Drunkenness Collection (page 6)

Bacchus, 1511-12 (marble)
7146154 Bacchus, 1511-12 (marble) by Sansovino, Jacopo (Jacopo Tatti) (1486-1570); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Bacchus, 1511-12, Jacopo Tatti)

Bacchus, 1560 circa (bronze)
7146206 Bacchus, 1560 circa (bronze) by Giambologna (Giovanni da Bologna), (1529-1608); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Bacchus, 1560 circa, Giambologna, bronze)

Dionysus, between 117 and 138 (sculpture)
7129820 Dionysus, between 117 and 138 (sculpture) by Roman, (2nd century); Museo Nazionale Romano, Rome, Italy; (add.info.: Dionysus, between 117 and 138 AD)

Bacchus, 1496-97 (marble)
7146162 Bacchus, 1496-97 (marble) by Sansovino, Jacopo (Jacopo Tatti) (1486-1570); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Bacchus, 1496-97, Michelangelo Buonarroti)

Drunkenness of Noah, 1530 circa (marble)
7146195 Drunkenness of Noah, 1530 circa (marble) by Bandinelli, Baccio (1488-1560); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Drunkenness of Noah, 1530 circa)

Bacchus and a drinker, 17th century (painting)
7129411 Bacchus and a drinker, 17th century (painting) by Manfredi, Bartolomeo (1580-c.1620); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Bacchus and a drinker)

Celebrations in London for the coronation of King Edward VII, illustration for Le Rire (colour litho)
2796082 Celebrations in London for the coronation of King Edward VII, illustration for Le Rire (colour litho) by Bac, Ferdinand Sigismund (1859-1952); Private Collection; (add.info)

Gambrinus, legendary king of Brabant, symbol of beer. circa 1880 (illustration)
6438192 Gambrinus, legendary king of Brabant, symbol of beer. circa 1880 (illustration) by French School, (19th century); Private Collection; (add.info.: History. Belgium)

Pub scene (oil on wood)
471473 Pub scene (oil on wood) by Amstel, Jan van (c.1500-c.1544); 30x38 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

The Booze Fool, 1660-86 (brush and Indian ink on paper)
7308552 The Booze Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Champagne, c. 1910 (print)
7293282 Champagne, c.1910 (print) by Kuderna, F. (fl.1910); (add.info.: Food and beverage. The champagne. Allegory by Kuderna, Austria, ca 1910.); Photo: © Archives Charmet

Society in a Wine Cellar in the Middle Ages, woodcut after a painting by Vinea
7278859 Society in a Wine Cellar in the Middle Ages, woodcut after a painting by Vinea by Unknown Artist, (19th century); Private Collection; (add.info.: Society in a Wine Cellar in the Middle Ages)

The drunkenness of Lot, who is asleep on his daughters lap at center, while his other... ca. 1628
The drunkenness of Lot, who is asleep on his daughters lap at center, while his other daughter points towards the burning city of Sodom at left, ca. 1628

Drunkeness of Bacchus, 1630-77. Creators: Jonas Suyderhoef, Pieter Soutman, Clement De Jonghe
Drunkeness of Bacchus, 1630-77

Drunken Silenus, 1630-57. Creators: Jonas Suyderhoef, Pieter Soutman
Drunken Silenus, 1630-57

The Triumph of Bacchus, 1633-63. Creator: Jan Popels
The Triumph of Bacchus, 1633-63

The Wake, - or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, pub
3090267 The Wake, - or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, pub. 1824 (hand coloured engraving) by Cruikshank

Couple after a drunken argument (colour litho)
5999900 Couple after a drunken argument (colour litho) by English School, (20th century); Private Collection; (add.info.: Couple after a drunken argument)

A wife taking a stick to her drunken husband. 1831 (engraving)
7234797 A wife taking a stick to her drunken husband. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: A rustic man arriving home drunk)

Statues on the Outside of the Cloisters (engraving)
3631512 Statues on the Outside of the Cloisters (engraving) by English School, (19th century); Private Collection; (add.info.: Statues on the Outside of the Cloisters)

The enemies of the Five Year Plan, 1929 (chromolitho)
FIA5403540 The enemies of the Five Year Plan, 1929 (chromolitho) by Deni, Viktor Nikolaevich (1893-1946); 51x71 cm; Russian State Library, Moscow, Russia; Photo © Fine Art Images

A cartoon depicting men sampling their latest homebrew. Illustrated by George Cruikshank (1792-1878)
5310759 A cartoon depicting men sampling their latest homebrew. Illustrated by George Cruikshank (1792-1878) a British caricaturist and book illustrator, 19th century by Cruikshank

Advertisement for Pruna (colour litho)
1732696 Advertisement for Pruna (colour litho) by French School, (20th century); (add.info.: Advertisement for Pruna, the true Quetsche (plum) from Alsace)

A cartoon depicting noisy lodgers on disturbing the tenant below. Illustrated by George Cruikshank (1792-1878)
5310764 A cartoon depicting noisy lodgers on disturbing the tenant below. Illustrated by George Cruikshank (1792-1878) a British caricaturist and book illustrator, 19th century by Cruikshank

Drunk man holding a drink (colour litho)
7185388 Drunk man holding a drink (colour litho) by English School, (20th century); Private Collection; (add.info.: Drunk man holding a drink. Postcard, early 20th Century.); © Look and Learn

The brute (chromolitho)
1094251 The brute (chromolitho) by French School, (19th century); Private Collection; (add.info.: The brute. French educational card, late 19th or early 20th century.); © Look and Learn

J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre
7268493 J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre, September 1908 by Naudin

Drunk Husband, 1894 (oil on canvas)
BAL347494 Drunk Husband, 1894 (oil on canvas) by Lemoch, Kirill Vikentievich (1841-1910); Art Gallery of Taganrog, Russia

The Drunkard Pushed into the Pigsty (oil on panel)
993695 The Drunkard Pushed into the Pigsty (oil on panel) by Bruegel, Pieter the Elder (c.1525-69); diam: 18 cm; Private Collection; Photo © Christies Images

Anger, detail from The Table of the Seven Deadly Sins and the Four Last Things, c. 1480 (oil on panel)
XIR161723 Anger, detail from The Table of the Seven Deadly Sins and the Four Last Things, c.1480 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain

The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy
STC255135 The Wake, or last appearance of Teddy O Rafferty, a scene in the Holy Land, from The English Spy, by Charles Molloy Westmacott (1788-1868) published London

Propaganda poster issued by the British Empire Union, pub. London, c. 1918 (colour litho)
992102 Propaganda poster issued by the British Empire Union, pub. London, c.1918 (colour litho) by Wilson, David (1873-1935); Private Collection; (add.info.: British Empire Union)

Drunkard terrorising his family, cover of a school exercise book. c. 1900 (colour litho)
CHT225199 Drunkard terrorising his family, cover of a school exercise book. c.1900 (colour litho) by French School, (20th century); Private Collection; (add.info)

Bacchus and Ariadne (oil on canvas)
XIR384521 Bacchus and Ariadne (oil on canvas) by French School, (18th century); Musee des Beaux-Arts, Arras, France; (add.info)

Lu Zhishen in a Drunken Rage Attacking the Guardian Figure at the Temple on Moun... September 1887
Lu Zhishen in a Drunken Rage Attacking the Guardian Figure at the Temple on Mount Godai (Rochishin ransui Godaisan Kongojin o uchikowasu no zu), September 1887

Drunkenness, 1851. Creator: Charles Rambert
Drunkenness, 1851

I. Drunkard
6523701 I. Drunkard by Henreaux, Lucien L. (pseudonym LSH) (active 1904); Private Collection; (add.info.: in " Silhouettes -- Alphabet. Publisher unknown, 1904 (legal depot BNF)

17th century English drunk playing a drinking game. 1803 (engraving)
7233051 17th century English drunk playing a drinking game. 1803 (engraving) by Deuchar, David (1743-1808); Private Collection; (add.info.: 17th century English drunk playing a drinking game)

A female publican ejecting a drunk from a tavern in Georgian Eng, 1831 (engraving)
7234773 A female publican ejecting a drunk from a tavern in Georgian Eng, 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

The Quidam Association of old sailors meeting in a pub, 1831 (lithograph)
7235377 The Quidam Association of old sailors meeting in a pub, 1831 (lithograph) by Cruikshank, George (1792-1878); Private Collection; (add.info)

17th century Dutch drunk man vomits on the floor of a tavern. 1803 (engraving)
7233107 17th century Dutch drunk man vomits on the floor of a tavern. 1803 (engraving) by Deuchar, David (1743-1808); Private Collection; (add.info)

The drunkenness of Noah, Cycle of the Old Testament - The Great Flood, Byzantine mosaics, XII-XIII century (mosaic)
6166374 The drunkenness of Noah, Cycle of the Old Testament - The Great Flood, Byzantine mosaics, XII-XIII century (mosaic) by Byzantine, (12th-13th century); Duomo (Cattedrale di Santa Maria Nuova)

Bacchanalia, before 1659 (oil on canvas)
6262415 Bacchanalia, before 1659 (oil on canvas) by Wautier, Michaelina (1617-89); Kunsthistorisches Museum, Vienna, Austria; (add.info)

A barmaid in a tavern calls time on two sleeping drunks. 1831 (engraving)
7234823 A barmaid in a tavern calls time on two sleeping drunks. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Cautionary illustration of the dangers of alcohol (engraving)
3245471 Cautionary illustration of the dangers of alcohol (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures; British, out of copyright

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"Drunkenness: A Historical Journey through Art and Society" Step into the world of intoxication as depicted by renowned artists throughout history. From William Hogarth's iconic "Gin Lane, 1751" to Thomas Rowlandson's lively "Landing at Greenwich, c1780, " these artworks offer a glimpse into the allure and consequences of drunkenness. In Hogarth's "Gin Lane, " we witness the devastating effects of excessive alcohol consumption on society. The dilapidated buildings, emaciated figures, and rampant chaos serve as a cautionary tale against the dangers of addiction. Travel back even further in time to Cornelis van Haarlem's depiction of Hercules inebriated. This Roman statue portrays a once-mighty hero succumbing to the vices that plague humanity. It reminds us that even those considered invincible can fall victim to their own weaknesses. Jan Saenredam takes us on an intellectual journey with his portrayal of Plato's Cave. Amidst revelry and debauchery, this artwork questions whether true enlightenment can be found amidst such hedonism or if it is merely an illusion. Moving forward to William Hogarth again, his series "A Rake's Progress" showcases one man's descent into ruin due to his indulgence in pleasure-seeking activities. Plate III titled "Revelling with Harlots" captures a moment where moral decay intertwines with drunken excesses. Casimiro Tomba brings forth an Italian painting from the 19th century depicting a Drunk Warrior alongside a Court Jester. Here we see how alcohol blurs social boundaries and diminishes nobility while highlighting vulnerability and foolishness. Contrasting these scenes is the concept of being sober amongst drunkards – standing out like an island amidst turbulent seas. These individuals embody resilience against societal pressures while serving as reminders that moderation is key when faced with temptation.