Bound Collection (page 15)

A Helping Hand, (oil on canvas)
828476 A Helping Hand, (oil on canvas) by Hardy, Heywood (1842-1933); 61x91.4 cm; Private Collection; (add.info.: A Helping Hand. Heywood Hardy (1842-1933). Oil on canvas

The Departure of Charles II from Bentley in Staffordshire, the house of Colonel Lane
828388 The Departure of Charles II from Bentley in Staffordshire, the house of Colonel Lane, (pencil and watercolour) by Landseer

David before Saul, (oil on canvas)
827832 David before Saul, (oil on canvas) by Leonardo, Jusepe or Jose (de Chavier)(c.1605-1656); 167.5x126 cm; Private Collection; (add.info.: David before Saul)

A View of the Coast near Naples with a British Royal Navy Three-Decker flying the Flag of
827695 A View of the Coast near Naples with a British Royal Navy Three-Decker flying the Flag of a Vice Admiral of the Red, 1777 (oil on canvas) by Hackert

Before I could offer resistance (colour litho)
833233 Before I could offer resistance (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info.: Illustration from Lorna Doone, published by Boots circa 1950); English

Abednigo, The Fiery Furnace, West Window, 1870 (stained glass)
3475467 Abednigo, The Fiery Furnace, West Window, 1870 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Middleton Cheney, Northamptonshire

The Bankers Table, 1877 (oil on canvas)
3493195 The Bankers Table, 1877 (oil on canvas) by Harnett, William Michael (1848-92); 20.3x30.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Relief depicting Northern Prisoners at the Battle of Ramses III
2973955 Relief depicting Northern Prisoners at the Battle of Ramses III, Great Temple of Medinet (stone) by Egyptian 20th Dynasty (1200-1085 BC); (add.info)

Saint Sebastian, 1656 (oil on canvas)
3247825 Saint Sebastian, 1656 (oil on canvas) by Carreno de Miranda, Don Juan (1614-85); 171x113 cm; Prado, Madrid, Spain; (add.info.: Martyrdom of Saint Sebastian)

The Crossing, (oil on panel)
650796 The Crossing, (oil on panel) by Wright, George (fl.1881-92); 18x25.3 cm; Private Collection; (add.info.: The Crossing. George Wright (fl.1881-92). Oil on panel

The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with
652047 The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with bodycolour o) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info.: The Port of Sollo)

Shipping Off Shakespeares Cliff, 1806 (pencil and watercolour heightened with white)
651929 Shipping Off Shakespeares Cliff, 1806 (pencil and watercolour heightened with white) by Atkins, Samuel (fl.1787-1808); 34.2x48.2 cm; Private Collection; (add.info)

On the Beach, Valencia; En la Playa, Valencia, 1907 (oil on canvas)
651366 On the Beach, Valencia; En la Playa, Valencia, 1907 (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 81x105.1 cm; Private Collection; (add.info.: On the Beach, Valencia; En la Playa)

In all the world there was only one who pitied him (colour litho)
2813697 In all the world there was only one who pitied him (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info)

Prehistoric Scene, 1871 (w / c on paper)
741661 Prehistoric Scene, 1871 (w/c on paper) by Griset, Ernest Henry (1844-1907); Bromley Museum, Orpington, UK; Photo eHeini Schneebeli; English, out of copyright

Jacobus Steward (leather)
2919560 Jacobus Steward (leather) by Scottish School, (17th century); The University of St. Andrews, Scotland, UK; eUniversity of St. Andrews Library; Scottish, out of copyright

Venice, 1905 (oil on canvas)
650424 Venice, 1905 (oil on canvas) by Moran, Thomas (1837-1926); 51.5x77 cm; Private Collection; (add.info.: Venice. Thomas Moran (1837-1926). Oil on canvas. Signed and dated 1905

Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window
659329 Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window, 1733 (oil on canvas) by Coypel

Isola di Capri, (oil on canvas)
659088 Isola di Capri, (oil on canvas) by Unterberger, Franz Richard (1838-1902); 75x125.7 cm; Private Collection; (add.info.: Isola di Capri. Franz Richard Unterberger (1838-1902). Oil on canvas

A Shepherd and his Flock, 1862 (oil on panel)
658558 A Shepherd and his Flock, 1862 (oil on panel) by Verboeckhoven, Eugene Joseph (1798-1881); 26.7x43 cm; Private Collection; (add.info.: A Shepherd and his Flock)

Le Lac Wallenstadt, 1865 (oil on canvas)
658532 Le Lac Wallenstadt, 1865 (oil on canvas) by Roffiaen, Jean Francois Xavier (1820-98); 71.7x120.7 cm; Private Collection; (add.info.: Le Lac Wallenstadt)

Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes
659746 Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes! And Yet I Feel Most Vain All Hope But Love... -Shelley

Cassandra bound, page 44 from Virgils Aeneid (w / c on vellum)
621802 Cassandra bound, page 44 from Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.3x13.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Cover of an album of drawings produced for the young Jacques Bousquet, 1889-90
CH383393 Cover of an album of drawings produced for the young Jacques Bousquet, 1889-90 by Gauguin, Paul (1848-1903); Private Collection; Photo eChristies Images; French, out of copyright

A Lanna manuscript on palm leaves written in norther Thai script
LIT390058 A Lanna manuscript on palm leaves written in norther Thai script by Thai School; Wat Phan Tao, Chiang Mai, Thailand; Photo eLuca Tettoni; Thai, out of copyright

Book of the Etiquette of the Ducal Palace of Lucca, Lucca
698766 Book of the Etiquette of the Ducal Palace of Lucca, Lucca, 1805 (embroidered textile & paper) by French School, (19th century); 29.5x20.4 cm; BibliothAque Paul-Marmottan

A Scene Near Monnikendam on the Zuyder Zee (oil on canvas)
659074 A Scene Near Monnikendam on the Zuyder Zee (oil on canvas) by Stanfield, William Clarkson (1793-1867); 123x183 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Dover Lifeboat, (oil on canvas)
659050 The Dover Lifeboat, (oil on canvas) by Weber, Theodore (1838-1907); 85x135 cm; Private Collection; (add.info.: The Dover Lifeboat. Theodor Alexander Weber (1838-1907). Oil on canvas

Front cover of Les Arts au Moyen Age, published by Firmin Didot in 1873
KW415672 Front cover of Les Arts au Moyen Age, published by Firmin Didot in 1873 (leather) by French School, (19th century); Private Collection; French, out of copyright

The Flagellation, c. 1610 (oil on canvas)
CH262789 The Flagellation, c.1610 (oil on canvas) by Caravaggio, Michelangelo (1571-1610) (circle of); 178.4x106.7 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Remarkable appearance in the sky always opposite the sun (top) and The Devils Thumb
STC263546 Remarkable appearance in the sky always opposite the sun (top) and The Devils Thumb, ships boring and warping in the pack (bottom)

Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c. 1498 (fresco)
ALI246097 Detail of the vaulted ceiling of the Sala delle Asse with a geometric branch pergola design, c.1498 (fresco) by Vinci, Leonardo da (1452-1519); Castello Sforzesco, Milan

Ecce Homo (wood)
XIR232845 Ecce Homo (wood) by French School, (15th century); Church of Ecouis, Normandy, France; French, out of copyright

The Duke of Monmouth Pleading for his Life before James II (oil on canvas)
AFR97144 The Duke of Monmouth Pleading for his Life before James II (oil on canvas) by Pettie, John (1839-93); South African National Gallery, Cape Town

Christ Crowned by Thorns, c. 1602
KAB87029 Christ Crowned by Thorns, c.1602 by Caravaggio, Michelangelo Merisi da (1571-1610); Galleria del Palazzo degli Alberti, Prato, Italy; eDario Grimaldi; Italian, out of copyright

The Flagellation of Christ (polychrome wood)
XIR187572 The Flagellation of Christ (polychrome wood) by Fernandez, Gregorio (1576-1636); 139x70 cm; Convento de la Encarnacion, Madrid, Spain; Spanish, out of copyright

View of the frescoes on the left wall, c. 1303-05 (fresco) (post-restoration)
ALI169605 View of the frescoes on the left wall, c.1303-05 (fresco) (post-restoration) by Giotto (Giotto di Bondone) (c.1266-1337); Scrovegni (Arena) Chapel, Padua

Hugh Miller tide-bound in the Doocot Caves (engraving)
6006392 Hugh Miller tide-bound in the Doocot Caves (engraving) by Doyle, Charles Altamont (1832-93); Private Collection; (add.info.: Hugh Miller tide-bound in the Doocot Caves)

Oxford, Bodleian Library (b / w photo)
5986760 Oxford, Bodleian Library (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Oxford, Bodleian Library. Postcard, early 20th century.); © Look and Learn

Oxford, Merton College, Library (b / w photo)
5986748 Oxford, Merton College, Library (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Oxford, Merton College, Library)

Lintel with two prisoners, Yaxchilan area, Late Classic period, 600-900 AD (stone)
5926362 Lintel with two prisoners, Yaxchilan area, Late Classic period, 600-900 AD (stone) by Mayan, (7th-9th century); Museo Amparo, Puebla, Mexico; Mexican, out of copyright

The White Star RMS "Germanic, "lying at Liverpool Landing-Stage, outward bound for New York (engraving)
1628254 The White Star RMS " Germanic, " lying at Liverpool Landing-Stage, outward bound for New York (engraving) by English School

The Crucifixion, c. 1650 (black pen drawing on buff paper)
1196752 The Crucifixion, c.1650 (black pen drawing on buff paper) by Mughal School, (17th century); 22.2x20.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

View of the Canterbury and Whitstable Railway from Church Street
1198422 View of the Canterbury and Whitstable Railway from Church Street, Taken on the Opening Day, May 3rd 1830, c. 1830 (hand-coloured lithograph on wove paper) by Baynes

Watching Ships at Sunset, (oil on paper)
1195644 Watching Ships at Sunset, (oil on paper) by Aivazovsky, Ivan Konstantinovich (1817-1900); 19x26.7 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

The Expulsion from the Garden of Eden, c. 1877 (pencil, watercolour and bodycolour)
824140 The Expulsion from the Garden of Eden, c.1877 (pencil, watercolour and bodycolour) by Stanhope, John Roddam Spencer (1829-1908); 32.5x39.4 cm; Private Collection; (add.info)

Demon in Chains, c. 1453 (opaque w / c & gold on paper)
1139837 Demon in Chains, c.1453 (opaque w/c & gold on paper) by Persian School, (15th century); 27x35.2 cm; Cleveland Museum of Art, OH

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"Bound: A Captivating Journey Through Art, Nature, and History" "The Thief - Antonio Maria Fabres y Costa's masterpiece captures the essence of boundless desire. " "In 'The Young Martyr, ' we witness the unbreakable spirit that remains bound to one's beliefs. " "Emigrant Ship Leaving Belfast: The bittersweet farewell as dreams set sail, forever bound to new horizons. " "T lymphocytes and cancer cells locked in a battle for life – an intricate dance of binding forces. " "Anaesthetic inhibiting an ion channel: Unveiling the delicate balance between numbness and pain-bound consciousness. " "Suffragettes - Christmas Dinner in Holloway: Bound by solidarity, these brave women fought for equality with every bite. " "Shooters Hill stands tall, silently witnessing the ever-changing world below – steadfastly bound to its roots. " "Angerona Goddess guards her secrets within a timeless embrace – eternally bound by ancient mysteries. Siberian Tiger / Amur Tiger - in winter snow: Majestic beauty roams freely yet remains intricately tied to its snowy domain. Netsuke demon queller and small demon unite in a captivating bond from Japan's Meiji Period. Agnus Dei whispers serenity through Caravaggio's brushstrokes – forever bound to divine grace. Lockheed (P2V-5) Neptune MR1 soars above clouds, dutifully serving while tethered by loyalty to the Royal Air Force. Embark on this extraordinary journey where artistry meets nature’s wonders and history intertwines with human emotions; discover how our lives are shaped by what binds us together or holds us captive.