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Courtiers Collection (page 3)

Courtiers have long been an integral part of history, serving as trusted advisors and companions to royalty and nobility

Background imageCourtiers Collection: Procession for Emperor Charles VII following the coronation, (print)

Procession for Emperor Charles VII following the coronation, (print)
8101320 Procession for Emperor Charles VII following the coronation, (print) by German School, (18th century); (add.info)

Background imageCourtiers Collection: Napoleon and his court. (print)

Napoleon and his court. (print)
7419977 Napoleon and his court. (print) by Marin-Lavigne, Louis Stanislas (1797-1860) (after); (add.info.: Napoleon and his court. Napoleon Bonaparte, 1769 -1821. Emperor of the French)

Background imageCourtiers Collection: Louis XIV and his court, 19th century (engraving)

Louis XIV and his court, 19th century (engraving)
PCT5618270 Louis XIV and his court, 19th century (engraving) by French School, (19th century); (add.info.: King Louis XIV of France (Louis 14, 1638-1715) and his court - nobility

Background imageCourtiers Collection: Procession of King Rene I of Anjou (1409-1480) to Aix en Provence, 1877 (lithograph)

Procession of King Rene I of Anjou (1409-1480) to Aix en Provence, 1877 (lithograph)
JAB4120781 Procession of King Rene I of Anjou (1409-1480) to Aix en Provence, 1877 (lithograph) by French School, (19th century); (add.info)

Background imageCourtiers Collection: The King of Brobdingnag and Gulliver, after 1804 (engraving)

The King of Brobdingnag and Gulliver, after 1804 (engraving)
904679 The King of Brobdingnag and Gulliver, after 1804 (engraving) by Gillray, James (1757-1815); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCourtiers Collection: Phryne in front the Areopage, 1861 (oil on canvas)

Phryne in front the Areopage, 1861 (oil on canvas)
DGA5609828 Phryne in front the Areopage, 1861 (oil on canvas) by Gerome, Jean Leon (1824-1904); 80x128 cm; Kunsthalle, Hamburg, Germany; Photo © Fine Art Images

Background imageCourtiers Collection: Ms Fr 226 The Use of Leeches, from The Decameron

Ms Fr 226 The Use of Leeches, from The Decameron
CHT176051 Ms Fr 226 The Use of Leeches, from The Decameron, by Giovanni Boccaccio (1313-75) (vellum) by French School, (15th century); Bibliotheque Nationale, Paris

Background imageCourtiers Collection: Louis XIV Receiving Ambassadors from Siam at Versailles, c. 1865-67 (oil on canvas)

Louis XIV Receiving Ambassadors from Siam at Versailles, c. 1865-67 (oil on canvas)
LIT389807 Louis XIV Receiving Ambassadors from Siam at Versailles, c.1865-67 (oil on canvas) by Leman, Jacques Edmond (1829-99); 124.5x242.5 cm; Chakri Throne Hall, Grand Palace, Bangkok

Background imageCourtiers Collection: Catherine de Medici (1519-89) and her Dwarves (engraving)

Catherine de Medici (1519-89) and her Dwarves (engraving)
CHT235035 Catherine de Medici (1519-89) and her Dwarves (engraving) by French School, (16th century) (after); Bibliotheque Nationale, Paris, France; eArchives Charmet; French, out of copyright

Background imageCourtiers Collection: Coronation Procession of Charles II, 1662. Creator: Wenceslaus Hollar

Coronation Procession of Charles II, 1662. Creator: Wenceslaus Hollar
Coronation Procession of Charles II, 1662

Background imageCourtiers Collection: Grand Pond of the Buen Retiro, c. 1657 (oil on canvas)

Grand Pond of the Buen Retiro, c. 1657 (oil on canvas)
3247706 Grand Pond of the Buen Retiro, c.1657 (oil on canvas) by Mazo, Juan Bautista Martinez del (1612-67); 147x114 cm; Prado, Madrid

Background imageCourtiers Collection: King Canute Reproving Courtiers Believing Power Over The Elements

King Canute Reproving Courtiers Believing Power Over The Elements
King Canute reproving his courtiers for believing he had power over the elements. He had commanded the sea to stay off his land

Background imageCourtiers Collection: Throne Emperor Constantinople Greek MS 9th Century

Throne Emperor Constantinople Greek MS 9th Century
Throne of the Emperor of Constantinople. From a Greek MS of the 9th century. From Cassell's Illustrated History of England, published 1857

Background imageCourtiers Collection: Death grabs the crown of the Emperor seated

Death grabs the crown of the Emperor seated on a throne, and attended by his courtiers.. Handcolored engraving by Chretien de Mechel from Hans Holbein's The Triumph of Death

Background imageCourtiers Collection: FABLE / COURT OF DEATH

FABLE / COURT OF DEATH
Death, on his throne, surrounded by his pale courtiers': diseases Date: 1761

Background imageCourtiers Collection: CHARLES V LE SAGE (WISE) King of France Perceiving the approach of Death

CHARLES V LE SAGE (WISE) King of France Perceiving the approach of Death, he recommends to his brothers his Family and Kingdom. Date: 1337 - 1380

Background imageCourtiers Collection: Hop Frog

Hop Frog
HOP-FROG The miserable end of the King & his courtiers. Date: First published: 1850

Background imageCourtiers Collection: Imaginary renaissance palace, 1602 (oil on canvas)

Imaginary renaissance palace, 1602 (oil on canvas)
7412459 Imaginary renaissance palace, 1602 (oil on canvas) by Aerts, Hendrick (1570-1628); 93--127.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Hendrick Aerts)

Background imageCourtiers Collection: Philip IV and his Queen in a Colonnade, c. 1630 (oil on canvas)

Philip IV and his Queen in a Colonnade, c. 1630 (oil on canvas)
7223711 Philip IV and his Queen in a Colonnade, c.1630 (oil on canvas) by Corte, Juan de la (c.1585-1660); 181 x 303.8 cm; Pollok House Museum, Glasgow

Background imageCourtiers Collection: The Torch Dance, 1517-18 (woodcut)

The Torch Dance, 1517-18 (woodcut)
7415402 The Torch Dance, 1517-18 (woodcut) by Durer or Duerer, Albrecht (1471-1528); 22.5--24.3 cm; Rijksmuseum, Amsterdam

Background imageCourtiers Collection: 3671695

3671695

Background imageCourtiers Collection: On the praise and virtue of the noblemen and clerics of Boccaccio, 1493 (miniature)

On the praise and virtue of the noblemen and clerics of Boccaccio, 1493 (miniature)
7415662 On the praise and virtue of the noblemen and clerics of Boccaccio, 1493 (miniature) by Besancon, Jacques de (15th century) (attr)

Background imageCourtiers Collection: Cinderella, 1903 (w/c & chalk on paper)

Cinderella, 1903 (w/c & chalk on paper)
MAN277406 Cinderella, 1903 (w/c & chalk on paper) by Bell, Robert Anning (1863-1933); 83.1x76.6 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageCourtiers Collection: Catherine of Aragon, from Henry VIII by William Shakespeare, 1866 (oil on canvas)

Catherine of Aragon, from Henry VIII by William Shakespeare, 1866 (oil on canvas)
MAN277412 Catherine of Aragon, from Henry VIII by William Shakespeare, 1866 (oil on canvas) by Bromley, William III (c.1815-c.88); 107.5x153.3 cm; Manchester Art Gallery

Background imageCourtiers Collection: The Buttery, from the series 'All the best people drink Milk' [6319380] (colour litho)

The Buttery, from the series "All the best people drink Milk" [6319380] (colour litho)
MAN464517 The Buttery, from the series "All the best people drink Milk" [6319380] (colour litho) by English School, (20th century); Manchester Art Gallery, UK; (add.info.: See 464453)

Background imageCourtiers Collection: The Scullery, from the series 'All the best people drink Milk' [6319380] (colour litho)

The Scullery, from the series "All the best people drink Milk" [6319380] (colour litho)
MAN464516 The Scullery, from the series "All the best people drink Milk" [6319380] (colour litho) by English School, (20th century); Manchester Art Gallery, UK; (add.info.: See 464453)

Background imageCourtiers Collection: Berengaria's alarm for the safety of her husband, Richard Coeur de Lion, 1850 (oil on canvas)

Berengaria's alarm for the safety of her husband, Richard Coeur de Lion, 1850 (oil on canvas)
MAN277418 Berengaria's alarm for the safety of her husband, Richard Coeur de Lion, 1850 (oil on canvas) by Collins, Charles Alston (1828-73); 130.2x160 cm; Manchester Art Gallery

Background imageCourtiers Collection: A Procession of Queen Elizabeth I, c. 1800-40 (oil on panel)

A Procession of Queen Elizabeth I, c. 1800-40 (oil on panel)
5910205 A Procession of Queen Elizabeth I, c.1800-40 (oil on panel) by Peake, Robert (c.1551-1619) (after); 38.4x53.3 cm; Manchester Art Gallery

Background imageCourtiers Collection: The Fountain of Life, detail of riders returning from the fountain, 1418-30 (fresco)

The Fountain of Life, detail of riders returning from the fountain, 1418-30 (fresco)
885650 The Fountain of Life, detail of riders returning from the fountain, 1418-30 (fresco) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo

Background imageCourtiers Collection: Man and a woman in a palace, 19th century (gouache with gold on paper)

Man and a woman in a palace, 19th century (gouache with gold on paper)
7394129 Man and a woman in a palace, 19th century (gouache with gold on paper) by Indian School, (19th century); 55.3x40.4 cm; Ashmolean Museum, University of Oxford

Background imageCourtiers Collection: Maharana Amar Singh of Mewar at the Eklingji temple, c. 1695 (gouache with gold and silver on paper)

Maharana Amar Singh of Mewar at the Eklingji temple, c. 1695 (gouache with gold and silver on paper)
7394074 Maharana Amar Singh of Mewar at the Eklingji temple, c.1695 (gouache with gold and silver on paper) by Indian School, (17th century); 47.5x54.4 cm; Ashmolean Museum, University of Oxford

Background imageCourtiers Collection: A lady seated with a mirror in a garden, with a maid and three musicians, c. 1909 (gouache on paper)

A lady seated with a mirror in a garden, with a maid and three musicians, c. 1909 (gouache on paper)
7394127 A lady seated with a mirror in a garden, with a maid and three musicians, c.1909 (gouache on paper) by Indian School, (19th-20th century); 55.1x40 cm; Ashmolean Museum, University of Oxford

Background imageCourtiers Collection: Ruler wearing a green jama attended by a morchal bearer, 2nd half of the 18th century

Ruler wearing a green jama attended by a morchal bearer, 2nd half of the 18th century (gouache on cardboard)
7394106 Ruler wearing a green jama attended by a morchal bearer, 2nd half of the 18th century (gouache on cardboard) by Indian School, (18th century); 40.4x27.8 cm; Ashmolean Museum

Background imageCourtiers Collection: The Little Cavaliers, 1867-74 (etching and drypoint on paper)

The Little Cavaliers, 1867-74 (etching and drypoint on paper)
5860366 The Little Cavaliers, 1867-74 (etching and drypoint on paper) by Manet, Edouard (1832-83); 24 x 38 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Edouard Manet)

Background imageCourtiers Collection: Rawat Gokul Das inspects a trapped tiger, 1810-1815 (gouache on paper)

Rawat Gokul Das inspects a trapped tiger, 1810-1815 (gouache on paper)
7394115 Rawat Gokul Das inspects a trapped tiger, 1810-1815 (gouache on paper) by Indian School, (19th century); 55.7x40.4 cm; Ashmolean Museum, University of Oxford

Background imageCourtiers Collection: The fireplace, main hall of Castle della Manta, adorned with the arms of the Saluzzo family

The fireplace, main hall of Castle della Manta, adorned with the arms of the Saluzzo family, 1418-30 (photo)
885637 The fireplace, main hall of Castle della Manta, adorned with the arms of the Saluzzo family, 1418-30 (photo) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo

Background imageCourtiers Collection: Life Cycle of St. John the Baptist: The Banquet of Herod and Herodias receiving the head of John

Life Cycle of St. John the Baptist: The Banquet of Herod and Herodias receiving the head of John the Baptist
885678 Life Cycle of St. John the Baptist: The Banquet of Herod and Herodias receiving the head of John the Baptist, 1433-35 (fresco) by Masolino da Panicale, Tommaso (1383-c.1447); Baptistery

Background imageCourtiers Collection: Meeting between Louis XIII (1601-43) and Marie-Louise Motier de la Fayette (1615-65)

Meeting between Louis XIII (1601-43) and Marie-Louise Motier de la Fayette (1615-65) at l'Hotel-Dieu, Paris (coloured engraving) Musee d'Histoire de la Medecine, Paris

Background imageCourtiers Collection: Illustration from Peau d'Ane by Charles Perrault (1628-1703) (colour litho)

Illustration from Peau d'Ane by Charles Perrault (1628-1703) (colour litho)
CHT201514 Illustration from Peau d'Ane by Charles Perrault (1628-1703) (colour litho) by Berty, Maurice (1884-1946); Private Collection; (add.info)

Background imageCourtiers Collection: Harun Al Rashid in his tent with the wise men of the east, 1811-13, Gaspare Landi (oil on canvas)

Harun Al Rashid in his tent with the wise men of the east, 1811-13, Gaspare Landi (oil on canvas)
7064256 Harun Al Rashid in his tent with the wise men of the east, 1811-13, Gaspare Landi (oil on canvas) by Landi, Gaspare (1756-1830); Museo di Capodimonte, Naples, Campania

Background imageCourtiers Collection: Sir William Sharington, English courtier to King Henry VIII. 1812 (engraving)

Sir William Sharington, English courtier to King Henry VIII. 1812 (engraving)
7234597 Sir William Sharington, English courtier to King Henry VIII.1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Sir William Sharington)

Background imageCourtiers Collection: John Poyntz, English courtier and politician. 1812 (engraving)

John Poyntz, English courtier and politician. 1812 (engraving)
7234587 John Poyntz, English courtier and politician.1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: John Poyntz (ca. 1485 - 1544)

Background imageCourtiers Collection: Sir Nicholas Poyntz (c. 1528-1556), English courtier. 1812 (engraving)

Sir Nicholas Poyntz (c. 1528-1556), English courtier. 1812 (engraving)
7234586 Sir Nicholas Poyntz (c.1528-1556), English courtier.1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Sir Nicholas Poyntz (1510-1556)

Background imageCourtiers Collection: Sir Henry Guldeford, Master of the Horse. 1812 (engraving)

Sir Henry Guldeford, Master of the Horse. 1812 (engraving)
7234566 Sir Henry Guldeford, Master of the Horse.1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Sir Henry Guldeford or Guildford (1489-1532)

Background imageCourtiers Collection: Sir John Gage, English courtier and politician, 1479-1556. 1812 (engraving)

Sir John Gage, English courtier and politician, 1479-1556. 1812 (engraving)
7234563 Sir John Gage, English courtier and politician, 1479-1556.1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Sir John Gage, English courtier)

Background imageCourtiers Collection: Charles Wingfield of Kimbolton Castle, , 1812 (engraving)

Charles Wingfield of Kimbolton Castle, , 1812 (engraving)
7234613 Charles Wingfield of Kimbolton Castle, , 1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Background imageCourtiers Collection: Thomas, 1st Baron Wentworth. 1812 (engraving)

Thomas, 1st Baron Wentworth. 1812 (engraving)
7234612 Thomas, 1st Baron Wentworth.1812 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Thomas Wentworth, 1st Baron Wentworth)



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Courtiers have long been an integral part of history, serving as trusted advisors and companions to royalty and nobility. From the legendary bond between Alexander the Great and his loyal steed Bucephalus to the opulent scenes depicted in Les Tres Riches Heures du Duc de Berry - January, they have played a significant role in shaping our understanding of power dynamics. In The Opening of the Great Exhibition, 1851-52 (oil on canvas), we catch a glimpse surrounding Queen Victoria during this grand event that showcased Britain's industrial prowess. Turandot Liebig 2 transports us to an exotic world where courtiers adorned in lavish attire engage in royal festivities. Music also found its place within courts, with composers like William Byrd creating enchanting melodies for their regal patrons. Meanwhile, King George V on horseback commands attention as he parades through Hyde Park, London - his loyal courtiers by his side. The intricate details captured in Detail of The Entry of Louis XIV and Maria Theresa into Arras transport us back to a time when courtly rituals were at their peak. Courtiers meticulously orchestrated every aspect of these grand entrances, ensuring they conveyed power and majesty. But not all tales involving they can steeped in grandeur; Gulliver's adventures among the tiny inhabitants of Lilliput shed light on how even diminutive societies had their own systems of hierarchy and protocol. Similarly, The Warning before Flodden reminds us that even amidst war-torn landscapes, noble figures relied on their trusted circle for counsel and protection. Religious narratives also feature courtly figures such as The Queen of Sheba Worshipping the Wood of the True Cross or King Alfred submitting his laws to the Witan. These depictions highlight how faith intertwined with political authority throughout history.