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Altar Collection (page 11)

"Altar: A Gateway to the Divine" The altar, a sacred space adorned with symbols and relics, serves as a bridge between mortals and the divine

Background imageAltar Collection: Retablo, 1937. Creator: Ranka S. Woods

Retablo, 1937. Creator: Ranka S. Woods
Retablo, 1937

Background imageAltar Collection: Retablo, 1937. Creator: Ranka S. Woods

Retablo, 1937. Creator: Ranka S. Woods
Retablo, 1937

Background imageAltar Collection: Retablo, 1937. Creator: Ranka S. Woods

Retablo, 1937. Creator: Ranka S. Woods
Retablo, 1937

Background imageAltar Collection: Retablos, 1938. Creator: Ranka S. Woods

Retablos, 1938. Creator: Ranka S. Woods
Retablos, 1938

Background imageAltar Collection: Scène antique, mid-late 19th century. Creator: Eugène Froment

Scène antique, mid-late 19th century. Creator: Eugène Froment
Scene antique, mid-late 19th century. Classical scene. Women offer incense in front of an altar

Background imageAltar Collection: Mission San Louis Obispo Altar Tabernacle from the portfolio 'Decorative Art...', 1935/1942

Mission San Louis Obispo Altar Tabernacle from the portfolio "Decorative Art...", 1935/1942
Mission San Louis Obispo Altar Tabernacle from the portfolio "Decorative Art of Spanish California", 1935/1942

Background imageAltar Collection: Joan of Arc Standing at the Altar at Reims Cathedral, c. 1844

Joan of Arc Standing at the Altar at Reims Cathedral, c. 1844. Creator: Jean-Auguste-Dominique Ingres
Joan of Arc Standing at the Altar at Reims Cathedral, c. 1844

Background imageAltar Collection: Presentation of the Virgin in the Temple, between 1700 and 1800. Creator: School of Palekh

Presentation of the Virgin in the Temple, between 1700 and 1800. Creator: School of Palekh
Presentation of the Virgin in the Temple, between 1700 and 1800

Background imageAltar Collection: The Crucifixion, late 15th-early 16th century. Creator: Unknown

The Crucifixion, late 15th-early 16th century. Creator: Unknown
The Crucifixion, late 15th-early 16th century. Centre panel of a triptych. Christ between the thieves whose souls are taken by a devil and an angel; group of holy women to the right of Christ

Background imageAltar Collection: Scenes from the life and passion of Christ, late 15th-early 16th century. Creator: Unknown

Scenes from the life and passion of Christ, late 15th-early 16th century. Creator: Unknown
Scenes from the life and passion of Christ, late 15th-early 16th century. Right panel of a triptych, from top to bottom: the entombment, Christ at the gate of Limbo, the resurrection

Background imageAltar Collection: The Nativity with St Michael, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII

The Nativity with St Michael, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity with St Michael, c.1500. Triptych. The Nativity flanked by standing saints under arches supported on by twisted columns. Right panel: Saint Michael, lance in hand, tramples on the Devil

Background imageAltar Collection: The Nativity with St Catherine and St Michael, c.1500. Creator

The Nativity with St Catherine and St Michael, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity with St Catherine and St Michael, c.1500. Triptych. The Nativity flanked by standing saints under arches supported on twisted columns. The Virgin kneels before the infant Jesus

Background imageAltar Collection: The Nativity, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII

The Nativity, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity, c.1500. Triptych. The Virgin kneels before the infant Jesus. Saint Joseph holds a lit candle. (La Nativite entre sainte Catherine et saint Michel)

Background imageAltar Collection: The Nativity with St Catherine, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII

The Nativity with St Catherine, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity with St Catherine, c.1500. Triptych. The Nativity flanked by standing saints under arches supported on by twisted columns. Left panel: Saint Catherine holds a sword

Background imageAltar Collection: Nativity between the Angel and the Virgin of the Annunciation, c.1500

Nativity between the Angel and the Virgin of the Annunciation, c.1500. Creator: Atelier du Maitre aux grands fronts
Nativity between the Angel and the Virgin of the Annunciation, c.1500

Background imageAltar Collection: The Nativity with St Peter and St Paul, c.1500. Creator: Workshop of the Master of the Triptych of

The Nativity with St Peter and St Paul, c.1500. Creator: Workshop of the Master of the Triptych of Louis XII
The Nativity with St Peter and St Paul, c.1500. Triptych. The Virgin kneels before the infant Jesus. Above him two cherubs hold a scroll reading: Puer Natus nos (Christ is born to us)

Background imageAltar Collection: The Virgin of the Blue Veil, 1827. Creator: Ingres, Jean Auguste Dominique (1780-1867)

The Virgin of the Blue Veil, 1827. Creator: Ingres, Jean Auguste Dominique (1780-1867)
The Virgin of the Blue Veil, 1827. Found in the collection of the Museu de Arte de S£o Paulo

Background imageAltar Collection: La Communion, c.1860. Creator: Jean-Baptiste Carpeaux

La Communion, c.1860. Creator: Jean-Baptiste Carpeaux
La Communion, c.1860

Background imageAltar Collection: The Marriage of HRH Princess Louise of Schleswig-Holstein and HH Prince Aribert of Anhalt, 1891

The Marriage of HRH Princess Louise of Schleswig-Holstein and HH Prince Aribert of Anhalt, 1891. Creator: Unknown
'The Wedding of HRH Princess Louise of Schleswig-Holstein and HH Prince Aribert of Anhalt at St. Georges Chapel, Windsor, on July 6, 1891; The Bridegrooms arrival at the Altar, 1891

Background imageAltar Collection: Santos Retablos, 1936. Creator: Maude Valle

Santos Retablos, 1936. Creator: Maude Valle
Santos Retablos, 1936

Background imageAltar Collection: Santos Retablos, 1936. Creator: Maude Valle

Santos Retablos, 1936. Creator: Maude Valle
Santos Retablos, 1936

Background imageAltar Collection: Santos Retablos, 1935/1942. Creator: Maude Valle

Santos Retablos, 1935/1942. Creator: Maude Valle
Santos Retablos, 1935/1942

Background imageAltar Collection: Santo, 1936. Creator: Maude Valle

Santo, 1936. Creator: Maude Valle
Santo, 1936

Background imageAltar Collection: Santo, 1936. Creator: Maude Valle

Santo, 1936. Creator: Maude Valle
Santo, 1936

Background imageAltar Collection: Santos Retablos, 1936. Creator: Maude Valle

Santos Retablos, 1936. Creator: Maude Valle
Santos Retablos, 1936

Background imageAltar Collection: Santo, 1936. Creator: Maude Valle

Santo, 1936. Creator: Maude Valle
Santo, 1936

Background imageAltar Collection: Santos Retablos, 1936. Creator: Maude Valle

Santos Retablos, 1936. Creator: Maude Valle
Santos Retablos, 1936

Background imageAltar Collection: Santo, 1936. Creator: Maude Valle

Santo, 1936. Creator: Maude Valle
Santo, 1936

Background imageAltar Collection: Santo, 1936. Creator: Maude Valle

Santo, 1936. Creator: Maude Valle
Santo, 1936

Background imageAltar Collection: Santos Retablos, 1936. Creator: Maude Valle

Santos Retablos, 1936. Creator: Maude Valle
Santos Retablos, 1936

Background imageAltar Collection: Santo, 1936. Creator: Maude Valle

Santo, 1936. Creator: Maude Valle
Santo, 1936

Background imageAltar Collection: Santos Retablos, 1936. Creator: Maude Valle

Santos Retablos, 1936. Creator: Maude Valle
Santos Retablos, 1936

Background imageAltar Collection: Santo, 1936. Creator: Maude Valle

Santo, 1936. Creator: Maude Valle
Santo, 1936

Background imageAltar Collection: Retablo (Our Lady of Carmel), 1935/1942. Creator: Maude Valle

Retablo (Our Lady of Carmel), 1935/1942. Creator: Maude Valle
Retablo (Our Lady of Carmel), 1935/1942

Background imageAltar Collection: Decorah Altar, 1935/1942. Creator: Raymond Neumann

Decorah Altar, 1935/1942. Creator: Raymond Neumann
Decorah Altar, 1935/1942

Background imageAltar Collection: Study for an Altar and a Reredos. Creator: Unknown

Study for an Altar and a Reredos. Creator: Unknown
Study for an Altar and a Reredos

Background imageAltar Collection: Le sacrifice à l'autel de l'Amour, between 1765 and 1770. Creator: Jean Baptiste Marie Huet

Le sacrifice à l'autel de l'Amour, between 1765 and 1770. Creator: Jean Baptiste Marie Huet
Le sacrifice a l'autel de l'Amour, between 1765 and 1770

Background imageAltar Collection: Fantasy scene. Creator: Jean Francois Maurice Sand

Fantasy scene. Creator: Jean Francois Maurice Sand
Fantasy scene

Background imageAltar Collection: Altar Railing, c. 1936. Creator: Ray Price

Altar Railing, c. 1936. Creator: Ray Price
Altar Railing, c. 1936

Background imageAltar Collection: Broadsheet relating to Our Lord of the Hospital (Salamanca, Guanajuato) on a crucifix on a

Broadsheet relating to Our Lord of the Hospital (Salamanca, Guanajuato) on a crucifix on a... 1903. Creator: Anon
Broadsheet relating to Our Lord of the Hospital (Salamanca, Guanajuato) on a crucifix on an altar, 1903

Background imageAltar Collection: Altar with the Virgin and Child and Saints Christopher, Barbara, George and Catherine, c1520

Altar with the Virgin and Child and Saints Christopher, Barbara, George and Catherine, c1520
Altar with the Virgin and Child and Saints Christopher, Barbara, George and Catherine, c. 1520

Background imageAltar Collection: Golden wedding anniversary of Mr. and Mrs. Robinet de Pontagny, 1742. Creator: Rene-Paul Huet

Golden wedding anniversary of Mr. and Mrs. Robinet de Pontagny, 1742. Creator: Rene-Paul Huet
Golden wedding anniversary of Mr. and Mrs. Robinet de Pontagny, 1742

Background imageAltar Collection: The Beautiful Virgin of Regensburg on an Altar, c. 1519/1520. Creator: Albrecht Altdorfer

The Beautiful Virgin of Regensburg on an Altar, c. 1519/1520. Creator: Albrecht Altdorfer
The Beautiful Virgin of Regensburg on an Altar, c. 1519/1520

Background imageAltar Collection: The Grand Military Mass, at the Camp at Honvault, near Boulogne, on Sunday last, 1854

The Grand Military Mass, at the Camp at Honvault, near Boulogne, on Sunday last, 1854. Creator: Unknown
The Grand Military Mass, at the Camp at Honvault, near Boulogne, on Sunday last, 1854. British and French troops at a religious service in France

Background imageAltar Collection: Altar Chimes, c. 1936. Creator: David P. Willoughby

Altar Chimes, c. 1936. Creator: David P. Willoughby
Altar Chimes, c. 1936

Background imageAltar Collection: Oath of the King, Queen and National Guard to the Fatherland, 1791. Creator: Dubois

Oath of the King, Queen and National Guard to the Fatherland, 1791. Creator: Dubois
Oath of the King, Queen and National Guard to the Fatherland, 1791

Background imageAltar Collection: Design for an Altar, n.d. Creator: Unknown

Design for an Altar, n.d. Creator: Unknown
Design for an Altar, n.d

Background imageAltar Collection: After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32. Creator: Francesco Salviati

After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32. Creator: Francesco Salviati
After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32



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"Altar: A Gateway to the Divine" The altar, a sacred space adorned with symbols and relics, serves as a bridge between mortals and the divine. Just like the majestic Winged Victory of Samothrace, also known as Nike of Samothrace, it stands tall and proud, embodying triumph and grace. In St. Teresa of Avila's oil on canvas masterpiece, we witness her spiritual ecstasy as she connects with higher realms through prayer. Similarly, in Egyptian art depicting Akhenaten, Nefertiti, and their three children in relief form, we glimpse into their devotion to gods who ruled over ancient Egypt. At the Temple of San Simon or Maximon resides the Patron Saint of Gamblers and Drunks - a reminder that even those deemed lost can find solace within these hallowed walls. Meanwhile, at Knock in County Mayo Ireland's Apparition site, believers gather seeking solace from heavenly visions. "The Attainment; The Vision of the Holy Grail" reveals Sir Galahad's quest for enlightenment while Sir Bors and Sir Percival accompany him on this sacred journey. In times of war like WW1 depicted by an Army Chaplain fulfilling his duties amidst chaos and despair - altars become sanctuaries for hope. A map outlining Westminster Abbey's Coronation ritual showcases how they are central to royal ceremonies where monarchs receive divine blessings upon ascending thrones. Inside St. Stephen's Cathedral in Vienna Austria lies another magnificent altar that inspires awe among worshippers who seek spiritual nourishment within its grandeur. Lourdes' Grotto holds profound significance for countless pilgrims who flock there seeking miraculous healing - a testament to faith transcending physical boundaries. Pergamon Altar portrays Athena battling against Alcyoneus - symbolizing our eternal struggle against adversity with divine intervention guiding us towards victory.