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Design for stained glass in Lyndhurst Church: An Angel Harpist
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Design for stained glass in Lyndhurst Church: An Angel Harpist
1217852 Design for stained glass in Lyndhurst Church: An Angel Harpist, 1862 (brown and blue washes over graphite) by Burne-Jones, Edward Coley (1833-98); 54x54 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright
Media ID 22536262
© Ashmolean Museum / Bridgeman Images
Gothic Revival Gothick Harp Harpist Lyndhurst Neo Gothic Stringed Instrument Trefoil Victorian Gothic Westernart Ecclesiastical Pre Raphaelite
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EDITORS COMMENTS
This print showcases a stunning stained glass design titled "An Angel Harpist" by the renowned artist Burne-Jones. Created in 1862, this exquisite piece of art is housed at the Ashmolean Museum in Oxford, UK. The image depicts an angelic figure gracefully playing a harp against a backdrop of rich brown and blue washes. The design beautifully captures the essence of religious and ecclesiastical themes, reflecting the neo-gothic style prevalent during that era. The intricate details of the angel's wings and flowing robes add to its ethereal beauty. The inclusion of a stringed instrument symbolizes music's significance within spiritual practices. As part of the Pre-Raphaelite movement, Burne-Jones was known for his meticulous attention to detail and romanticized interpretations. This particular work exemplifies his mastery in combining elements from Gothic Revival architecture with Victorian aesthetics. The trefoil shape surrounding the angel further enhances its visual impact while paying homage to traditional stained glass designs found in churches across Europe. With its harmonious blend of colors and delicate lines, this artwork stands as a testament to both artistic skill and devotion. Whether you are drawn to religious symbolism or simply appreciate fine craftsmanship, this print offers an enchanting glimpse into one artist's interpretation of divine beauty through stained glass artistry.
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