Bernardo Strozzi Collection

The Tribute Money. Creator: Bernardo Strozzi
The Tribute Money, Unknown date

Christ at Emmaus Presenting the Bread, 1630/40. Creator: Bernardo Strozzi
Christ at Emmaus Presenting the Bread, 1630/40

The Coquette, 1656 / 58. Creator: Jeremias Falck
The Coquette, 1656/58

St. Gerardo Sagredo, Bishop of Csanad, 1633. Creator: Bernardo Strozzi
St. Gerardo Sagredo, Bishop of Csanad, 1633

Saint Francis Holding a Crucifix in His Arms; Saint Francois Tenant un Crucifax dans Ses
659169 Saint Francis Holding a Crucifix in His Arms; Saint Francois Tenant un Crucifax dans Ses Bras, (black, red and white chalk on beige paper) by Strozzi

Christ at Emmaus Presenting the Bread, (black and white chalk)
990014 Christ at Emmaus Presenting the Bread, (black and white chalk) by Strozzi, Bernardo (1581-1644); 29.5x23.5 cm; Private Collection; (add.info.: Christ at Emmaus Presenting the Bread)

Saint Peter Meditating; Saint Pierre Meditant, (black and white chalk on beige paper)
659170 Saint Peter Meditating; Saint Pierre Meditant, (black and white chalk on beige paper) by Strozzi, Bernardo (1581-1644); 35x23.2 cm; Private Collection; (add.info)

The Head of Christ in Profile to the Right, (black and white chalk)
990015 The Head of Christ in Profile to the Right, (black and white chalk) by Strozzi, Bernardo (1581-1644); 24.2x168 cm; Private Collection; (add.info.: The Head of Christ in Profile to the Right)

The Holy Family with the Infant St, (oil on canvas)
990358 The Holy Family with the Infant St, (oil on canvas) by Strozzi, Bernardo (1581-1644); 82x105. cm; Private Collection; (add.info.: The Holy Family with the Infant St. John the Baptist)

La Cuoca - A Kitchen Maid Plucking a Goose in an Interior, (oil on canvas)
990262 La Cuoca - A Kitchen Maid Plucking a Goose in an Interior, (oil on canvas) by Strozzi, Bernardo (1581-1644); 174.6x160.3 cm; Private Collection; (add.info)

Portrait of a Genoese Nobleman, 1615. Creator: Bernardo Strozzi
Portrait of a Genoese Nobleman, 1615

Conversion of Zacchaeus, with Christ at right addressing the tax collector, who is seated in a tree at top center, 1730-39

Tobias Curing His Fathers Blindness, 1630-35. Creator: Bernardo Strozzi
Tobias Curing His Fathers Blindness, 1630-35

The Healing of Tobit, c. 1625. Creator: Bernardo Strozzi (Italian, 1581?-1644)
The Healing of Tobit, c. 1625. This scene is the moving conclusion of the story of Tobias, the young man at the right. It addresses the themes of family devotion and trust

Allegorical Figure, c. 1636. Creator: Bernardo Strozzi (Italian, 1581?-1644)
Allegorical Figure, c. 1636. During the 1630s, the Genoese artist Bernardo Strozzi painted a number of female figures representing various intellectual and artistic pursuits

Allegorical Figure, c. 1635. Creator: Bernardo Strozzi (Italian, 1581?-1644)
Allegorical Figure, c. 1635. Strozzi drew this female figure in preparation for one of his major oil paintings, also owned by the Cleveland museum

Head of an Old Man (the Apostle Peter?), 17th century. Artist: Bernardo Strozzi
Head of an Old Man (the Apostle Peter?), 17th century. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Healing of Tobit, c1635. Artist: Bernardo Strozzi
The Healing of Tobit, c1635. The Archangel Raphael, sent by God to heal Tobit of his blindness. The Book of Tobit is regarded as part of the biblical canon by the Catholic

Old Coquette (Vanitas), after 1630. Artist: Bernardo Strozzi
Old Coquette (Vanitas), after 1630. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Allegory of Mathematics, early 17th century. Artist: Bernardo Strozzi
Allegory of Mathematics, early 17th century. Strozzi, Bernardo (1581-1644). Found in the collection of the Regional Art Museum, Kaluga

The Miracle of the Five Loaves and Two Fishes, after 1630. Artist: Bernardo Strozzi
The Miracle of the Five Loaves and Two Fishes, after 1630. Strozzi, Bernardo (1581-1644). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Gamba Player, c1635. Artist: Bernardo Strozzi
Gamba Player, c1635. Found in the collection of the Gemaldegalerie, Dresden

Alexander the Great Restoring the Throne Usurped by Abdolomino, 17th century. Artist: Bernardo Strozzi
Alexander the Great Restoring the Throne Usurped by Abdolomino, 17th century. From a private collection

Isaac blesses Jacob, early 17th century. Artist: Bernardo Strozzi
Isaac blesses Jacob, early 17th century. From a private collection

Bernardo Strozzi Tribute Money Treasure Painting
Bernardo Strozzi, The Tribute Money, Treasure, Painting, oil on canvas, Height, 172 cm (67.7 inches), Width, 222 cm (87.4 inches)

Head Saint Francis recto Studies Old Man Two Right
Head of Saint Francis (recto); Studies of the Head of Saint Francis, Head of an Old Man, and Two Right Hands (verso); Bernardo Strozzi (Italian, 1581 - 1644); Genoa, Liguria

Allegorical Figure 1635 Bernardo Strozzi Italian
Allegorical Figure, c. 1635. Bernardo Strozzi (Italian, 1581?-1644). Black chalk with red chalk; sheet: 37.3 x 26.2 cm (14 11/16 x 10 5/16 in.)

Discovery True Cross 1581-1644 Pen brown ink
Artokoloro

Half-Length Study Monk Holding Book Long Implement
Artokoloro

Bernardo Strozzi, Italian (1581-1582-1644), Saint Francis in Prayer, c. 1620-1630, oil on canvas

Jeremias Falck after Johann Liss after Bernardo Strozzi (German, c. 1619 - 1677), An Old Woman at the Toilet Table, etching and engraving

Bernardo Strozzi, Bishop Alvise Grimani, Italian, 1581-1582-1644, 1633 or after, oil on canvas

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Bernardo Strozzi, a renowned Italian Baroque painter, left an indelible mark on the art world with his captivating works. One of his notable pieces is "The Coquette, " created between 1656 and 1658 by Jeremias Falck. This painting portrays a flirtatious woman, capturing her allure and coquettish nature. In another masterpiece titled "St. Gerardo Sagredo, Bishop of Csanad, " painted in 1633 by Strozzi himself, we witness the depiction of a revered religious figure. The bishop's dignified presence emanates from the canvas as he stands tall in his ecclesiastical attire. Strozzi's talent extended beyond religious subjects; he also excelled in portraiture and still life. His black and white chalk drawing of "Saint Paul" showcases intricate details that bring this biblical figure to life on brown paper. Another striking piece is "Saint Francis Holding a Crucifix in His Arms. " Here, Strozzi captures the essence of Saint Francis' devotion through his tender embrace of the crucifix. With "Christ at Emmaus Presenting the Bread, " rendered using black and white chalk techniques, Strozzi skillfully depicts one of Jesus' post-resurrection appearances. The scene exudes warmth as Christ presents bread to his disciples. In contrast to these spiritual themes, Strozzi explores introspection with "Saint Peter Meditating. " Through delicate strokes of black and white chalk on beige paper, he invites viewers into Peter's contemplative state. "The Head of Christ in Profile to the Right" reveals Strozzi's mastery over chiaroscuro technique as he creates depth through contrasting light and shadow in this powerful portrayal. Strozzi also delved into depictions of Madonna and Child with tenderness evident in their expressions—a testament to his ability to convey maternal love through paintbrush strokes. One cannot overlook Strozzi's talent for capturing everyday life, as seen in "La Cuoca.