Fraud Blocker Skip to main content

Copley Fielding Collection

Anthony Vandyke Copley Fielding, a renowned artist of the 19th century, captured the beauty and grandeur of nature through his exquisite paintings

Background imageCopley Fielding Collection: Gatcombe House on the Isle of Wight, 1827-1837. Creator: Anthony Vandyke Copley Fielding

Gatcombe House on the Isle of Wight, 1827-1837. Creator: Anthony Vandyke Copley Fielding
Gatcombe House on the Isle of Wight, 1827-1837

Background imageCopley Fielding Collection: The Ganges entering the Plains near Hurdwar, 1845. Creator: Anthony Vandyke Copley Fielding

The Ganges entering the Plains near Hurdwar, 1845. Creator: Anthony Vandyke Copley Fielding
The Ganges entering the Plains near Hurdwar, 1845. River Ganges near Haridwar in India. From "Hindostan, The Shores of the Red Sea, and The Himalaya Mountains, Vol. II". [Fisher, Son & Co

Background imageCopley Fielding Collection: The Water Palace, - Mandoo, 1834. Creator: Anthony Vandyke Copley Fielding

The Water Palace, - Mandoo, 1834. Creator: Anthony Vandyke Copley Fielding
The Water Palace, - Mandoo, 1834. The Jahaz Mahal or Ship Palace at Mandu, India, built by Sultan Ghiyas-ud-din-Khalji. From "Views in India, China and on the Shores of the Red Sea, Vol

Background imageCopley Fielding Collection: Chinese Pagodah, - Between Canton & Whampoa, 1834. Creator: Anthony Vandyke Copley Fielding

Chinese Pagodah, - Between Canton & Whampoa, 1834. Creator: Anthony Vandyke Copley Fielding
Chinese Pagodah, - Between Canton & Whampoa, 1834. From "Views in India, China and on the Shores of the Red Sea, Vol. I". [Fisher, Son & Co. London, 1835]

Background imageCopley Fielding Collection: Packet Boat Entering Harbour, 1855. Creator: Anthony Vandyke Copley Fielding

Packet Boat Entering Harbour, 1855. Creator: Anthony Vandyke Copley Fielding
Packet Boat Entering Harbour, 1855

Background imageCopley Fielding Collection: Lakeland Landscape, early 19th century. Creator: Formerly attributed to Copley Fielding

Lakeland Landscape, early 19th century. Creator: Formerly attributed to Copley Fielding
Lakeland Landscape, early 19th century. Formerly attributed to Copley Fielding

Background imageCopley Fielding Collection: The Isle of Staffa, early-mid 19th century, (1946). Creator: Anthony Vandyke Copley Fielding

The Isle of Staffa, early-mid 19th century, (1946). Creator: Anthony Vandyke Copley Fielding
The Isle of Staffa, early-mid 19th century, (1946). Basalt columns on Staffa, an island of the Inner Hebrides off the west coast of Scotland. From " Islands Round Britain", by R. M

Background imageCopley Fielding Collection: Storm off Whitby, 1851, (1930). Creator: Anthony Vandyke Copley Fielding

Storm off Whitby, 1851, (1930). Creator: Anthony Vandyke Copley Fielding
Storm off Whitby, 1851, (1930). Ships in rough seas off the coast of Whitby in Yorkshire. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageCopley Fielding Collection: A. V. Copley Fielding, W. S. (1787-1855). Creator: Unknown

A. V. Copley Fielding, W. S. (1787-1855). Creator: Unknown
A.V.Copley Fielding, W.S. (1787-1855). Portrait print of British artist Anthony Vandyke Copley Fielding, after a painting made c1843 by William Boxall, in the National Portrait Gallery

Background imageCopley Fielding Collection: Scene in Glen Lochy, (c1900). Creator: Unknown

Scene in Glen Lochy, (c1900). Creator: Unknown
Scene in Glen Lochy, (c1900). Landscape in the Highlands of Scotland, print after an early 19th century painting by Anthony Vandyke Copley Fielding

Background imageCopley Fielding Collection: The Downs near Beachy Head, 1844, (1935). Artist: Anthony Vandyke Copley Fielding

The Downs near Beachy Head, 1844, (1935). Artist: Anthony Vandyke Copley Fielding
The Downs near Beachy Head, 1844, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageCopley Fielding Collection: Scarborough from across the Bay, 1850, (1935). Artist: Anthony Vandyke Copley Fielding

Scarborough from across the Bay, 1850, (1935). Artist: Anthony Vandyke Copley Fielding
Scarborough from across the Bay, 1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageCopley Fielding Collection: Loch Awe, 1850, (1935). Artist: Anthony Vandyke Copley Fielding

Loch Awe, 1850, (1935). Artist: Anthony Vandyke Copley Fielding
Loch Awe, 1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageCopley Fielding Collection: View of Snowdon from Tremadoc, c1842, (1935). Artist: Anthony Vandyke Copley Fielding

View of Snowdon from Tremadoc, c1842, (1935). Artist: Anthony Vandyke Copley Fielding
View of Snowdon from Tremadoc, c1842, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageCopley Fielding Collection: Ben Venue from Loch Achray, 1840, (1935). Artist: Anthony Vandyke Copley Fielding

Ben Venue from Loch Achray, 1840, (1935). Artist: Anthony Vandyke Copley Fielding
Ben Venue from Loch Achray, 1840, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageCopley Fielding Collection: Snowdon over the Head of Traeth Mawr, 1853, (1935). Artist: Anthony Vandyke Copley Fielding

Snowdon over the Head of Traeth Mawr, 1853, (1935). Artist: Anthony Vandyke Copley Fielding
Snowdon over the Head of Traeth Mawr, 1853, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageCopley Fielding Collection: Dunster Castle: Sunset, c1850, (1935). Artist: Anthony Vandyke Copley Fielding

Dunster Castle: Sunset, c1850, (1935). Artist: Anthony Vandyke Copley Fielding
Dunster Castle: Sunset, c1850, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageCopley Fielding Collection: Vessels on Shore near Southampton, c1831, (1935). Artist: Anthony Vandyke Copley Fielding

Vessels on Shore near Southampton, c1831, (1935). Artist: Anthony Vandyke Copley Fielding
Vessels on Shore near Southampton, c1831, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageCopley Fielding Collection: Carnarvon Castle, c1815-1819, (1935). Artist: Anthony Vandyke Copley Fielding

Carnarvon Castle, c1815-1819, (1935). Artist: Anthony Vandyke Copley Fielding
Carnarvon Castle, c1815-1819, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageCopley Fielding Collection: Loch Lomond, 1847, (1918)

Loch Lomond, 1847, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageCopley Fielding Collection: Storm Off Whitby, 1851. Artist: Anthony Vandyke Copley Fielding

Storm Off Whitby, 1851. Artist: Anthony Vandyke Copley Fielding
Storm Off Whitby, 1851.From The Connoisseur Volume 106. [Otto Limited, London, 1940]

Background imageCopley Fielding Collection: Glen Finlass, c1846. Artist: Anthony Vandyke Copley Fielding

Glen Finlass, c1846. Artist: Anthony Vandyke Copley Fielding
Glen Finlass (Glen Finglas), c1846. From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageCopley Fielding Collection: Landscape, c19th century, (1923). Artist: Anthony Vandyke Copley Fielding

Landscape, c19th century, (1923). Artist: Anthony Vandyke Copley Fielding
Landscape. From The Connoisseur Vol LXV [Otto Limited, London, 1923.]


All Professionally Made to Order for Quick Shipping

Anthony Vandyke Copley Fielding, a renowned artist of the 19th century, captured the beauty and grandeur of nature through his exquisite paintings. In "Packet Boat Entering Harbour, " he skillfully portrays the serenity and tranquility as a boat gracefully glides into the harbor. The strokes of his brush bring to life every detail, from the gentle ripples in the water to the vibrant hues of the sky. In "Lakeland Landscape, " formerly attributed to Fielding, we are transported to a picturesque scene in early 19th-century England. The rolling hills and shimmering lake create a sense of peace and harmony that is characteristic of Fielding's work. "The Isle of Staffa" takes us on an adventure to this enchanting island. With meticulous precision, Fielding captures its rugged cliffs and dramatic coastline, and is as if we can feel the power of nature emanating from his canvas. Fielding's mastery extends beyond landscapes; he also excels at capturing atmospheric conditions like in "Storm off Whitby. " The dark clouds looming over Whitby evoke a sense of foreboding while showcasing Fielding's ability to convey emotion through his art. Although some works remain unattributed or created by unknown artists, they still bear traces of Fielding's influence. "Scene in Glen Lochy" transports us deep into Scotland's majestic highlands with its towering mountains and cascading waterfall. Fielding's talent shines brightly in pieces such as "The Downs near Beachy Head" where he depicts coastal cliffs bathed in warm sunlight. Similarly, "Scarborough from across the Bay" showcases his ability to capture both natural beauty and human activity harmoniously. From Scottish lochs like Awe and Achray to Welsh wonders like Snowdon seen from Tremadoc or Traeth Mawr – each painting reveals another facet of Fieldings' genius for capturing breathtaking landscapes with remarkable accuracy.