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Head crowned with leaves, c.1897 (pencil on paper)
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Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales
Media ID 33089512
© National Museums & Galleries of Wales / Bridgeman Images
Edward Burne Jones Edward Coley Burne Jones Forlorn Melancholia Melancholy Pine Pre Raphaelism Pre Raphaelite Brotherhood Pre Raphaelites Preraphaelite Sir Edward Burne Jones Sir Edward Coley Burne Jones The Pre Raphaelites Unhappiness Unhappy Wreath Britisch Britisch Emotions Feeling Pre Raphaelite Sadness
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EDITORS COMMENTS
This print titled "Head crowned with leaves, c. 1897" by Edward Coley Burne-Jones evokes a sense of melancholy and introspection. The pencil on paper artwork, measuring 20x15 cm, showcases the artist's remarkable talent in capturing emotions through delicate lines. Burne-Jones, a prominent figure in the Pre-Raphaelite movement, was known for his ethereal and dreamlike compositions. In this particular piece, he masterfully portrays a head adorned with leaves, symbolizing nature's connection to human existence. The intricate details of each leaf highlight the artist's meticulous approach and his ability to infuse life into his subjects. The somber expression on the subject's face conveys an overwhelming sadness or unhappiness that resonates deeply with viewers. It is as if they are caught in a moment of contemplation or reflection on their own inner turmoil. Through this artwork, Burne-Jones invites us to explore our own emotions and confront our feelings of melancholia. Housed at the National Museum Wales under the care of National Museums & Galleries of Wales, this print serves as a testament to Burne-Jones' enduring legacy within British art history. Its presence reminds us of the power that art holds in eliciting profound emotional responses from its audience. Bridgeman Images has expertly captured this poignant piece through their lens, allowing admirers worldwide to appreciate its beauty and delve into its underlying message without commercial intentions but rather for pure appreciation of fine art.
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