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Early Nineteenth Century Collection (page 9)

Step back in time to the early nineteenth century, a period of great change and innovation

Background imageEarly Nineteenth Century Collection: A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil

A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil
823463 A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil, pen and grey ink and watercoour) by Schinkel

Background imageEarly Nineteenth Century Collection: Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani

Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani
823402 Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani, 1815 (pencil and watercolour on paper) by Gatta

Background imageEarly Nineteenth Century Collection: A Vase of Flowers on a Ledge with Grapes and Peaches, (watercolour on vellum)

A Vase of Flowers on a Ledge with Grapes and Peaches, (watercolour on vellum)
827607 A Vase of Flowers on a Ledge with Grapes and Peaches, (watercolour on vellum) by French School, (19th century); 74x57 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Young Peasant Girls Feeding Barnyard Animals, (oil on canvas)

Young Peasant Girls Feeding Barnyard Animals, (oil on canvas)
827475 Young Peasant Girls Feeding Barnyard Animals, (oil on canvas) by Ribot, Auguste Theodule (1823-91); 72.7x59.7 cm; Private Collection; (add.info.: Young Peasant Girls Feeding Barnyard Animals)

Background imageEarly Nineteenth Century Collection: The Docks of Paris; Les Quais a Paris, (gouache)

The Docks of Paris; Les Quais a Paris, (gouache)
827404 The Docks of Paris; Les Quais a Paris, (gouache) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 27.2x46.2 cm; Private Collection; (add.info.: The Docks of Paris; Les Quais a Paris)

Background imageEarly Nineteenth Century Collection: Flowers in a Vase on a Marble Ledge with a Red Admiral, a Bumble Bee

Flowers in a Vase on a Marble Ledge with a Red Admiral, a Bumble Bee
827958 Flowers in a Vase on a Marble Ledge with a Red Admiral, a Bumble Bee, Two Beetles and a Dragonfly, 1807 (oil on panel) by Malaine

Background imageEarly Nineteenth Century Collection: Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes

Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes
827882 Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes, (oil on canvas) by Lampi, Johann Baptist I (1751-1830); 74.6x58.8 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Bird of Paradise; Strelitzia Reginae, (watercolour over traces of pencil on vellum)

Bird of Paradise; Strelitzia Reginae, (watercolour over traces of pencil on vellum)
827227 Bird of Paradise; Strelitzia Reginae, (watercolour over traces of pencil on vellum) by RedoutA©, Pierre-Joseph (1759-1840); 47.5x33.5 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Ariadne, (oil on canvas)

Ariadne, (oil on canvas)
827156 Ariadne, (oil on canvas) by Scheffer, Ary (1795-1858); 98.4x68.6 cm; Private Collection; (add.info.: Ariadne. Ary Scheffer (1795-1858). Oil on canvas

Background imageEarly Nineteenth Century Collection: Mariannes wedding (colour litho)

Mariannes wedding (colour litho)
3101221 Mariannes wedding (colour litho) by Burret, Leonce (1866-1915); Private Collection; (add.info.: Mariannes wedding)

Background imageEarly Nineteenth Century Collection: The Departure, 1836 (oil on panel)

The Departure, 1836 (oil on panel)
651421 The Departure, 1836 (oil on panel) by Demay, Jean Francois (1798-1850); 27x34.9 cm; Private Collection; (add.info.: The Departure. Jean Francois Demay (1798-1850). Oil on panel

Background imageEarly Nineteenth Century Collection: Portrait of Mrs Arbuckle and Son, (oil on canvas)

Portrait of Mrs Arbuckle and Son, (oil on canvas)
650778 Portrait of Mrs Arbuckle and Son, (oil on canvas) by Peale, Charles Willson (1741-1827); 121.5x92 cm; Private Collection; (add.info.: Portrait of Mrs Arbuckle and Son)

Background imageEarly Nineteenth Century Collection: The Mc Ilvaine Sisters, 1834 (oil on canvas)

The Mc Ilvaine Sisters, 1834 (oil on canvas)
650774 The Mc Ilvaine Sisters, 1834 (oil on canvas) by Sully, Thomas (1783-1872); 62.8x75.6 cm; Private Collection; (add.info.: The Mc Ilvaine Sisters. Thomas Sully (1783-1872). Oil on canvas

Background imageEarly Nineteenth Century Collection: Mergus Serrator, Foemina (red-breasted Merganser, female)

Mergus Serrator, Foemina (red-breasted Merganser, female)
986448 Mergus Serrator, Foemina (red-breasted Merganser, female), 1770-1829 (hand-coloured engraving) by Dutch School, (18th century); Private Collection; (add.info.: Mergus Serrator)

Background imageEarly Nineteenth Century Collection: Pumpkin, 1812 (coloured aquatint, finished by hand)

Pumpkin, 1812 (coloured aquatint, finished by hand)
986442 Pumpkin, 1812 (coloured aquatint, finished by hand) by Brookshaw, George (1751-1823); 56.5x45 cm; Private Collection; (add.info.: Pumpkin. From Pomona Britannica. George Brookshaw (1751-1823)

Background imageEarly Nineteenth Century Collection: BKS300394085B 01

BKS300394085B 01
022014upload, 1811, 1818, Aesculus Hippocastanum, Blossom, Books & Manuscripts, Botanical, Close Up, Conker, Flora Monacensis, Franz Schrank, German School, Hand-Colored, Horse-chestnut

Background imageEarly Nineteenth Century Collection: Le Havre, seen from the old dock, 1823-1826 (hand-coloured aquatint)

Le Havre, seen from the old dock, 1823-1826 (hand-coloured aquatint)
986399 Le Havre, seen from the old dock, 1823-1826 (hand-coloured aquatint) by Fielding, Thales (1793-1837); 28.6x46 cm; Private Collection; (add.info.: Le Havre, seen from the old dock; (Le) Havre

Background imageEarly Nineteenth Century Collection: Illustration for the packaging of eau de Cologne, c. 1825 (watercolour and bodycolour)

Illustration for the packaging of eau de Cologne, c. 1825 (watercolour and bodycolour)
986287 Illustration for the packaging of eau de Cologne, c.1825 (watercolour and bodycolour) by French School, (19th century); 32.5x45.3 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Pheasants (Male & Female), 1834 (hand-coloured engraving)

Pheasants (Male & Female), 1834 (hand-coloured engraving)
986247 Pheasants (Male & Female), 1834 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); 63.2x50 cm; Private Collection; (add.info.: Pheasants (Male & Female)

Background imageEarly Nineteenth Century Collection: Raven: Great Corbie Crow (Corvus Corax), 1835 (hand-coloured engraving)

Raven: Great Corbie Crow (Corvus Corax), 1835 (hand-coloured engraving)
986245 Raven: Great Corbie Crow (Corvus Corax), 1835 (hand-coloured engraving) by Perrott, Charlotte L. E. (fl.1835) (after); 50x32.5 cm; Private Collection; (add.info.: Raven)

Background imageEarly Nineteenth Century Collection: Red and white striped Lily, 1799-1810 (hand-coloured engraving)

Red and white striped Lily, 1799-1810 (hand-coloured engraving)
986191 Red and white striped Lily, 1799-1810 (hand-coloured engraving) by English School, (18th-19th century); 23x14.3 cm; Private Collection; (add.info.: Red and white striped Lily)

Background imageEarly Nineteenth Century Collection: Pounding the Tea, c. 1800 (gouache drawings on heavy native paper)

Pounding the Tea, c. 1800 (gouache drawings on heavy native paper)
986179 Pounding the Tea, c.1800 (gouache drawings on heavy native paper) by Chinese School (19th century); 44.5x54 cm; Private Collection; (add.info.: Pounding the Tea)

Background imageEarly Nineteenth Century Collection: Le Colombi-Hocco male, 1796-1808 (etched plate printed in colour and finished by hand)

Le Colombi-Hocco male, 1796-1808 (etched plate printed in colour and finished by hand)
986174 Le Colombi-Hocco male, 1796-1808 (etched plate printed in colour and finished by hand) by French School, (18th century); 32.5x52 cm; Private Collection; (add.info.: Le Colombi-Hocco male)

Background imageEarly Nineteenth Century Collection: Magnificent Bridge with Loggia, 1753-1837 (etching and engraving)

Magnificent Bridge with Loggia, 1753-1837 (etching and engraving)
986173 Magnificent Bridge with Loggia, 1753-1837 (etching and engraving) by Piranesi, Giovanni Battista (1720-78); about 40x60 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving)

Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving)
986172 Interior of St. Pauls basilica outside the walls, 1753-1837 (etching and engraving) by Piranesi, Giovanni Battista (1720-78); about 40x60. cm; Private Collection; (add.info.: Interior of St)

Background imageEarly Nineteenth Century Collection: The Towns-end Mill, Liverpool, 1814-1825 (hand-coloured aquatint)

The Towns-end Mill, Liverpool, 1814-1825 (hand-coloured aquatint)
986116 The Towns-end Mill, Liverpool, 1814-1825 (hand-coloured aquatint) by Daniell, William (1769-1837); 36x25.5 cm; Private Collection; (add.info.: The Towns-end Mill, Liverpool)

Background imageEarly Nineteenth Century Collection: Orangutan, 1836 (chalk, brush, watercolour)

Orangutan, 1836 (chalk, brush, watercolour)
986105 Orangutan, 1836 (chalk, brush, watercolour) by Travies, Edouard (1809-1876); 17x10.6 cm; Private Collection; (add.info.: Orangutan)

Background imageEarly Nineteenth Century Collection: Kiwi (Apteryx australis) (black chalk, brush, grey and brown wash, watercolour)

Kiwi (Apteryx australis) (black chalk, brush, grey and brown wash, watercolour)
986104 Kiwi (Apteryx australis) (black chalk, brush, grey and brown wash, watercolour) by Vauthier, Antoine Charles (1790-1831); 17x11.2 cm; Private Collection; (add.info.: Kiwi (Apteryx australis)

Background imageEarly Nineteenth Century Collection: Clovelly, on the Coast of North Devon, 1814 (coloured aquatint engraving

Clovelly, on the Coast of North Devon, 1814 (coloured aquatint engraving
986089 Clovelly, on the Coast of North Devon, 1814 (coloured aquatint engraving, grey wash border) by Daniell, William (1769-1837); Private Collection; (add.info.: Clovelly)

Background imageEarly Nineteenth Century Collection: Half-length Portrait of Heinrich Heine, Facing Left, 1820 (miniature painting on ivory)

Half-length Portrait of Heinrich Heine, Facing Left, 1820 (miniature painting on ivory)
986085 Half-length Portrait of Heinrich Heine, Facing Left, 1820 (miniature painting on ivory) by Colla (fl. 19th century); 47.8x36.7 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Le Grand Duc, Eagle-Owl, 1799-1808 (hand coloured engraving)

Le Grand Duc, Eagle-Owl, 1799-1808 (hand coloured engraving)
986081 Le Grand Duc, Eagle-Owl, 1799-1808 (hand coloured engraving) by Fessard, Claude (1740-after 1803); Private Collection; (add.info.: Le Grand Duc, Eagle-Owl)

Background imageEarly Nineteenth Century Collection: Costumes of Bahia, from Picturesque Voyage to Brazil

Costumes of Bahia, from Picturesque Voyage to Brazil
986011 Costumes of Bahia, from Picturesque Voyage to Brazil, 1835 (lithographed plate with contemporary hand-colouring) by Rugendas

Background imageEarly Nineteenth Century Collection: Narcissi, Rosa, Hyacynth, 1805 (colour stipple engraving, finished by hand)

Narcissi, Rosa, Hyacynth, 1805 (colour stipple engraving, finished by hand)
986006 Narcissi, Rosa, Hyacynth, 1805 (colour stipple engraving, finished by hand) by Prevost, Jean-Louis (c.1760-1810) (after); Private Collection; (add.info.: Narcissi, Rosa, Hyacynth)

Background imageEarly Nineteenth Century Collection: The Map of Italy, c. 1830 (lithograph)

The Map of Italy, c. 1830 (lithograph)
986003 The Map of Italy, c.1830 (lithograph) by Jacottet, Louis Julien (1806-50); 25.4x33.7. cm; Private Collection; (add.info.: The Map of Italy)

Background imageEarly Nineteenth Century Collection: Piazza Navona (hand coloured engraving)

Piazza Navona (hand coloured engraving)
985934 Piazza Navona (hand coloured engraving) by Depoletti, Alessandro (fl.19th century); Private Collection; (add.info.: Piazza Navona)

Background imageEarly Nineteenth Century Collection: Histoire Natuurelle des Orangers, 1818-20 (stipple-engraved plate)

Histoire Natuurelle des Orangers, 1818-20 (stipple-engraved plate)
985912 Histoire Natuurelle des Orangers, 1818-20 (stipple-engraved plate) by Risso, Joseph Antoine (1777-1845) & Antoine, Pierre (1766-1854)(after); 35.2x25.3 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: The West-India Islands, 1794-1801 (hand-coloured engraving)

The West-India Islands, 1794-1801 (hand-coloured engraving)
985910 The West-India Islands, 1794-1801 (hand-coloured engraving) by Jefferys, Thomas (c.1719-71); Private Collection; Photo eChristies Images; English, out of copyright

Background imageEarly Nineteenth Century Collection: Buceros Cavatus (Concave Hornbill), 1831-1832 (hand-coloured lithograph)

Buceros Cavatus (Concave Hornbill), 1831-1832 (hand-coloured lithograph)
985894 Buceros Cavatus (Concave Hornbill), 1831-1832 (hand-coloured lithograph) by Gould, John (1804-81); 55x36.9 cm; Private Collection; (add.info.: Buceros Cavatus (Concave Hornbill)

Background imageEarly Nineteenth Century Collection: Oval miniature portrait of Oliver Goldsmith, framed with gilt trefoils set with three

Oval miniature portrait of Oliver Goldsmith, framed with gilt trefoils set with three
985871 Oval miniature portrait of Oliver Goldsmith, framed with gilt trefoils set with three pearls, 1831 (brown levant morocco leather, gilding, paint, pearls) by Italian School

Background imageEarly Nineteenth Century Collection: The Infant Jesus Saying His Prayers, c. 1805 (pen and grey ink, watercolour over pencil)

The Infant Jesus Saying His Prayers, c. 1805 (pen and grey ink, watercolour over pencil)
985828 The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil) by Blake, William (1757-1827); 31.6x34 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: The Battle of Trafalgar, October 21st 1805, 1816 (hand-coloured aquatint)

The Battle of Trafalgar, October 21st 1805, 1816 (hand-coloured aquatint)
985800 The Battle of Trafalgar, October 21st 1805, 1816 (hand-coloured aquatint) by Whitcombe, Thomas (c.1752-1824) (after); Private Collection; (add.info.: The Battle of Trafalgar)

Background imageEarly Nineteenth Century Collection: Rosa Bifera macrocarpa, 1817-1824 (stipple-engraving, printed in colour

Rosa Bifera macrocarpa, 1817-1824 (stipple-engraving, printed in colour
985710 Rosa Bifera macrocarpa, 1817-1824 (stipple-engraving, printed in colour and finished by hand) by RedoutA©, Pierre-Joseph (1759-1840); 35.7x26.6 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Californian Vulture, Old Male, 1838 (hand-coloured etching with aquatint engraving)

Californian Vulture, Old Male, 1838 (hand-coloured etching with aquatint engraving)
985668 Californian Vulture, Old Male, 1838 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 (folio) cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: An important Spanish Colonial silver coffer, c. 1800 (silver with wood base

An important Spanish Colonial silver coffer, c. 1800 (silver with wood base
987818 An important Spanish Colonial silver coffer, c.1800 (silver with wood base and wood interior) by South American School

Background imageEarly Nineteenth Century Collection: The Library, Binfield, Berkshire, with a View Over the Park, (pencil

The Library, Binfield, Berkshire, with a View Over the Park, (pencil
659239 The Library, Binfield, Berkshire, with a View Over the Park, (pencil, pen and grey ink and watercolour heightened with white) by Hassell

Background imageEarly Nineteenth Century Collection: Portrait of Thomas Osborne Bateman, Aged 8, with his Brother, Hugh Athelstan, Aged 6

Portrait of Thomas Osborne Bateman, Aged 8, with his Brother, Hugh Athelstan, Aged 6
658489 Portrait of Thomas Osborne Bateman, Aged 8, with his Brother, Hugh Athelstan, Aged 6, 1818 (oil on canvas) by Barber

Background imageEarly Nineteenth Century Collection: The Little Black Boy, from Songs of Innocence (Bindman 222), c

The Little Black Boy, from Songs of Innocence (Bindman 222), c
659522 The Little Black Boy, from Songs of Innocence (Bindman 222), c. 1800 (relief etching printed in cadium orange ink, with handcolouring) by Blake

Background imageEarly Nineteenth Century Collection: Portrait of a Naval Officer, Half Length, in Uniform, Carrying a Presentation Sword

Portrait of a Naval Officer, Half Length, in Uniform, Carrying a Presentation Sword
652173 Portrait of a Naval Officer, Half Length, in Uniform, Carrying a Presentation Sword and Wearing the Badge of a C.B



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Step back in time to the early nineteenth century, a period of great change and innovation. The Battle of Trafalgar, depicted in an awe-inspiring oil on canvas painting, captures the intensity and heroism of this historic naval conflict. In contrast to the grandeur of war, a delicate hand-coloured lithograph showcases the beauty of nature's bounty - Orange Fruit, Citrus Aurantium, Fructus. Its vibrant hues bring life to this 1828 artwork. Moving from fruits to fauna, Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom transports us into the world of horse racing. Painted with meticulous detail on canvas in 1815, it immortalizes both the elegance and power found within these majestic creatures. Artistic expression extends beyond traditional mediums as seen in Iris Germanica (German Iris), a stunning stipple-engraving printed in colors between 1805-1816. This intricate work highlights botanical wonders through its carefully crafted lines and shades. Shifting our focus from art to engineering marvels is Viaduct across the Sankey Valley. Created in 1831 using color aquatints that were partly hand-colored, this print captures not only technical prowess but also showcases man's ability to conquer nature through construction. History comes alive with Her Majesty Queen Victoria's First Entry into Brighton Oct captured for eternity on canvas. This momentous occasion symbolizes not only royal presence but also societal changes occurring during this era. Portraits hold their own significance during this time as evidenced by Portrait of William Henry Paget Marquess of Anglesey. Painted half-length on canvas with expert skill, it immortalizes an influential figure who played a role in shaping history. Transportation takes center stage once again with View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway. Through detailed pencil strokes and hints of watercolor, this artwork invites us to witness the birth of a new era in transportation.