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Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges


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Folio from a miniature Book of Hours, use of Rome, Bruges

492870 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening, Simon (c.1483-1561); 5.9x4.2 cm; Private Collection; (add.info.: James, son of Zebedee; James the Greater ); Photo eChristies Images; Flemish, out of copyright

Media ID 22403558

© Christie's Images / Bridgeman Images

Attributes Bare Feet Barefoot Book Of Hours Bruges Calligraphy Emblem Emblems Folio Initial James The Greater Latin Life Of Christ Pages Pilgrim Pilgrimage Pilgrims Staff Scallop Scallops Script Shell Shells Spirituality Staff Swords Bearded Northern Renaissance


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Simon Bening

> Arts > Artists > S > James Simon

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Still life artwork > Landscape paintings

> Arts > Still life artwork > Still life art > Landscape artwork

> Arts > Portraits > Still life artwork > Landscape paintings

> Arts > Realistic drawings > Still life artwork > Landscape paintings

> Arts > Street art graffiti > Still life > Landscape paintings

> Europe > Italy > Lazio > Rome

> Fine Art Finder > Artists > Simon Bening

> Fine Art Finder > Manuscripts: Religious


EDITORS COMMENTS
This print showcases a folio from a miniature Book of Hours, dating back to 1530-35 in Bruges. Created by the talented artist Simon Bening, this exquisite piece measures 5.9x4.2 cm and is currently held in a private collection. The image depicts James the Greater, son of Zebedee, who was one of Jesus Christ's apostles. With his long beard and bare feet, he stands as a symbol of spirituality and pilgrimage. Clutching a sword and carrying a pilgrim's staff adorned with scallop shells, James embodies the attributes associated with his role as both saint and martyr. The intricate details within this artwork are truly remarkable. The landscape surrounding James is beautifully illustrated with lush greenery and rural elements that transport viewers to another time and place. The initial letter on the page adds an ornamental touch while highlighting the importance of this particular passage. Bening's mastery shines through in every stroke of paint on vellum, creating an illuminated border that frames the scene perfectly. The calligraphy script written in Latin further enhances the overall aesthetic appeal. This stunning example of Northern Renaissance art not only serves as a decorative piece but also offers insight into religious practices during that era. It invites us to delve into the life of Christ through its pages while appreciating Bening's skillful craftsmanship.

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