Attributes Collection (page 6)

Portrait of the Swedish painter Eva Bonnier (1857-1909)
Eva Bonnier (1857-1909). Swedish painter. Portrait by Richard Bergh (1858-1919), 1889. National Museum. Stockholm. Sweden

Spain. Barcelona. Statue of Neptune by Nicolau Trave. 18th Century. Neoclassical style. Fountain. La Llotja

Rameseum. Pillars with osirian statues. Detail. Egypt
Rameseum. Pillars with osirian statues. Detail. 13th century B.C. Nineteenth Dynasty. New Kingdom. Necropolis of Thebes. Valley of the Kings. Egypt

Pharaoh with the false beard and Atef crown. Deir el-Bahari
Relief with polychrome remains depicting a pharaoh with the false beard and Atef crown, an attribute that helps to revive the deceased. Temple of Hatshepsut. New Kingdom. Eighteenth Dynasty

Justus Candidus Cautus
JUSTUS CANDIDUS CAUTUS Evidently a man of culture, judging by his workplace and the attributes of this intriguing engraving - but we know nothing about him... Date: circa 1746

Peter I / Barbier / Nee
PETER I (the Great) crowned by fame, and depicted with attributes testifying to his devotion to the arts sciences and military matters Date: 1682-1725

Ludwig Wittich
LUDWIG WITTICH a fine lithographic portrait of this distinguished German gentleman whose attributes and character were recognised by his friends and relations. Date: 1773 - 1832

Richelieu Profile
ARMAND JEAN DUPLESSIS, cardinal RICHELIEU French churchman and statesman for whom religious tolerance was not one of the Christian attributes. Date: 1585 - 1642

Portrait Surgeon Oil wood 8 1 / 4 x 6 1 / 8 21 15. 6 cm
Artokoloro

Juno ca 1806 Graphite sheet 12 5 / 8 x 9 3 / 8 32. 1 23. 8 cm
Artokoloro

poet standing crowned laurel leaning stone 1620-21
Artokoloro

Diana Attributes Hunt 16th century Black chalk
Artokoloro

Putti Attributes Arts 1627-1703 Pen brown ink
Artokoloro

Female Allegorical Figure Benignitas Goodness
Artokoloro

Two Saints Adoration n. d Pen brown ink brush
Artokoloro

Love (Spring), c. 1600 (oil on canvas)
XAM71643 Love (Spring), c.1600 (oil on canvas) by Netherlandish School, (17th century); 120x240 cm; Kunsthistorisches Museum, Vienna, Austria; Netherlandish, out of copyright

St. Catherine of Alexandria and St. Agnes of Rome, after a work attributed to Marguerite van Eyck
KW415650 St. Catherine of Alexandria and St. Agnes of Rome, after a work attributed to Marguerite van Eyck, from Les Arts au Moyen Age, published 1873 (colour litho) by French School

2906808; out of copyright

Allegory of the decay of appreciation for the arts and sciences. A horde asses destroyed the attributes of the liberal arts in an art room. A donkey rips with his beak a drawing in half

Altarpiece of the Virgin of the Rosary, c. 1500 (oil on panel)
XIR245701 Altarpiece of the Virgin of the Rosary, c.1500 (oil on panel) by Brea, Ludovico (c.1450-1523); Church of Biot, France; (add.info.: Retable de la Vierge du Rosaire; ); French

Six Putti with Flowers and Fruit and the Attributes of Drawing, Jurriaan Andriessen, 1782

S Mary Magdalene, Pieter de Bailliu (I), Peter Paul Rubens, 1623 - 1660

Saint Francis, Jurriaan Cootwijck, 1724 - 1798

H Hubertus, Cornelis van Noorde, 1768 - 1769

H Mary Magdalene, Monogrammist CHRO, 1632

H Augustine, Jacob Matham, Rudolf II van Habsburg (Duits keizer), 1607 - 1615

Apostle Peter, Jacob de Gheyn (II), Hendrick Hondius (I), 1591 - 1592

Portrait of William VI, Landgrave of Hesse-Kassel, in an allegorical frame, Mercury and attributes including winch, caduceus and cornucopia, a second allegorical figure (Jupiter)

Saint Cecilia with organ, Pieter de Bailliu (I), 1623 - 1660

Saint Helena with the True Cross, print maker: Pieter de Bailliu I, 1623 - 1660

Mary Magdalene as richly dressed woman for conversion, print maker: Pieter de Bailliu I, Anthony van Dyck, Pieter de Bailliu I, 1623 - 1660

Apostle Paul, Charles Joseph Emmanuel de Ligne, M. Hazard, 1774 - 1792

Cartouche with lobe ornament held up by two men, print maker: Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Profile of Amsterdam, 1611, The Netherlands, Claes Jansz. Visscher (II), 1611

David, Johannes Covens, Cornelis Mortier, 1589

Painter with a model in his studio, Wouter Dam, Cornelis Dusart, 1736 - 1786

Coat of arms Delft, flanked by putti, Hendrik de Leth, 1738

Spinning woman for a house, Adriaen van Ostade, 1652

Penitent Peter H, Willem Isaacsz. van Swanenburg, Petrus Scriverius, Johannes Janssonius, 1608 - 1665

H Penitent Mary Magdalene, Willem Isaacsz. van Swanenburg, Cornelis Gijsbertsz. Plemp, Jacques Razet, 1609

Paul in a landscape, he leans on a book and holding a pen, against his leg resting a sword. Before him lies a pile of books

H Martinus on board a Narrenschip, Anonymous, Hieronymus Cock, 1548 - 1570

Moses and Aron with the Tablets of the Law (leaf left), Simon Frisius, Gerard Valck, 1670 - 1726

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"Unveiling the Divine: Exploring the Multifaceted Attributes of Deities and Icons" In ancient mythology, Angerona Goddess personified silence and secrecy, reminding us of the power in stillness. Meanwhile, MITHRAS symbolized strength and courage, embodying the triumph over adversity. The eternal struggle between Horus-Seth depicted a duality within ourselves - light battling darkness. Drawing from HYNEK's groundbreaking research in 1966, we delve into the enigmatic phenomenon surrounding extraterrestrial encounters – a testament to our insatiable curiosity about the unknown. The crucifixion of Jesus stands as an enduring symbol of sacrifice and redemption that transcends time and culture. Vishnu's vibrant litho reminds us of his divine presence through various hues that represent different aspects of existence. Studying St. John and St. Mary Magdalene amidst saints reveals their unwavering devotion to faith and compassion for humanity. Horsemen 1 - Centaurs epitomize untamed freedom while Reindeer (1597) evokes a sense of enchantment in nature's wonders. Francisco de Goya's Allegory of the Villa Madrid (1810) invites contemplation on society's complexities through symbolism, urging us to reflect upon our own roles within it. Saint Lazarus with Martha and Mary teaches us about love’s transformative power even in times of despair. Lastly, Saint James the Pilgrim beckons wanderers towards self-discovery along life's pilgrimage path—a reminder that growth lies beyond comfort zones—attributing courage to those who embark on such journeys. Through these diverse attributes embodied by gods, icons, mythological creatures, or historical figures across cultures and eras; we are reminded that human experience is multifaceted like a prism reflecting myriad colors—an ever-evolving tapestry woven together by stories passed down through generations.