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Crinoline Collection (page 3)

"Crinoline: A Fashionable Tale of Royalty, Romance, and Elegance" Step into the enchanting world of crinoline

Background imageCrinoline Collection: Galleries des Modes bbb 291, 1775-1780. Creator: Nicolas Dupin

Galleries des Modes bbb 291, 1775-1780. Creator: Nicolas Dupin
Galleries des Modes bbb 291, 1775-1780

Background imageCrinoline Collection: Paris Fashions for July, 1856. Creator: Unknown

Paris Fashions for July, 1856. Creator: Unknown
Paris Fashions for July, 1856. Bonnet of rice-straw...Mantilla Gabrelle in black taffetas...Dress of taffetas of the Company Lyonnaise (Lyons)

Background imageCrinoline Collection: Scene from 'A Bottle of Smoke' at the Adelphi Theatre, 1856. Creator: Unknown

Scene from "A Bottle of Smoke" at the Adelphi Theatre, 1856. Creator: Unknown
Scene from "A Bottle of Smoke" at the Adelphi Theatre, 1856. London stage production. This little piece continues to justify the favourable opinion we expressed of it on its production

Background imageCrinoline Collection: First Appearance of the Imperial Prince in Public, 1856. Creator: Unknown

First Appearance of the Imperial Prince in Public, 1856. Creator: Unknown
First Appearance of the Imperial Prince in Public, 1856. Heir to the French throne. On the morrow of his birthday crowds of senators and generals pressed around to look upon him

Background imageCrinoline Collection: The Band of the Royal Horse-Guards, Blue Playing in Kensington-Gardens, 1856. Creator: Unknown

The Band of the Royal Horse-Guards, Blue Playing in Kensington-Gardens, 1856. Creator: Unknown
The Band of the Royal Horse-Guards, Blue Playing in Kensington-Gardens, [London], 1856....the band of the Blues again played in Kensington Gardens

Background imageCrinoline Collection: Paris Fashions for April, 1856. Creator: Unknown

Paris Fashions for April, 1856. Creator: Unknown
Paris Fashions for April, 1856. Chapeau of rose velvet. Robe of plain taffetas...Beneath the corsage is another of white muslin

Background imageCrinoline Collection: Paris Fashions for April, 1856. Creator: Unknown

Paris Fashions for April, 1856. Creator: Unknown
Paris Fashions for April, 1856. The three figures represent the newest forms of sleeves and corsages which have appeared this season...Chapeau de Taffetas, rose

Background imageCrinoline Collection: The Ball given by the Minister of the United States, at the Hotel du Louvre, Paris, 1856

The Ball given by the Minister of the United States, at the Hotel du Louvre, Paris, 1856. Creator: Unknown
The Ball given by the Minister of the United States, at the Hotel du Louvre, Paris, 1856. Party...in commemoration of the anniversary of Washington's birthday - the 22nd of February

Background imageCrinoline Collection: Paris Fashions for March, 1856. Creator: Unknown

Paris Fashions for March, 1856. Creator: Unknown
Paris Fashions for March, 1856. Toilettes de Ville: Chapeau en poult de soie, and squares of jet, with trimmings of tufts of feathers; the edge trimmed with black velvet ribbons

Background imageCrinoline Collection: Paris Fashions for February, 1856. Creator: Unknown

Paris Fashions for February, 1856. Creator: Unknown
Paris Fashions for February, 1856. Robe of white moire antique...Low corsage, a bretelles; short sleeves...closed by a wristband, whence comes a small lace flounce ruche

Background imageCrinoline Collection: Un effet de crinoline au bord de la mer, 19th century. Creator: Honore Daumier

Un effet de crinoline au bord de la mer, 19th century. Creator: Honore Daumier
Un effet de crinoline au bord de la mer, 19th century. A crinoline effect by the sea

Background imageCrinoline Collection: Taking the Air in Hyde Park [verso], 1865. Creator: George Cruikshank

Taking the Air in Hyde Park [verso], 1865. Creator: George Cruikshank
Taking the Air in Hyde Park [verso], 1865

Background imageCrinoline Collection: Crinolina - and the Consequences [recto], 1865. Creator: George Cruikshank

Crinolina - and the Consequences [recto], 1865. Creator: George Cruikshank
Crinolina - and the Consequences [recto], 1865

Background imageCrinoline Collection: De l'utilité de la crinoline pour frauder l'octroi, 19th century. Creator: Honore Daumier

De l'utilité de la crinoline pour frauder l'octroi, 19th century. Creator: Honore Daumier
De l'utilite de la crinoline pour frauder l'octroi, 19th century. The usefulness of crinoline to defraud the grant

Background imageCrinoline Collection: Une erreur excusable, 19th century. Creator: Honore Daumier

Une erreur excusable, 19th century. Creator: Honore Daumier
Une erreur excusable, 19th century. Woman in a large crinoline dress. An understandable mistake. Chickens believing they have found the coop where they spent their youth

Background imageCrinoline Collection: Portrait of young woman wearing patterned dress, with bow at neck, c1860. Creator: Coss & Leach

Portrait of young woman wearing patterned dress, with bow at neck, c1860. Creator: Coss & Leach
Portrait of young woman wearing patterned dress, with bow at neck, c1860

Background imageCrinoline Collection: Portrait of older woman, standing, holding bonnet, c1860. Creator: CK Bill

Portrait of older woman, standing, holding bonnet, c1860. Creator: CK Bill
Portrait of older woman, standing, holding bonnet, c1860

Background imageCrinoline Collection: Wilde, Renne´, Miss, 1924 Apr. 12. Creator: Arnold Genthe

Wilde, Renne´, Miss, 1924 Apr. 12. Creator: Arnold Genthe
Wilde, Renne¦, Miss, 1924 Apr. 12

Background imageCrinoline Collection: Wilde and Jason, Misses, 1924 Apr. 12. Creator: Arnold Genthe

Wilde and Jason, Misses, 1924 Apr. 12. Creator: Arnold Genthe
Wilde and Jason, Misses, 1924 Apr. 12

Background imageCrinoline Collection: Wilde and Jason, Misses, 1924 Apr. 12. Creator: Arnold Genthe

Wilde and Jason, Misses, 1924 Apr. 12. Creator: Arnold Genthe
Wilde and Jason, Misses, 1924 Apr. 12

Background imageCrinoline Collection: Wilde and Jason, Misses, 1924 Apr. 12. Creator: Arnold Genthe

Wilde and Jason, Misses, 1924 Apr. 12. Creator: Arnold Genthe
Wilde and Jason, Misses, 1924 Apr. 12

Background imageCrinoline Collection: Gugi, Mrs. (Marion Vardi), 1918 June 5. Creator: Arnold Genthe

Gugi, Mrs. (Marion Vardi), 1918 June 5. Creator: Arnold Genthe
Gugi, Mrs. (Marion Vardi), 1918 June 5

Background imageCrinoline Collection: Grand Ball given by the French Ambassador at Constantinople, 1854. Creator: Unknown

Grand Ball given by the French Ambassador at Constantinople, 1854. Creator: Unknown
Grand Ball given by the French Ambassador at Constantinople, 1854. From "Cassells Illustrated Family Paper; London Weekly 31/12/1853 - 30/12/1854"

Background imageCrinoline Collection: Dress, c. 1939. Creator: Eleanor Ruelos

Dress, c. 1939. Creator: Eleanor Ruelos
Dress, c. 1939

Background imageCrinoline Collection: Latest Paris Fashion, 1854. Creator: Unknown

Latest Paris Fashion, 1854. Creator: Unknown
Latest Paris Fashion, 1854. From "Cassells Illustrated Family Paper; London Weekly 31/12/1853 - 30/12/1854"

Background imageCrinoline Collection: Dress, 1935/1942. Creator: Ruggiero Pierotti

Dress, 1935/1942. Creator: Ruggiero Pierotti
Dress, 1935/1942

Background imageCrinoline Collection: Dress, c. 1940. Creator: Nancy Crimi

Dress, c. 1940. Creator: Nancy Crimi
Dress, c. 1940

Background imageCrinoline Collection: Presentation of Addresses to Her Majesty, at the Station Hotel, Hull, 1854. Creator: Unknown

Presentation of Addresses to Her Majesty, at the Station Hotel, Hull, 1854. Creator: Unknown
Presentation of Addresses to Her Majesty, at the Station Hotel, Hull, 1854. Queen Victoria visits Yorkshire. At one end of a spacious room in the hotel, elaborately fitted up for the occasion

Background imageCrinoline Collection: Paris Fashions for October, 1854. Creator: Unknown

Paris Fashions for October, 1854. Creator: Unknown
Paris Fashions for October, 1854. Sarcenet Bonnet, with a feather, the inside trimmed with flowers; collar embroidered in satin-stitch, with long points

Background imageCrinoline Collection: Paris Fashions for October, 1854. Creator: Unknown

Paris Fashions for October, 1854. Creator: Unknown
Paris Fashions for October, 1854. White Crape and Blonde Bonnets, with pink feather-flowers underneath, which are very becoming to the complexion. Grenadine shawl, with Scotch border and fringe

Background imageCrinoline Collection: Paris Fashions for October, 1854. Creator: Unknown

Paris Fashions for October, 1854. Creator: Unknown
Paris Fashions for October, 1854. Bonnet of Rice-straw and Blonde; poplin dress, with wide stripes ; sarcenet scarf-mantilla, ornamented with stamped rounds

Background imageCrinoline Collection: French in Miyozakimachi (Furansujin, Miyozakimachi), from the series 'Famous Places... 1861

French in Miyozakimachi (Furansujin, Miyozakimachi), from the series "Famous Places... 1861. Creator: Yoshikazu
French in Miyozakimachi (Furansujin, Miyozakimachi), from the series "Famous Places in Yokohama (Yokohama meisho)", 1861. [French couple seen through Japanese eyes]

Background imageCrinoline Collection: Picture of a Banquet of People of Five Nations at the Gankiro Teahouse (Gokakoku... 1860)

Picture of a Banquet of People of Five Nations at the Gankiro Teahouse (Gokakoku... 1860. Creator: Utagawa Yoshiiku)
Picture of a Banquet of People of Five Nations at the Gankiro Teahouse (Gokakoku gankiro ni oite sakamori no zu), 1860

Background imageCrinoline Collection: Paris Fashions for April, 1850. Creator: Unknown

Paris Fashions for April, 1850. Creator: Unknown
Paris Fashions for April, 1850. The frosty and snowy weather in Paris during the Longchamps promenades did not allow any great display of costumes

Background imageCrinoline Collection: Fashions for May, 1850. Creator: Unknown

Fashions for May, 1850. Creator: Unknown
Fashions for May, 1850. From "Illustrated London News", 1850

Background imageCrinoline Collection: Amazone sous Louis XV. 1855. Augusta', 1855. Creator: Fritz von Dardel. Amazone sous Louis XV. 1855

Amazone sous Louis XV. 1855. Augusta", 1855. Creator: Fritz von Dardel. Amazone sous Louis XV. 1855
Amazone sous Louis XV. 1855. Augusta", 1855

Background imageCrinoline Collection: Jenny Lind in The Regiment's Daughter, (c1850s). Creator: Unknown

Jenny Lind in The Regiment's Daughter, (c1850s). Creator: Unknown
Jenny Lind in The Regiment's Daughter, (c1850s)

Background imageCrinoline Collection: Gustaf III's national costume, 1778. Creator: Jacob Gillberg

Gustaf III's national costume, 1778. Creator: Jacob Gillberg
Gustaf III's national costume, 1778. "Swedish National Fruntimmer's Clothing Suit"

Background imageCrinoline Collection: Paris fashions for November, 1862. Creator: Unknown

Paris fashions for November, 1862. Creator: Unknown
Paris fashions for November, 1862. Fig. 1. Visiting Dress. Robe of plain mauve silk, trimmed with six triple-ringed passementerie ornaments on the skirt...Attached to each bottom ring of

Background imageCrinoline Collection: The International Exhibition: tapestries of Gobelins and Beauvais, and china of Sevres, 1862

The International Exhibition: tapestries of Gobelins and Beauvais, and china of Sevres, 1862. Creator: Unknown
The International Exhibition: tapestries of Gobelins and Beauvais, and china of Sevres, 1862. The large central tapestry, "The Assumption of the Virgin

Background imageCrinoline Collection: Second Annual Competition of the Edinburgh and Midlothian Rifle Association, 1862. Creator: Unknown

Second Annual Competition of the Edinburgh and Midlothian Rifle Association, 1862. Creator: Unknown
Second Annual Competition of the Edinburgh and Midlothian Rifle Association, [Scotland], 1862. The ranges this year were on a lower level

Background imageCrinoline Collection: Mrs. Lucy Anderson, the eminent pianist, 1862. Creator: Unknown

Mrs. Lucy Anderson, the eminent pianist, 1862. Creator: Unknown
Mrs. Lucy Anderson, the eminent pianist, 1862. At the age of fifteen she appeared with so much success at a concert in Bath that she immediately attracted the attention of the public of that very

Background imageCrinoline Collection: Paris fashions for August, 1862. Creator: Unknown

Paris fashions for August, 1862. Creator: Unknown
Paris fashions for August, 1862. Fig. 1. Bridal Dress. Crape robe over taffety, the skirt ornamented with a silk ruching formed into festoons fastened by large rosettes

Background imageCrinoline Collection: Soiree of the Social Science Association at Westminster Hall, 1862. Creator: Smyth

Soiree of the Social Science Association at Westminster Hall, 1862. Creator: Smyth
Soiree of the Social Science Association at Westminster Hall, [London], 1862. The National Association for the Promotion of Social Science...[issued] cards of invitation in such numbers that

Background imageCrinoline Collection: The International Exhibition: church organ built by Messrs. Forster and Andrews, of Hull, 1862

The International Exhibition: church organ built by Messrs. Forster and Andrews, of Hull, 1862. Creator: Unknown
The International Exhibition: church organ built by Messrs. Forster and Andrews, of Hull, 1862. Organ...suitable for a large church or music-hall...the metal used for the pipes almost throughout

Background imageCrinoline Collection: The International Exhibition - M'Dougall's Stall... 1862. Creator: Unknown

The International Exhibition - M'Dougall's Stall... 1862. Creator: Unknown
The International Exhibition - M'Dougall's Stall - the Highlands of Scotland, 1862. Display of...choice specimens from their Royal tartan warehouse in Inverness

Background imageCrinoline Collection: The International Exhibition: the Japanese Court... 1862. Creator: Unknown

The International Exhibition: the Japanese Court... 1862. Creator: Unknown
The International Exhibition: the Japanese Court - from a photograph by the London Stereoscopic Company, 1862. Display of...articles from a hitherto unexporting country

Background imageCrinoline Collection: Iron figure castings by M. Ducel, of Paris, in the International Exhibition, 1862. Creator: Unknown

Iron figure castings by M. Ducel, of Paris, in the International Exhibition, 1862. Creator: Unknown
Iron figure castings by M. Ducel, of Paris, in the International Exhibition, 1862. Though exceedingly large - Diana and the female portrait statue being lifesize without the stand



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"Crinoline: A Fashionable Tale of Royalty, Romance, and Elegance" Step into the enchanting world of crinoline, where fashion meets history in a whirlwind of captivating stories. From Princess Alice of Great Britain and her love affair with Grand Duke Louis of Hesse to Queen Victoria's cherished dachshund by her side, it has witnessed it all. Picture Louis XVI and Marie Antoinette donning their opulent wedding costumes, their crinolines adding an air of grandeur to the occasion. In "Great Expectations: The Dickens Christmas Spirit, " Matania brings alive the magic of Victorian England with characters adorned in exquisite crinoline gowns. Immerse yourself in Cinderella's fairytale as she flees from the ball, her billowing crinoline dress trailing behind her. Pierre-Louis Pierson captures moments frozen in time through his lens - "L'accoudee" and "The Gaze" depict women embracing the elegance bestowed upon them by their crinolines. Even royalty embraced this iconic fashion trend; Edward VII and Alexandra proudly display their son while Georgina, Countess of Dudley exudes grace in her resplendent attire. Ludwig II and Sophie Charlot epitomize romance against a backdrop adorned with delicate layers fabric. But it wasn't just nobility who reveled in its allure - a woman on a greetings card showcases how everyday individuals embraced this fashionable silhouette. And let us not forget Dona Marianna Stampa Parravicina, Condesa di Segrate - even centuries ago, she understood that nothing could rival the charm brought forth by a stunning crinoline gown. Crinoline weaves together tales from different eras; it is more than just a garment – it represents an era when femininity was celebrated through voluminous skirts that swayed gracefully with every step.