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Distortion Collection (page 2)

"Unveiling the Distorted Tapestry of Time

Background imageDistortion Collection: Laurence Fishburne. Creator: Dan Springer

Laurence Fishburne. Creator: Dan Springer
Laurence Fishburne

Background imageDistortion Collection: Philip Seymour Hoffman. Creator: Dan Springer

Philip Seymour Hoffman. Creator: Dan Springer
Philip Seymour Hoffman

Background imageDistortion Collection: Miles Davis. Creator: Dan Springer

Miles Davis. Creator: Dan Springer
Miles Davis

Background imageDistortion Collection: U2-2. Creator: Dan Springer

U2-2. Creator: Dan Springer
U2-2

Background imageDistortion Collection: Al Pacino. Creator: Dan Springer

Al Pacino. Creator: Dan Springer
Al Pacino

Background imageDistortion Collection: Peasant Girl and White Cockerel, (gouache and pencil)

Peasant Girl and White Cockerel, (gouache and pencil)
657475 Peasant Girl and White Cockerel, (gouache and pencil) by Meninsky, Bernard (1891-1950); Private Collection; (add.info.: Peasant Girl and White Cockerel. Bernard Meninsky (1891-1950)

Background imageDistortion Collection: Still life with a Glass, 1945 (oil on canvas)

Still life with a Glass, 1945 (oil on canvas)
CH412145 Still life with a Glass, 1945 (oil on canvas) by Chapoval, Youla (1919-51); 21.5x32.5 cm; Private Collection; Photo © Christies Images

Background imageDistortion Collection: The Town No. 2, 1910 (oil on canvas)

The Town No. 2, 1910 (oil on canvas)
XIR434147 The Town No.2, 1910 (oil on canvas) by Delaunay, Robert (1885-1941); Musee National d Art Moderne, Centre Pompidou, Paris, France; (add.info.: City No.2; )

Background imageDistortion Collection: 13131521

13131521
DOG. Cross breed, hairy dog sitting with paw stretched out to camera, ( selfie ), studio, whitebackground Date: 18-03-2019

Background imageDistortion Collection: 13131520

13131520
DOG. Cross breed, hairy dog sitting with paw stretched out to camera, ( selfie ), studio, whitebackground Date: 18-03-2019

Background imageDistortion Collection: Door Boss: Bust of a Satyress, c. 1580. Creator: Unknown

Door Boss: Bust of a Satyress, c. 1580. Creator: Unknown
Door Boss: Bust of a Satyress, c. 1580

Background imageDistortion Collection: Caryatide, c. 1913 (pen and brush and blue ink wash over pencil on paper)

Caryatide, c. 1913 (pen and brush and blue ink wash over pencil on paper)
988936 Caryatide, c.1913 (pen and brush and blue ink wash over pencil on paper) by Modigliani, Amedeo (1884-1920); 54x42 cm; Private Collection; (add.info.: Caryatide. Amedeo Modigliani (1883-1920)

Background imageDistortion Collection: Christ at the Tomb, (tempera on gold ground panel)

Christ at the Tomb, (tempera on gold ground panel)
659340 Christ at the Tomb, (tempera on gold ground panel) by Giovanni di Paolo di Grazia (1403-82); 14.8x10.4 cm; Private Collection; (add.info.: Christ at the Tomb. Giovanni di Paolo di Grazia (ca)

Background imageDistortion Collection: Hall Of Mirrors (b / w photo)

Hall Of Mirrors (b / w photo)
3096161 Hall Of Mirrors (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Hall Of Mirrors)

Background imageDistortion Collection: Head, 1926 (oil on panel)

Head, 1926 (oil on panel)
HEH372406 Head, 1926 (oil on panel) by Maurer, Alfred Henry (1868-1932); 13.7x9.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageDistortion Collection: Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child

Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child
NCO189793 Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

Background imageDistortion Collection: Self Portrait, 1913 (pastel on paper)

Self Portrait, 1913 (pastel on paper)
SOU264699 Self Portrait, 1913 (pastel on paper) by Gaudier-Brzeska, Henri (1891-1915); 51.7x36.5 cm; Southampton City Art Gallery, Hampshire, UK; eSouthhampton City Art Gallery; French

Background imageDistortion Collection: Patagonian, Brazil, Objiboway (colour litho)

Patagonian, Brazil, Objiboway (colour litho)
3657054 Patagonian, Brazil, Objiboway (colour litho) by American School, (19th century); Private Collection; (add.info.: Patagonian, Brazil, Objiboway)

Background imageDistortion Collection: Native fashions of Kenya, East Africa

Native fashions of Kenya, East Africa
Native fashions of Kenya (then a British colony), East Africa -- a Kikuyu man of the Nairobi district (top left) with a stretched earlobe; a Masai man (top right)

Background imageDistortion Collection: False perspective exemplified (engraving)

False perspective exemplified (engraving)
960055 False perspective exemplified (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: False perspective exemplified)

Background imageDistortion Collection: Seated woman, 1917 (w / c and pencil on paper)

Seated woman, 1917 (w / c and pencil on paper)
FFA151395 Seated woman, 1917 (w/c and pencil on paper) by Pascin, Jules (1885-1930); 41x33.5 cm; Private Collection; Bulgarian, out of copyright

Background imageDistortion Collection: Portrait of Felix Feneon, 1896 (litho)

Portrait of Felix Feneon, 1896 (litho)
909233 Portrait of Felix Feneon, 1896 (litho) by Toulouse-Lautrec, Henri de (1864-1901); Private Collection; (add.info.: Felix Feneon (1861-1944)

Background imageDistortion Collection: Distortion of history by the freemasons: the supposed establishment of a chapter of Rosicrucians

Distortion of history by the freemasons: the supposed establishment of a chapter of Rosicrucians by the pretender
3100729 Distortion of history by the freemasons: the supposed establishment of a chapter of Rosicrucians by the pretender Charles Edward Stuart in Arras in 1747 (engraving) by French School

Background imageDistortion Collection: A dream in absinthe, 1890 (pen & ink with w / c on paper)

A dream in absinthe, 1890 (pen & ink with w / c on paper)
FIT412139 A dream in absinthe, 1890 (pen & ink with w/c on paper) by Conder, Charles Edward (1868-1909); 24x25.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageDistortion Collection: Children laughing at their reflections (chromolitho)

Children laughing at their reflections (chromolitho)
6001884 Children laughing at their reflections (chromolitho) by English School, (19th century); Private Collection; (add.info.: Children laughing at their reflections)

Background imageDistortion Collection: King Edward VI

King Edward VI
3892981 King Edward VI by Scrots, Guillaume (fl.1537-53); National Gallery, London, UK; (add.info.: King Edward VI - 1546 Anamorphic painting.); Photo © Derek Bayes. All rights reserved 2022

Background imageDistortion Collection: Two Heads, c. 1928 (oil on canvas laid down on board)

Two Heads, c. 1928 (oil on canvas laid down on board)
823009 Two Heads, c.1928 (oil on canvas laid down on board) by Maurer, Alfred Henry (1868-1932); 75.9x50.1 cm; Private Collection; (add.info.: Two Heads. Alfred Henry Maurer (1868-1932)

Background imageDistortion Collection: Comparison of the shape of the chest and ribcage of the Venus de Milo with that of a late 19th

Comparison of the shape of the chest and ribcage of the Venus de Milo with that of a late 19th Century French socialite
3097170 Comparison of the shape of the chest and ribcage of the Venus de Milo with that of a late 19th Century French socialite (engraving) by German School

Background imageDistortion Collection: America Costume

America Costume
LLM458803 America Costume by French School, (19th century); Private Collection; (add.info.: America Costume. Illustration for Le Costume Historique by M A Racinet (Firmin Didot, 1888)

Background imageDistortion Collection: Head of a Woman (pen, brush, ink & pencil on paper)

Head of a Woman (pen, brush, ink & pencil on paper)
PCD282336 Head of a Woman (pen, brush, ink & pencil on paper) by Modigliani, Amedeo (1884-1920); 31.5x22.5 cm; Private Collection; (add.info.: Tete de Femme; ); Piccadilly Gallery, London

Background imageDistortion Collection: Portrait of the Regisseur Alexander J. Tairov (oil on canvas)

Portrait of the Regisseur Alexander J. Tairov (oil on canvas)
BAL265718 Portrait of the Regisseur Alexander J. Tairov (oil on canvas) by Lentulov, Aristarkh Vasilievic (1882-1943); State Russian Museum, St

Background imageDistortion Collection: Still Life with Self Portrait (oil on canvas)

Still Life with Self Portrait (oil on canvas)
LMG100021 Still Life with Self Portrait (oil on canvas) by Gertler, Mark (1891-1939); 50.8x40.6 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageDistortion Collection: Winning entries in a Freak Photography competition (b / w photo)

Winning entries in a Freak Photography competition (b / w photo)
6014323 Winning entries in a Freak Photography competition (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Winning entries in a Freak Photography competition)

Background imageDistortion Collection: Lightheaded

Lightheaded
Christophe Kiciak

Background imageDistortion Collection: Me eat cookie!

Me eat cookie!
Gloria Salgado Gispert

Background imageDistortion Collection: Waves and Visions

Waves and Visions
Stefan Kierek

Background imageDistortion Collection: New city in old city

New city in old city
Ömer Ates Kızıltug

Background imageDistortion Collection: Caracola Toyo Ito

Caracola Toyo Ito
Tomás Béjar Manda

Background imageDistortion Collection: Prismatic

Prismatic
Linda Wride

Background imageDistortion Collection: Distortion

Distortion
Jeroen van de Wiel

Background imageDistortion Collection: W/T

W/T
Adolfo Arman

Background imageDistortion Collection: The ladder

The ladder
Anita Underwood Photography

Background imageDistortion Collection: Bobby the Chimp looking at the hall of Mirrors at the Kelvin Hall, Glasgow, Scotland

Bobby the Chimp looking at the hall of Mirrors at the Kelvin Hall, Glasgow, Scotland. 31st December 1963

Background imageDistortion Collection: The Marco Brothers, 1895. Creator: Henri de Toulouse-Lautrec

The Marco Brothers, 1895. Creator: Henri de Toulouse-Lautrec
The Marco Brothers, 1895

Background imageDistortion Collection: Signalement Des Chouans et Autres Contrevolutionaires, ca. 1793. Creator: Unknown

Signalement Des Chouans et Autres Contrevolutionaires, ca. 1793. Creator: Unknown
Signalement Des Chouans et Autres Contrevolutionaires, ca. 1793

Background imageDistortion Collection: How The Kaleidoscope Makes Its Patterns, 1936

How The Kaleidoscope Makes Its Patterns, 1936
How The Kaleidoscope Makes Its Patterns, 1935. From The Popular Science Educator, Volume 2, edited by Charles Ray. [The Amalgamated Press, Ltd. London]

Background imageDistortion Collection: The Awe-Inspiring Spectre of the Brocken, 1935

The Awe-Inspiring Spectre of the Brocken, 1935. From The Popular Science Educator, Volume 2, edited by Charles Ray. [The Amalgamated Press, Ltd. London]

Background imageDistortion Collection: The Strange Fata Morgana Seen in Sicily, 1935

The Strange Fata Morgana Seen in Sicily, 1935. From The Popular Science Educator, Volume 2, edited by Charles Ray. [The Amalgamated Press, Ltd. London]



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"Unveiling the Distorted Tapestry of Time: A Journey through Centuries and Continents" Step into a mesmerizing voyage as we unravel the intricate web that has shaped our perception of history. Our first stop takes us back to the 17th century, where an ancient map of Europe reveals a world both familiar and foreign. The lines drawn on this parchment hint at hidden truths, obscured by time's relentless passage. Venturing further, we encounter a captivating 17th-century map showcasing the New World in all its enigmatic glory. Here lies a realm teeming with untold stories and lost civilizations, forever distorted by colonial ambitions and conquests. Turning back another page in history, we find ourselves immersed in a 16th-century depiction of the British Isles. This intricate cartographic masterpiece offers glimpses into an era when borders were fluid and identities intertwined – yet even here, distortions abound as political agendas shape perceptions. Our journey then expands to encompass the entire globe through a remarkable 16th-century world map. As our eyes wander across vast oceans and uncharted territories, we witness how early explorers grappled with their limited knowledge – leaving behind traces of their own biases etched upon these fragile pages. Returning to the New World once more, we encounter a stunning 17th-century map dedicated solely to South America. Its vibrant colors belie tales of indigenous cultures disrupted by colonization; it is within these distortions that echoes of forgotten histories can still be heard today. Shifting gears from maps to architecture, our next destination brings us face-to-face with Chicago's iconic John Hancock Building. Its sleek silhouette pierces through time itself - standing tall amidst modernity while reflecting fragments of past eras onto its gleaming façade like ripples on water's surface. Speaking of reflections in waterways, imagine wading through Chicago's canal-laden streets where buildings dance upon liquid mirrors.