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Hylas and the Nymphs, 1896 (oil on canvas)
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Hylas and the Nymphs, 1896 (oil on canvas)
MAN62987 Hylas and the Nymphs, 1896 (oil on canvas) by Waterhouse, John William (1849-1917); 132.1x197.5 cm; Manchester Art Gallery, UK; (add.info.: by John William Waterhouse); © Manchester Art Gallery
Media ID 32133440
© Manchester Art Gallery / Bridgeman Images
John William Waterhouse Lily Pad Millpond Mytholoy Nymph Nympheas Nymphs Persuasion Pond Pool Pre Raphaelism Pre Raphaelite Brotherhood Pre Raphaelites Preraphaelite Royal Academician Royal Academicians Temptation The Pre Raphaelites Trust Trusteth Water Lilies Water Lily Waterlilies Waterlily “waterlily” Art Style Egnland Little Boys Myths Pre Raphaelite Semi Nude Several People Several Persons Uk United Kingdom Young Boy
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EDITORS COMMENTS
This print showcases John William Waterhouse's iconic painting, "Hylas and the Nymphs" from 1896. The oil on canvas masterpiece measures an impressive 132.1x197.5 cm and is housed in the esteemed Manchester Art Gallery in the United Kingdom. Waterhouse, a renowned English painter and Royal Academician, was part of the Pre-Raphaelite Brotherhood art movement. In this enchanting artwork, he skillfully depicts a scene from Greek mythology where Hylas, a young boy, encounters alluring nymphs near a pond adorned with water lilies. The composition exudes trust as Hylas innocently interacts with these feminine figures amidst lush vegetation. The artist's attention to detail is evident in his portrayal of each character and their surroundings - from the delicate features of the nymphs to the vibrant colors of the water lilies. Waterhouse expertly captures both temptation and persuasion within this piece as Hylas finds himself drawn into an ethereal world inhabited by mythical beings. The nudity of some characters adds an element of vulnerability while emphasizing their connection to nature. With its timeless beauty and mythological themes, "Hylas and the Nymphs" exemplifies Waterhouse's mastery as an artist. This print serves as a reminder of his contribution to British art history and continues to captivate viewers with its mesmerizing depiction of trust, femininity, and allure.
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