Arm Resting Collection (page 4)

A Reclining Beauty, 1877 (oil on canvas)
989402 A Reclining Beauty, 1877 (oil on canvas) by Toulmouche, Auguste (1829-90); 40.6x54 cm; Private Collection; (add.info.: A Reclining Beauty. Auguste Toulmouche (1829-1890). Oil on canvas

Nude Study, c. 1858 (pencil on paper)
989108 Nude Study, c.1858 (pencil on paper) by Degas, Edgar (1834-1917); 43.8x29 cm; Private Collection; (add.info.: Nude Study; Etude de Nu. Edgar Degas (1835-1917). Pencil on paper

Portrait of a Lady, c. 1890 (pastel on paper)
988955 Portrait of a Lady, c.1890 (pastel on paper) by Cassatt, Mary Stevenson (1844-1926); 61x49.7 cm; Private Collection; (add.info.: Portrait of a Lady. Mary Cassatt (1844-1926)

Femme Nue Accoudee, 1918 (pencil on paper)
988320 Femme Nue Accoudee, 1918 (pencil on paper) by Modigliani, Amedeo (1884-1920); 27x23.8 cm; Private Collection; (add.info.: Femme Nue Accoudee. Amedeo Modigliani (1883-1920). Pencil on paper

Brunette, 1928 (oil on canvas)
1769075 Brunette, 1928 (oil on canvas) by Pascin, Jules (1885-1930); 91.4x73.7 cm; Private Collection; (add.info.: Brunette. Jules Pascin (1885-1930). Oil on canvas. Painted in 1928

The Theatre Box; Au Theatre, la loge, 1894 (oil on canvas)
1768440 The Theatre Box; Au Theatre, la loge, 1894 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 46x55.8 cm; Private Collection; (add.info.: The Theatre Box; Au Theatre, la loge)

Seated to the Left, the Upper Body Leaning Forward; Sitzend nach links
1768302 Seated to the Left, the Upper Body Leaning Forward; Sitzend nach links, den Oberkorper nach vorne, die Linke aufgestutzt, 1904-1905 (pencil on buff paper) by Klimt

A Study from Life, 1928 (oil on canvas)
1199619 A Study from Life, 1928 (oil on canvas) by Watson, George Spencer (1869-1934); 96.2x50.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

A Memory - In the Italian Villa, (oil on canvas)
984885 A Memory - In the Italian Villa, (oil on canvas) by Chase, William Merritt (1849-1916); 73.6x91.4 cm; Private Collection; (add.info.: A Memory - In the Italian Villa)

While Teacher Sleeps, (oil on panel)
823432 While Teacher Sleeps, (oil on panel) by Dargelas, Andre Henri (1828-1906); 37.5x45.7 cm; Private Collection; (add.info.: While Teacher Sleeps. Andre-Henri Dargelas. (1828-1906). Oil on panel

Venus and Cupid (oil on canvas)
827512 Venus and Cupid (oil on canvas) by Popperitz, Gustave (19th century); 160.6x101 cm; Private Collection; (add.info.: Venus and Cupid. Gustave Popperitz (19th century). Oil on canvas

Old Man at Celyran; Vieillard a Celeyran, 1882 (oil on canvas)
825141 Old Man at Celyran; Vieillard a Celeyran, 1882 (oil on canvas) by Toulouse-Lautrec, Henri de (1864-1901); 54.9x46 cm; Private Collection; (add.info.: Old Man at Celyran; Vieillard a Celeyran)

A Quiet Afternoon, (watercolour and gouache)
827347 A Quiet Afternoon, (watercolour and gouache) by Blommers or Bloomers, Bernardus Johannes (1845-1914); 29.3x37.9 cm; Private Collection; (add.info.: A Quiet Afternoon)

A Beautiful Connoisseur, 1874 (watercolour and gouache)
827233 A Beautiful Connoisseur, 1874 (watercolour and gouache) by Moragas y Torras, Tomas (1837-1906); 49.8x35.8 cm; Private Collection; (add.info.: A Beautiful Connoisseur)

The Favourite, (watercolour over pencil)
827232 The Favourite, (watercolour over pencil) by Garcia Mencia, Antonio (1852-1918); 68.4x48.7 cm; Private Collection; (add.info.: The Favourite. Antonio Garcia Mencia (1852-1918)

The Yellow Sultana, 1916 (charcoal, w / c, gouach)
1195790 The Yellow Sultana, 1916 (charcoal, w/c, gouach) by Bakst, Leon (1866-1924); 46.5x68 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Farewell, 1893 (oil on canvas)
1195686 Farewell, 1893 (oil on canvas) by Bogdanov-Belsky, Nikolai Petrovich (1868-1945); 90.5x126.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Italian Girl, 1900 (w / c & ink maquette)
1195110 Italian Girl, 1900 (w/c & ink maquette) by Mucha, Alphonse Marie (1860-1939); 12.4x20.3 cm; Private Collection; Photo eChristies Images; Czech, out of copyright

A Grecian Beauty, 1901 (oil on canvas)
658998 A Grecian Beauty, 1901 (oil on canvas) by Lenoir, Charles Amable (1860-1926); 140x90 cm; Private Collection; (add.info.: A Grecian Beauty. Charles Amable Lenoir (1860-1929). Oil on canvas

Madame Helleu seated by a Harp, (red, black and white chalks)
658757 Madame Helleu seated by a Harp, (red, black and white chalks) by Helleu, Paul Cesar (1859-1927); 78.5x47 cm; Private Collection; (add.info.: Madame Helleu seated by a Harp)

Portrait of the Actress Jeanne Samary Seated Three-Quarter Length, (oil on canvas)
658503 Portrait of the Actress Jeanne Samary Seated Three-Quarter Length, (oil on canvas) by French School, (19th century); 98x130 cm; Private Collection; (add.info)

The Letter, (pastel on paper)
658380 The Letter, (pastel on paper) by Enjolras, Delphin (1857-1945); 73x54 cm; Private Collection; (add.info.: The Letter. Delphin Enjolras (1857-1945). Pastel on paper

Artist in his Studio; L Artiste dans son Atelier, (oil on canvas)
653221 Artist in his Studio; L Artiste dans son Atelier, (oil on canvas) by French School; 46x37 cm; Private Collection; (add.info.: Artist in his Studio; L Artiste dans son Atelier. French School)

Young Man Reclining with his Head Resting on His Crossed Leg
652733 Young Man Reclining with his Head Resting on His Crossed Leg; Liegender Knabe mit Aufgestutztem Kopf und Ubergeschlagenen Linken Bein, 1918 (charcoal on tan paper) by Schiele

Woman on a Couch; La Dame au Canape, c. 1927 (oil over black chalk on canvas)
652522 Woman on a Couch; La Dame au Canape, c.1927 (oil over black chalk on canvas) by Pascin, Jules (1885-1930); 73x100 cm; Private Collection; (add.info.: Woman on a Couch; La Dame au Canape)

The Apple of His Eye, 1910 (oil on panel)
659108 The Apple of His Eye, 1910 (oil on panel) by Kauffmann, Hugo (1844-1915); 25x14 cm; Private Collection; (add.info.: The Apple of His Eye. Hugo Wilhelm Kauffmann (1844-1915). Oil on panel

The Lesson, 1883 (oil on canvas)
658976 The Lesson, 1883 (oil on canvas) by Portielje, Jan (1829-1908); 63.2x80 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Portrait of a Lady, (oil on board)
658902 Portrait of a Lady, (oil on board) by Bianchi, Mose (1836-93); 68.5x50 cm; Private Collection; (add.info.: Portrait of a Lady. Mose Bianchi (1840-1904). Oil on board

Portrait of a Lady, half length, (watercolour on card)
658626 Portrait of a Lady, half length, (watercolour on card) by Wegener, Gerda Marie Frederike (1885-1940); 100x80 cm; Private Collection; (add.info.: Portrait of a Lady, half length)

The Doll, 1902 (oil on canvas)
658459 The Doll, 1902 (oil on canvas) by Garrido, Leandro Ramon (1868-1909); 82x65 cm; Private Collection; (add.info.: The Doll. Leandro Ramon Garrido (1868-1909). Oil on canvas

The Game of Draughts, 1918 (pencil and watercolour)
651865 The Game of Draughts, 1918 (pencil and watercolour) by Tozer, Henry Spernon (c.1870-1940); 20.3x27.9 cm; Private Collection; (add.info.: The Game of Draughts)

Peasant Leaning on a Pitchfork, (black crayon on paper)
651522 Peasant Leaning on a Pitchfork, (black crayon on paper) by Millet, Jean-Francois (1814-75); 24.7x37.1 cm; Private Collection; (add.info.: Peasant Leaning on a Pitchfork)

The First of May, (oil on canvas)
659751 The First of May, (oil on canvas) by Roberts, Edwin Thomas (1840-1917); 60.9x50.7 cm; Private Collection; (add.info.: The First of May. Edwin Roberts (1840-1917). Oil on canvas

Fantasy, 1924 (oil on canvas)
659733 Fantasy, 1924 (oil on canvas) by Munns, Bernard (1869-1942); 61.6x50.8 cm; Private Collection; (add.info.: Fantasy. John Bernard Munns (1869-1942). Oil on canvas. Dated 1924

At the Piano, 1891 (oil on canvas)
659694 At the Piano, 1891 (oil on canvas) by Sparre, Emma (1851-1913); 146.5x114.5 cm; Private Collection; (add.info.: The sitter is probably the writer Verner von Heidenstam)

La Modele, (coloured chalks on paper)
659608 La Modele, (coloured chalks on paper) by Bouy, Gaston (1866-c.1931); 50.8x29.9 cm; Private Collection; (add.info.: La Modele. Gaston Bouy (1866-c.1931). Coloured chalks on paper

Hors Concours Femme d Orient, 1919 (oil on canvas)
659607 Hors Concours Femme d Orient, 1919 (oil on canvas) by Tanoux, Henri Adrien (1865-1923); 64.7x53.2 cm; Private Collection; (add.info.: Hors Concours Femme d Orient)

A Portrait of the Artists Husband George Pauli Seated on a Sofa, (oil on canvas)
659593 A Portrait of the Artists Husband George Pauli Seated on a Sofa, (oil on canvas) by Pauli, Hanna (nee Hirsch) (1864-1940); 62.8x81.3 cm; Private Collection; (add.info)

An Interior with a Boy Reading to a Girl, 1912 (pastel)
659580 An Interior with a Boy Reading to a Girl, 1912 (pastel) by Wiik, Maria (1853-1928); 47.5x61.5 cm; Private Collection; (add.info.: An Interior with a Boy Reading to a Girl)

The Sailor, 1874 (oil on copper)
659558 The Sailor, 1874 (oil on copper) by Bloch, Carl (1834-90); 35x24.5 cm; Private Collection; (add.info.: The Sailor. Carl Bloch (1834-1890). Oil on copper. Dated 1874

Portrait of a Lady, Seated Small Three-Quarter Length, Wearing a Grey Satin Dress
659285 Portrait of a Lady, Seated Small Three-Quarter Length, Wearing a Grey Satin Dress, Holding a Basket of Flowers Before a Window, a Statue in a Park Beyond, (oil on canvas) by Netscher

Study of a Writer, Seated, Pausing in Thought, (pen and brown ink)
659176 Study of a Writer, Seated, Pausing in Thought, (pen and brown ink) by Rembrandt Harmensz. van Rijn (1606-69); 6.3x7.2 cm; Private Collection; (add.info.: Study of a Writer, Seated)

Canton Mandarins, circa 1860s, c. 1860s (albumen print)
990456 Canton Mandarins, circa 1860s, c.1860s (albumen print) by Miller, Milton M. (fl.1850-1900); Private Collection; (add.info.: Canton Mandarins, circa 1860s)

Reclining Girl, 1925 (oil on canvas)
990697 Reclining Girl, 1925 (oil on canvas) by Pascin, Jules (1885-1930); 82x66 cm; Private Collection; (add.info.: Reclining Girl; Jeune Femme Couchee. Jules Pascin (1885-1930). Oil on canvas

Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border)
990437 Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border) by Evans, Frederick Henry (1853-1943); 13.65x9.84 cm; Private Collection; (add.info.: Aubrey Beardsley)

An Old Man, half-length, in a Brown Fur-lined Coat, (oil on canvas)
990331 An Old Man, half-length, in a Brown Fur-lined Coat, (oil on canvas) by Wright of Derby, Joseph (1734-97); 91.7x70.8 cm; Private Collection; (add.info.: An Old Man, half-length)

Marie Coca with Arbi, 1927 (oil on canvas)
988525 Marie Coca with Arbi, 1927 (oil on canvas) by Valadon, Marie Clementine (Suzanne) (1865-1938); 65.3x92.5 cm; Private Collection; (add.info.: Marie Coca with Arbi; Marie Coca avec l Arbi)

Woman Sitting, 1925-26 (oil on canvas)
988322 Woman Sitting, 1925-26 (oil on canvas) by Pascin, Jules (1885-1930); 89x71 cm; Private Collection; (add.info.: Woman Sitting; Femme Assise. Jules Pascin (1885-1930). Oil on canvas

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"Arm Resting: A Glimpse into the Art of Relaxation" In the enchanting world of art, where emotions are captured on canvas and stories unfold through brushstrokes, one can find a multitude of intriguing scenes. Among them, arm resting takes center stage as an expression of tranquility and repose. From a girl in a red dress seated by a sparkling swimming pool in 1936 to a nude young woman peacefully asleep, each artwork unveils its own unique narrative. Imagine stepping into an era long gone, where oil on board paintings transport you to sun-kissed afternoons by the water's edge. The vibrant hues of "Girl in a Red Dress" evoke feelings of warmth and leisure as she delicately rests her arm against the poolside. Meanwhile, "Nude Boy Standing" captures youthful innocence frozen in time with his hand gently grazing his side. Venturing further into this artistic journey brings us to "The Boating Party, " an exquisite masterpiece that showcases individuals reclining comfortably amidst nature's embrace. Here we witness arms casually draped over boat edges while laughter fills the air—a moment suspended forever within layers of paint. As we delve deeper into this captivating realm, we encounter intimate glimpses from café scenes to boudoirs. In "Study for A Parisian Cafe, " our attention is drawn towards a man engrossed in reading his newspaper while elegantly resting his arm upon the table—an everyday act transformed into artistry. Similarly, "Café Parisien (Bal Tabarin)" transports us back to lively nights filled with music and dancing; arms intertwine as people revel in joyous camaraderie. Yet it is not only adults who grace these canvases; youth also finds its place among these masterpieces. In "Two Girls, " their carefree spirits shine through delicate pencil strokes—arms linked together as they embark on adventures only known to them.