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Stained glass by Edward Burnes Jones in Birmingham (photo)
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Stained glass by Edward Burnes Jones in Birmingham (photo)
3825323 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: stained glass window in the West end of Birmingham Cathedral, St Philips Cathedral, Englands smallest cathedral, Neoclassical; by Edward Burne-Jones, artist and painter, 1833-1898. Sir Edward Coley Burne-Jones, 1st Baronet was a British artist and designer closely associated with the later phase of the Pre-Raphaelite movement, who worked closely with William Morris on a wide range of decorative arts as a founding partner in Morris, Marshall, Faulkner, and Company. Burne-Jones was closely involved in the rejuvenation of the tradition of stained glass art in England. West Window shows Christ with angels; one angel is blowing a long trumpet or natural horn.); © Graham Salter
Media ID 24783604
© Graham Salter / Bridgeman Images
Birmingham Burne Jones Burne Jones Edward 1833 98 Burnes Jones Edward 1833 1898 Decorative Arts Designer Edward Edward Burne Jones Edward Coley Burne Jones Faulkner Marshall Morris Muralist Neoclassical Painte Painted Glass Pre Raphaelism Pre Raphaelite Brotherhood Preraphaelite Seraph Seraphs Sir Edward Burne Jones Sir Edward Coley Burne Jones St Philips Stained Stained Glass Window Trumpet William Morris C European Economic Community C European Union Pre Raphaelite
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EDITORS COMMENTS
This print showcases the exquisite stained glass artwork by Edward Burne-Jones in Birmingham. The image captures a stunning stained glass window located in the West end of Birmingham Cathedral, also known as St Philips Cathedral. As England's smallest cathedral, it holds immense historical and artistic significance. Edward Coley Burne-Jones, a prominent British artist and painter closely associated with the Pre-Raphaelite movement, played a pivotal role in reviving the tradition of stained glass art in England. His collaboration with William Morris on various decorative arts projects through their partnership in Morris, Marshall, Faulkner, and Company further solidified his influence. The photograph reveals an awe-inspiring depiction of Christ surrounded by angels. One angel is depicted blowing a long trumpet or natural horn. The vibrant colors and intricate details bring this religious scene to life. Burne-Jones' mastery of color and composition shines through this piece of art captured beautifully by Graham Salter's lens. The print serves as a testament to both Burne-Jones' artistic brilliance and Salter's skillful photography. This remarkable image transports viewers into the world of 19th-century British art history while showcasing the enduring beauty of stained glass craftsmanship. It serves as a reminder that art has the power to transcend time and connect us to our cultural heritage.
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