Buckskin Collection (page 3)

Costumes of a chief and a youth of the Tlingit nation, Port des Francais (Lituya Bay), Northwest coast of America (Alaska)

Native American in headdress with horns, buckskin shirt, holding bow and arrow. Handcoloured steel engraving from Georg Friedrich Treitschkes Gallery of Natural History

Native American Chief, 1890 (chromolithograph)
2622132 Native American Chief, 1890 (chromolithograph) by American School, (19th century); Private Collection; (add.info)

The Mountain Man, 1903 (bronze)
3526190 The Mountain Man, 1903 (bronze) by Remington, Frederic (1861-1909); 71.1 high cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; American, out of copyright

Florac in Top-Boots and Buckskin (litho)
5992364 Florac in Top-Boots and Buckskin (litho) by Owen, Will (fl.1918); Private Collection; (add.info.: Florac in Top-Boots and Buckskin)

Portrait of Geronimo, 1907 (lithograph)
2622146 Portrait of Geronimo, 1907 (lithograph) by American School, (20th century); Private Collection; (add.info.: Vintage illustration of Geronimo; lithograph)

Ghost dance painting on buckskin (colour litho)
980561 Ghost dance painting on buckskin (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Ghost dance painting on buckskin)

The Anko calendar (colour litho)
980505 The Anko calendar (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: The Anko calendar)

On the Southern Plains, 1907 (oil on canvas)
3492930 On the Southern Plains, 1907 (oil on canvas) by Remington, Frederic (1861-1909); 76.5x129.9 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Breeches Makers, William Rogers, trade card (engraving)
984050 Breeches Makers, William Rogers, trade card (engraving) by English School, (18th century); Private Collection; (add.info.: Breeches Makers, William Rogers, trade card)

Old West Sharpshooter by Currier & Ives, 1890s (colour litho)
3036375 Old West Sharpshooter by Currier & Ives, 1890s (colour litho) by Currier, N. (1813-88) and Ives, J.M. (1824-95); (add.info)

George Catlin, 1849. Creator: William Fisk
George Catlin, 1849

EyeUbiquitous_20106543
Canada, Alberta, Waterton Lakes National Park, Buckskin Dance at the Blackfoot Arts & Heritage Festival Pow Wow organized by Parks Canada and the Blackfoot Canadian Cultural Society

Hampshire RG22 5 Map
Postcode Sector Map of Hampshire RG22 5

General Daniel Morgan in a buckskin coat of the Virginia rangers, c1780, (1937). Daniel Morgan (1736-1802) American pioneer, soldier, and politician from Virginia

Seth Kinman, American hunter, 1860s (1955). Kinman (1815-1888) was a California hunter based at Fort Humboldt. He is pictured before he went to the White House to present a chair made from elk horn

Seth Kinman, American hunter, 19th century, (1908). Kinman was a California hunter who presented an elkhorn chair to President Abraham Lincoln

Ak-quee-we-zaints, The Boy, 1848. Artist: Harris
Ak-quee-we-zaints, The Boy, 1848. Native American in traditional costume. An engraving from the Natural History of Man, by James Cowles Prichard, published by Hippolyte Bailliere, (London)

Buckskin Gulch Canyon Page Arizona
Kanab, Utah and Page, Arizona in United States

FRONTIER TRADING POST, 1785. A Native American trading fur for guns at a frontier trading post, 1785. Drawing by C.W. Jefferys

NATIVE AMERICAN WAR CLUBS. Various war clubs of Native American tribes of the western United States, ranging from 32 (top) to 20 (bottom) inches in length

HSET2A-00116
Hunter in buckskin carrying a turkey home through the winter woods. Hand-colored woodcut of a 19th-century illustration by A.B. Frost

Native American hunters
Native Americans shooting deer with a gun in the west, 1800s. Hand-colored woodcut of a 19th-century illustration

FRONTIER TRADING POST. A trading post on the colonial frontier. Drawing by Charles W. Jefferys

ETIENNE BRULE (c1592-1633). French explorer in Canada. Etienne Brule with a raiding party of Huron Native Americans at the mouth of the Humber River by Lake Ontario. Drawing by C.W. Jefferys

BLACKFOOT AND PHONOGRAPH. Mountain Chief (Ninastoko), chief of the Blackfoot Native Americans of Montana, listening to a song on a phonograph

APACHE CAMP, 1886. A group of Apache Native American men, women, and children photographed in Geronimos camp in the Sierra Madre Mountains of Mexico, March 1886

CHEYENNE CHIEFS, 1887. Cheyenne chiefs Standing Elk (in headdress), Running Hog, and Little Wolf (right) meeting with cattle rancher Harry Oelrichs and his interpreter (left) at his home in Oelrichs

TRAPPER, 1850. The Trappers Last Shot. Steel engraving, American, 1850, after a painting by William Tylee Ranney

PNAT2A-00068
Pennacook chief known as Passaconaway the Bashaba. Hand-colored woodcut of a 19th century illustration

NATI2P-00012
Paleo-Indian caribou hunters. Photograph of a Maine State Museum diorama

NATI2P-00006
Paleo-Indian caribou hunters. Photograph of a Maine State Museum diorama

NATI2A-00059
Iroquois warrier aiming his bow and arrow. Hand-colored woodcut

PEXP2A-00014
Daniel Boone, pioneer of Kentucky, with his rifle and dog. Hand-colored engraving of a painting

Kentucky viewed by Daniel Boone
Daniel Boones first view of Kentucky. Digitally colored etching of a 19th-century illustration

PEXP2A-00086
Daniel Boones first sight of Kentucky. Hand-colored woodcut of a 19th-century illustration

Advert for Dolcis court shoes
Colourful advert for Dolcis shoes featuring a variety of heels in lizard calf buckskin and patent leather 1932

SETH KINMAN (1815-1888). American hunter and entertainer. Photograph, c1860

INDIAN BAND, 1929. Vice President Charles Curtis with the the United States Indian Band on the steps of the Capitol in Washington, D.C. Photograph, 1929

APACHE MEDICINE CAP, c1907. A medicine cap and fetish used by an Apache medicine man. Photograph by Edward Curtis, c1907

KIT CARSON (1809-1868). Christopher Houston Kit Carson. American frontiersman and dime novel hero. Illustration for The Youths Companion magazine, c1922

LOUIS HENNEPIN (1640-1701). French missionary and explorer in America. Father Hennepin celebrating mass in the wilderness, c1680. Illustration, 1897, after Howard Pyle

DAVY CROCKETT (1786-1836). American frontiersman. Illustration, 19th century, after a painting

CANADA: MISSIONARY, 1870s. Methodist missionary John McDougall among the Cree Native Americans of western Canada, early 1870s. Drawing by C.W. Jefferys

JAMES BRIDGER (1804-1881). American fur trader and mountain man. After a painting, 1879, by Henry H. Cross (1837-1918)

Indian Man of Florida (colour litho)
BAL109988 Indian Man of Florida (colour litho) by White, John (fl.1570-93) (after); 26.8x13.7 cm; Private Collection; English, out of copyright

Paria Canyon - Vermillion Cliffs Wilderness, Southern Utah

CALIFORNIA PIONEERS, c1850. Lithograph sheet music cover, c1850, for The California Pioneers by Dr. M.A. Richter, the first piece of music published in California

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"Buckskin: A Symbol of Courage, Resilience, and Heritage" In the annals of history, buckskin emerges as a powerful symbol embodying courage, resilience, and heritage. From the American Revolution to the Old West and Native American tribes, this versatile material has played an integral role in shaping countless narratives. One such tale takes us back to South Carolina during the American Revolution. Laodicea Dicey Langston stands tall as she protects her elderly father from Loyalist troops. Clad in buckskin attire, she becomes a beacon of defiance against oppression. The image of a Crow chief donning buckskin evokes visions of strength and leadership. With every stride he takes across his ancestral lands, he carries with him the wisdom passed down through generations. Davy Crockett's rugged spirit comes alive in wood engravings from 1883. As an iconic frontiersman draped in buckskin garments, he embodies the adventurous spirit that defined America's expansion into uncharted territories. Even advertisements for Raoul Shoe Company in 1912 recognized the enduring appeal fashion. It became synonymous with durability and style for those seeking authenticity amidst changing times. In the vast landscapes of the Old West, mountain men relied on their trusty buckskins to withstand harsh conditions while exploring untamed wilderness. Their survival depended on their ability to adapt - just like their resilient clothing choice. Native American chiefs adorned themselves with ceremonial buckskin attire that spoke volumes about their tribal identity and cultural significance. Little Plume (Piegan), Buckskin Charley (Ute), Geronimo (Chiricahua Apache), Quanah Parker (Comanche), Hollow Horn Bear (Brul Sioux), and American Horse (Oglala Sioux) proudly wore these garments as symbols of honor and tradition captured by Edward S. Curtis' lens around 1900.