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Canto 42, Stanza 64, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
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Canto 42, Stanza 64, from Orlando Furioso, 1774. 1774. Creator: Nicolas de Launay
Canto 42, Stanza 64, from Orlando Furioso, 1774. [Gli disse quel che dianzi dir non volle: / Sappi, Rinaldo, il nomee mio e lo Sdegno, / Venuto sol per sciorti il giogo indegno]
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Media ID 20289134
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Amorini Angelic Ariosto Ariosto Ludovico Charles Nicholas Cochin The Younger Charles Nicolas Charles Nicolas Cochin Charles Nicolas Cochin Fils Charles Nicolas Cochin Ii Cherubim Cherubs Cochin Cochin Charles Nicolas Cupid Epic Poem Etching And Engraving Flaming Torch Fountain Fountains Launay Launay Nicolas De Ludovico Ludovico Ariosto Nicolas De Nicolas De Launay Orlando Furioso Poem Rinaldo Torch Allegorical Figure Cherub Poetry Putti
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EDITORS COMMENTS
This print, titled "Canto 42, Stanza 64, from Orlando Furioso, 1774" transports viewers to the enchanting world of Ludovico Ariosto's epic poem. Created by Nicolas de Launay in the 18th century, this exquisite etching and engraving showcases a scene filled with allegorical figures and angelic cherubs. In the center of the composition stands Rinaldo, a prominent character in Ariosto's work. He is engaged in conversation with an unidentified figure who reveals her name as Sdegno (meaning "disdain" or "indignation"). The intensity of their exchange is palpable as they discuss breaking free from unjust oppression. Surrounding them are intricate details that add depth to the narrative. Amorini flutter around like playful Cupids while holding flaming torches symbolizing passion and desire. A majestic fountain gushes forth water, representing life's eternal flow amidst turmoil. De Launay masterfully captures this momentous encounter through his skilled use of line work and shading techniques. The contrast between light and shadow enhances the dramatic atmosphere portrayed within this print. Displayed at The Metropolitan Museum of Art, this artwork exemplifies French artistic excellence during the eighteenth century. It serves as a testament to both Ariosto's enduring literary legacy and De Launay's talent for translating complex narratives into visual form. As we gaze upon this remarkable piece, we are reminded of art's power to transport us across time and space – inviting us to explore worlds beyond our own imagination.
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