Cornucopia Collection (page 6)

the ceiling of the Hall of Constantine, detail. 1585 (fresco)
7232619 the ceiling of the Hall of Constantine, detail. 1585 (fresco) by Laureti, Tommaso (c.1530-1602); Vatican Museums and Galleries

Roman allegorical statue of the River Tiber with Romulus and Remus (engraving)
7147510 Roman allegorical statue of the River Tiber with Romulus and Remus (engraving) by German School, (19th century); Private Collection; (add.info)

Dieux lares (engraving)
7179810 Dieux lares (engraving) by French School, (19th century); Private Collection; (add.info.: Dieux lares. Illustration for L Habitation Humaine by Charles Garnier and A Ammann (Hachette)

Le Vocabulaire Illustre: Corne (d abondance); Cornucopia; Fullhorn (engraving)
7195529 Le Vocabulaire Illustre: Corne (d abondance); Cornucopia; Fullhorn (engraving) by European School, (19th century); Private Collection; (add.info.: Corne (d abondance); Cornucopia; Fullhorn

Coin Portraying Emperor Diocletian, 303-305. Creator: Unknown
Coin Portraying Emperor Diocletian, 303-305. Reverse: Genius holding a shallow dish called a patera. Minted in Augusta Treverorum (modern Trier)

Coin Depicting a Double Cornucopia, Hasmonaean Dynasty (135-76 BCE)... (103-76 BCE)
Coin Depicting a Double Cornucopia, Hasmonaean Dynasty (135-76 BCE), reign of Alexander Jannaeus (103-76 BCE)

Border, Italy, 16th century. Creator: Unknown
Border, Italy, 16th century

Needlework (Depicting the Five Senses), England, 1601 / 25. Creator: Unknown
Needlework (Depicting the Five Senses), England, 1601/25

Picture Depicting Peace, Justice, and Plenty (Needlework), England, 17th century. Allegorical figures of Justice with sword and scales, Peace with palm frond and dove holding an olive branch

Bedcover, England, c. 1720 / 40. Creator: Unknown
Bedcover, England, c. 1720/40

Aureus (Coin) Portraying Emperor Commodus, 180, issued by Commodus. Creator: Unknown
Aureus (Coin) Portraying Emperor Commodus, 180, issued by Commodus. Reverse: Liberalitas holding an abacus and cornucopia. Minted in Rome

Panel (Furnishing Fabric), Lyon, 1860 / 80. Creator: Mathevon et Bouvard
Panel (Furnishing Fabric), Lyon, 1860/80. Cherubs playing panpipes, cornucopiae, vases of flowers. Produced by Mathevon et Bouvard

Abundantia, from The Four Continents and Related Allegories, Brussels, c. 1680 / 1700
Abundantia, from The Four Continents and Related Allegories, Brussels, c. 1680/1700. Woven at the workshop of Albert Auwercx, after a cartoon by Lodewijk van Schoor and Pieter Spierinckx

Genie holding a horn of abundance. Late 2nd and early 3rd century (fresco)
7076375 Genie holding a horn of abundance. Late 2nd and early 3rd century (fresco) by Roman, (2nd-3rd century); Musee Narbo Via, Narbonne, France; (add.info.: Genie holding a horn of abundance)

The flower vendor, 1882. Creator: Prouve, Victor (1858-1943)
The flower vendor, 1882. Private Collection

Flask, 1935 / 1942. Creator: William Kieckhofel
Flask, 1935/1942

Portrait of ReneDuguay-Trouin, Lieutenant-General of the Naval Armies of the King
Portrait of Rene Duguay-Trouin, Lieutenant-General of the Naval Armies of the King, 1765-1807

Taste (Gustus), from Quinque Sensuum (Five Senses), ca. 1655. Creator: Francis Cleyn
Taste (Gustus), from Quinque Sensuum (Five Senses), ca. 1655

Personification of Pax (oil on panel)
992676 Personification of Pax (oil on panel) by Aachen, Johann or Hans von (1552-1616) (follower of); 45.4x33.8 cm; Private Collection; (add.info.: Holding a sword and a balance)

Statue of a Ptolemaic Queen, perhaps Cleopatra VII, 200-30 BC (dolomitic limestone)
3432896 Statue of a Ptolemaic Queen, perhaps Cleopatra VII, 200-30 BC (dolomitic limestone) by Egyptian Ptolemaic Period (332-30 BC); 62.5x22x15 cm; Metropolitan Museum of Art, New York

Allegory of Queen Hedvig Eleonora as Minerva, 1654 (oil on canvas)
3930866 Allegory of Queen Hedvig Eleonora as Minerva, 1654 (oil on canvas) by Ovens, Jurgen (1623-78); 105x78 cm; National Museum, Stockholm

Two candelabra in the form of revelling putti, late 18th century
3701707 Two candelabra in the form of revelling putti, late 18th century (patinated & gilt bronze with Carrara marble socles) by European School, (18th century); Ashmolean Museum

Allegory of Fortune, c. 1530 (oil on canvas)
3545837 Allegory of Fortune, c.1530 (oil on canvas) by Dossi, Dosso (c.1479-1542); 179.1x217.2 cm; J. Paul Getty Museum, Los Angeles

Allegory of Fortune, c. 1658-9 (oil on canvas)
3545818 Allegory of Fortune, c.1658-9 (oil on canvas) by Rosa, Salvator (1615-73); 200.7x133 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Fortune bestows wealth, status)

A Victorian Christmas and New card of angels with roses, forget-me-nots
3604325 A Victorian Christmas and New card of angels with roses, forget-me-nots, cornfower and poppies, c.1880 (colour litho) by English School

Cameo of the Abundance
3567278 Cameo of the Abundance by Roman, (1st-4th century AD); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Date of Artwork: I sec.a.C.- IV sec.d.C)

Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti
3615951 Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins and birds, 1508 (maiolica) by Italian School

Footstool detail with bone carving of cupids, leopards and cornucopia, c
3526098 Footstool detail with bone carving of cupids, leopards and cornucopia, c.100 AD (wood, bone and glass) by Roman, (2nd century AD); Metropolitan Museum of Art, New York

Detail of marble sarcophagus with the Triumph of Dionysos and the Seasons, c
3526090 Detail of marble sarcophagus with the Triumph of Dionysos and the Seasons, c.260-270 AD (marble) by Roman, (3rd century AD); Metropolitan Museum of Art, New York

Couch and footstool with bone carvings and glass inlays, c. 100 AD (wood, bone and glass)
3526086 Couch and footstool with bone carvings and glass inlays, c.100 AD (wood, bone and glass) by Roman, (2nd century AD); Metropolitan Museum of Art, New York

Folding fan with an Old Testament subject, possibly Adonijah before Solomon, c
1069496 Folding fan with an Old Testament subject, possibly Adonijah before Solomon, c.1770s (mixed media) by European School, (18th century); 27.9x50.8 cm; Dallas Museum of Art, Texas

Ceres nursing Triptolemus, detail of the Altoviti ceiling, 1553 (fresco)
991661 Ceres nursing Triptolemus, detail of the Altoviti ceiling, 1553 (fresco) by Vasari, Giorgio (1511-74); Italian, out of copyright

Maquette for a Figure of Abundance, 1753 (terracotta) (see also 876055-7)
876058 Maquette for a Figure of Abundance, 1753 (terracotta) (see also 876055-7) by Scheemakers, Peter (1691-1781); 49.5x18x12 cm; Leeds Museums and Art Galleries (Leeds City Museum)

Mural from a villa near Narbonne, 1st - 3rd century AD (wall painting)
NUL407061 Mural from a villa near Narbonne, 1st - 3rd century AD (wall painting) by Gallo-Roman; Musee Archeologique, Narbonne, France; French, out of copyright

Photograph of Cornucopia PH, Southend, Essex. The main side of the print (shown here) depicts: Corner on view of the pub. The back of the print (available on request) details: Trading Record 1929

Extinct horn of plenty cerith shell, Cerithium cornucopia
Fossil of an extinct horn of plenty cerith, Cerithium cornucopia, Ceritio corno d abbonanza. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieus Dizionario delle Scienze

Plankton, Surirella striatula, Surirella striata. Handcoloured copperplate stipple engraving from Antoine Laurent de Jussieus Dizionario delle Scienze Naturali, Dictionary of Natural Science

Marble statue of an Etruscan priest in ceremonial robes. He holds a patera or libation bowl in his right hand. Two Etruscan leaping priests or Salii carrying bronze shields or ancilia in a religious

The Early Fruits of the Earth offered to Saturn, 1555 (fresco)
BEN82447 The Early Fruits of the Earth offered to Saturn, 1555 (fresco) by Vasari, Giorgio (1511-74); Palazzo Vecchio (Palazzo della Signoria) Florence, Italy; Photo eRaffaello Bencini; Italian

The Triumphal Arch of Emperor Maximilian I of Germany (1459-1519)
XAM77573 The Triumphal Arch of Emperor Maximilian I of Germany (1459-1519): detail of a deer-skin with an inscription lauding the Emperors family connections, with a floppy-eared goat

Gaudo Necropolis, Lucanian fresco tomb painting depicting the deceased on her deathbed
BAL130566 Gaudo Necropolis, Lucanian fresco tomb painting depicting the deceased on her deathbed, 340 BC (fresco) by Greek School, (4th century BC); Paestum, Capaccio, Salerno, Campania

Peace and War (oil on canvas)
AGN130369 Peace and War (oil on canvas) by Etty, William (1787-1849); 77x64 cm; Private Collection; (add.info.: after Sir Peter Paul Rubens; ); Photo eAgnew s, London; English, out of copyright

Two panels of carpet made into a folding screen, depicting birds, flowers and fruit
XIR160281 Two panels of carpet made into a folding screen, depicting birds, flowers and fruit, Savonnerie Workshop (textile) by French School, (18th century); Musee Nissim de Camondo, Paris

Journeyman Certificate, 1838 (litho) (b / w photo)
CHT163758 Journeyman Certificate, 1838 (litho) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris

Masculine figure from the Gallery of Francois I (1494-1547) 1535-40 (stucco)
XIR183345 Masculine figure from the Gallery of Francois I (1494-1547) 1535-40 (stucco) by Rosso Fiorentino, Giovanni Battista (1494-1540); Chateau de Fontainebleau, Seine-et-Marne, France; Italian

Greek Oktadrachm of Arsinoe II, 240 BC (obverse view) (gold)
BIR185810 Greek Oktadrachm of Arsinoe II, 240 BC (obverse view) (gold) by Egyptian, (3rd century BC); Birmingham Museums and Art Gallery; (add.info)

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"Exploring the Cornucopia: A Journey through Art and History" Step into a world where art intertwines with history, as we delve into the captivating concept of cornucopia. From political ravishment to colonial seals, this symbol has left its mark throughout time. In 1797, artist James Gillray depicted "Political Ravishment, or the Old Lady of Threadneedle Street in Danger. " This satirical artwork highlighted the power struggles and turmoil surrounding wealth and influence. The poster "Eat More Fruit - for Health and Vitality, " published by Retail, reminds us that cornucopia represents abundance and prosperity. It encourages us to embrace nature's bounty for our well-being. A wood engraving from the 19th century showcases Thanksgiving's iconic image – a cornucopia overflowing with harvest delights. It symbolizes gratitude for an abundant harvest season and blessings received. Traveling across continents, we encounter Georgia's colonial seal from around 1750. This contemporary American wood engraving captures the essence of early settlement days when colonists sought fortune in new lands. Fast forward to 1899 when Sears Catalog Cover featured a vibrant depiction of cornucopia. The company recognized its significance as a representation of plenty during an era marked by industrialization and consumerism. Artistic masterpieces also embraced this timeless motif. Rembrandt van Rhijn's painting "The Parable of the Rich Fool" (1627) serves as a cautionary tale about greed overshadowing true wealth found in relationships and generosity. Love takes center stage in Firs Sergeevich Zhuravlev's painting "After the Marriage" (1874), where newlyweds are showered with gifts resembling a bountiful cornucopia – symbolic of their promising future together. Religious narratives often incorporate cornucopias too.