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Burne Jones Collection

Sir Edward Coley Burne-Jones, a renowned British artist of the 19th century, left an indelible mark on the art world with his exquisite works

Background imageBurne Jones Collection: BURNE-JONES: ADAM & EVE. When Adam delved and Eve span

BURNE-JONES: ADAM & EVE. When Adam delved and Eve span. Pen-and-ink drawing by Edward Burne-Jones for William Morriss A Dream of John Ball, 1888

Background imageBurne Jones Collection: Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones

Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
Sponsa De Libano, 1891, (c1930). The North and South Winds blow on the Bride of Lebanon. The lilies symbolise her virginity

Background imageBurne Jones Collection: The Green Dining-room at South Kensington Museum, c1870. Creator: Unknown

The Green Dining-room at South Kensington Museum, c1870. Creator: Unknown
The Green Dining-room at South Kensington Museum, c1870. Interior of what is now the Victoria & Albert Museum in London. Decoration designed by William Morris (1834-1896)

Background imageBurne Jones Collection: The fight: St George killing the dragon VI, 1866. Artist: Burne-Jones, Sir Edward Coley

The fight: St George killing the dragon VI, 1866. Artist: Burne-Jones, Sir Edward Coley
The fight: St George killing the dragon VI, 1866. Found in the collection of the Art Gallery of New South Wales

Background imageBurne Jones Collection: The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Creator: Burne-Jones, Sir Edward Coley

The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Creator: Burne-Jones, Sir Edward Coley
The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Found in the Collection of The Faringdon Collection

Background imageBurne Jones Collection: Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)

Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
Portrait of Amy Gaskell, 1893. Private Collection

Background imageBurne Jones Collection: Title page and opening page from the Kelmscott Press edition of

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Background imageBurne Jones Collection: Sir Edward Coley Burne-Jones (engraving)

Sir Edward Coley Burne-Jones (engraving)
3116269 Sir Edward Coley Burne-Jones (engraving); Private Collection; (add.info.: British artist and designer. From The Century Edition of Cassell's History of England, published c. 1900).

Background imageBurne Jones Collection: Lady Frances Balfour, 1881. Creator: Burne-Jones, Sir Edward Coley (1833-1898)

Lady Frances Balfour, 1881. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
Lady Frances Balfour, 1881. Found in the collection of the Musee des Beaux-Arts, Nantes

Background imageBurne Jones Collection: King Sigurd I the Crusader, 1862. Creator: Burne-Jones, Sir Edward Coley (1833-1898)

King Sigurd I the Crusader, 1862. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
King Sigurd I the Crusader, 1862. Private Collection

Background imageBurne Jones Collection: Angeli Laudantes Tapestry

Angeli Laudantes Tapestry
A tapestry woven for Eton College Chapel in 1905, from a Burne-Jones design in 1894, depicting two angels playing their harps, standing amongst flowers

Background imageBurne Jones Collection: Morris and Burne-Jones Family Photo

Morris and Burne-Jones Family Photo
A family photograph consisting of British Pre-Raphaelite painter Edward Coley Burne-Jones with his father, wife and children, and Pioneer of the Arts and Crafts movement

Background imageBurne Jones Collection: 17, Red Lion Square, London

17, Red Lion Square, London
A photograph of 17, Red Lion Square in London, a significant location for artists and writers associated with the Pre-Raphaelites

Background imageBurne Jones Collection: St. George Cabinet

St. George Cabinet
A wall cabinet designed by Philip Webb, with decorative panels painted by William Morris, depicting medieval scenes and the story of St. George

Background imageBurne Jones Collection: Exeter College, Oxford

Exeter College, Oxford
A reproduction print from an original copper engraving in 1675 by David Loggan, providing a view of Exeter College, Oxford, where in 1853

Background imageBurne Jones Collection: The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)

The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)
3929995 The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block) by Burgess, Arthur (1844-87); 14x10 cm; Manchester Art Gallery

Background imageBurne Jones Collection: The end of 'The Romance of the Rose', and the beginning of 'The Parlement of Foules'

The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules"
7409778 The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules", ie Parliament of Fowls, from The Works of Geoffrey Chaucer, by William Morris

Background imageBurne Jones Collection: PB 5-2001

PB 5-2001
Pages 22-23. "The Knights Tale". The Works of Geoffrey Chaucer. William Morris, Kelmscott Press. Illustrations by Sir Edward Burne-Jones

Background imageBurne Jones Collection: Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

Background imageBurne Jones Collection: Stained glass by Edward Burnes Jones in Birmingham (photo)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825323 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: stained glass window in the West end of Birmingham Cathedral)

Background imageBurne Jones Collection: Stained glass by Edward Burnes Jones in Birmingham (photo)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825326 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: altar and East windows of Birmingham Cathedral, St Philips Cathedral)

Background imageBurne Jones Collection: Stained glass by Edward Burnes Jones in Birmingham (photo)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825324 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: East window (side) of Birmingham Cathedral, St Philips Cathedral

Background imageBurne Jones Collection: Interior View, All Saints Church, Leek, Staffordshire (photo)

Interior View, All Saints Church, Leek, Staffordshire (photo)
3475575 Interior View, All Saints Church, Leek, Staffordshire (photo) by Morris & Company; All Saints Church, Leek, Staffordshire

Background imageBurne Jones Collection: Stained glass by Edward Burnes Jones in Birmingham (photo)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825322 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: altar and East window of Birmingham Cathedral, St Philips Cathedral)

Background imageBurne Jones Collection: Sea Nymph, (bodycolour on brown paper)

Sea Nymph, (bodycolour on brown paper)
1199589 Sea Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBurne Jones Collection: Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)

Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper)
1199477 Study of two male nudes for Arthur in Avalon, c. 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 33x21 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBurne Jones Collection: Venus and Aeneas, 1874-c. 1919 (w / c on vellum)

Venus and Aeneas, 1874-c. 1919 (w / c on vellum)
1195384 Venus and Aeneas, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBurne Jones Collection: St Cecilia (watercolour with bodycolour on paper)

St Cecilia (watercolour with bodycolour on paper)
989550 St Cecilia (watercolour with bodycolour on paper) by Murray, Charles Fairfax (1849-1919); 163.2x57.8 cm; Private Collection; (add.info.: St Cecilia)

Background imageBurne Jones Collection: Hope, (watercolour with bodycolour)

Hope, (watercolour with bodycolour)
828485 Hope, (watercolour with bodycolour) by Burne-Jones, Edward Coley (1833-98); 167.5x91.5 cm; Private Collection; (add.info.: Hope. Edward Burne-Jones (1833-1898). Watercolour with bodycolour

Background imageBurne Jones Collection: The Flight into Egypt (detail), 1862 (w / c and black ink over graphite

The Flight into Egypt (detail), 1862 (w / c and black ink over graphite
5938053 The Flight into Egypt (detail), 1862 (w/c and black ink over graphite, on two sheets each with trefoil cusped top, and pasted on to a card with decorated borders in w/c) by Burne-Jones

Background imageBurne Jones Collection: Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper)

Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper)
1199478 Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 21x14 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBurne Jones Collection: Lavinia, 1874-c. 1919 (w / c on vellum)

Lavinia, 1874-c. 1919 (w / c on vellum)
1195390 Lavinia, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBurne Jones Collection: Hero, (oil on canvas)

Hero, (oil on canvas)
1199611 Hero, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 73.7x79 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBurne Jones Collection: Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil

Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil
1199585 Portrait of Laura Lyttelton, nee Tennant, with her Eyes Downcast, 1885 (pencil, red and black chalk on paper) by Burne-Jones

Background imageBurne Jones Collection: St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour

St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour
827534 St. Peter Sinking in the Sea of Tiberias, (gouache, watercolour, pen and black and brown ink, over challk) by Burne-Jones, Edward Coley (1833-98); 107.9x35.5

Background imageBurne Jones Collection: Study of a Ladys Head, (oil on canvas)

Study of a Ladys Head, (oil on canvas)
658335 Study of a Ladys Head, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 36.7x40 cm; Private Collection; (add.info.: Study of a Ladys Head. Sir Edward Coley Burne-Jones (1833-1898)

Background imageBurne Jones Collection: Women bringing Children to Christ, (charcoal over traces of pencil

Women bringing Children to Christ, (charcoal over traces of pencil
989816 Women bringing Children to Christ, (charcoal over traces of pencil, heightened with white chalk, on) by Burne-Jones

Background imageBurne Jones Collection: Oxford, Manchester College, West Window, Burne Jones (b / w photo)

Oxford, Manchester College, West Window, Burne Jones (b / w photo)
5986786 Oxford, Manchester College, West Window, Burne Jones (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Oxford, Manchester College, West Window, Burne Jones)

Background imageBurne Jones Collection: Wood Nymph, (bodycolour on brown paper)

Wood Nymph, (bodycolour on brown paper)
1199588 Wood Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBurne Jones Collection: Angels and The Nativity (stained glass window)

Angels and The Nativity (stained glass window)
PC22319 Angels and The Nativity (stained glass window) by Burne-Jones, Edward Coley (1833-98); Church of St.Michael, Waterford, Hertfordshire, UK; English, out of copyright

Background imageBurne Jones Collection: The Flight into Egypt, 1862 (w / c and black ink over graphite

The Flight into Egypt, 1862 (w / c and black ink over graphite
5938063 The Flight into Egypt, 1862 (w/c and black ink over graphite, on two sheets each with trefoil cusped top, and pasted on to a card with decorated borders in w/c) by Burne-Jones

Background imageBurne Jones Collection: Portrait of Mrs. William J. Stillman, nee Marie Spartali, (oil on canvas)

Portrait of Mrs. William J. Stillman, nee Marie Spartali, (oil on canvas)
828436 Portrait of Mrs. William J. Stillman, nee Marie Spartali, (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 69.2x48.3 cm; Private Collection; (add.info.: Portrait of Mrs. William J)

Background imageBurne Jones Collection: A Study for King Cophetua and the Beggar Maid

A Study for King Cophetua and the Beggar Maid
828412 A Study for King Cophetua and the Beggar Maid, (black chalk heightened with white on grey paper) by Burne-Jones, Edward Coley (1833-98); 35x25.4 cm; Private Collection; (add.info)

Background imageBurne Jones Collection: Studies of the Artists Son, Philip, as a young boy, c. 1875, c. 1875 (pencil)

Studies of the Artists Son, Philip, as a young boy, c. 1875, c. 1875 (pencil)
827145 Studies of the Artists Son, Philip, as a young boy, c.1875, c.1875 (pencil) by Burne-Jones, Edward Coley (1833-98); 22.3x17.8 cm; Private Collection; (add.info.: Studies of the Artists Son)

Background imageBurne Jones Collection: The Achievement of the Holy Grail by Sir Galahad, Sir Bors and Sir Percival

The Achievement of the Holy Grail by Sir Galahad, Sir Bors and Sir Percival
659081 The Achievement of the Holy Grail by Sir Galahad, Sir Bors and Sir Percival, (high-warp tapestry in wool and silk) by Burne-Jones

Background imageBurne Jones Collection: Study for The Garden Court, (pencil and watercolour)

Study for The Garden Court, (pencil and watercolour)
659778 Study for The Garden Court, (pencil and watercolour) by Burne-Jones, Edward Coley (1833-98); 32.4x60.3 cm; Private Collection; (add.info.: Study for The Garden Court)

Background imageBurne Jones Collection: Thisbe, 1861-62 (ceramic)

Thisbe, 1861-62 (ceramic)
1194900 Thisbe, 1861-62 (ceramic) by Burne-Jones, Edward Coley (1833-98); 25.5 high cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageBurne Jones Collection: Aeneas stands beside the spoils of King Mezentius, 1874-c. 1919 (w / c on vellum)

Aeneas stands beside the spoils of King Mezentius, 1874-c. 1919 (w / c on vellum)
1195393 Aeneas stands beside the spoils of King Mezentius, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English



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Sir Edward Coley Burne-Jones, a renowned British artist of the 19th century, left an indelible mark on the art world with his exquisite works. One such masterpiece is "Adam & Eve, " a captivating portrayal of the biblical couple. In this painting, Adam toils in the earth while Eve spins thread, symbolizing their roles and responsibilities. Another notable creation by Burne-Jones is "The Green Dining-room at South Kensington Museum. " Although its creator remains unknown, this room showcases intricate designs and opulent furnishings that reflect Burne-Jones's artistic flair. "The fight: St George killing the dragon VI" is yet another striking piece by Sir Edward Coley Burne-Jones. This artwork depicts St. George valiantly slaying a fearsome dragon, showcasing the artist's talent for capturing dramatic scenes. "Sponsa De Libano, " created in 1891 (c1930), portrays ethereal beauty through delicate brushstrokes and soft colors. It exemplifies Burne-Jones's ability to evoke emotion and create enchanting imagery. One cannot overlook "The Legend of Briar Rose: The Sleeping Beauty, " which showcases Burne-Jones's fascination with fairy tales. This series of paintings captures moments from this classic story with stunning detail and dreamlike quality. Burne-Jones also ventured into book illustration as seen in his work for Kelmscott Press edition of 'Chaucer. ' His title page and opening page demonstrate his meticulous attention to detail and love for storytelling through visual art. In addition to his remarkable paintings, Sir Edward Coley Burne-Jones was known for his skillful portraiture. His depiction of Amy Gaskell in 1893 exudes elegance and grace while capturing her unique personality. Beyond his individual artworks, Burne-Jones collaborated closely with William Morris on various projects including tapestry design like "Angeli Laudantes Tapestry.