Bergami Collection
In 1819, a scandalous affair between Caroline and Bergami rocked the Stewards Court of the Manor of Torre Devon
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In 1819, a scandalous affair between Caroline and Bergami rocked the Stewards Court of the Manor of Torre Devon. The events were immortalized in an etching published in 1820, titled "Returning Justice Lifts Aloft Her Scale, " which depicted the aftermath of their forbidden love. Amidst this controversy, another intriguing depiction emerged - "Bergami Pears, or Choice Fruit" - a mysterious creation from October 1820 by an unknown artist. This artwork seemed to symbolize the allure and temptation surrounding Bergami himself. The enigmatic figure of B. It also appeared around this time, circa 1820. Created by Charles-Philibert de Lasteyrie, this portrayal added to the intrigue surrounding Bergami's identity and his role in Caroline's life. Count Bergami was yet another representation that emerged during this period, circa 1820. Though created by an unknown artist, it showcased his aristocratic status and hinted at his involvement with Caroline. As time went on, more artworks surfaced that shed light on the complexities of their relationship. In 1821 came "Bat, Cat and Mat: How Happy Could I Be With Either, " a whimsical piece capturing their unconventional bond. Another intriguing artwork from that year was "An Old Friend with a New Face or The Baron in Disguise. " It suggested that Count Bergami might have been hiding behind various identities throughout their scandalous affair. Among these artistic depictions was also a revisit to the Stewards Court of Torre Devon in 1820. Painted by an unidentified artist once again, it served as a reminder of where it all began - where Caroline and Bergami's paths first crossed. "Returning Justice Lifts Aloft Her Scale" made its appearance once more in 1821 – perhaps indicating that justice had not yet been fully served regarding their controversial liaison.