

The Abuses of the Law, Plate 7. n. d. Creator: Hendrik Goltzius
The Abuses of the Law, Plate 7.n.d

Background imageAllegorical Figure Collection: Plate 1: Saturn in a niche devouring his son, standing before a scythe

Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses, 1526

Background imageAllegorical Figure Collection: Death and the Devil Surprising Two Women, ca. 1515. Creator: Daniel Hopfer

Death and the Devil Surprising Two Women, ca. 1515. Creator: Daniel Hopfer
Death and the Devil Surprising Two Women, ca. 1515

Background imageAllegorical Figure Collection: The Doctor Dismissing Death, 1785. 1785. Creators: Peter Simon, Francis Jukes

The Doctor Dismissing Death, 1785. 1785. Creators: Peter Simon, Francis Jukes
The Doctor Dismissing Death, 1785

Background imageAllegorical Figure Collection: Cupids ruse, 1792. Creator: Hans Veit Friedrich Schnorr von Carolsfeld

Cupids ruse, 1792. Creator: Hans Veit Friedrich Schnorr von Carolsfeld
Cupids ruse, 1792

Background imageAllegorical Figure Collection: Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790

Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790

Background imageAllegorical Figure Collection: Diana and Cupid, 1761. Creator: Pompeo Batoni

Diana and Cupid, 1761. Creator: Pompeo Batoni
Diana and Cupid, 1761

Background imageAllegorical Figure Collection: Venus and the Lute Player, ca. 1565-70. Creator: Titian

Venus and the Lute Player, ca. 1565-70. Creator: Titian
Venus and the Lute Player, ca. 1565-70

Background imageAllegorical Figure Collection: Abundance or Autumn, 1480-1485, (1943). Creator: Sandro Botticelli

Abundance or Autumn, 1480-1485, (1943). Creator: Sandro Botticelli
Abundance or Autumn, 1480-1485, (1943). Allegorical female figure in classical dress, with putti and cornucopia. Drawing in the British Museum, London

Background imageAllegorical Figure Collection: Venus and Cupid, 1906. Creator: Jost Ammon

Venus and Cupid, 1906. Creator: Jost Ammon
Venus and Cupid, 1906. From " Chats on Old Prints", by Arthur Hayden. [T. Fisher Unwin, London, 1906]

Background imageAllegorical Figure Collection: Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci

Two Allegories of Envy, c1480 (1945). Artist: Leonardo da Vinci
Two Allegories of Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageAllegorical Figure Collection: Cupid and Psyche, (1912). Artist: Eberlein

Cupid and Psyche, (1912). Artist: Eberlein
Cupid and Psyche, (1912). A print from The Connoisseur, (London, 1912)

Background imageAllegorical Figure Collection: Allegory of Painting (self-portrait), 1658. Artist: Elisabetta Sirani

Allegory of Painting (self-portrait), 1658. Artist: Elisabetta Sirani
Allegory of Painting (self-portrait), 1658. Sirani, Elisabetta (1638-1665). Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageAllegorical Figure Collection: Yama-uba with Kintaro, 1840s. Artist: Totoya Hokkei

Yama-uba with Kintaro, 1840s. Artist: Totoya Hokkei
Yama-uba with Kintaro, 1840s. Hokkei, Totoya (1780-1850). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageAllegorical Figure Collection: Cupid and Psyche as Children, (The first kiss), 1890. Artist: William-Adolphe Bouguereau

Cupid and Psyche as Children, (The first kiss), 1890. Artist: William-Adolphe Bouguereau
Cupid and Psyche as Children, (The first kiss), 1890. From a private collection

Background imageAllegorical Figure Collection: Jupiter, 1757. Artist: Bernard de Montfaucon

Jupiter, 1757. Artist: Bernard de Montfaucon
Jupiter, 1757. From a sculpture in the Chateau de Versailles. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

Background imageAllegorical Figure Collection: Do not shout you idiot, 1799. Artist: Francisco Goya

Do not shout you idiot, 1799. Artist: Francisco Goya
Do not shout you idiot, 1799. Published in Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageAllegorical Figure Collection: French Revolution 1789: anti-clericalism

French Revolution 1789: anti-clericalism. Anti-clerical caricature on the confiscation of the wealth of the Church. A monk, representing the Church

Background imageAllegorical Figure Collection: The Toilet of Venus ( The Rokeby Venus ), 1647-1651. Artist: Diego Velazquez

The Toilet of Venus ( The Rokeby Venus ), 1647-1651. Artist: Diego Velazquez
The Toilet of Venus ( The Rokeby Venus ), 1647-1651. Venus, the goddess of love, was the most beautiful of the goddesses, and was regarded as a personification of female beauty

Background imageAllegorical Figure Collection: Income Tax, 1798

Income Tax, 1798. John Bull scratches his head at William Pitts (1759-1806) introduction of Income Tax. Pitt is shown as an angel playing a harp. Hand-coloured cartoon in the style of Gillray

Background imageAllegorical Figure Collection: The Irish Vampire, 1885. Artist: John Tenniel

The Irish Vampire, 1885. Artist: John Tenniel
The Irish Vampire, 1885. The Irish National League, with the face of Charles Stewart Parnell (1846-1891), shown as a vampire preying on Ireland. Cartoon from Punch. (London, 24 October 1885)

Background imageAllegorical Figure Collection: Prince Charming and the Sleeping Beauty, 1912. Artist: Leonard Raven-Hill

Prince Charming and the Sleeping Beauty, 1912. Artist: Leonard Raven-Hill
Prince Charming and the Sleeping Beauty, 1912. Prince Charming, representing Sir Edward Grey (lst Viscount of Fallodon) British Foreign Secretary 1905-1916 prepares to wake the sleeping figure of

Background imageAllegorical Figure Collection: Baines, The Leeds Mercury, Instructing Young England, 1847

Baines, The Leeds Mercury, Instructing Young England, 1847. Edward Baines (1800-1890), English journalist, economist and politician was editor of the newspaper, the Leeds Mercury

Background imageAllegorical Figure Collection: The Divided Skirt, 1886. Artist: Joseph Swain

The Divided Skirt, 1886. Artist: Joseph Swain
The Divided Skirt, 1886. This cartoon shows the Liberal Prime Minister, Gladstone. Now 76 years of age, and in his third term in office, Gladstone was undoubtedly the grandee of the Commons

Background imageAllegorical Figure Collection: A New Piece, 1882. Artist: Joseph Swain

A New Piece, 1882. Artist: Joseph Swain
A New Piece, 1882. The Liberal Prime Minister, Gladstone, has submitted his new piece to Mr John Bull in his guise as a theatre manager

Background imageAllegorical Figure Collection: Intercepted, 1881. Artist: Joseph Swain

Intercepted, 1881. Artist: Joseph Swain
The Liberal Prime Minister, Gladstone, also held the office of Chancellor of the Exchequer and this cartoon shows him in a chefs outfit feeding his dog from the bowl of surplus

Background imageAllegorical Figure Collection: An Ugly Rush!, 1870. Artist: Joseph Swain

An Ugly Rush!, 1870. Artist: Joseph Swain
An Ugly Rush!, 1870. Womans Vote Bill. A stout John Bull, the representative of the British people or, in this case, British men

Background imageAllegorical Figure Collection: Babes in the Wood, 1859

Babes in the Wood, 1859. Napoleon III left the Regency of France in the hands of the Empress Eugenie and left Paris to join the Italian army. The Franco-Austrian war began on 26th April 1859

Background imageAllegorical Figure Collection: The International Exhibition - Prize Medal - obverse, 1862. Creator: Unknown

The International Exhibition - Prize Medal - obverse, 1862. Creator: Unknown
The International Exhibition - Prize Medal - obverse, 1862. Design by Maclise, made by Leonard C. Wyon. The ill effect of crowding the composition is particularly observable in the lion

Background imageAllegorical Figure Collection: Feinde der Republik..... Cartoon from Puck, between 1880 and 1889. Creator: Joseph Keppler

Feinde der Republik..... Cartoon from Puck, between 1880 and 1889. Creator: Joseph Keppler
Feinde der Republik....Cartoon from Puck, between 1880 and 1889

Background imageAllegorical Figure Collection: Memorial to Col. Shadwell, late superintendent of the International Exhibition... 1862

Memorial to Col. Shadwell, late superintendent of the International Exhibition... 1862. Creator: Unknown
Memorial to Col. Shadwell, late superintendent of the International Exhibition: device on the address, 1862....rumour of wars has called away the gentleman who was nominated to the office of general

Background imageAllegorical Figure Collection: At Last, illustration of female warrior celebrating Woman's Franchise, Punch, January 23

At Last, illustration of female warrior celebrating Woman's Franchise, Punch, January 23, 1918 (print)
4073068 At Last, illustration of female warrior celebrating Woman's Franchise, Punch, January 23, 1918 (print) by English School, (20th century); Private Collection; (add.info.: At Last)

Background imageAllegorical Figure Collection: Germania's nightmare (colour litho)

Germania's nightmare (colour litho)
6000307 Germania's nightmare (colour litho) by Damblans, Eugene (1865-1945); Private Collection; (add.info.: Germania's nightmare. Le cauchemar de Germania)

Background imageAllegorical Figure Collection: Death presenting Kaiser Wilhelm II of Germany with a harvest of the dead to celebrate his

Death presenting Kaiser Wilhelm II of Germany with a harvest of the dead to celebrate his birthday, World War I
6000276 Death presenting Kaiser Wilhelm II of Germany with a harvest of the dead to celebrate his birthday, World War I, 1915 (colour litho) by Damblans

Background imageAllegorical Figure Collection: Anniversary of the French victory at the First Battle of the Marne, World War I

Anniversary of the French victory at the First Battle of the Marne, World War I, 5-12 September 1914 (colour litho)
6000339 Anniversary of the French victory at the First Battle of the Marne, World War I, 5-12 September 1914 (colour litho) by Damblans

Background imageAllegorical Figure Collection: Kaiser Wilhelm II of Germany worried that Death will add his life to those sacrificed in the First

Kaiser Wilhelm II of Germany worried that Death will add his life to those sacrificed in the First World War
6000386 Kaiser Wilhelm II of Germany worried that Death will add his life to those sacrificed in the First World War (colour litho) by Damblans

Background imageAllegorical Figure Collection: Judge S. F. Miller, between 1855 and 1865. Creator: Unknown

Judge S. F. Miller, between 1855 and 1865. Creator: Unknown
Judge S.F. Miller, between 1855 and 1865

Background imageAllegorical Figure Collection: Judge John Marshall Harlan, Supreme Court, between 1865 and 1880. Creator: Unknown

Judge John Marshall Harlan, Supreme Court, between 1865 and 1880. Creator: Unknown
Judge John Marshall Harlan, Supreme Court, between 1865 and 1880



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In the realm of art, allegorical figures have long captivated viewers with their symbolic representations and hidden meanings. From ancient masterpieces to modern cartoons, these figures serve as visual metaphors that convey profound messages. One such example is "The Contrast" by Thomas Rowlandson, a satirical depiction of social class divisions in December 1792. Through exaggerated characters and contrasting settings, Rowlandson highlights the disparities between the wealthy elite and the impoverished masses. Another intriguing portrayal is found in William John Wainwright's "Parable Of The Wise And Foolish Virgins" from 1899. This religious allegory explores themes of preparedness and wisdom through its depiction of virgins awaiting a bridegroom's arrival. Sandro Botticelli's iconic masterpiece "Primavera, " created around 1478, presents an allegorical figure representing springtime. With delicate brushstrokes and vibrant colors, Botticelli captures the essence of rebirth and renewal during this season. Agnolo Bronzino's "An Allegory with Venus and Cupid, " painted between c1523-1568, delves into love's complexities through its portrayal of these mythological figures. Symbolizing desire alongside deceitfulness, Bronzino invites contemplation on the intricacies of human relationships. Moving beyond paintings, historical events also inspire allegories like the Pilgrim Fathers boarding the Mayflower. This image represents their quest for religious freedom as they embark on a treacherous journey to establish a new life in America. Mary L. Macomber's painting "Night and Her Daughter Sleep" from 1902 personifies night as an allegorical figure cradling her daughter sleep. It symbolizes tranquility amidst darkness while evoking thoughts about restorative rest.