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Pre-Raphaelite art Collection

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Background imagePre-Raphaelite art Collection: The fight: St George killing the dragon VI, 1866. Artist: Burne-Jones, Sir Edward Coley

The fight: St George killing the dragon VI, 1866. Artist: Burne-Jones, Sir Edward Coley
The fight: St George killing the dragon VI, 1866. Found in the collection of the Art Gallery of New South Wales

Background imagePre-Raphaelite art Collection: The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Creator: Burne-Jones, Sir Edward Coley

The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Creator: Burne-Jones, Sir Edward Coley
The Legend of Briar Rose: The Sleeping Beauty, 1885-1890. Found in the Collection of The Faringdon Collection

Background imagePre-Raphaelite art Collection: Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones

Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
Sponsa De Libano, 1891, (c1930). The North and South Winds blow on the Bride of Lebanon. The lilies symbolise her virginity

Background imagePre-Raphaelite art Collection: BURNE-JONES: ADAM & EVE. When Adam delved and Eve span

BURNE-JONES: ADAM & EVE. When Adam delved and Eve span. Pen-and-ink drawing by Edward Burne-Jones for William Morriss A Dream of John Ball, 1888

Background imagePre-Raphaelite art Collection: Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)

Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
Portrait of Amy Gaskell, 1893. Private Collection

Background imagePre-Raphaelite art Collection: The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk)

Background imagePre-Raphaelite art Collection: The Annunciation (w / c with gouache on paper)

The Annunciation (w / c with gouache on paper)
BIR451282 The Annunciation (w/c with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 37.4x52.4 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imagePre-Raphaelite art Collection: Cupid's hunting fields, 1880 (oil on canvas)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imagePre-Raphaelite art Collection: Ashton Under Lyne, Albion Congregational Church, Morris & Co

Ashton Under Lyne, Albion Congregational Church, Morris & Co
3475708 Ashton Under Lyne, Albion Congregational Church, Morris & Co. Edward Burne-Jones, South Transept, 1896 by Burne-Jones, Edward Coley (1833-98); Albion Congregational Church, Ashton Under Lyne

Background imagePre-Raphaelite art Collection: Female Head, 1890 (pastel on paper)

Female Head, 1890 (pastel on paper)
CMN95599 Female Head, 1890 (pastel on paper) by Burne-Jones, Edward Coley (1833-98); 37.8x29.2 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imagePre-Raphaelite art Collection: The Pelican, cartoon for stained glass for the William Morris Company, 1880 (coloured

The Pelican, cartoon for stained glass for the William Morris Company, 1880 (coloured
XCF869991 The Pelican, cartoon for stained glass for the William Morris Company, 1880 (coloured chalk on paper) by Burne-Jones, Edward Coley (1833-98); William Morris Gallery, Walthamstow

Background imagePre-Raphaelite art Collection: Edward Burne Jones and William Morris, 1874 (b / w photo)

Edward Burne Jones and William Morris, 1874 (b / w photo)
2625505 Edward Burne Jones and William Morris, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: British 19th century artists Edward Burne Jones and William Morris)

Background imagePre-Raphaelite art Collection: Title page and opening page from the Kelmscott Press edition of

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Background imagePre-Raphaelite art Collection: Design for stained glass in Lyndhurst Church: An Angel Harpist

Design for stained glass in Lyndhurst Church: An Angel Harpist
1217852 Design for stained glass in Lyndhurst Church: An Angel Harpist, 1862 (brown and blue washes over graphite) by Burne-Jones, Edward Coley (1833-98); 54x54 cm; Ashmolean Museum

Background imagePre-Raphaelite art Collection: Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)

Portrait of Amy Gaskell, 1893. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
Portrait of Amy Gaskell, 1893. Private Collection

Background imagePre-Raphaelite art Collection: Portrait of the artist Edward Burne Jones (engraving)

Portrait of the artist Edward Burne Jones (engraving)
672752 Portrait of the artist Edward Burne Jones (engraving); (add.info.: Burne Jones - engraving Sir Edward Coley Burne-Jones)

Background imagePre-Raphaelite art Collection: Sir Edward Coley Burne-Jones (engraving)

Sir Edward Coley Burne-Jones (engraving)
3116269 Sir Edward Coley Burne-Jones (engraving); Private Collection; (add.info.: British artist and designer. From The Century Edition of Cassell's History of England, published c. 1900)

Background imagePre-Raphaelite art Collection: The Golden Legend: the Golden Legend of Master William Caxton done anew, 1892

The Golden Legend: the Golden Legend of Master William Caxton done anew, 1892

Background imagePre-Raphaelite art Collection: The Birth of Galatea, 1885. Creator: Charles William Campbell

The Birth of Galatea, 1885. Creator: Charles William Campbell
The Birth of Galatea, 1885. Greek mythology: ivory statue carved by Pygmalion of Cyprus, which came to life

Background imagePre-Raphaelite art Collection: Lady Frances Balfour, 1881. Creator: Burne-Jones, Sir Edward Coley (1833-1898)

Lady Frances Balfour, 1881. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
Lady Frances Balfour, 1881. Found in the collection of the Musee des Beaux-Arts, Nantes

Background imagePre-Raphaelite art Collection: King Sigurd I the Crusader, 1862. Creator: Burne-Jones, Sir Edward Coley (1833-1898)

King Sigurd I the Crusader, 1862. Creator: Burne-Jones, Sir Edward Coley (1833-1898)
King Sigurd I the Crusader, 1862. Private Collection

Background imagePre-Raphaelite art Collection: Head crowned with leaves, c.1897 (pencil on paper)

Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre-Raphaelite art Collection: Drapery study for King Cophetua, c.1883 (graphite on paper)

Drapery study for King Cophetua, c.1883 (graphite on paper)
NGW405351 Drapery study for King Cophetua, c.1883 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 35.5x25.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre-Raphaelite art Collection: Study of a Head (oil on panel)

Study of a Head (oil on panel)
NGW239411 Study of a Head (oil on panel) by Burne-Jones, Edward Coley (1833-98); 35.5x25.6 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre-Raphaelite art Collection: Perseus and the Graiae, 1875-78 (mixed media)

Perseus and the Graiae, 1875-78 (mixed media)
NGW342644 Perseus and the Graiae, 1875-78 (mixed media) by Burne-Jones, Edward Coley (1833-98); 170.2x153.2 cm; National Museum Wales; (add.info.: made from: gold leaf, silver leaf)

Background imagePre-Raphaelite art Collection: Venus Discordia (oil on canvas)

Venus Discordia (oil on canvas)
NGW184264 Venus Discordia (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 128.2x209.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre-Raphaelite art Collection: Head, 1885 (pencil on paper)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Background imagePre-Raphaelite art Collection: Spring, 1894 (pencil & red chalk)

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Background imagePre-Raphaelite art Collection: Morris and Burne-Jones Family Photo

Morris and Burne-Jones Family Photo
A family photograph consisting of British Pre-Raphaelite painter Edward Coley Burne-Jones with his father, wife and children, and Pioneer of the Arts and Crafts movement

Background imagePre-Raphaelite art Collection: 17, Red Lion Square, London

17, Red Lion Square, London
A photograph of 17, Red Lion Square in London, a significant location for artists and writers associated with the Pre-Raphaelites

Background imagePre-Raphaelite art Collection: Exeter College, Oxford

Exeter College, Oxford
A reproduction print from an original copper engraving in 1675 by David Loggan, providing a view of Exeter College, Oxford, where in 1853

Background imagePre-Raphaelite art Collection: Danae, or The Tower of Brass, 1887-88 (oil on canvas)

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imagePre-Raphaelite art Collection: The Angel (oil on panel)

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

Background imagePre-Raphaelite art Collection: The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)

The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)
MAN63033 The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum) by Burne-Jones, Edward Coley (1833-98); 25.9x36 cm; Manchester Art Gallery

Background imagePre-Raphaelite art Collection: Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)

Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)
MAN63032 Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper) by Burne-Jones, Edward Coley (1833-98); 64.9x49.4 cm; Manchester Art Gallery

Background imagePre-Raphaelite art Collection: The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)

The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block)
3929995 The Story of Cupid and Psyche - Venus, after Edward Coley Burne-Jones (engraved wooden block) by Burgess, Arthur (1844-87); 14x10 cm; Manchester Art Gallery

Background imagePre-Raphaelite art Collection: Sibylla Delphica, 1868 (oil on panel)

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Background imagePre-Raphaelite art Collection: The end of 'The Romance of the Rose', and the beginning of 'The Parlement of Foules'

The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules"
7409778 The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules", ie Parliament of Fowls, from The Works of Geoffrey Chaucer, by William Morris

Background imagePre-Raphaelite art Collection: PB 5-2001

PB 5-2001
Pages 22-23. "The Knights Tale". The Works of Geoffrey Chaucer. William Morris, Kelmscott Press. Illustrations by Sir Edward Burne-Jones

Background imagePre-Raphaelite art Collection: Scene of King Rene sculpting a figure while being watched by his new bride

Scene of King Rene sculpting a figure while being watched by his new bride
451293 Scene of King Rene sculpting a figure while being watched by his new bride (pen & india ink with wash and pencil on paper) by Burne-Jones

Background imagePre-Raphaelite art Collection: Unpainted masterpieces (self-caricature) (pen & ink on paper)

Unpainted masterpieces (self-caricature) (pen & ink on paper)
BIR185843 Unpainted masterpieces (self-caricature) (pen & ink on paper) by Burne-Jones, Edward Coley (1833-98); 17.6x10.7 cm; Birmingham Museums and Art Gallery

Background imagePre-Raphaelite art Collection: Study for the Briar Rose Series, 1889 (oil on canvas)

Study for the Briar Rose Series, 1889 (oil on canvas)
7388603 Study for the Briar Rose Series, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre-Raphaelite art Collection: Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388606 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre-Raphaelite art Collection: Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388604 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre-Raphaelite art Collection: Two Female Heads, 1865-66 (chalk on paper)

Two Female Heads, 1865-66 (chalk on paper)
BIR100720 Two Female Heads, 1865-66 (chalk on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info.: by Edward Coley Burne-Jones)

Background imagePre-Raphaelite art Collection: Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388605 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imagePre-Raphaelite art Collection: The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford

The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford, 1865 (pencil on paper)
BIR185842 The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford, 1865 (pencil on paper) by Burne-Jones

Background imagePre-Raphaelite art Collection: 7388081

7388081



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