Bound Collection (page 13)

Execration Figure, Middle Kingdom (clay)
3504560 Execration Figure, Middle Kingdom (clay) by Egyptian, First Intermediate Period (c.2125-1975 BC); height: 12 cm; Fitzwilliam Museum, University of Cambridge

View of the frescoes on the left wall, c. 1303-05 (fresco) (post-restoration)
3479667 View of the frescoes on the left wall, c.1303-05 (fresco) (post-restoration) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua

The Fiery Furnace, 1870 (stained glass)
3475463 The Fiery Furnace, 1870 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Middleton Cheney, Northamptonshire, UK; (add.info.: Shadrach)

Fortune, 1871 (w / c on paper)
747062 Fortune, 1871 (w/c on paper) by Burne-Jones, Edward Coley (1833-98); 33x19.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Escape from a horrible death (colour litho)
2779541 Escape from a horrible death (colour litho) by French School, (20th century); Private Collection; (add.info.: Escape from a horrible death)

Andromeda Bound, 1925 (oil on canvas)
712307 Andromeda Bound, 1925 (oil on canvas) by Vallotton, Felix Edouard (1865-1925); 73x91 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Two audacious criminals (colour litho)
2782275 Two audacious criminals (colour litho) by French School, (20th century); Private Collection; (add.info.: Two audacious criminals. Deux Audacieux Bandits)

The Departure, 1836 (oil on panel)
651421 The Departure, 1836 (oil on panel) by Demay, Jean Francois (1798-1850); 27x34.9 cm; Private Collection; (add.info.: The Departure. Jean Francois Demay (1798-1850). Oil on panel

The Fishing Fleet, 1862 (oil on board)
651100 The Fishing Fleet, 1862 (oil on board) by Bierstadt, Albert (1830-1902); 24.7x34.8 cm; Private Collection; (add.info.: The Fishing Fleet. Albert Bierstadt (1830-1902). Oil on board

Captives, including a bishop, dragged and bound before the triumphal car of a Roman
615275 Captives, including a bishop, dragged and bound before the triumphal car of a Roman general (pen & brown ink, pen heightened with white body colour)

P. 127-1950. pt1 Albions Angel, frontispiece to America, a Prophecy, c
FIT77540 P.127-1950.pt1 Albions Angel, frontispiece to America, a Prophecy, c.1821 (relief etching with pen and w/c on paper) by Blake, William (1757-1827); 30.4x23.6 cm; Fitzwilliam Museum

"This one is fat", said Cuillen, and she rolled a bulky Fenian along like a
STC411979 " This one is fat", said Cuillen, and she rolled a bulky Fenian along like a wheel, illustration from Irish Fairy Tales by James Stephens, 1920 (colour litho) by Rackham

Cover of The Charming Story of Adolescence, Sugar of Love
CH438745 Cover of The Charming Story of Adolescence, Sugar of Love by Joseph Charles Victor Mardrus, coloured by Jean Dunand (1877-1942), c.1927 (morocco) by Schmied

The Thames near Marlow (w / c on paper)
CH401329 The Thames near Marlow (w/c on paper) by Wint, Peter de (1784-1849); 19.1x26.7 cm; Private Collection; (add.info.: Buckinghamshire, England; ); Photo eChristies Images; English

Ms 547 fol. 21 Christ being nailed to the cross, from a Book of Hours used by a woman
473046 Ms 547 fol.21 Christ being nailed to the cross, from a Book of Hours used by a woman from Poitiers (vellum) by French School, (15th century); Bibliotheque de l Institut de France, Paris

St. Sebastian, c. 1500 (polychrome wood)
ALM283485 St. Sebastian, c.1500 (polychrome wood) by Italian School, (16th century); 153x46.8x36 cm; Allen Memorial Art Museum, Oberlin College, Ohio, USA; eAllen Memorial Art Museum; R.T

Caile Vipinas, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c
ALI214591 Caile Vipinas, reconstruction of the Etruscan wall painting in the Francois Tomb at Vulci of c.320-280 BC (wall painting) (b/w photo) (see also 212367, 212368, 214590) by Ruspi

The War in South Africa (litho)
1048590 The War in South Africa (litho) by Soper, George (1870-1942); Private Collection; (add.info.: The War in South Africa)

Bound for Klondyke (litho)
1042549 Bound for Klondyke (litho) by English School, (19th century); Private Collection; (add.info.: Bound for Klondyke. Illustration for The Graphic)

"Food for the Hungry", tending Snow-bound Sheep on the Hills in Northumberland (litho)
1043868 " Food for the Hungry", tending Snow-bound Sheep on the Hills in Northumberland (litho) by Charlton, John (1849-1917) (after); Private Collection; (add.info)

A Route March from Verdala to Civita Vecchia, Malta (engraving)
1061916 A Route March from Verdala to Civita Vecchia, Malta (engraving) by English School, (19th century); Private Collection; (add.info.: A Route March from Verdala to Civita Vecchia, Malta)

The Naval Manoeuvres, with the Hostile Fleet (engraving)
1038320 The Naval Manoeuvres, with the Hostile Fleet (engraving) by Wyllie, Charles William (1853-1923); Private Collection; (add.info.: The Naval Manoeuvres, with the Hostile Fleet)

Our Fishing Industries, Spratting (engraving)
1107445 Our Fishing Industries, Spratting (engraving) by Staniland, Charles J. (1838-1916) (after); Private Collection; (add.info.: Our Fishing Industries, Spratting)

Noahs Ark, c. 1500 (paint and ink on vellum)
986373 Noahs Ark, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info.: Noahs Ark)

October on the Hudson, (oil on canvas)
985226 October on the Hudson, (oil on canvas) by Silva, Francis Augustus (1835-86); 61x112 cm; Private Collection; (add.info.: October on the Hudson. Francis Augustus Silva (1835-1886)

The Capture of an Heiress (chromolitho)
1055781 The Capture of an Heiress (chromolitho) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: The Capture of an Heiress)

The Royal Academy "Armitage"Prize Pictures, "Samson bound by the Philistines"(engraving)
1060708 The Royal Academy " Armitage" Prize Pictures, " Samson bound by the Philistines" (engraving) by English School

Westward Ho! On board a German liner bound for New York (colour litho)
959175 Westward Ho! On board a German liner bound for New York (colour litho) by May, Phil (1864-1903); Private Collection; (add.info.: Westward Ho! On board a German liner bound for New York)

Bound for Siberia (engraving)
961442 Bound for Siberia (engraving) by English School, (19th century); Private Collection; (add.info.: Bound for Siberia. Engraving by R Bong after an original painting by W Schereschewski)

The Abbot of Saint Maries taken by Robin Hood, c. 1920 (colour litho)
1122926 The Abbot of Saint Maries taken by Robin Hood, c.1920 (colour litho) by Crane, Walter (1845-1915); Private Collection; (add.info)

Little John and the forester, c. 1920 (colour litho)
1122918 Little John and the forester, c.1920 (colour litho) by Crane, Walter (1845-1915); Private Collection; (add.info.: Robin Hood and the Men of the Greenwood published by TC & EC Jack c.1920)

The preaching of Agabus, illustration from Harold Copping Pictures
3036994 The preaching of Agabus, illustration from Harold Copping Pictures: The Crown Series, c.1920s (colour litho) by Copping

The Arrest of St John, c. 1520 (fresco)
1090643 The Arrest of St John, c.1520 (fresco) by Sarto, Andrea del (1486-1530); Chiostro dello Scalzo, Florence, Tuscany, Italy; Alinari

Butterwoth, Cape Colony (b / w photo)
3092365 Butterwoth, Cape Colony (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Butterwoth, Cape Colony)

New York Harbour, (oil on canvas)
985362 New York Harbour, (oil on canvas) by Buttersworth, James E. (1817-1894); 30.8x41.3 cm; Private Collection; (add.info.: New York Harbour. James E. Buttersworth (1817-1894). Oil on canvas

Small Album of Elisa Baciocchi (leather & iron)
698767 Small Album of Elisa Baciocchi (leather & iron) by French School, (19th century); 14.7x23x2 cm; BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts

Bonaparte Liberatore, original edition, 1797 (marbled paper)
698764 Bonaparte Liberatore, original edition, 1797 (marbled paper) by Foscolo, Ugo (1778-1827); BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts

A Spanish Christening, (oil on canvas)
659738 A Spanish Christening, (oil on canvas) by Kemm, Robert (1837-95); 93x137.1 cm; Private Collection; (add.info.: A Spanish Christening. Robert Kemm (1837-1895). Oil on canvas

A Southerly Wind and a Cloudy Sky, (pencil and watercolour heightened with bodycolour)
659725 A Southerly Wind and a Cloudy Sky, (pencil and watercolour heightened with bodycolour) by Kilburne, George Goodwin (1839-1924); 37.1x52.7 cm; Private Collection; (add.info)

Catching the Tram in Nassau Street, Dublin, (watercolour)
658055 Catching the Tram in Nassau Street, Dublin, (watercolour) by Barton, Rose Maynard (1856-1929); 28.5x18.2 cm; Private Collection; (add.info.: Catching the Tram in Nassau Street, Dublin)

Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil)
658054 Noreddin Ali Leaving Cairo, (watercolour, gouache and pencil) by Orpen, William (1878-1931); 37.5x46.4 cm; Private Collection; (add.info.: Noreddin Ali Leaving Cairo)

On the Beach, (w / c & bodycolour on card)
659632 On the Beach, (w/c & bodycolour on card) by Mariani, Pompeo (1857-1927); 13.7x10.5 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

At the Window, 1892 (oil on canvas)
659621 At the Window, 1892 (oil on canvas) by Fischer, Paul (1860-1934); 65.4x29 cm; Private Collection; (add.info.: At the Window. Paul Fischer (1860-1934). Oil on canvas

A Ferry at Sunset, (watercolour with touches of white heightening)
652022 A Ferry at Sunset, (watercolour with touches of white heightening) by Foster, Myles Birket (1825-99); 18.7x25.7 cm; Private Collection; (add.info.: A Ferry at Sunset)

The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage
651921 The Coach Booking Office: Thomas Rowlandson and Henry Wigstead Booking Their Passage, (pencil, pen and ink and watercolour) by Rowlandson

A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour)
651897 A Sportsman with a Boy, a Pony and a Dog, 1827 (pencil and watercolour) by Hunt, William Henry (1790-1864); 45x55.9 cm; Private Collection; (add.info.: A Sportsman with a Boy)

Peder Sunnanvaders and Master Knuts Ignominious Entry Into Stockholm in 1526
SNM128574 Peder Sunnanvaders and Master Knuts Ignominious Entry Into Stockholm in 1526, 1879 (oil on canvas) by Hellqvist, Carl Gustaf (1851-90); 171x236 cm; National Museum, Stockholm

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c
ALI161928 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) (b/w photo) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

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"Bound: A Captivating Journey Through Art, Nature, and History" "The Thief - Antonio Maria Fabres y Costa's masterpiece captures the essence of boundless desire. " "In 'The Young Martyr, ' we witness the unbreakable spirit that remains bound to one's beliefs. " "Emigrant Ship Leaving Belfast: The bittersweet farewell as dreams set sail, forever bound to new horizons. " "T lymphocytes and cancer cells locked in a battle for life – an intricate dance of binding forces. " "Anaesthetic inhibiting an ion channel: Unveiling the delicate balance between numbness and pain-bound consciousness. " "Suffragettes - Christmas Dinner in Holloway: Bound by solidarity, these brave women fought for equality with every bite. " "Shooters Hill stands tall, silently witnessing the ever-changing world below – steadfastly bound to its roots. " "Angerona Goddess guards her secrets within a timeless embrace – eternally bound by ancient mysteries. Siberian Tiger / Amur Tiger - in winter snow: Majestic beauty roams freely yet remains intricately tied to its snowy domain. Netsuke demon queller and small demon unite in a captivating bond from Japan's Meiji Period. Agnus Dei whispers serenity through Caravaggio's brushstrokes – forever bound to divine grace. Lockheed (P2V-5) Neptune MR1 soars above clouds, dutifully serving while tethered by loyalty to the Royal Air Force. Embark on this extraordinary journey where artistry meets nature’s wonders and history intertwines with human emotions; discover how our lives are shaped by what binds us together or holds us captive.