Arm Resting Collection (page 2)

The Contented Mother, 1872 (oil on canvas)
1197536 The Contented Mother, 1872 (oil on canvas) by Stevens, Alfred Emile (1823-1906); 65x40 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

At the Cafe; Au cafe, 1909 (oil on canvas)
1197533 At the Cafe; Au cafe, 1909 (oil on canvas) by Beraud, Jean (1849-1935); 51x61 cm; Private Collection; Photo eChristies Images; French, out of copyright

Las Horas Tristes, c. 1900 (oil on canvas)
1197519 Las Horas Tristes, c.1900 (oil on canvas) by Casas i Carbo, Ramon (1866-1932); 61x50 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board)
1768005 Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board) by Toulouse-Lautrec, Henri de (1864-1901); 45.7x67.7 cm; Private Collection; (add.info)

Seated Woman, 1909 (oil on board)
1195964 Seated Woman, 1909 (oil on board) by Jawlensky, Alexej von (1864-1941); 69.5x49 cm; Private Collection; Photo eChristies Images; German, out of copyright

The Declaration, 1885 (oil on canvas)
1195558 The Declaration, 1885 (oil on canvas) by Makovsky, Alexander Vladimirovich (1869-1924); 24x17.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

A Prelude by Bach, 1868 (pencil and w / c on paper)
1199599 A Prelude by Bach, 1868 (pencil and w/c on paper) by Solomon, Simeon (1840-1905); 43.2x65 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Fisher Boy, 1870 (oil on canvas)
1199525 The Fisher Boy, 1870 (oil on canvas) by McTaggart, William (1835-1910); 45.2x32.4 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Woman Reading; Femme lisant, c. 1890 (pastel on paper)
1197472 Woman Reading; Femme lisant, c. 1890 (pastel on paper) by Zandomeneghi, Federigo (1841-1917); 63.3x49.3 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Lewis R. Tomalin, 1909 (oil on canvas)
1197048 Lewis R. Tomalin, 1909 (oil on canvas) by Orpen, William (1878-1931); 91.5x81.3 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Jean-Louis Provost, seated and resting his Left Arm on the Back of a Chair
989698 Jean-Louis Provost, seated and resting his Left Arm on the Back of a Chair, 1813 (black lead on paper) by Ingres, Jean Auguste Dominique (1780-1867)

The Letter from an Absent One, 1871 (black lead, pen and black ink
989654 The Letter from an Absent One, 1871 (black lead, pen and black ink, watercolour on white paper) by Alma-Tadema, Lawrence (1836-1912); 39x26.4 cm; Private Collection; (add.info)

A Seated Lady, three-quarter length, Presumably a Member of the Artist
989640 A Seated Lady, three-quarter length, Presumably a Member of the Artists Family holding a Letter in her left Hand and Resting her right Arm on the Side of a Piano

Girls Reading, (oil on canvas)
989531 Girls Reading, (oil on canvas) by Carriere, Eugene (1849-1906); 64.8x91.5 cm; Private Collection; (add.info.: Girls Reading. Eugene Carriere (1849-1906). Oil on canvas

The Neighbours, Terraces of Algiers, 1887 (oil on canvas)
989444 The Neighbours, Terraces of Algiers, 1887 (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 88.3x65.7 cm; Private Collection; (add.info.: The Neighbours)

Reflection, 1898 (oil on canvas)
989271 Reflection, 1898 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 100.3x69.3 cm; Private Collection; (add.info.: Reflection. William Adolphe Bouguereau (1825-1905). Oil on canvas

Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c
988857 Eugenie Fiocre, study for Mlle Fiocre in the ballet The Source, c.1867 (pencil on paper laid on board) by Degas, Edgar (1834-1917); 45.1x28 cm; Private Collection; (add.info.: Eugenie Fiocre)

The Beautiful Sicilian, (oil on canvas)
987475 The Beautiful Sicilian, (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 40x30 cm; Private Collection; (add.info.: The Beautiful Sicilian; La Belle Sicilienne)

The Milkmaid, c. 1890 (oil on canvas)
987311 The Milkmaid, c.1890 (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 146x99 cm; Private Collection; (add.info.: The Milkmaid; La Lechera. Joaquin Sorolla y Bastida (1863-1923)

A Moments Reflection, 1875 (oil on canvas)
827041 A Moments Reflection, 1875 (oil on canvas) by Toulmouche, Auguste (1829-90); 66x54.5 cm; Private Collection; (add.info.: A Moments Reflection. Auguste Toulmouche (1829-1890). Oil on canvas

Portrait de Gabrielle, (black chalk and pencil on paper)
826632 Portrait de Gabrielle, (black chalk and pencil on paper) by Renoir, Pierre Auguste (1841-1919); 62x48 cm; Private Collection; (add.info.: Portrait de Gabrielle)

Gabrielle Leaning; Gabrielle Acoudee, (oil on canvas)
826344 Gabrielle Leaning; Gabrielle Acoudee, (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 29.5x23 cm; Private Collection; (add.info.: Gabrielle Leaning; Gabrielle Acoudee)

A Classical Beauty, (watercolour on paper)
987324 A Classical Beauty, (watercolour on paper) by Ryland, Henry (1856-1924); 43.2x52.1 cm; Private Collection; (add.info.: A Classical Beauty. Henry Ryland (1856-1924). Watercolour on paper

Portrait of a Woman, 1755 (oil on canvas)
650402 Portrait of a Woman, 1755 (oil on canvas) by Copley, John Singleton (1738-1815); 88.8x71.1 cm; Private Collection; (add.info.: Portrait of a Woman. John Singleton Copley (1758-1815)

A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper)
990006 A Reclining Bearded Man Sleeping on his Arm, (black and white chalk on brown paper) by Bordone, Paris (1500-71); 23.8x28.8 cm; Private Collection; (add.info)

Flirtation, (oil on canvas)
989904 Flirtation, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 71.8x52.7 cm; Private Collection; (add.info.: Flirtation. Joseph Frederic Charles Soulacroix (1825-1879)

Three Figures in an Interior (oil on canvas)
989708 Three Figures in an Interior (oil on canvas) by Hirt, Heinrich (fl.1872-83); 71x82.5 cm; Private Collection; (add.info.: Three Figures in an Interior. Heinrich Hirt (active 1872-1883)

A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite)
985677 A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite) by Gardner, Alexander (1821-82); 9.4x6.2 cm; Private Collection; (add.info)

Mary Reading, (oil on canvas)
985483 Mary Reading, (oil on canvas) by Tarbell, Edmund Charles (1862-1938); 127.5x102.2 cm; Private Collection; (add.info.: Mary Reading. Edmund Charles Tarbell (1862-1938). Oil on canvas

His Favourite Pet, 1883 (oil on canvas)
985325 His Favourite Pet, 1883 (oil on canvas) by Rondel, Frederick (1826-1892); 50.8x61 cm; Private Collection; (add.info.: His Favourite Pet. Frederick Rondel (1826-1892). Oil on canvas

In the Studio, (oil on canvas)
984942 In the Studio, (oil on canvas) by Paxton, William McGregor (1869-1941); 76.2x63.5 cm; Private Collection; (add.info.: In the Studio. William McGregor Paxton (1869-1941). Oil on canvas

Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas)
990393 Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas) by Home, Robert (1752-1834); 76.2x63.5 cm; Private Collection; (add.info.: Portrait of a Lady as the Cumaean Sibyl)

Woman with Black Gloves; La Femme aux Gants Noirs, c. 1930 (oil on canvas)
826068 Woman with Black Gloves; La Femme aux Gants Noirs, c.1930 (oil on canvas) by Lebasque, Henri (1865-1937); 94x128 cm; Private Collection; (add.info)

The Broken Chord, (oil on canvas)
659790 The Broken Chord, (oil on canvas) by Breakspeare, William A. (1855-1914); 41.9x62.5 cm; Private Collection; (add.info.: The Broken Chord. William A. Breakspeare (1855-1914). Oil on canvas

Donations Thankfully Received, 1862 (oil on board)
659789 Donations Thankfully Received, 1862 (oil on board) by Claxton, Marshall (1811-81); 30.5x25.4 cm; Private Collection; (add.info.: Donations Thankfully Received. Marshall Claxton (1812-1881)

At the Garden Gate, 1902 (oil on canvas)
659669 At the Garden Gate, 1902 (oil on canvas) by Ancher, Michael Peter (1849-1927); 78.8x111.1 cm; Private Collection; (add.info.: At the Garden Gate. Michael Ancher (1849-1927). Oil on canvas

Seated Woman with Flowers; Femme Assise aux Fleurs, (oil on canvas)
657767 Seated Woman with Flowers; Femme Assise aux Fleurs, (oil on canvas) by O Conor, Roderic (1860-1940); Private Collection; (add.info.: Seated Woman with Flowers; Femme Assise aux Fleurs)

Distant Thoughts, (oil on canvas)
657033 Distant Thoughts, (oil on canvas) by Langley, Walter (1852-1922); Private Collection; (add.info.: Distant Thoughts. Walter Langley (1852-1922). Oil on canvas

The Nut Brown Maid, 1902-1904 (tempera on canvas)
657024 The Nut Brown Maid, 1902-1904 (tempera on canvas) by Southall, Joseph Edward (1861-1944); 99x64.8 cm; Private Collection; (add.info.: The Nut Brown Maid. Joseph Edward Southall (1861-1944)

A Young Lady Seated by a Table with a Book, 1785 (pencil and red chalk
659237 A Young Lady Seated by a Table with a Book, 1785 (pencil and red chalk, pen and black ink and watercolour heighten) by Moreau

Happy Moments; Momenti Felici, (oil on canvas)
658391 Happy Moments; Momenti Felici, (oil on canvas) by Massani, Pompeo (1850-1920); 50.1x64.1 cm; Private Collection; (add.info.: Happy Moments; Momenti Felici. Pompeo Massani (1850-1920)

Madame Helleu Reading, with Paulette Lying Beside her on a Sofa, (black
659148 Madame Helleu Reading, with Paulette Lying Beside her on a Sofa, (black, red and white chalk on paper) by Helleu, Paul Cesar (1859-1927); 30.5x53 cm; Private Collection; (add.info)

Seated and Standing Nudes, 1972 (oil on canvas)
658049 Seated and Standing Nudes, 1972 (oil on canvas) by Wood, Christopher (1901-30); 81x65.5. cm; Private Collection; (add.info.: Seated and Standing Nudes. Christopher Wood (1901-1930)

Interior, (oil on gessoed board)
657946 Interior, (oil on gessoed board) by Dismorr, Jessica Stewart (1885-1939); 61x47 cm; Private Collection; (add.info.: Interior. Jessica Dismorr (1885-1939). Oil on gessoed board

The Lodge; La Loge, 1879 (pastel on paper laid down on board)
825136 The Lodge; La Loge, 1879 (pastel on paper laid down on board) by Renoir, Pierre Auguste (1841-1919); 55.9x43.2 cm; Private Collection; (add.info.: The Lodge; La Loge)

Young Man sitting with Jacket and Umbrella; Jeune Homme assis a la Jacquette et au
824471 Young Man sitting with Jacket and Umbrella; Jeune Homme assis a la Jacquette et au Parapluie, c.1864-1868 (oil on canvas) by Degas

The Young Musicians, (oil on canvas)
824453 The Young Musicians, (oil on canvas) by Irolli, Vicenzo (1860-1945); 78.1x140.2 cm; Private Collection; (add.info.: The Young Musicians. Vincenzo Irolli (1860-1942). Oil on canvas

Maja (oil on canvas)
824449 Maja (oil on canvas) by Suarez, Jose Alarcon (d.1886); 122x81 cm; Private Collection; (add.info.: Maja. Jose Alarcon Suarez (fl late 1900s). Oil on canvas

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"Arm Resting: A Glimpse into the Art of Relaxation" In the enchanting world of art, where emotions are captured on canvas and stories unfold through brushstrokes, one can find a multitude of intriguing scenes. Among them, arm resting takes center stage as an expression of tranquility and repose. From a girl in a red dress seated by a sparkling swimming pool in 1936 to a nude young woman peacefully asleep, each artwork unveils its own unique narrative. Imagine stepping into an era long gone, where oil on board paintings transport you to sun-kissed afternoons by the water's edge. The vibrant hues of "Girl in a Red Dress" evoke feelings of warmth and leisure as she delicately rests her arm against the poolside. Meanwhile, "Nude Boy Standing" captures youthful innocence frozen in time with his hand gently grazing his side. Venturing further into this artistic journey brings us to "The Boating Party, " an exquisite masterpiece that showcases individuals reclining comfortably amidst nature's embrace. Here we witness arms casually draped over boat edges while laughter fills the air—a moment suspended forever within layers of paint. As we delve deeper into this captivating realm, we encounter intimate glimpses from café scenes to boudoirs. In "Study for A Parisian Cafe, " our attention is drawn towards a man engrossed in reading his newspaper while elegantly resting his arm upon the table—an everyday act transformed into artistry. Similarly, "Café Parisien (Bal Tabarin)" transports us back to lively nights filled with music and dancing; arms intertwine as people revel in joyous camaraderie. Yet it is not only adults who grace these canvases; youth also finds its place among these masterpieces. In "Two Girls, " their carefree spirits shine through delicate pencil strokes—arms linked together as they embark on adventures only known to them.