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The Pre Raphaelites Collection

The Pre-Raphaelites: A Captivating Journey through Art Step into the enchanting world of the Pre-Raphaelites

Background imageThe Pre Raphaelites Collection: Vivien, 1863 (oil on canvas)

Vivien, 1863 (oil on canvas)
MAN62976 Vivien, 1863 (oil on canvas) by Sandys, Anthony Frederick Augustus (1829-1904); 64x52.5 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: The Annunciation, 1894 (oil on canvas)

The Annunciation, 1894 (oil on canvas)
3501978 The Annunciation, 1894 (oil on canvas) by Shields, Frederic James (1833-1911); 85x54 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Cupid's hunting fields, 1880 (oil on canvas)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageThe Pre Raphaelites Collection: A woman grieving, 1850

A woman grieving, 1850
3478235 A woman grieving, 1850; (add.info.: Illustration depicting a woman grieving. Illustrated by Arthur Hughes (1832-1915)

Background imageThe Pre Raphaelites Collection: Head of a Woman, c.1875 (charcoal on paper)

Head of a Woman, c.1875 (charcoal on paper)
8690958 Head of a Woman, c.1875 (charcoal on paper) by Morgan, Evelyn De (1855-1919); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: By Evelyn De Morgan)

Background imageThe Pre Raphaelites Collection: Mrs. George Waugh, 1868 (oil on fabric)

Mrs. George Waugh, 1868 (oil on fabric)
XOS5880420 Mrs. George Waugh, 1868 (oil on fabric) by Hunt, William Holman (1827-1910); 115.5x95.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Holman Hunt The sitter)

Background imageThe Pre Raphaelites Collection: Study for 'The Hireling Shepherd', 1851 (graphite)

Study for "The Hireling Shepherd", 1851 (graphite)
XOS5880747 Study for "The Hireling Shepherd", 1851 (graphite) by Hunt, William Holman (1827-1910); 11.4x18.3 cm; Cleveland Museum of Art, OH, USA; (add.info.: Drawing by William Holman Hunt)

Background imageThe Pre Raphaelites Collection: El Haram, Jerusalem (oil on panel)

El Haram, Jerusalem (oil on panel)
PNH354617 El Haram, Jerusalem (oil on panel) by Leighton, Frederic (1830-96); 11.5x19.5 cm; Private Collection; (add.info)

Background imageThe Pre Raphaelites Collection: Head of an Old Italian Woman, c.1850 (oil on canvas)

Head of an Old Italian Woman, c.1850 (oil on canvas)
8677877 Head of an Old Italian Woman, c.1850 (oil on canvas) by Leighton, Frederic (1830-96); 61.9x48.8 cm; Leighton House Museum, Kensington & Chelsea, London

Background imageThe Pre Raphaelites Collection: Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper)

Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper)
XOS5884752 Thinking, Portrait of Emma Madox Brown, c. 1870 (w/c & gouache on paper) by Hueffer, Catherine Nee Madox Brown (1850-1927); 52.7x36.5 cm; Cleveland Museum of Art, OH

Background imageThe Pre Raphaelites Collection: King Lear, c.1860 (oil on board adhered to canvas)

King Lear, c.1860 (oil on board adhered to canvas)
XOS5884760 King Lear, c.1860 (oil on board adhered to canvas) by Brown, Ford Madox (1821-93); 30.5x36.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Ford Madox Brown)

Background imageThe Pre Raphaelites Collection: Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202)

Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202)
LGH250630 Giovanni Costa (1826-1903) 1878 (oil on canvas) (see also 165202) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK

Background imageThe Pre Raphaelites Collection: Head crowned with leaves, c.1897 (pencil on paper)

Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThe Pre Raphaelites Collection: Drapery study for King Cophetua, c.1883 (graphite on paper)

Drapery study for King Cophetua, c.1883 (graphite on paper)
NGW405351 Drapery study for King Cophetua, c.1883 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 35.5x25.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThe Pre Raphaelites Collection: Dante Alighieri meets Beatrice, ca 1900 (postcard)

Dante Alighieri meets Beatrice, ca 1900 (postcard)
7422863 Dante Alighieri meets Beatrice, ca 1900 (postcard) by Rossetti, Dante Gabriel (1828-82) (after); (add.info.: Literature)

Background imageThe Pre Raphaelites Collection: Study of a Head (oil on panel)

Study of a Head (oil on panel)
NGW239411 Study of a Head (oil on panel) by Burne-Jones, Edward Coley (1833-98); 35.5x25.6 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThe Pre Raphaelites Collection: Athlete Struggling with a Python (bronze)

Athlete Struggling with a Python (bronze)
NGW186853 Athlete Struggling with a Python (bronze) by Leighton, Frederic (1830-96); National Museum Wales; National Museums & Galleries of Wales

Background imageThe Pre Raphaelites Collection: Perseus and the Graiae, 1875-78 (mixed media)

Perseus and the Graiae, 1875-78 (mixed media)
NGW342644 Perseus and the Graiae, 1875-78 (mixed media) by Burne-Jones, Edward Coley (1833-98); 170.2x153.2 cm; National Museum Wales; (add.info.: made from: gold leaf, silver leaf)

Background imageThe Pre Raphaelites Collection: Venus Discordia (oil on canvas)

Venus Discordia (oil on canvas)
NGW184264 Venus Discordia (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 128.2x209.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThe Pre Raphaelites Collection: Fair Rosamund, c.1916 (oil on canvas)

Fair Rosamund, c.1916 (oil on canvas)
NGW239421 Fair Rosamund, c.1916 (oil on canvas) by Waterhouse, John William (1849-1917); 60.6x48 cm; National Museum Wales; (add.info)

Background imageThe Pre Raphaelites Collection: Head, 1885 (pencil on paper)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThe Pre Raphaelites Collection: Spring, 1894 (pencil & red chalk)

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Background imageThe Pre Raphaelites Collection: Danae, or The Tower of Brass, 1887-88 (oil on canvas)

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageThe Pre Raphaelites Collection: The Angel (oil on panel)

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

Background imageThe Pre Raphaelites Collection: The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)

The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas)
MAN62956 The Death of Leander, predella panel of The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 33.6x76.5 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Study: Female Figure, 1873 (w/c, gouache & oil paint on paper)

Study: Female Figure, 1873 (w/c, gouache & oil paint on paper)
7214969 Study: Female Figure, 1873 (w/c, gouache & oil paint on paper) by Solomon, Simeon (1840-1905); 25x15.1 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)

The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)
MAN63033 The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum) by Burne-Jones, Edward Coley (1833-98); 25.9x36 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: The Isle of Chios, c. 1867 (oil on canvas)

The Isle of Chios, c. 1867 (oil on canvas)
MAN77497 The Isle of Chios, c.1867 (oil on canvas) by Leighton, Frederic (1830-96); 26.5x41.5 cm; Manchester Art Gallery, UK; (add.info.: by Frederic Leighton); © Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)

Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)
MAN63032 Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper) by Burne-Jones, Edward Coley (1833-98); 64.9x49.4 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Byron's Dream, 1874 (oil on canvas)

Byron's Dream, 1874 (oil on canvas)
MAN62933 Byron's Dream, 1874 (oil on canvas) by Brown, Ford Madox (1821-93); 71.5x54.8 cm; Manchester Art Gallery, UK; (add.info)

Background imageThe Pre Raphaelites Collection: Captive Andromache, c. 1888 (oil on canvas) (see 226710 & 250633)

Captive Andromache, c. 1888 (oil on canvas) (see 226710 & 250633)
MAN62955 Captive Andromache, c.1888 (oil on canvas) (see 226710 & 250633) by Leighton, Frederic (1830-96); 197x407 cm; Manchester Art Gallery, UK; (add.info.: widow of Hector)

Background imageThe Pre Raphaelites Collection: The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)
MAN62953 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 495754) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Hylas and the Nymphs, 1896 (oil on canvas)

Hylas and the Nymphs, 1896 (oil on canvas)
MAN62987 Hylas and the Nymphs, 1896 (oil on canvas) by Waterhouse, John William (1849-1917); 132.1x197.5 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: The Temple of Philae, 1868 (oil on canvas)

The Temple of Philae, 1868 (oil on canvas)
MAN278073 The Temple of Philae, 1868 (oil on canvas) by Leighton, Frederic (1830-96); 18.7x29.3 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)

Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper)
5858706 Study of Guinevere for Sir Launcelot in the Queen's Chamber, 1857 (pencil & w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 49.3x41.2 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Study Of A Young Girl Seated, c. 1870 (w/c, gouache & gum Arabic on paper)

Study Of A Young Girl Seated, c. 1870 (w/c, gouache & gum Arabic on paper)
7215545 Study Of A Young Girl Seated, c.1870 (w/c, gouache & gum Arabic on paper) by Shields, Frederic James (1833-1911); 18.8x12.5 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: The Traveller, 1868-84 (oil on panel)

The Traveller, 1868-84 (oil on panel)
7214968 The Traveller, 1868-84 (oil on panel) by Brown, Ford Madox (1821-93); 31.6x48.6 cm; Manchester Art Gallery, UK; (add.info.: by Ford Madox Brown (1821-93)); © Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: The Queen was in the Parlour, Eating Bread and Honey (oil on panel)

The Queen was in the Parlour, Eating Bread and Honey (oil on panel)
7205907 The Queen was in the Parlour, Eating Bread and Honey (oil on panel) by Prinsep, Valentine Cameron (1838-1904); 59.6x33 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper)

Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper)
7241867 Portrait of Charles Rowley (1839-1933), 1885 (coloured chalk with white heightening on paper) by Brown, Ford Madox (1821-93); 49.2 x 43.1 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Sibylla Delphica, 1868 (oil on panel)

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: The Last Watch of Hero, 1887 (oil on canvas)

The Last Watch of Hero, 1887 (oil on canvas)
MAN62954 The Last Watch of Hero, 1887 (oil on canvas) by Leighton, Frederic (1830-96); 160.3x91.7 cm; Manchester Art Gallery, UK; (add.info.: Hero and Leander;); © Manchester Art Gallery

Background imageThe Pre Raphaelites Collection: Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)

Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)
7394162 Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint) by Rossetti, Dante Gabriel Charles (1828-82); 26.3x20.2 cm; Ashmolean Museum, University of Oxford

Background imageThe Pre Raphaelites Collection: Ruth Herbert asleep, 1858 (graphite on paper)

Ruth Herbert asleep, 1858 (graphite on paper)
7394144 Ruth Herbert asleep, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 21x26.4 cm; Ashmolean Museum, University of Oxford

Background imageThe Pre Raphaelites Collection: A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)

A Passover in the Household of Joseph and Zacharias, c. 1850 (graphite and pen and black ink)
7394143 A Passover in the Household of Joseph and Zacharias, c.1850 (graphite and pen and black ink and grey wash on white paper) by Rossetti

Background imageThe Pre Raphaelites Collection: Louisa Ruth Herbert, 1858 (graphite on paper)

Louisa Ruth Herbert, 1858 (graphite on paper)
7394146 Louisa Ruth Herbert, 1858 (graphite on paper) by Rossetti, Dante Gabriel Charles (1828-82); 50.8x43 cm; Ashmolean Museum, University of Oxford

Background imageThe Pre Raphaelites Collection: Scene of King Rene sculpting a figure while being watched by his new bride

Scene of King Rene sculpting a figure while being watched by his new bride
451293 Scene of King Rene sculpting a figure while being watched by his new bride (pen & india ink with wash and pencil on paper) by Burne-Jones

Background imageThe Pre Raphaelites Collection: Unpainted masterpieces (self-caricature) (pen & ink on paper)

Unpainted masterpieces (self-caricature) (pen & ink on paper)
BIR185843 Unpainted masterpieces (self-caricature) (pen & ink on paper) by Burne-Jones, Edward Coley (1833-98); 17.6x10.7 cm; Birmingham Museums and Art Gallery

Background imageThe Pre Raphaelites Collection: Study for the Briar Rose Series, 1889 (oil on canvas)

Study for the Briar Rose Series, 1889 (oil on canvas)
7388603 Study for the Briar Rose Series, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)



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The Pre-Raphaelites: A Captivating Journey through Art Step into the enchanting world of the Pre-Raphaelites, where beauty and symbolism intertwine to create masterpieces that transcend time. Danae, or The Tower of Brass, 1887-88 (oil on canvas), transports us to a realm of mythological allure as we witness the captivating tale unfold before our eyes. In The Angel (oil on panel), divine grace emanates from every brushstroke, capturing the ethereal essence of heavenly beings. Meanwhile, The Death of Leander, a predella panel of The Last Watch of Hero, 1887 (oil on canvas), evokes both tragedy and longing in its depiction of doomed love. Study: Female Figure, 1873 (w/c, gouache & oil paint on paper) showcases the meticulous attention to detail that defines this artistic movement. Each stroke reveals an exploration into femininity and sensuality with delicate precision. The Sleeping Beauty, 1871 (w/c, bodycolor & gold paint on vellum) enchants us with its dreamlike quality. As we gaze upon this piece's golden hues and exquisite craftsmanship, we are transported to a realm where fairy tales come alive. Journeying further into their repertoire brings us face-to-face with The Isle of Chios c. 1867 (oil on canvas). This painting captures not only picturesque landscapes but also hints at deeper narratives waiting to be discovered within each brushstroke. Cupid and Psyche 1865-87 (w/c, bodycolour & gold paint on wove paper) invites us into a world where love conquers all obstacles while Byron's Dream 1874 (oil on canvas) delves into the realms between reality and imagination in true Romantic fashion. Vivien 1863 (oil on canvas) captivates viewers with her mysterious allure as she embodies both seduction and danger simultaneously. Meanwhile, Captive Andromache c.