Audience Collection (page 7)

The Educated Mules at the Alhambra Palace, 1858. Creator: Unknown
The Educated Mules at the Alhambra Palace, 1858. American circus in London: Messrs. Howes and Cushing's "educated" mules, Barney and Pete who...must have had

The Queen's Visit to Leeds - the Town Clerk reading the Address to Her Majesty in the Townhall, 1858. Queen Victoria visits the newly-opened town hall at Leeds in Yorkshire

Meeting of Charity Schoolchildren at the Crystal Palace, 1858. Creator: Unknown
Meeting of Charity Schoolchildren at the Crystal Palace, 1858. The children of the various London Charity Schools, to the number of above five thousand...were conveyed to the Crystal Palace by

Music-Hall Scene. Creator: Gosta von Hennigs
Music-Hall Scene, Unknown date

The Heavenly Audience of Shiva and Parvati (image 1 of 3), between c1830 and c1850. Creator: Unknown
The Heavenly Audience of Shiva and Parvati (image 1 of 3), between c1830 and c1850

Dancing Girls at a Court, c1850. Creator: Unknown
Dancing Girls at a Court, c1850

The Queen at the Concert in the Royal Albert Hall, 1876. Creator: C.R
The Queen at the Concert in the Royal Albert Hall, 1876. Queen Victoria...entered the Royal box punctually at four o'clock, the immense assemblage rising to receive her with all due respect

Improvement of the Morals, 1786. Creator: Daniel Nikolaus Chodowiecki
Improvement of the Morals, 1786

Sukadeva Reciting the Bhagavata Purana (Ancient Stories of the Lord)... between 1750 and 1775. Creator: Unknown
Sukadeva Reciting the Bhagavata Purana (Ancient Stories of the Lord) to Savant Singh (Reigned 1748-1757), between 1750 and 1775

First audience of a British minister with the Tycoon of Japan at Jeddo... 1860. Creator: Unknown
First audience of a British minister with the Tycoon of Japan at Jeddo [ie Eddo] - from a sketch by S. J. Gower, 1860. Mr

The Prince of Wales seeing a Dance of Wild Hillmen at Calcutta, 1876. Creator: Unknown
The Prince of Wales seeing a Dance of Wild Hillmen at Calcutta, 1876. The future King Edward VII is entertained during a royal visit to India. From "Illustrated London News", 1876

Tokugawa Iemitsu Receiving Lords in Audience, 1875. Creator: Tsukioka Yoshitoshi
Tokugawa Iemitsu Receiving Lords in Audience, 1875. From Brief Account of the Rulers of the Tokugawa Clan

Ise Shrine Festival, between 1767 and 1770. Creator: Utagawa Toyoharu
Ise Shrine Festival, between 1767 and 1770

Compiled Album from Four Series: A Mirror of Famous Generals of Japan... between 1876 and 1882
Compiled Album from Four Series: A Mirror of Famous Generals of Japan; Comic Pictures of Famous Places in Civilizing Tokyo; Twenty-four Accomplishments in Imperial Japan; Twenty-four Hours in

Tawara Toda Hidesato in Audience with the Emperor, 1880. Creator: Tsukioka Yoshitoshi
Tawara Toda Hidesato in Audience with the Emperor, 1880. From A Mirror of Great Warriors of Japan

Actor as Musashibo Benkei in Kanjincho, 1879. Creator: Tsukioka Yoshitoshi
Actor as Musashibo Benkei in Kanjincho, 1879. From News from the Kabuki Theater

Sur la scène/Dans les coulisses, 1853. Creator: Honore Daumier
Sur la scene/Dans les coulisses, 1853. On Stage/Behind the Scenes. (In the wings, an actor, dressed as a Roman, exchanges something with another man (the theatre manager?). From Croquis Parisiens

(Le parterre de l'Odéon.) L'auteur!... 1844. Creator: Honore Daumier
(Le parterre de l'Odeon.) L'auteur!... 1844.... l'auteur!... l'auteur! - Messieurs, votre impatience va etre satisfaite...vous desirez connaitre l'auteur de l'ouvrage

Une Représentation au théâtre de Bordeaux, 1871. Creator: Honore Daumier
Une Representation au theatre de Bordeaux, 1871. A performance at the theatre of Bordeaux. L'ennuyeux, c'est qu'on ne voie pas le souffleur'

Décadence du drame en 1866, 1866. Creator: Honore Daumier
Decadence du drame en 1866, 1866. - En v'la un bon jobard, il croit que toutes ce rengaines la sont arrivees! - Mais tas d'imbeciles...vous ne voyez donc pas que c'est l'auteur

Voyons madame, un peu de courage... 1858. Creator: Honore Daumier
Voyons madame, un peu de courage... 1858. Voyons madame, un peu de courage...Une reine ne doit pas trembler comme ca...rappelez-vous donc que vous etes une reine et que vous allez dire des vers du

Le Banc des Amateurs, 1852. Creator: Honore Daumier
Le Banc des Amateurs, 1852. Vue prise a l'opera. The Theatre-Lovers Seats. Scene at the opera. Series: Les Parisiens en 1852, no. 3; Periodical: Le Charivari, 15 January 1852

De l'utilité d'une famille pour une cantatrice, 1857. Creator: Honore Daumier
De l'utilite d'une famille pour une cantatrice, 1857. On the usefulness of a family to a singer. (The singer's relations hold bouquets ready to throw on stage)

La Sortie, 1855. Creator: Honore Daumier
La Sortie, 1855. La Sortie. - Decidement l'inventeur qui a le plus mon admiration, c'est ce lui qui a invente l'air!'. The exit

Le triomphe du sucre d'orge, 1855. Creator: Honore Daumier
Le triomphe du sucre d'orge, 1855. Vue prise aux Folies nouvelles. (The triumph of barley sugar. - View taken at the new Folies). From Le Charivari, 7 April 1855

Dans une salle de spectacle, 1854. Creator: Honore Daumier
Dans une salle de spectacle, 1854. Scene in a theatre. From Paris l'ete, no. 2

Messrs. Gibson and Bright at the Free-Trade Hall, Manchester, 1858. Creator: Unknown
Messrs. Gibson and Bright at the Free-Trade Hall, Manchester, 1858. A soiree for...the Right Hon. T. M. Gibson, M.P. for Ashton-under- Lyne, and Mr. John Bright, M.P

Les Spectateurs de l'orchestre, 1864. Creator: Honore Daumier
Les Spectateurs de l'orchestre, 1864. Il y a de jolies jambes...tous satisfaits! Audience in the front stalls. There are some lovely legs...everyone's happy

Monsieur, ils ne sont que cinq.. 1864. Creator: Honore Daumier
Monsieur, ils ne sont que cinq.. 1864. - Monsieur, ils ne sont que cinq, il y a une sixieme place...en vous penchant beaucoup vous pourrez voir un peu'

Rowing competition, 1829-1879. Creator: Ary Pleijsier
Rowing competition, 1829-1879. Spectators watch from a grandstand with Dutch flags and from sloops in the water

'The shadow show; A Cruise to Soo-chow, 1875. Creator: Lindley, Augustus Frederick
The shadow show; A Cruise to Soo-chow, 1875. From, Illustrated Travels by H.W. Bates. [Cassell, Petter, and Galpin, c1880, London]

Death Giving Audience, c1741-1742. Creator: Giovanni Battista Tiepolo
Death Giving Audience, c1741-1742. From Vari Capricci

Interview at Sealkote, on the 9th March, between the Maharajah Runjeet Singh of Cashmere... 1860. Creator: Unknown
Interview at Sealkote, on the 9th March, between the Maharajah Runjeet [sic] Singh of Cashmere and His Excellency Lord Canning - from a sketch by Mr. Simpson, 1860

Kermis Fair singer, 1900-1999. Creator: Unknown
Kermis Fair singer, 1900-1999. A showman points to nine prints on a stage. A woman is playing the harp. On the right a boy with balloons

Princesse Schouwburg in The Hague during the performance of Othello, 1874-1927. Creator: Johan Antonie de Jonge
Princesse Schouwburg in The Hague during the performance of Othello, 1874-1927. The stage and part of the auditorium

Audience with Cardinal Aldobrandini in the Loggia of the Villa Belvedere in Frascati, 1822-1823

Interior of the Soldiers Theatre at Mourmelon-le-Grand, Chalons Camp... 1860. Creator: Unknown
Interior of the Soldiers Theatre at Mourmelon-le-Grand, Chalons Camp, [France] - from a drawing by M. Beauce, 1860. This theatre, built of wood, and in the most unpretending style

The Paris Hippodrome: seventeen horses driven by M. Marin, 1860. Creator: Harrison Weir
The Paris Hippodrome: seventeen horses driven by M. Marin, 1860. After numerous attempts M. Marin has just succeeded in the accomplishment of this dangerous exercise by means of a simplification in

At the Theatre, c.1895. Creator: Isaac Lazerus Israels
At the Theatre, c.1895

Lord Yoritomoku Watches a Noh Performance, 19th century. Creator: Tsukioka Yoshitoshi
Lord Yoritomoku Watches a Noh Performance, 19th century

The Prince of Wales at Home: Reception at the Royal Italian Opera on Thursday night, 1876. Creator: C.R
The Prince of Wales at Home: Reception at the Royal Italian Opera on Thursday night, 1876. The future King Edward VII and Queen Alexandra attend a London stage production

La Nouvelle Europe;la guerre civile a Berlin; Ebert prononce une allocutiondevant une... 1918. Creator: Unknown
La Nouvelle Europe;la guerre civile a Berlin; Ebert prononce une allocution devant une assemblee de sous-officiers, 1918. From "L'Album de la Guerre 1914-1919

La Nouvelle Europe; la guerre civile a Berlin; Liebknecht harangue la foule massee "Sous... 1918
La Nouvelle Europe; la guerre civile a Berlin; Liebknecht harangue la foule massee "Sous les Tilleuls", 1918. From "L'Album de la Guerre 1914-1919

Two seated women in the front row in an audience, 1916. Creator: Reijer Stolk
Two seated women in the front row in an audience, 1916. In long summer dresses and hats, with legs crossed

Picture of a Crowded Theater Hosting Performance of Sugawara Denju Tenarai Kagami, 1859. Creator: Utagawa Kunisada
Picture of a Crowded Theater Hosting Performance of Sugawara Denju Tenarai Kagami, 1859

VOC Delegation at An Audience With The King of Kandy, Sri Rajadi Raja Sinha, 1785-1786. Creator: Jan Brandes
VOC Delegation at An Audience With The King of Kandy, Sri Rajadi Raja Sinha, 1785-1786. The reception room in the palace of the king of Kandy with VOC officials kneeling in the foreground

View of a concert hall in Venice, 1735-1805. Creator: Unknown
View of a concert hall in Venice, 1735-1805

View of the fire on the stage of the Schouwburg in Amsterdam on 11 May 1772, (1772-1799). Creator: Anon
View of the fire on the stage of the Schouwburg in Amsterdam on 11 May 1772, (1772-1799). Blazing curtain on the right side of the stage. The actors, the musicians and the audience are in panic

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In the realm of human experiences, the concept of "audience" transcends time and boundaries. From the iconic Hippy Bus at the Woodstock Music Festival in 1969 to Amitabha, the Buddha of Sukhavati, we witness how diverse audiences have shaped history. Vasco da Gama's arrival in India drew a curious crowd eager to embrace new cultures and ideas. Sports enthusiasts unite as they cheer on their teams during thrilling Test cricket matches at Sydney Cricket Ground and Melbourne Cricket Ground in Australia. The rhythmic movements of Irish Dancers captivate an audience with their mesmerizing performances. Judy Garland's enchanting voice resonates through The Talk of the Town concert hall, leaving her adoring fans spellbound. In a world where individuality reigns supreme, some artists perform for an Audience Of One - pouring their hearts out to connect with that singular soul who understands them completely. The grandeur of Teatro San Carlo in Naples sets the stage for captivating dramas that transport audiences into different eras and realities. Centuries ago, actors performed on wooden stages during Shakespearean times, captivating crowds with tales that still resonate today. Beyond entertainment lies another facet: National Sporting Clubs bring together passionate supporters who create an electric atmosphere as they rally behind their favorite athletes or teams. Music knows no bounds; it unites people across continents. The Count Basie Orchestra's performance at London's Royal Festival Hall in 1980 showcased this universal language that can move even those who don't share a common tongue. Audiences throughout history have witnessed moments both profound and mundane; they have laughed together, cried together, celebrated victories and mourned losses side by side, and are not mere spectators but active participants shaping our collective narrative - reminding us that regardless of time or place, we are all connected through shared experiences as partakers in this grand theater called life.