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Allegory Collection (page 6)

Allegory, a powerful artistic tool that transcends time and culture, has the ability to convey profound messages through symbolism and metaphor

Background imageAllegory Collection: Earth, c1588. Creator: Jacques de Gheyn II

Earth, c1588. Creator: Jacques de Gheyn II
Earth, c1588. From The Four Elements, pl. 3

Background imageAllegory Collection: Design for a ceiling painting with Honour (?) crowned by Time, 1677-1755

Design for a ceiling painting with Honour (?) crowned by Time, 1677-1755. Creator: Elias van Nijmegen
Design for a ceiling painting with Honour (?) crowned by Time, 1677-1755

Background imageAllegory Collection: Faith, Hope, and Charity, 1590. Creator: Jacob Matham

Faith, Hope, and Charity, 1590. Creator: Jacob Matham
Faith, Hope, and Charity, 1590

Background imageAllegory Collection: Pride, c1587. Creator: Jacob Matham

Pride, c1587. Creator: Jacob Matham
Pride, c1587. From The Vices

Background imageAllegory Collection: The Table of Cebes (image 4 of 4), 1592. Creator: Jacob Matham

The Table of Cebes (image 4 of 4), 1592. Creator: Jacob Matham
The Table of Cebes (image 4 of 4), 1592

Background imageAllegory Collection: Requited Love Represented by Eros and Anteros, 1588. Creator: Jacob Matham

Requited Love Represented by Eros and Anteros, 1588. Creator: Jacob Matham
Requited Love Represented by Eros and Anteros, 1588. From Mythological Subjects

Background imageAllegory Collection: The Seven Virtues, 1588. Creator: Jacob Matham

The Seven Virtues, 1588. Creator: Jacob Matham
The Seven Virtues, 1588. From Mythological Subjects

Background imageAllegory Collection: Mythological and Allegorical Subjects (image 5 of 5), 1588. Creator: Jacob Matham

Mythological and Allegorical Subjects (image 5 of 5), 1588. Creator: Jacob Matham
Mythological and Allegorical Subjects (image 5 of 5), 1588

Background imageAllegory Collection: Faith, Hope, and Charity, 1590. Creator: Jacob Matham

Faith, Hope, and Charity, 1590. Creator: Jacob Matham
Faith, Hope, and Charity, 1590

Background imageAllegory Collection: Avarice, c1587. Creator: Jacob Matham

Avarice, c1587. Creator: Jacob Matham
Avarice, c1587. From The Vices, pl. 6

Background imageAllegory Collection: Three designs for organ decoration: Singing, King David and Music, 1741-1801

Three designs for organ decoration: Singing, King David and Music, 1741-1801. Creator: Anthony Ziesenis
Three designs for organ decoration: Singing, King David and Music, 1741-1801

Background imageAllegory Collection: La nouvelle Cendrillon, 1866. Creator: Honore Daumier

La nouvelle Cendrillon, 1866. Creator: Honore Daumier
La nouvelle Cendrillon, 1866. The new Cinderella. Allegorical figure of Austria running from the Italian boot. From Actualites

Background imageAllegory Collection: La situation de l'Italie, 1859. Creator: Honore Daumier

La situation de l'Italie, 1859. Creator: Honore Daumier
La situation de l'Italie, 1859. Italy's situation. Satirical cartoon on the Second Italian War of Independence, also called the Franco-Austrian War, the Sardinian War

Background imageAllegory Collection: Allegory on love, 1775. Creator: Jacobus Buys

Allegory on love, 1775. Creator: Jacobus Buys
Allegory on love, 1775. Design for a painting

Background imageAllegory Collection: Water, c1588. Creator: Jacques de Gheyn II

Water, c1588. Creator: Jacques de Gheyn II
Water, c1588. Series: The Four Elements, pl. 2

Background imageAllegory Collection: Greed, c1621. Creator: Jacques Callot

Greed, c1621. Creator: Jacques Callot
Greed, c1621. Series: The Seven Deadly Sins

Background imageAllegory Collection: The Table of Cebes (image 2 of 4), 1592. Creator: Jacob Matham

The Table of Cebes (image 2 of 4), 1592. Creator: Jacob Matham
The Table of Cebes (image 2 of 4), 1592

Background imageAllegory Collection: Envy, c1587. Creator: Jacob Matham

Envy, c1587. Creator: Jacob Matham
Envy, c1587. Series: The Vices, plate 5

Background imageAllegory Collection: The Three Graces, 1588. Creator: Jacob Matham

The Three Graces, 1588. Creator: Jacob Matham
The Three Graces, 1588. Series: Mythological Subjects

Background imageAllegory Collection: The Three Fates, 1588. Creator: Jacob Matham

The Three Fates, 1588. Creator: Jacob Matham
The Three Fates, 1588. Series: Mythological Subjects

Background imageAllegory Collection: Les Fricoteurs Politiques, 13 June 1850. Creator: Honore Daumier

Les Fricoteurs Politiques, 13 June 1850. Creator: Honore Daumier
Les Fricoteurs Politiques, 13 June 1850. (La France.) - Hum!...hum!...ca me fait l'effet d'etre une assez mauvaise cuisine!'

Background imageAllegory Collection: La Mort de Sappho, 1843. Creator: Honore Daumier

La Mort de Sappho, 1843. Creator: Honore Daumier
La Mort de Sappho, 1843. The death of Sappho. Jeunes filles, voyez ou nous conduit l'Amour! Sous nos pieds si mignons, le gueux creuse un abime Ou l'on tombe aisement

Background imageAllegory Collection: Testimonial presented on Wednesday last to Alderman and Mrs. Finnis, 1858. Creator: Unknown

Testimonial presented on Wednesday last to Alderman and Mrs. Finnis, 1858. Creator: Unknown
Testimonial presented on Wednesday last to Alderman and Mrs. Finnis, 1858. The testimonial...consists of two magnificent silver candelabra, standing nearly three feet high

Background imageAllegory Collection: Testimonial presented on Wednesday last to Alderman and Mrs. Finnis, 1858. Creator: Unknown

Testimonial presented on Wednesday last to Alderman and Mrs. Finnis, 1858. Creator: Unknown
Testimonial presented on Wednesday last to Alderman and Mrs. Finnis, 1858. The testimonial...consists of two magnificent silver candelabra, standing nearly three feet high

Background imageAllegory Collection: Rencontre de la payse, 1844. Creator: Honore Daumier

Rencontre de la payse, 1844. Creator: Honore Daumier
Rencontre de la payse, 1844. Crrristi!...mamezelle Victoire!'. Soldier addressing a woman with a baby as mam'selle before enthusiastically kissing her. From Les Beaux Jours de la Vie

Background imageAllegory Collection: Eloquence, 1747. Creator: Louis Fabritius Dubourg

Eloquence, 1747. Creator: Louis Fabritius Dubourg
Eloquence, 1747

Background imageAllegory Collection: Architecture, 1747. Creator: Louis Fabritius Dubourg

Architecture, 1747. Creator: Louis Fabritius Dubourg
Architecture, 1747

Background imageAllegory Collection: Navigation, 1743. Creator: Louis Fabritius Dubourg

Navigation, 1743. Creator: Louis Fabritius Dubourg
Navigation, 1743

Background imageAllegory Collection: Invention, 1748. Creator: Louis Fabritius Dubourg

Invention, 1748. Creator: Louis Fabritius Dubourg
Invention, 1748

Background imageAllegory Collection: The Painting, 1703-1775. Creator: Louis Fabritius Dubourg

The Painting, 1703-1775. Creator: Louis Fabritius Dubourg
The Painting, 1703-1775

Background imageAllegory Collection: Death Giving Audience, c1741-1742. Creator: Giovanni Battista Tiepolo

Death Giving Audience, c1741-1742. Creator: Giovanni Battista Tiepolo
Death Giving Audience, c1741-1742. From Vari Capricci

Background imageAllegory Collection: The Four Seasons, between 1515 and 1573. Creators: Battista del Moro, Giulio Romano

The Four Seasons, between 1515 and 1573. Creators: Battista del Moro, Giulio Romano
The Four Seasons, between 1515 and 1573

Background imageAllegory Collection: Allegorical Group (Jean de la Fontaine's Fortune and the Young Child (?), between c1830 and c1840

Allegorical Group (Jean de la Fontaine's Fortune and the Young Child (?), between c1830 and c1840
Allegorical Group (Jean de la Fontaine's Fortune and the Young Child (?), between c.1830 and c.1840

Background imageAllegory Collection: The City of Valenciennes Defending the Fatherland in 1793, between 1869 and 1873

The City of Valenciennes Defending the Fatherland in 1793, between 1869 and 1873. Creator: Jean-Baptiste Carpeaux
The City of Valenciennes Defending the Fatherland in 1793, between 1869 and 1873

Background imageAllegory Collection: Resistance, This example probably cast 1894. Creator: Jean Alexandre Joseph Falguiere

Resistance, This example probably cast 1894. Creator: Jean Alexandre Joseph Falguiere
Resistance, This example probably cast 1894

Background imageAllegory Collection: Armand-Jean Duplessis, Cardi, French School. Creator: Jean Warin

Armand-Jean Duplessis, Cardi, French School. Creator: Jean Warin
Armand-Jean Duplessis, Cardi, French School

Background imageAllegory Collection: Triptych: Allegory of Art Training, c.1770. Creator: Willem Joseph Laquy

Triptych: Allegory of Art Training, c.1770. Creator: Willem Joseph Laquy
Triptych: Allegory of Art Training, c.1770

Background imageAllegory Collection: Triptych: Allegory of Art Training, c.1770. Creator: Willem Joseph Laquy

Triptych: Allegory of Art Training, c.1770. Creator: Willem Joseph Laquy
Triptych: Allegory of Art Training, c.1770

Background imageAllegory Collection: Triptych: Allegory of Art Training, c.1770. Creator: Willem Joseph Laquy

Triptych: Allegory of Art Training, c.1770. Creator: Willem Joseph Laquy
Triptych: Allegory of Art Training, c.1770

Background imageAllegory Collection: Diana and Virtus Punish Venus and Bacchus, 1694. Creator: T van Malsen

Diana and Virtus Punish Venus and Bacchus, 1694. Creator: T van Malsen
Diana and Virtus Punish Venus and Bacchus, 1694

Background imageAllegory Collection: The Goddess Fortuna Bestowing her Gifts, c.1645. Creator: Simon Flocquet

The Goddess Fortuna Bestowing her Gifts, c.1645. Creator: Simon Flocquet
The Goddess Fortuna Bestowing her Gifts, c.1645

Background imageAllegory Collection: Time Ravishing Beauty, between c.1700 and c.1725. Creator: Giovanni Baratta

Time Ravishing Beauty, between c.1700 and c.1725. Creator: Giovanni Baratta
Time Ravishing Beauty, between c.1700 and c.1725

Background imageAllegory Collection: Pair of Allegorical Figures of Wealth and Prudence, from Palazzo Giugni, Florence... c.1703-c.1708

Pair of Allegorical Figures of Wealth and Prudence, from Palazzo Giugni, Florence... c.1703-c.1708
Pair of Allegorical Figures of Wealth and Prudence, from Palazzo Giugni, Florence (image 2 of 2), between c.1703 and c.1708

Background imageAllegory Collection: Pair of Allegorical Figures of Wealth and Prudence, from Palazzo Giugni, Florence... c.1703-c.1708

Pair of Allegorical Figures of Wealth and Prudence, from Palazzo Giugni, Florence... c.1703-c.1708
Pair of Allegorical Figures of Wealth and Prudence, from Palazzo Giugni, Florence (image 1 of 2), between c.1703 and c.1708

Background imageAllegory Collection: Design for an Honorary Diploma, 1869. Creator: Jan Philip Koelman

Design for an Honorary Diploma, 1869. Creator: Jan Philip Koelman
Design for an Honorary Diploma, 1869

Background imageAllegory Collection: Allegory of Peace (?) (image 1 of 2), between c.1810 and c.1820. Creator: Camillo Pacetti

Allegory of Peace (?) (image 1 of 2), between c.1810 and c.1820. Creator: Camillo Pacetti
Allegory of Peace (?) (image 1 of 2), between c.1810 and c.1820

Background imageAllegory Collection: The Crucifixion, c.1507-c.1510. Creator: Jacob Cornelisz. van Oostsanen

The Crucifixion, c.1507-c.1510. Creator: Jacob Cornelisz. van Oostsanen
The Crucifixion, c.1507-c.1510. Other Title(s): The Crucifixion, Calvary

Background imageAllegory Collection: Allegory of Spirit and Matter, between 1515 and 1530. Creator: Andrea Briosco

Allegory of Spirit and Matter, between 1515 and 1530. Creator: Andrea Briosco
Allegory of Spirit and Matter, between 1515 and 1530



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Allegory, a powerful artistic tool that transcends time and culture, has the ability to convey profound messages through symbolism and metaphor. Just like Plato's Cave Allegory, which explores the concept of enlightenment and the struggle to perceive reality beyond our limited perceptions. In Norman Lindsay's "A Star Explodes, " we witness an explosion of ideas and emotions as art becomes a catalyst for change. Similarly, the meeting of Atlantic and Pacific in the Panama Canal symbolizes unity and connectivity on a global scale in "Kiss of the Oceans. " "The Workers May-Pole" serves as a design for a socialist poster, representing solidarity among laborers striving for equality. Meanwhile, William H. Beard's allegorical painting "WALL STREET: BEARS & BULLS" captures the volatile nature of financial markets with its depiction of animals symbolizing market trends. An 1866 cartoon titled "Deaths Dispensary" sheds light on water pollution as a source of disease, urging society to address environmental issues responsibly. In Lissitzky's iconic poster "Beat the Whites with the red wedge, " we see political commentary through abstract symbolism during revolutionary times. The alchemical tree in Philosophia reformata represents transformation and spiritual growth while reflecting upon ancient wisdom passed down through generations. The Temperance Movement broadsheet from 1887 warns against alcohol abuse using vivid imagery like devils sliding down toboggans. Through Alphonse Mucha's artwork titled "Summer, " we are transported into an idyllic world where nature thrives harmoniously with humanity—a reminder to cherish our environment amidst industrialization. Lastly, an 1866 pollution cartoon emphasizes how human actions can have dire consequences on our health and well-being. These diverse examples demonstrate how allegories serve as mirrors reflecting societal concerns or aspirations throughout history—inviting us to ponder deeper meanings behind seemingly simple images or narratives.