Attributes Collection (page 10)

H. Basil of Caesarea, Church Father, Jan Luyken, Zacharias Chatelain (II), Francois Halma, 1698

Resurrection of a dead child and a woman bringing her dead child to the tomb of Saint Stephen, print maker: Jan Luyken, Jacobus van Hardenberg, Barent Visscher, 1701

Woman with palm branch learns about Judaism, Jan Luyken, Daniel van den Dalen, Hendrik van Damme, 1702

St George on horseback piercing a devil, print maker: Caspar Luyken, Jacob Lindenberg, 1705

Moses and Aaron standing behind an altar, print maker: Jan Luyken, Pieter Mortier, 1705

Moses and Aaron standing behind an altar, Jan Luyken, Willem Goeree, 1682

Priest examines the authenticity of the iron found from the spear of Longinus, Jan Luyken, 1683

Medallion with cross of knotty wood, St. Dominic with sword and olive branch in hand, Jan Luyken, Henricus Wetstein, 1692

The Apostle Philip, Anonymous, Jacob Cornelisz van Oostsanen, 1518 - 1550

The penance of Mary Magdalene, Joannes Bemme, Adriaan Pietersz. Loosjes, Johannes Immerzeel, 1805

St. Catherine of Siena, Hieronymus Wierix, 1563 - before 1619

Saint Margaret of Antioch, Hieronymus Wierix, 1563 - before 1619

St. Rochus, Hieronymus Wierix, 1563 - before 1619

H. Stanislaus Kostka, Hieronymus Wierix, 1563 - before 1619

Blood of Christ received in chalice, Hieronymus Wierix, 1563 - before 1619, print maker: Hieronymus Wierix, Piermans, 1563 - before 1619

The heart Morality, Hieronymus Wierix, 1563 - before 1619

Virtue of devotees, Hieronymus Wierix, 1563 - before 1619

St. Thecla of Iconium surrounded by a lion, a bear, a bull and a deer, in the background she is on a mountain on a pole tied by soldiers, print maker: Hieronymus Wierix (mentioned on object)

Moses and Aaron with the tablets of the law, Jan Luyken, Gerardus Borstius (I), Jacobus Borstius, 1698

Guild Letter of the Guild of St. Luke in Amsterdam, The Netherlands, Johannes de Broen, c. 1700 - c. 1729

Quack, Jan van de Velde (II), 1603 - 1641

Personifications of summer and winter in a bow with constellations, Jan van de Velde II, 1608-1618

Figures in barrels and baskets, Jan van de Velde (II), 1616

Resting figures in a landscape with cows and a tower, Jan van de Velde (II), 1616

Penitent Mary Magdalene reading, Anonymous, 1618

Two tightrope walkers with attributes and a clown, Anonymous, Gerardus Josephus Xavery, Pieter Schenk (II), 1728

Saint Helena, Michael Snijders, 1610 - 1672

Female personification of Geography on chariot and continents America, Africa, Asia and Europe, Cornelis van Dalen II, 1648-1664

Matthew the Evangelist, Francois van den Hoeye, Egbert van Panderen, 1601-1636

Luke the Evangelist, Francois van den Hoeye, Egbert van Panderen, 1601 - 1636

John the Evangelist, Francois van den Hoeye, Egbert van Panderen, 1601 - 1636

Blazon of the Chamber of Rhetoric The Pellicaen Haarlem, with the crucifixion in allegorical frame, print maker: Jacob Matham, Hendrick Goltzius, 1597

Two putti with allegorical attributes, print maker: Reinier Vinkeles, 1768

H. Jerome in prayer, Willem van der Vliet (ca. 1584-1642), Rembrandt Harmensz. van Rijn, 1639

H Benedict of Nursia, Hieronymus Wierix, 1563 - 1619

Holy Family, accompanied by Catherine of Alexandria, Hieronymus Wierix, Johannes Baptista Vrints (I), 1563 - before 1611

Adoration of the Christ Child by clergy, Hieronymus Wierix, 1563 - before 1619

Abundance, 1719 (oil on canvas)
XIR208530 Abundance, 1719 (oil on canvas) by Oudry, Jean-Baptiste (1686-1755); 181x145 cm; ChAteau de Versailles, France; French, out of copyright

The Spirit of the Masons, engraved by Stephane Pannemaker (1847-1930) (engraving)
KW102391 The Spirit of the Masons, engraved by Stephane Pannemaker (1847-1930) (engraving) by French School, (19th century); Private Collection; Ken Welsh; French, out of copyright

Sarcophagus known as the Muses Sarcophagus, representing the nine Muses
Sarcophagus known as the " Muses Sarcophagus", representing the nine Muses and their attributes. Marble, first half of the 2nd century AD, found by the Via Ostiense

CHARDIN, Jean Baptiste Sim鯮(1699-1779). Still
CHARDIN, Jean Baptiste Sim鯮 (1699-1779). Still Life with Attributes of the Arts. 1766. Rococo. Oil on canvas. RUSSIA. Saint Petersburg. State Hermitage Museum

Phrenology - Traits
The skull is mapped out into areas that each relate to specific attributes or behavioural tendencies such as cautiousness & mirthfullness. Date: late 19th century

Crucifixion & Attributes
Jesus on his cross is surrounded with the attributes of his Passion - nails, sponge on a stick, St Veronicas handkerchief, scourges, 30 pieces of silver, cock etc

Italy San Gimignano
Although legend attributes the high towers of the town to family rivalries, in fact they served a practical purpose to hang and dry the safron-dyed cloth produced locally

LEMUR FULVUS is one of the LEMURIDAE, a rarely-seen because nocturnal species who live in Madagascar. (He is not a monkey though sharing monkey-like attributes)

Religion / Egypt / Anubis
with varius attributes, notably a caduceus and a crocodile : he has a jackal head

Buddhist Triad
There are several Buddhas - deities with various names and attributes

Taoist Triad
Divine beings with various names and attributes

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"Unveiling the Divine: Exploring the Multifaceted Attributes of Deities and Icons" In ancient mythology, Angerona Goddess personified silence and secrecy, reminding us of the power in stillness. Meanwhile, MITHRAS symbolized strength and courage, embodying the triumph over adversity. The eternal struggle between Horus-Seth depicted a duality within ourselves - light battling darkness. Drawing from HYNEK's groundbreaking research in 1966, we delve into the enigmatic phenomenon surrounding extraterrestrial encounters – a testament to our insatiable curiosity about the unknown. The crucifixion of Jesus stands as an enduring symbol of sacrifice and redemption that transcends time and culture. Vishnu's vibrant litho reminds us of his divine presence through various hues that represent different aspects of existence. Studying St. John and St. Mary Magdalene amidst saints reveals their unwavering devotion to faith and compassion for humanity. Horsemen 1 - Centaurs epitomize untamed freedom while Reindeer (1597) evokes a sense of enchantment in nature's wonders. Francisco de Goya's Allegory of the Villa Madrid (1810) invites contemplation on society's complexities through symbolism, urging us to reflect upon our own roles within it. Saint Lazarus with Martha and Mary teaches us about love’s transformative power even in times of despair. Lastly, Saint James the Pilgrim beckons wanderers towards self-discovery along life's pilgrimage path—a reminder that growth lies beyond comfort zones—attributing courage to those who embark on such journeys. Through these diverse attributes embodied by gods, icons, mythological creatures, or historical figures across cultures and eras; we are reminded that human experience is multifaceted like a prism reflecting myriad colors—an ever-evolving tapestry woven together by stories passed down through generations.