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Anthony Vandyke Copley Collection

Anthony Vandyke Copley Fielding, a renowned artist of the 19th century, captured the beauty and grandeur of nature through his exquisite paintings

Background imageAnthony Vandyke Copley Collection: Packet Boat Entering Harbour, 1855. Creator: Anthony Vandyke Copley Fielding

Packet Boat Entering Harbour, 1855. Creator: Anthony Vandyke Copley Fielding
Packet Boat Entering Harbour, 1855

Background imageAnthony Vandyke Copley Collection: Lakeland Landscape, early 19th century. Creator: Formerly attributed to Copley Fielding

Lakeland Landscape, early 19th century. Creator: Formerly attributed to Copley Fielding
Lakeland Landscape, early 19th century. Formerly attributed to Copley Fielding

Background imageAnthony Vandyke Copley Collection: The Isle of Staffa, early-mid 19th century, (1946). Creator: Anthony Vandyke Copley Fielding

The Isle of Staffa, early-mid 19th century, (1946). Creator: Anthony Vandyke Copley Fielding
The Isle of Staffa, early-mid 19th century, (1946). Basalt columns on Staffa, an island of the Inner Hebrides off the west coast of Scotland. From " Islands Round Britain", by R. M

Background imageAnthony Vandyke Copley Collection: Storm off Whitby, 1851, (1930). Creator: Anthony Vandyke Copley Fielding

Storm off Whitby, 1851, (1930). Creator: Anthony Vandyke Copley Fielding
Storm off Whitby, 1851, (1930). Ships in rough seas off the coast of Whitby in Yorkshire. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageAnthony Vandyke Copley Collection: A. V. Copley Fielding, W. S. (1787-1855). Creator: Unknown

A. V. Copley Fielding, W. S. (1787-1855). Creator: Unknown
A.V.Copley Fielding, W.S. (1787-1855). Portrait print of British artist Anthony Vandyke Copley Fielding, after a painting made c1843 by William Boxall, in the National Portrait Gallery

Background imageAnthony Vandyke Copley Collection: Scene in Glen Lochy, (c1900). Creator: Unknown

Scene in Glen Lochy, (c1900). Creator: Unknown
Scene in Glen Lochy, (c1900). Landscape in the Highlands of Scotland, print after an early 19th century painting by Anthony Vandyke Copley Fielding

Background imageAnthony Vandyke Copley Collection: The Downs near Beachy Head, 1844, (1935). Artist: Anthony Vandyke Copley Fielding

The Downs near Beachy Head, 1844, (1935). Artist: Anthony Vandyke Copley Fielding
The Downs near Beachy Head, 1844, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageAnthony Vandyke Copley Collection: Scarborough from across the Bay, 1850, (1935). Artist: Anthony Vandyke Copley Fielding

Scarborough from across the Bay, 1850, (1935). Artist: Anthony Vandyke Copley Fielding
Scarborough from across the Bay, 1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageAnthony Vandyke Copley Collection: Loch Awe, 1850, (1935). Artist: Anthony Vandyke Copley Fielding

Loch Awe, 1850, (1935). Artist: Anthony Vandyke Copley Fielding
Loch Awe, 1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageAnthony Vandyke Copley Collection: View of Snowdon from Tremadoc, c1842, (1935). Artist: Anthony Vandyke Copley Fielding

View of Snowdon from Tremadoc, c1842, (1935). Artist: Anthony Vandyke Copley Fielding
View of Snowdon from Tremadoc, c1842, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageAnthony Vandyke Copley Collection: Ben Venue from Loch Achray, 1840, (1935). Artist: Anthony Vandyke Copley Fielding

Ben Venue from Loch Achray, 1840, (1935). Artist: Anthony Vandyke Copley Fielding
Ben Venue from Loch Achray, 1840, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageAnthony Vandyke Copley Collection: Snowdon over the Head of Traeth Mawr, 1853, (1935). Artist: Anthony Vandyke Copley Fielding

Snowdon over the Head of Traeth Mawr, 1853, (1935). Artist: Anthony Vandyke Copley Fielding
Snowdon over the Head of Traeth Mawr, 1853, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageAnthony Vandyke Copley Collection: Dunster Castle: Sunset, c1850, (1935). Artist: Anthony Vandyke Copley Fielding

Dunster Castle: Sunset, c1850, (1935). Artist: Anthony Vandyke Copley Fielding
Dunster Castle: Sunset, c1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageAnthony Vandyke Copley Collection: Vessels on Shore near Southampton, c1831, (1935). Artist: Anthony Vandyke Copley Fielding

Vessels on Shore near Southampton, c1831, (1935). Artist: Anthony Vandyke Copley Fielding
Vessels on Shore near Southampton, c1831, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageAnthony Vandyke Copley Collection: Carnarvon Castle, c1815-1819, (1935). Artist: Anthony Vandyke Copley Fielding

Carnarvon Castle, c1815-1819, (1935). Artist: Anthony Vandyke Copley Fielding
Carnarvon Castle, c1815-1819, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageAnthony Vandyke Copley Collection: Loch Lomond, 1847, (1918)

Loch Lomond, 1847, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageAnthony Vandyke Copley Collection: Storm Off Whitby, 1851. Artist: Anthony Vandyke Copley Fielding

Storm Off Whitby, 1851. Artist: Anthony Vandyke Copley Fielding
Storm Off Whitby, 1851.From The Connoisseur Volume 106. [Otto Limited, London, 1940]

Background imageAnthony Vandyke Copley Collection: Glen Finlass, c1846. Artist: Anthony Vandyke Copley Fielding

Glen Finlass, c1846. Artist: Anthony Vandyke Copley Fielding
Glen Finlass (Glen Finglas), c1846. From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageAnthony Vandyke Copley Collection: Landscape, c19th century, (1923). Artist: Anthony Vandyke Copley Fielding

Landscape, c19th century, (1923). Artist: Anthony Vandyke Copley Fielding
Landscape. From The Connoisseur Vol LXV [Otto Limited, London, 1923.]


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Anthony Vandyke Copley Fielding, a renowned artist of the 19th century, captured the beauty and grandeur of nature through his exquisite paintings. His works transport us to different landscapes and seascapes, each one filled with its own unique charm. In "Packet Boat Entering Harbour, " painted in 1855, we witness the graceful arrival of a boat into a bustling harbor. The vibrant colors and meticulous details bring this scene to life, making us feel as if we are standing on the dock ourselves. "Lakeland Landscape, " attributed to Copley Fielding from the early 19th century, showcases the breathtaking beauty of England's Lake District. The rolling hills and serene lakes create an idyllic setting that is both peaceful and captivating. "The Isle of Staffa" takes us to Scotland's rugged coastline in the mid-19th century. With its towering cliffs and dramatic rock formations, this painting evokes a sense of awe-inspiring wonder at nature's raw power. In "Storm off Whitby, " created in 1851 but discovered much later in 1930, Copley Fielding captures the fury of a tempestuous sea crashing against rocky shores. The dark clouds looming overhead add an element of drama to this powerful depiction. Throughout his career, Anthony Vandyke Copley Fielding showcased his talent for capturing various scenes with remarkable skill. From tranquil glens like "Scene in Glen Lochy" to majestic mountains such as "View of Snowdon from Tremadoc, " he transported viewers into these stunning landscapes. Copley Fielding's mastery extended beyond land; he also depicted coastal scenes like "The Downs near Beachy Head" and "Scarborough from across the Bay. " These paintings showcase his ability to capture both tranquility and dynamism within maritime settings.