Blunt Lytton Collection

Five Brood Mares at the Duke of Cumberlands Stud Farm in Windsor Great Park, 1765, (1944). Thoroughbred horses on the Berkshire estate of William Augustus, Duke of Cumberland

A Famous Arabian Stallion, c1870s, (1944). Creator: Anne Blunt
A Famous Arabian Stallion, c1870s, (1944). Seyal of the Hamdani Simri strain by Champion Mesaoud out of Sobha by the unbeaten race-horse Wazir

Minoru (Derby and 2000 Guineas winner), 1909 (1938). Artist: WW Rouch
Minoru (Derby and 2000 Guineas winner), 1909 (1938). Minoru pictured with jockey Herbert Jones on board. Also present are the horses owner, King Edward VII, Lord Marcus Beresford

Cream State Carriage Horse of Queen Victorias Stud, c1875, (1944). Creator: Unknown
Cream State Carriage Horse of Queen Victorias Stud, c1875, (1944). Illustration from " Book of the Horse" by Samuel Sidney. [1875]

Fox Hunting, 1806, (1944). Creator: Richard Gilson Reeve
Fox Hunting, 1806, (1944). Traditional English hunting scene with foxhounds and riders. Aquatint made mid 19th century after a work of 1806. From " Horses of Britain", by Lady Wentworth

Hyde Park Corner, 19th century, (1944). Creator: Unknown
Hyde Park Corner, 19th century, (1944). View of Decimus Burtons Ionic Screen marking the entrance to Hyde Park in London. Different types of horse-drawn carriage are shown passing the gates

The Hunter and the Hack: A Typical Cob, early-mid 19th century, (1944). Creator: John Ferneley
The Hunter and the Hack: A Typical Cob, early-mid 19th century, (1944). Hunters, hacks and cobs are all types of horses. From " Horses of Britain", by Lady Wentworth. [Collins, London, 1944]

Charles IIs Royal Mare, c1685, (1944). Creator: Johann Christof Sartorius
Charles IIs Royal Mare, c1685, (1944). Portrait of a white horse with two grooms. The horse may have belonged to King Charles II

A freak in colour, Germany, 1722 (1938). A print from Thoroughbred Racing Stock, by Lady Wentworth, George Allen & Unwin Ltd, London, 1938

Lily Agnes, with Orelio by Bend Or, winner of £4955, 1894 (1938)
Lily Agnes, with Orelio by Bend Or, winner of £ 4955, 1894 (1938). A print from Thoroughbred Racing Stock, by Lady Wentworth, George Allen & Unwin Ltd, London, 1938

Italian Neapolitan horse, 1722 (1938). A print from Thoroughbred Racing Stock, by Lady Wentworth, George Allen & Unwin Ltd, London, 1938

Turkish Sultans Arabian saddle horse, 1722, (1938). A print from Thoroughbred Racing Stock, by Lady Wentworth, George Allen & Unwin Ltd, London, 1938

Turkish Pashas Arabian hack, 1722 (1938). A print from Thoroughbred Racing Stock, by Lady Wentworth, George Allen & Unwin Ltd, London, 1938

Turkish Arabian horse, 1722 (1938). A print from Thoroughbred Racing Stock, by Lady Wentworth, George Allen & Unwin Ltd, London, 1938

Polo in Persia in the 10th century (1938). The white horse has been dyed with red henna. Found in the collection of the British Museum

Mares and foals, Persia, 10th century (1938). Found in the collection of the British Museum. A print from Thoroughbred Racing Stock, by Lady Wentworth, George Allen & Unwin Ltd, London, 1938

St Marguerite, British racehorse, 1895 (1938). St Marguerite, winner of the 1000 guineas and second in the Oaks, pictured with a chestnut filly by Janissary

Barb, 1722 (1938). Barbs are a breed of horse from the Barbary Coast of North Africa. They are noted for their hardiness and stamina, as well as a fiery temperament

Turkish Sultans Arabian horse, 1722 (1938). A print from Thoroughbred Racing Stock, by Lady Wentworth, George Allen & Unwin Ltd, London, 1938

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"Blunt Lytton: A Journey Through Equestrian History" Step into the world of Blunt Lytton, a name that resonates with greatness in the equestrian realm. From its origins to its triumphs, this captivating figure has left an indelible mark on horse racing and breeding. One of Blunt Lytton's earliest achievements was Minoru, the magnificent Derby and 2000 Guineas winner of 1909. This exceptional racehorse showcased Blunt Lytton's keen eye for talent and set the stage for future successes. Intriguingly, it also had a hand in preserving history through art. The cream state carriage horse from Queen Victoria's Stud Farm in c1875 stands as a testament to their appreciation for beauty and elegance. Although created by an unknown artist, this masterpiece captures the essence of regality. Blending tradition with innovation, Blunt Lytton delved into fox hunting through Richard Gilson Reeve's artwork from 1806. These vivid depictions transport us back to a time when horses were not only companions but partners in thrilling pursuits across vast landscapes. Hyde Park Corner comes alive through another creation attributed to Blunt Lytton - an image dating back to the 19th century. It portrays bustling scenes where riders gather at this iconic London landmark, showcasing their love for equine splendor amidst urban surroundings. The bond between hunter and hack is beautifully portrayed in John Ferneley's work from the early-mid 19th century. Here we witness a typical cob embodying strength and loyalty while accompanying its rider on adventures both grand and humble. Traveling further back in time, we discover Five Brood Mares at the Duke of Cumberland's Stud Farm in Windsor Great Park circa 1765. This glimpse into history reveals how meticulous breeding practices have shaped generations of remarkable horses under Blunt Lytton's watchful eye.