Cornucopia Collection (page 4)

Abundance. Little bronze statue by the italian school of XVII century, in the National Gallery of Umbria in Perugia Perugia National Gallery of Umbria Bronze Statuette Baroque

Portal decorated with pediment with the coat of arms of Charles V and two large cornucopias, work by Salvato Salvati and Pietro di Stefano

Shrine with the Annunciation, created by the Della Robbia family. Hall of Liberal Arts and Sciences; Borgia Apartments, Vatican Museums, Vatican City State of the Vatican City Vatican Museums

The Fontana del Garraffo, designed by Paolo Amato and sculpted by Gioacchino Vitalino, in Piazza Marina, Palermo Palermo Piazza Marina Monumental Fountain Baroque

Tapestry of Flemish manufacture, representing the Four Elements. Work preserved in the Villa Medicea della Petraia, in Florence

Cornucopia with roses. Florence. Date of Photograph:1915 - 1920 ca

Detail of the candelabras on the pillars of the presbytery, in the Colleoni Chapel in Bergamo Bergamo Colleoni Chapel Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods

The Ascension (c.66r): historiated initial from the Gradual preserved in the Piccolomini Library in Siena Siena Cathedral, Piccolomini Library Illumination Early Renaissance, Renaissance

Ciborium in glazed terracotta. Work by Della Robbia, preserved in the Church of Santa Maria Assunta in Stia, near Arezzo Stia church of Santa Maria Assunta Ciborium Renaissance

Statues of Thought and Abundance, by Giambattista Foggini, in the Feroni Chapel of the Church of the Santissima Annunziata, Florence, Tuscany Florence Church of the Santissima Annunziata

Statue of Abundance, by Francesco Segala, in a niche on the third landing of the Scala dell'Abbondanza. Doge's Palace, Venice Venice Doge's Palace

Candelabra in marble, relief preserved in the chapel of Jesus in the church of Sant'Anastasia, Verona Verona Church of Sant'Anastasia, chapel of Jesus Relief Renaissance

Abundance, statue by Giambattista Foggini, formerly in the Museo di San Marco, Florence Florence Museo di San Marco Statue Baroque, Renaissance-Baroque styles and periods, Europe

The three theological virtues, funerary monument of the Antipope John XXIII, Baptistry, Florence Florence Baptistry Statue Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Plate with the Cattani family coat of arms: della Robbia-style ceramic piece, part of the Contini Bonacossi Collection, in the Palazzo Pitti, Florence Florence Palazzo Pitti

A page of Pliny's Natural History, the illuminated manuscript commissioned by Pico della Mirandola, now in the Marciana Library in Venice Venice Marciana Library Illumination High Renaissance

Young statue of the Emperor Marcus Aurelius; the work is in Alexandria in Egypt, it was at the Augustan Exhibition of Roman spirit at the Palazzo delle Esposizioni in Rome in 1937-1938 Rome Augustan

A panel depicting Charity, by Andrea Pisano, on the south door of the Baptistry of San Giovanni, Florence Florence Piazza San Giovanni Tile Gothic, Middle Ages, Europe

Louis XVI gilded bronze candelabra preserved in the Louvre Museum, Paris France Paris, Louvre Museum Candelabrum Eighteenth Century, Renaissance-Baroque styles and periods, Europe

Allegory of Abundance. Roman age statue preserved in the Louvre Museum, Paris France Paris, Louvre Musuem Statue Roman Art, Europe, Ancient Civilization. Date of Photograph:1908

Feminine Allegory. Detail from the Sepulcher by Ruggero Sanseverino made by Andrea da Firenze and conserved in the Cappella di Santa Monica in Naples Naples Chapel of Santa Monica Statue Early

Winged Satyr. Fresco originating from Ercolano and conserved in the National Archaeological Museum in Naples Naples National Archaeological Museum Mural Painting Imperial Period, Roman Art, Europe

Statue of the Tiber river preserved in the Louvre Museum, Paris France Paris, Louvre Museum Statue Imperial Period, Roman Art, Europe, Ancient Civilization. Date of Photograph:1920-1930 ca

Detail of the upper basin of the "Fontana Maggiore" in Perugia Perugia Piazza IV Novembre Statue Gothic, Middle Ages, Europe, First and Second Millennium A.D

The Eucharist shrine, from the School of Duccio di Bartolomeo, located in the crypt of the Cathedral of Santa Maria in Civita Castellana, near Viterbo

Bronze centaurs and handle from Leonforte, Paolo Orsi Regional Archaeological Museum, Syracuse Syracuse Paolo Orsi Regional Archaeological Museum. Date of Photograph:1920-1930 ca

Charity; sculpture by Bartolomeo Bon, located in the Porta della Carta, in the Palazzo Ducale, Venice Venice Palazzo Ducale, Porta della Carta Statue Late Gothic, Gothic, Middle Ages, Europe

Detail of the statue representing the Tiber river, Roman work sculpted for the sanctuary of Isis in Rome, preserved in the Louvre Museum, Paris France Paris, Louvre Musuem Statue Imperial Period

Detail of the door of the Small Cloister of the Certosa of Pavia, by Giovanni Antonio Amadeo Certosa di Pavia Small Cloister Relief High Renaissance, Renaissance

Pastoral in the Museo dell'Opera del Duomo in Orvieto Orvieto Museo dell'Opera del Duomo Crosier, Pastoral Staff Baroque, Renaissance-Baroque styles and periods, Europe

Frieze at bas-relief in the former Chapel of the Church of St.Martin in Bologna, work by Bernardino from Bologna Bologna Church of St

Diamond-shaped panel depicting Charity, formerly located on Giotto's bell tower, now in the Museo dell'Opera di Santa Maria del Fiore, Florence Florence Low Relief, Basrelief, Tile Gothic

Religious ceremony in honor of Ceres. Fresco from Pompeii preserved in the National Archaeological Museum of Naples. Naples Archaeological National Museum Mural Painting First Imperial Period

Aesculapius, marble, Roman art, Museo Archeologico Nazionale, Naples Naples National Archaeological Museum Statue, Head Imperial Period, Roman Art, Europe, Ancient Civilization

Tomb of Alessandro V in the church of St.Francis in Bologna Bologna Certosa, Cemetery Monumental Tomb Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Tabernacle for the holy oils. Work by Della Robbia in the Cathedral of San Cristofano di Barga, near Lucca Barga San Cristofano Cathedral Tabernacle Renaissance

Fortuna, Marble, Greek statue changed in the Roman period, from Pompeii, Pio Clementino Museum, Vatican Museums, Vatican City State of the Vatican City Musei Vaticani

Relief with the Leucotea Nymph and Bacchus child, marble, ancient art, Lateran Museum, Rome. Today in Gregoriano Profano Museum (formerly Lateran Museum), Vatican Museums

Panel of one of the inlaid cabinets in the sacristies of Perugia Cathedral, work by Mariotto di Paolo Sensi Perugia Cathedral, sacristy Tile Early Renaissance, Renaissance

Tapestry with coats of arms of the Medici and Johanna of Austria, Galleria degli Arazzi, Florence Florence Reale Galleria degli Arazzi Tapestry Late Renaissance, Renaissance

Statue of Dea Roma (Goddess Roma), Piazza del Popolo, UNESCO World Heritage Site, Rome, Latium (Lazio), Italy, Europe

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The Family of Henry VIII: An Allegory of the Tudor Succession, c.1572 (oil on panel)
NGW215391 The Family of Henry VIII: An Allegory of the Tudor Succession, c.1572 (oil on panel) by Heere, Lucas de (1534-84); 131.2x184 cm; National Museum Wales; (add.info)

Statue of the Roman goddess Abundantia with cornucopia
Statue of the Roman goddess Abbondanza or Abundantia with the cornucopia (horn of plenty). In the Belvedere Courtyard in the Vatican. Copperplate engraving by Gio. Petrini after an illustration by A

Statue of Roman goddess Abundantia with horn of plenty
Statue of Roman goddess Abundantia (Abbondanza) with horn of plenty (cornucopia). Copperplate engraving by Giacomo Bossi after an illustration by A

Abundance or Autumn, 1480-1485, (1943). Creator: Sandro Botticelli
Abundance or Autumn, 1480-1485, (1943). Allegorical female figure in classical dress, with putti and cornucopia. Drawing in the British Museum, London

The Payment of the Tithes (known as Village Lawyer), between 1617 and 1622. Artist: Brueghel
The Payment of the Tithes (known as Village Lawyer), between 1617 and 1622. From a private collection

Moses Breaking the Tablets of the Law, ca 1624-1625. Found in the Collection of Galleria Borghese, Rome

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"Exploring the Cornucopia: A Journey through Art and History" Step into a world where art intertwines with history, as we delve into the captivating concept of cornucopia. From political ravishment to colonial seals, this symbol has left its mark throughout time. In 1797, artist James Gillray depicted "Political Ravishment, or the Old Lady of Threadneedle Street in Danger. " This satirical artwork highlighted the power struggles and turmoil surrounding wealth and influence. The poster "Eat More Fruit - for Health and Vitality, " published by Retail, reminds us that cornucopia represents abundance and prosperity. It encourages us to embrace nature's bounty for our well-being. A wood engraving from the 19th century showcases Thanksgiving's iconic image – a cornucopia overflowing with harvest delights. It symbolizes gratitude for an abundant harvest season and blessings received. Traveling across continents, we encounter Georgia's colonial seal from around 1750. This contemporary American wood engraving captures the essence of early settlement days when colonists sought fortune in new lands. Fast forward to 1899 when Sears Catalog Cover featured a vibrant depiction of cornucopia. The company recognized its significance as a representation of plenty during an era marked by industrialization and consumerism. Artistic masterpieces also embraced this timeless motif. Rembrandt van Rhijn's painting "The Parable of the Rich Fool" (1627) serves as a cautionary tale about greed overshadowing true wealth found in relationships and generosity. Love takes center stage in Firs Sergeevich Zhuravlev's painting "After the Marriage" (1874), where newlyweds are showered with gifts resembling a bountiful cornucopia – symbolic of their promising future together. Religious narratives often incorporate cornucopias too.