Ariosto Collection

ARIOSTO, Ludovico (1474-1533). Italian Renaissance poet. Profile image based in a portrait by Titian. Etching. SPAIN
CUL4867052 ARIOSTO, Ludovico (1474-1533). Italian Renaissance poet. Profile image based in a portrait by Titian. Etching. SPAIN. CATALONIA. Barcelona

Charles II the Bald - CHARLES II " the Bald" (823-877). Holy Roman Emperor (875-877)
CUL4876496 Charles II the Bald - CHARLES II " the Bald" (823-877). Holy Roman Emperor (875-877) and King of West France (843-877). ARIOSTO, Filippo (16th century). Painting. SPAIN

Ariosto, 1860 (engraving)
1579545 Ariosto, 1860 (engraving); (add.info.: Engraving based on the painting 'Ariosto' painted by Titian (1485-1576) an Italian painter

Angelica in Chains, 1859. Creator: Ingres, Jean Auguste Dominique (1780-1867)
Angelica in Chains, 1859. Found in the collection of the Museu de Arte de S£o Paulo

Rinaldo turning in Shame from the Magic Shield, ca 1744. Creator: Tiepolo, Giambattista (1696-1770)
Rinaldo turning in Shame from the Magic Shield, ca 1744. Found in the collection of the National Gallery, London

Norandino and Lucina Discovered by the Ogre, ca 1624. Creator: Lanfranco, Giovanni (1582-1647)
Norandino and Lucina Discovered by the Ogre, ca 1624. Found in the collection of the Galleria Borghese, Rome

Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving)
1703302 Astolfo on the Moon, stanza 70, canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, 1879 (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Astolfo on the Moon)

A Poet
3119772 A Poet by Palma, Jacopo (Il Vecchio) (c.1480-1528); 83.8 x 63.5 cm cm; (add.info.: Portrait of a Poet, oil on canvas, by Palma il Vecchio (c. 1480 - July 1528)

The Beaucousin Collection at the National Gallery (engraving)
1612535 The Beaucousin Collection at the National Gallery (engraving) by English School, (19th century); Private Collection; (add.info.: The Beaucousin Collection at the National Gallery)

Orlando subdues a brigand with a fire brand (pen & ink, chalk and wash on paper)
AGN342946 Orlando subdues a brigand with a fire brand (pen & ink, chalk and wash on paper) by Fragonard, Jean-Honore (1732-1806); 39.1x27 cm; Private Collection; Photo eAgnew s, London; French

Statue of Roger and Angelica
LLM454259 Statue of Roger and Angelica by Baixeras-Verdaguer, Dionisio (1862-1943); Private Collection; (add.info.: Statue of Roger and Angelica)

Ancient miniatures representing jousts from the Vatican Library. The bottom scene from a French manuscript, Universal Stories Sacred and Profane, 1290

Portrait of William Huggins, pub. 1760 (engraving)
3715344 Portrait of William Huggins, pub. 1760 (engraving) by Hogarth, William (1697-1764) (after); (add.info.: William Huggins (1696 - 1761); ); The Stapleton Collection; English, out of copyright

Angelica and Medoro, c. 1630 (oil on canvas)
3614105 Angelica and Medoro, c.1630 (oil on canvas) by Blanchard, Jacques (1600-38); 121.6x175.9 cm; Metropolitan Museum of Art, New York

Angelica is liberated by Roger (Ruggero, Ruggiero) rides on a hippoclaw
LRI4578556 Angelica is liberated by Roger (Ruggero, Ruggiero) rides on a hippoclaw (from Orlando furioso by Ludovico Ariosto) - oil on canvas, 18th century by Ingres

Angelica and Medoro, 1763 (oil on canvas)
3492918 Angelica and Medoro, 1763 (oil on canvas) by Boucher, Francois (1703-70); 66.7 x 56.2 cm; Metropolitan Museum of Art, New York

L Arioste (engraving)
3645453 L Arioste (engraving) by French School, (19th century); Private Collection; (add.info.: L Arioste. Illustration for Le Magasin Pittoresque (1867)

Ariosto (engraving)
666581 Ariosto (engraving) by English School, (19th century); Private Collection; (add.info.: Ariosto. Illustration from The Gallery of Portraits (Charles Knight, 1836)

Ruggiero arrives at the threshold of Alcinas palace (pen & ink
AGN342944 Ruggiero arrives at the threshold of Alcinas palace (pen & ink, chalk and wash on paper) by Fragonard, Jean-Honore (1732-1806); 39.1x27 cm; Private Collection; Photo eAgnew s

Ariosto
LLM455565 Ariosto by English School, (19th century); Private Collection; (add.info.: Ariosto. Illustration from The Gallery of Portraits (Charles Knight, 1836)

Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background, ca. 1570. After Teodoro Ghisi

Ruggiero Rescuing Angelica, 1565. Creator: Cornelis Cort
Ruggiero Rescuing Angelica, 1565

Vignette for the first chant of Roland Furieux, 18th century. Segue Rinaldo il suo destrier Baiardo Ed Angelica incontra che fuggia

Canto 13, Stanza 38, from Orlando Furioso, 1772-74. 1772-74. Creator: Nicolas de Launay
Canto 13, Stanza 38, from Orlando Furioso, 1772-74. [A chi l petto, a chi l ventre, a chi la testa, / A chi rompe le gambe, a chi le braccia]

Canto 22, Stanza 86, from Orlando Furioso, 1772. 1772. Creator: Nicolas de Launay
Canto 22, Stanza 86, from Orlando Furioso, 1772. [Lo scudo non pur lor gli occhi abbarbaglia, / Ma fa che ogn altro senso attonito erra]

Canto 42, Stanza 64, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 42, Stanza 64, from Orlando Furioso, 1774. [Gli disse quel che dianzi dir non volle: / Sappi, Rinaldo, il nomee mio e lo Sdegno, / Venuto sol per sciorti il giogo indegno]

Canto 39, Stanza 57, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 39, Stanza 57, from Orlando Furioso, 1774. [Che nel tirar, che fece il fiato in suso / Tutto il voto, maraviglioso caso]

Canto 31, Stanza 70, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 31, Stanza 70, from Orlando Furioso, 1774. [Si che una sorte uguale ambi li getta / Nell acqua, e gran rimbombo al ciel ne riede]

Canto 14, Stanza 45, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 14, Stanza 45, from Orlando Furioso, 1774. [Scudi spezza, elmi schiaccia, e un colpo spesso / Spegne i cavalli a i cavalieri appresso]

Angelica and Medoro; they stand next to a stream as Medoro carves their names into a tree, a putto is seated at left with a torch and another putto walks towards them with a goat, 1590-98

Canto 26, Stanza 39, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 26, Stanza 39, from Orlando Furioso, 1774. [Sappiate che costor che qui scritto hanno nel marmo i nomi, al mondo mai non furo]

The Damsel and Orlando, ca. 1793. Creator: Benjamin West
The Damsel and Orlando, ca. 1793

Angelica and Medoro, possibly early 1630s. Creator: Jacques Blanchard
Angelica and Medoro, possibly early 1630s

Portrait of Ludovico Ariosto (1474-1533), First Half of 16th cen Creator: Anonymous
Portrait of Ludovico Ariosto (1474-1533), First Half of 16th Century. Private Collection

Immortalia - the nymph of immortality, 1783. Creator: Kauffmann, Angelika (1741-1807)
Immortalia - the nymph of immortality, 1783. Private Collection

Angelica and the wounded Medoro, ca 1860. Artist: Delacroix, Eugene (1798-1863)
Angelica and the wounded Medoro, ca 1860. Found in the collection of the Art Gallery of New South Wales

The sorceress Melissa, ca 1521-1525. Found in the Collection of Galleria Borghese, Rome

Portrait of William Huggins, pub. 1760. Creator: Unknown
Portrait of William Huggins (1696 - 1761), pub.1760

The Hermit and the Sleeping Angelica, ca 1627. Found in the Collection of Art History Museum, Vienne

Angelica and Medoro, 1716. Found in the Collection of Muzeul National Brukenthal, Sibiu

The sorceress Melissa. Artist: Dossi, Dosso (ca. 1486-1542)
The sorceress Melissa. Found in the collection of Galleria Borghese, Rome

Roland and Angelica. Private Collection

Portrait of a Poet, 1516, (1909). Artist: Palma Vecchio
Portrait of a Poet, 1516, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C. Jack, London and Edinburgh, 1909]

Residence of John Hoole, Great Queen Street, Lincolns Inn Fields, London, 1840. Artist: C J Smith
Residence of John Hoole, the translator of Ariosto, Great Queen Street, Lincolns Inn Fields, London, 1840. The home of John Hoole (1727-1803)

Ludovico Ariosto, Italian Renaissance poet, (1836). Artist: Robert Hart
Ludovico Ariosto, Italian Renaissance poet, (1836). Ariosto (1474-1533), pictured wearing a laurel crown, was the author of the epic poem Orlando Furioso (1516)

Ruggiero Rescuing Angelica. Artist: Ingres, Jean Auguste Dominique (1780-1867)
Ruggiero Rescuing Angelica. Found in the collection of Louvre, Paris

A Man with a Quilted Sleeve (Ludovico Ariosto), c. 1510. Artist: Titian (1488-1576)
A Man with a Quilted Sleeve (Ludovico Ariosto), c. 1510. Found in the collection of the National Gallery, London

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Ludovico Ariosto, an Italian poet born in 1474 and passed away in 1533, is widely celebrated for his epic poem Orlando Furioso. This masterpiece of literature takes readers on a thrilling journey through chivalry, love, and adventure. In stanza 70 of canto XXXIV from The Frenzy of Orlando by Ludovico Ariosto, we find Astolfo on the Moon. This enchanting scene has been beautifully captured in an engraving from 1879 that showcases Ariosto's vivid imagination. Ariosto himself was not only a poet but also a visionary. His works transport us to fantastical realms where heroes like Orlando subdue brigands with fire brands. These captivating moments are brought to life through pen & ink, chalk, and wash on paper. The influence of Ariosto's writings can be seen throughout history. A statue depicting Roger and Angelica stands as a testament to their timeless love story inspired by his words. Ancient miniatures representing jousts further illustrate the impact he had on medieval culture. Even after centuries have passed since his death, artists continue to draw inspiration from Ariosto's tales. A portrait of William Huggins published in 1760 captures the essence of this influential figure who left an indelible mark on literature. The themes explored by Ariosto resonate deeply with audiences even today. Paintings such as "The Damsel and Orlando" from around 1793 depict the complexities of human emotions amidst turbulent times. Love is another recurring motif found within Ariosto's works. In "Angelica and Medoro, " painted around 1630 or later, we witness their passionate connection portrayed through oil on canvas. Similarly, another painting from 1763 depicts Angelica being liberated by Roger while riding atop a hippoclaw – showcasing both bravery and romance intertwined. Ludovico Ariosto remains immortalized through his literary contributions, which continue to captivate readers and inspire artists.