Book Of Hours Collection (page 7)

MS 300 f. 82r, from the Psalter and Hours of Isabella of France, Paris, c
5911895 MS 300 f.82r, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School, (13th century); 19x14.1 cm; Fitzwilliam Museum

MS 300 f. 42r, David prays to God in cloud, from the Psalter
5911887 MS 300 f.42r, David prays to God in cloud, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School

MS 300 f. 26r, David prays to God, folio from the Psalter and Hours of Isabella of France
5911886 MS 300 f.26r, David prays to God, folio from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School

MS 300 f. XIII-1r, from the Psalter and Hours of Isabella of France, Paris, c
5911930 MS 300 f.XIII-1r, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School, (13th century); 19x14.1 cm; Fitzwilliam Museum

MS 300 f. 217v, Crucifixion, from the Psalter and Hours of Isabella of France, Paris, c
5911915 MS 300 f.217v, Crucifixion, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School

MS 300 f. 125v, David prays to God (above); God with orb
5911900 MS 300 f.125v, David prays to God (above); God with orb and Christ with book seated on bench (below), from the Psalter and Hours of Isabella of France, Paris

MS 14 f. 5, May: Hawking, c. 1250 (pen & ink and tempera on vellum)
5903699 MS 14 f.5, May: Hawking, c.1250 (pen & ink and tempera on vellum) by Flemish School, (13th century); 23.5A--16.5 cm; J. Paul Getty Museum, Los Angeles, USA; Flemish, out of copyright

Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving)
1626182 Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving) by English School, (19th century); Private Collection; (add.info)

The Coronation of the Virgin by the Holy Trinity, c. 1500 (paint and ink on vellum)
986374 The Coronation of the Virgin by the Holy Trinity, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info)

MS Widener 4, ff. 26v-27r, Coat of Arms and the Annunciation, from a Book of Hours
3703386 MS Widener 4, ff.26v-27r, Coat of Arms and the Annunciation, from a Book of Hours, use of Rennes, c.1405 (pen & ink and tempera on vellum) by French School

MS Widener 4 f. 188r, St. George Fighting the Dragon, from a Book of Hours, use of Rennes
3703385 MS Widener 4 f.188r, St. George Fighting the Dragon, from a Book of Hours, use of Rennes, c.1405 (pen & ink and tempera on vellum) by Lucon Master (fl.1390-1417)

Construction site. Page of a Machazor (prayer book in Hebrew), 14th century
GIA4785339 Construction site. Page of a Machazor (prayer book in Hebrew), 14th century. by Jewish School, (14th century); Private Collection; (add.info.: Construction site)

Ms 159, fol 2v Anne of Brittany presented to St Claude, from
781310 Ms 159, fol 2v Anne of Brittany presented to St Claude, from The Primer of Claude de France (ink & gold ink on parchment) by Master of Antoine de Roche; 26x17.5 cm; Fitzwilliam Museum

An Angel appearing to Mary Magdalene in the Wilderness, illustration from Book of Hours
907850 An Angel appearing to Mary Magdalene in the Wilderness, illustration from Book of Hours, Use of Rome (vellum) by French School

MS 39-1950 f. 263r The Adoration, 1464 (gold, silver & coloured ink on parchment)
876445 MS 39-1950 f.263r The Adoration, 1464 (gold, silver & coloured ink on parchment) by French School, (15th century); Fitzwilliam Museum, University of Cambridge

Book of Hours, 1450-55 (tempera, gold leaf and ink on parchment)
3545844 Book of Hours, 1450-55 (tempera, gold leaf and ink on parchment) by Flemish School, (15th century); 19.4x14 cm; J

The Right Hand of God Protecting the Faithful against the Demons, c
3493072 The Right Hand of God Protecting the Faithful against the Demons, c.1452-1460 (tempera and gold leaf on parchment) by Fouquet, Jean (c.1420-80); 19.4x14.6 cm; Metropolitan Museum of Art

Corn-threshing and Bread-making (engraving)
668435 Corn-threshing and Bread-making (engraving) by French School, (19th century); Private Collection; (add.info.: Corn-threshing)

Folios from the Rothschild Book of Hours, Ghent or Bruges, c
494976 Folios from the Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) (see also 494950-62, 494969-83 and 490416) by Flemish School

Folios from the Rothschild Book of Hours, Ghent or Bruges, c
494951 Folios from the Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) (see also 494950-62, 494969-83 and 490416) by Flemish School

Folio from a miniature Book of Hours, use of Rome, Bruges
492870 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening, Simon (c.1483-1561); 5.9x4.2 cm; Private Collection; (add.info.: James)

Folio from a miniature Book of Hours, use of Rome, Bruges
492866 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

The Rothschild Book of Hours, Ghent or Bruges, c. 1505 (tempera on vellum)
490416 The Rothschild Book of Hours, Ghent or Bruges, c.1505 (tempera on vellum) by Flemish School, (16th century); Private Collection; Photo eChristies Images; Flemish, out of copyright

Ms 547 fol. 36 Entombment of Christ, from a Book of Hours used by a woman from Poitiers
473043 Ms 547 fol.36 Entombment of Christ, from a Book of Hours used by a woman from Poitiers (vellum) by French School, (15th century); Bibliotheque de l Institut de France, Paris

T. 2629 Ms 63 f. 55r The Nativity (Use of Paris) c. 1460 (vellum)
FIT58516 T.2629 Ms 63 f.55r The Nativity (Use of Paris) c.1460 (vellum) by French School, (15th century); 19.7x14 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French

MS McClean 92, f. 132v - f. 133r, from the Book of Hours, c. 1470-90 (ink on parchment)
5912119 MS McClean 92, f.132v - f.133r, from the Book of Hours, c.1470-90 (ink on parchment) by Dutch School, (15th century); Fitzwilliam Museum, University of Cambridge

Portrait of a Collector, c. 1523 (oil on wood)
5979333 Portrait of a Collector, c.1523 (oil on wood) by Parmigianino (Francesco Mazzola) (1503-40); 89.5x63.8 cm; National Gallery, London

Book of Hours, folios 13 verso: Salve sancta facies, Christ as Salvator mundi holding orb
5938140 Book of Hours, folios 13 verso: Salve sancta facies, Christ as Salvator mundi holding orb and blessing, , 1510 (parchment and gold) by Master of the Dresden Prayer Book (fl.c.1460-1520)

MS 300 f. Iv, folio from the Psalter and Hours of Isabella of France, Paris, c
5911924 MS 300 f.Iv, folio from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School, (13th century); 19x14.1 cm; Fitzwilliam Museum

MS 300 f. 220r, folio from the Psalter and Hours of Isabella of France, Paris, c
5911916 MS 300 f.220r, folio from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School, (13th century); 19x14.1 cm; Fitzwilliam Museum

MS 300 f. 95r, folio from the Psalter and Hours of Isabella of France, Paris, c
5911897 MS 300 f.95r, folio from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School, (13th century); 19x14.1 cm; Fitzwilliam Museum

MS 300 f. 89v, David prays to God (above), David (uncrowned) plays psaltery
5911896 MS 300 f.89v, David prays to God (above), David (uncrowned) plays psaltery, from the Psalter and Hours of Isabella of France, Paris

MS 300 f. 61v, folio from the Psalter and Hours of Isabella of France, Paris, c
5911889 MS 300 f.61v, folio from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School, (13th century); 19x14.1 cm; Fitzwilliam Museum

MS 300 f25v-26r, David prays to God, from the Psalter and Hours of Isabella of France
5911885 MS 300 f25v-26r, David prays to God, from the Psalter and Hours of Isabella of France, Paris, c.1265-70 (pen & ink and tempera on parchment) by French School

f. 135r Miniature of Pilate washing his hands of the fate of Jesus
5975365 f.135r Miniature of Pilate washing his hands of the fate of Jesus, from Book of Hours of Marguerite d Orleans, 1426-59 (vellum) by French School, (15th century); Bibliotheque Nationale

MS 92 f. 132v-133r, Office of the Dead, Matins, The Three Living and the Three Dead
5913399 MS 92 f.132v-133r, Office of the Dead, Matins, The Three Living and the Three Dead, from a Book of Hours, western France, use of Rome

Views of Mecca and Medina, c. 1794-5 (paint, gilt and ink on paper)
1196952 Views of Mecca and Medina, c.1794-5 (paint, gilt and ink on paper) by Ottoman School, (18th century); 14x9.5 cm; Private Collection; Photo eChristies Images; Turkish, out of copyright

Madonna a Child or Virgin in the Detrempe Book on wood by Alessandro di Mariano dei
LRI4602969 Madonna a Child or Virgin in the Detrempe Book on wood by Alessandro di Mariano dei Filipepi dit Sandro Botticelli (1445-1510) 1483 Dim

Month of June: landscape and harvests. Peasants at work
LRI4666607 Month of June: landscape and harvests. Peasants at work. Page of the manuscript " Book of Hours" by Manuel I of Portugal (1469-1521) 1517

The announcement to shepherds Miniature from the Book of Hours of Isabella of Castile
LRI4666867 The announcement to shepherds Miniature from the Book of Hours of Isabella of Castile known as Isabella Iere the Catholic (1451-1504) 15th century Seville

Pentecost and a Preaching Scene, Book of Hours (Use of Paris) (ink & colour on vellum)
1764376 Pentecost and a Preaching Scene, Book of Hours (Use of Paris) (ink & colour on vellum) by French School, (15th century); 5.7x4 cm; Fitzwilliam Museum, University of Cambridge

Toy sellers stall, 17th Century, and decoration from a book of hours, 1520 (coloured engraving)
977742 Toy sellers stall, 17th Century, and decoration from a book of hours, 1520 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Toy sellers stall)

MS Widener 6 f. 29r, Annunciation, from a Book of Hours, use of Paris
3703383 MS Widener 6 f.29r, Annunciation, from a Book of Hours, use of Paris, 1415-20 (pen & ink and tempera on vellum) (see also 3703384-6) by French School

MS 39-1950 f. 146v Christ Carrying the Cross, 1464 (gold
876441 MS 39-1950 f.146v Christ Carrying the Cross, 1464 (gold, silver & coloured ink on parchment) by French School, (15th century); Fitzwilliam Museum, University of Cambridge

St. Bridget before the Cross (vellum)
876793 St. Bridget before the Cross (vellum) by French School, (16th century); 18x11.2 cm; Free Library of Philadelphia; (add.info)

MS 39-1950 f. 76r The Nativity, 1464 (gold silver & coloured ink on parchment)
876443 MS 39-1950 f.76r The Nativity, 1464 (gold silver & coloured ink on parchment) by French School, (15th century); Fitzwilliam Museum, University of Cambridge

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The "Book of Hours" is a captivating medieval manuscript that offers a glimpse into the daily life and religious practices of the 15th century. Created by the talented Limbourg brothers, this exquisite book showcases their artistic mastery and attention to detail. In February, we are transported to the lavish world of Jean, Duke of Berry, as depicted in Les Tres Riches Heures du duc de Berry. The month is beautifully illustrated with scenes of courtly love and festivities, capturing the essence of Valentine's Day celebrations during that era. As spring arrives in May, we witness nature's awakening through another stunning illumination from Les Tres Riches Heures du duc de Berry. The delicate brushstrokes bring to life blooming flowers and vibrant landscapes, showcasing the beauty and renewal associated with this time of year. Moving on to September, we find ourselves amidst the grape harvest at Chateau de Saumur in France's enchanting Loire Valley. This scene from Jean's Book of Hours portrays workers diligently picking grapes while enjoying picturesque views—a testament to both laborious work and appreciation for nature's bounty. January brings us closer to Jean himself as he exchanges gifts and feasts with his loved ones. This illustration captures the warmth and joy shared among family members during winter festivities—an intimate moment frozen in time within these pages. However, not all scenes depict idyllic moments; there are also depictions such as "Fall of Rebel Angels. " Here we see an intense battle between angels—a reminder that even within sacred texts like Books of Hours exist tales beyond heavenly serenity. Throughout these illuminations lies a recurring theme: everyday life. From keeping warm by a farm fireside in February or witnessing Christ's birth in THE NATIVITY illumination—these glimpses into ordinary existence make these manuscripts relatable despite their age. Beyond just illustrations, signatures found within Henry VII’s Book highlight its historical significance.