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Antonio Collection (page 8)

Antonio, a name that echoes through time and across continents

Background imageAntonio Collection: Jessicas Elopement (chromolitho)

Jessicas Elopement (chromolitho)
735577 Jessicas Elopement (chromolitho) by European School, (19th century); Private Collection; (add.info.: Jessicas Elopement)

Background imageAntonio Collection: In which predicament, I say thou standst, illustration from

In which predicament, I say thou standst, illustration from
IL314899 In which predicament, I say thou standst, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

Background imageAntonio Collection: The Wedding Feast, illustration from The Merchant of Venice, c

The Wedding Feast, illustration from The Merchant of Venice, c
IL314890 The Wedding Feast, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

Background imageAntonio Collection: The Marquis Rudini (engraving)

The Marquis Rudini (engraving)
1062388 The Marquis Rudini (engraving) by English School, (19th century); Private Collection; (add.info.: The Marquis Rudini, the New Italian Premier)

Background imageAntonio Collection: 'On the bats back I do fly', illustration from The Tempest

"On the bats back I do fly", illustration from The Tempest
3037150 " On the bats back I do fly", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAntonio Collection: Juno, Ceres and the Masque of the nymphs and Reaper, illustration from

Juno, Ceres and the Masque of the nymphs and Reaper, illustration from
3037145 Juno, Ceres and the Masque of the nymphs and Reaper, illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAntonio Collection: Ariel as a harpy, illustration from The Tempest, 1908 (colour litho)

Ariel as a harpy, illustration from The Tempest, 1908 (colour litho)
3037143 Ariel as a harpy, illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAntonio Collection: 'Lead monster, we ll follow. I would I could see Taboreri: He lays it on'

"Lead monster, we ll follow. I would I could see Taboreri: He lays it on"
3037140 " Lead monster, we ll follow. I would I could see Taboreri: He lays it on", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAntonio Collection: 'And yet I needs must curse', illustration from The Tempest

"And yet I needs must curse", illustration from The Tempest
3037137 " And yet I needs must curse", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAntonio Collection: 'Full fathom five thy father lies: of his bones are coral made'

"Full fathom five thy father lies: of his bones are coral made"
3037135 " Full fathom five thy father lies: of his bones are coral made", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAntonio Collection: 'She did confine thee, by help of her most potent ministers

"She did confine thee, by help of her most potent ministers
3037132 " She did confine thee, by help of her most potent ministers and in her most unmitigable rage, into a cloven pine", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAntonio Collection: Young Venetian Vendors, (oil on canvas)

Young Venetian Vendors, (oil on canvas)
658963 Young Venetian Vendors, (oil on canvas) by Paoletti, Antonio (1834-1912); 50.2x70.8 cm; Private Collection; (add.info.: Young Venetian Vendors. Antonio Ermolao Paoletti (1834-1912)

Background imageAntonio Collection: Venetian gondolier, 18th century, Italy, from a painting by Antonio Canaletto

Venetian gondolier, 18th century, Italy, from a painting by Antonio Canaletto
5855377 Venetian gondolier, 18th century, Italy, from a painting by Antonio Canaletto. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Venetian gondolier, 18th century, Italy)

Background imageAntonio Collection: 'Come hang them on the line', illustration from The Tempest

"Come hang them on the line", illustration from The Tempest
3037147 " Come hang them on the line", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAntonio Collection: 'Give us kind keepers, Heavens!-what were these?'

"Give us kind keepers, Heavens!-what were these?"
3037141 " Give us kind keepers, Heavens!-what were these?", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAntonio Collection: 'Come unto the yellow sands', illustration from The Tempest

"Come unto the yellow sands", illustration from The Tempest
3037134 " Come unto the yellow sands", illustration from The Tempest, 1908 (colour litho) by Woodroffe, Paul Vincent (1875-1945); Private Collection; (add.info)

Background imageAntonio Collection: Loves First Whispers, Italian Exhibit, Centennial International Exhibition

Loves First Whispers, Italian Exhibit, Centennial International Exhibition
3075723 Loves First Whispers, Italian Exhibit, Centennial International Exhibition, Philadelphia, 1876 (albumen print) by American Photographer

Background imageAntonio Collection: Portia Rejects the Prince of Aragon as a Suitor (chromolitho)

Portia Rejects the Prince of Aragon as a Suitor (chromolitho)
735578 Portia Rejects the Prince of Aragon as a Suitor (chromolitho) by European School, (19th century); Private Collection; (add.info.: Portia Rejects the Prince of Aragon as a Suitor)

Background imageAntonio Collection: St. Lawrence between John the Baptist and St. Anthony of Padua

St. Lawrence between John the Baptist and St. Anthony of Padua
FTB165427 St. Lawrence between John the Baptist and St. Anthony of Padua, in the lunette Madonna and Child with Angels (tempera and gold leaf on panel) by Bellini

Background imageAntonio Collection: Antonio, Apache Indian (b / w photo)

Antonio, Apache Indian (b / w photo)
984433 Antonio, Apache Indian (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: Antonio, Apache Indian)

Background imageAntonio Collection: 'The Queen of the sky, whose watery arch and mess and I, bides the leave these

"The Queen of the sky, whose watery arch and mess and I, bides the leave these
3037144 " The Queen of the sky, whose watery arch and mess and I, bides the leave these, illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAntonio Collection: 'Four legs and two voices: A most delicate Monster

"Four legs and two voices: A most delicate Monster
3037138 " Four legs and two voices: A most delicate Monster!", illustration from The Tempest, 1908 (colour litho) by Woodroffe

Background imageAntonio Collection: The Bacino di San Marco, Venice, looking west, c. 1740s (oil on canvas)

The Bacino di San Marco, Venice, looking west, c. 1740s (oil on canvas)
827854 The Bacino di San Marco, Venice, looking west, c.1740s (oil on canvas) by Joli, Antonio (1700-77); 55.3x97.8 cm; Private Collection; (add.info.: The Bacino di San Marco, Venice, looking west)

Background imageAntonio Collection: General Jose Antonio Paez, 1890. Creator: Juan Jorge Peoli

General Jose Antonio Paez, 1890. Creator: Juan Jorge Peoli
General Jose Antonio Paez, 1890

Background imageAntonio Collection: Des trains pas comme les autres

Des trains pas comme les autres
António Carreira

Background imageAntonio Collection: North American B-25H-10 Mitchell 43-5103

North American B-25H-10 Mitchell 43-5103 (msn 98-22104), on display at Lackland Air Force Base near San Antonio in Texas, in the USAF History and Traditions Museum collection. Date: circa 1960

Background imageAntonio Collection: Bell QF-63G-1-BE Kingcobra Pinball 45-57295

Bell QF-63G-1-BE Kingcobra Pinball 45-57295
(United States Air Force - )Bell QF-63G-1-BE Kingcobra Pinball 45-57295, on display at Lackland Air Force Base near San Antonio in Texas, in the USAF History and Traditions Museum collection

Background imageAntonio Collection: North American F-82E Twin Mustang 46-0262

North American F-82E Twin Mustang 46-0262
(United States Air Force - )North American F-82E Twin Mustang 46-0262 (msn 144-38148, buzz number FQ-262), on display at Lackland Air Force Base near San Antonio in Texas

Background imageAntonio Collection: United States Air Force - Consolidated XC-99 43-52436

United States Air Force - Consolidated XC-99 43-52436. First flight 23 November 1947. Flew from San Antonio, Texas to Frankfurt

Background imageAntonio Collection: The Assumption of the Virgin, who is seated in the clouds with arms outstretched, ang

The Assumption of the Virgin, who is seated in the clouds with arms outstretched, angels surrounding her, 1685-1720

Background imageAntonio Collection: Gorget, probably Dutch, ca. 1630. Creator: Unknown

Gorget, probably Dutch, ca. 1630. Creator: Unknown
Gorget, probably Dutch, ca. 1630

Background imageAntonio Collection: Paris leaning on tree stump, back view. from 'Oeuvre de Canova: Recueil de Statues

Paris leaning on tree stump, back view. from "Oeuvre de Canova: Recueil de Statues
Paris leaning on tree stump, back view. from " Oeuvre de Canova: Recueil de Statues...", 1817

Background imageAntonio Collection: The Virgin and child with two angels, 1766. Creator: Andrea Scacciati

The Virgin and child with two angels, 1766. Creator: Andrea Scacciati
The Virgin and child with two angels, 1766

Background imageAntonio Collection: Don Antonio Noriega, 1801. Creator: Francisco Goya

Don Antonio Noriega, 1801. Creator: Francisco Goya
Don Antonio Noriega, 1801

Background imageAntonio Collection: The Porta Portello, Padua, c. 1741 / 1742. Creator: Canaletto

The Porta Portello, Padua, c. 1741 / 1742. Creator: Canaletto
The Porta Portello, Padua, c. 1741/1742

Background imageAntonio Collection: English Landscape Capriccio with a Palace, c. 1754. Creator: Canaletto

English Landscape Capriccio with a Palace, c. 1754. Creator: Canaletto
English Landscape Capriccio with a Palace, c. 1754

Background imageAntonio Collection: English Landscape Capriccio with a Column, c. 1754. Creator: Canaletto

English Landscape Capriccio with a Column, c. 1754. Creator: Canaletto
English Landscape Capriccio with a Column, c. 1754

Background imageAntonio Collection: Entrance to the Grand Canal from the Molo, Venice, 1742 / 1744. Creator: Canaletto

Entrance to the Grand Canal from the Molo, Venice, 1742 / 1744. Creator: Canaletto
Entrance to the Grand Canal from the Molo, Venice, 1742/1744

Background imageAntonio Collection: Warwick Castle, East Front from the Courtyard, 1752. Creator: Canaletto

Warwick Castle, East Front from the Courtyard, 1752. Creator: Canaletto
Warwick Castle, East Front from the Courtyard, 1752

Background imageAntonio Collection: Aerial View - Basilica di Sant Antonio - Padua, Italy

Aerial View - Basilica di Sant Antonio - Padua, Italy
circa 1910s

Background imageAntonio Collection: Harmony - Two Nymphs Singing, Another Playing a Lyre, 1784-88. Creator: Thomas Rowlandson

Harmony - Two Nymphs Singing, Another Playing a Lyre, 1784-88. Creator: Thomas Rowlandson
Harmony - Two Nymphs Singing, Another Playing a Lyre, 1784-88

Background imageAntonio Collection: Frontispiece for Epigrammi de Guelfi, ca. 1636. Creator: Stefano della Bella

Frontispiece for Epigrammi de Guelfi, ca. 1636. Creator: Stefano della Bella
Frontispiece for Epigrammi de Guelfi, ca. 1636

Background imageAntonio Collection: Cardinal Antonio Barberini, 1664. Creator: Robert Nanteuil

Cardinal Antonio Barberini, 1664. Creator: Robert Nanteuil
Cardinal Antonio Barberini, 1664

Background imageAntonio Collection: Cardinal Antonio Barberini, 1663. Creator: Robert Nanteuil

Cardinal Antonio Barberini, 1663. Creator: Robert Nanteuil
Cardinal Antonio Barberini, 1663

Background imageAntonio Collection: The Descent from the Cross. Creator: Master of the Die

The Descent from the Cross. Creator: Master of the Die
The Descent from the Cross

Background imageAntonio Collection: Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816

Background imageAntonio Collection: Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Background imageAntonio Collection: Satyr carrying a nymph, whose right arm is wrapped around the satyrs neck, with a

Satyr carrying a nymph, whose right arm is wrapped around the satyrs neck, with a planar background, ca. 1505-62



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Antonio, a name that echoes through time and across continents. From the enchanting city of Venice, where the Grand Canal weaves its way through ancient buildings, to the captivating paintings Maria Fabres y Costa depicting The Thief in all his mysterious glory. In the world of music, Antonio Vivaldi reigns supreme. His compositions transport us to another era, evoking emotions with every note. And let's not forget about Gioachino Antonio Rossini, an Italian composer whose melodies still resonate in our hearts today. But it doesn't stop there; history has witnessed great figures bearing this illustrious name. Benito Juarez's triumphant return to Mexico City after years of struggle is immortalized by Orozco's masterpiece. Jose Antonio Primo de Rivera stands as a symbol of Spanish politics and founder of the Falange movement. Travel takes us to Port Antonio in Jamaica, where Titchfield Hotel offers a glimpse into paradise on earth. With its pristine beaches and lush landscapes, it's no wonder why visitors are captivated by its beauty. Art lovers marvel at Canova's Eros and Psyche sculpture - a testament to love's enduring power captured in marble for eternity. Antonio - a name that encompasses artistry, resilience, and cultural significance throughout centuries past and present. Whether it be through canals or canvases or even political movements like Remembering the Alamo - this name leaves an indelible mark on our collective memory.