Edward Burne Jones Collection (page 5)

The Kelmscott Chaucer, with a special binding by William Morris, 1896 (1901). Cover of The Works of Geoffrey Chaucer, illustrated by Edward Burne-Jones

Sir Edward Coley Burne-Jones, English artist, late 19th century, (c1920). Portrait of the Pre-Raphaelite painter Burne-Jones (1833-1898)

The Wine of Circe, 1900, (1917). Artist: Sir Edward Coley Burne-Jones
The Wine of Circe, 1900, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

The Star of Bethlehem, c1887-1891 (c1940). Artist: Sir Edward Coley Burne-Jones
The Star of Bethlehem, c1887-1891. Painting held at the Birmingham Museum and Art Gallery, Birmingham. From The Worlds Greatest Paintings, Vol. 1, edited by T

Sibyl Window, Jesus College Chapel, Cambridge, c1872. Artist: Sir Edward Coley Burne-Jones
Sibyl Window, Jesus College Chapel, Cambridge, c1872. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

Christs Entry Into Jerusalem, Window in the Church of St. Peter, Vere Street, London, c1883. From The Studio Volume 51. [London Offices of the Studio, London, 1910-11]

The Mill, Girls Dancing to Music by a River, 1870, (1912). Artist: Sir Edward Coley Burne-Jones
The Mill, Girls Dancing to Music by a River, 1870, (1912). Both the style of this painting and its subject, the Three Graces dancing to the music of Apollo, were inspired by Italian Renaissance art

King Cophetua and the Beggar Maid, 1884, (1912). Artist: Sir Edward Coley Burne-Jones
King Cophetua and the Beggar Maid, 1884, (1912). A colour print from Famous Paintings with an Introduction by Gilbert Chesterton, Cassell and Company, London, New York, Toronto, 1912

The Wheel of Fortune, 1875-1883. Artist: Sir Edward Coley Burne-Jones
The Wheel of Fortune, 1875-1883. Fortune, a goddess in antiquity, or a dame in the Middle Ages, turning her wheel. From the collection of the Musee d Orsay, Paris

Study Female Figure 1885 Edward Burne-Jones British
Study of a Female Figure, 1885. Edward Burne-Jones (British, 1833-1898). Graphite; sheet: 21.9 x 12.5 cm (8 5/8 x 4 15/16 in.)

Garden Court 1870-1875 Edward Burne-Jones British
The Garden Court, 1870-1875. Edward Burne-Jones (British, 1833-1898). Graphite and watercolor, heightened with white gouache; sheet: 32.3 x 60.2 cm (12 11/16 x 23 11/16 in.)

L Estampe Moderne Beauty 1887-1889 Edward Burne-Jones
L Estampe Moderne: Beauty: Beauty, 1887-1889. Edward Burne-Jones (British, 1833-1898), Imprimerie Champenois. Color lithograph from bound volume containing 50 lithographs

Pygmalion and the Image - The Heart Desires, 1878. Creator: Sir Edward Coley Burne-Jones
Pygmalion and the Image - The Heart Desires, 1878 One in a series of four paintings

Sir Edward Burne-Jones - The complaint
Antique illustration of a painting from Sir Edward Burne-Jones - The complaint

Fair Rosamund and Queen Eleanor Signed and dated, in red paint, lower right: EBJ
Fair Rosamund and Queen Eleanor Signed and dated, in red paint, lower right: " EBJ | 1861" (initials in monogram), Edward Burne-Jones, 1833-1898, British

The Soul Attains
Black and white image of The Soul Attains the fourth of four Pygmalion and the Image paintings depicting the story from Ovid made by English painter Edward Burne-Jones between 1869 and 1879

Come Forward Into The Light, by Edward Burne Jones
Stained glass window on a principal stair case at the Birmingham City Art Gallery, Birmingham, England. Come Forward Into The Light A stained glass window at Birmingham Museum and Art Gallery

St. Frideswide stained glass window by Edward Burne-Jones dating from 1858, Christ Church College Cathedral, Oxford, England, United Kingdom, Europe

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Edward Burne-Jones, a renowned British artist of the 19th century, left an indelible mark on the art world with his exquisite works. One such masterpiece is "The Green Dining-room at South Kensington Museum, " a captivating painting from around 1870 whose creator remains unknown. This enchanting piece transports viewers to a lavish dining room adorned with intricate details and vibrant colors. Another notable creation by Burne-Jones is "Sponsa De Libano" from 1891, which showcases his exceptional talent as both a painter and designer. The artwork, later reproduced in approximately 1930, depicts a scene filled with ethereal beauty and symbolism that captivates the imagination. Intriguingly, Burne-Jones also contributed to stained glass artistry. His work on the St. Frideswide Window at Christ Church Cathedral demonstrates his ability to infuse spirituality into visual form while showcasing his meticulous attention to detail. Burne-Jones's collaboration with William Morris in 1874 resulted in an iconic black-and-white photograph that immortalizes their friendship and creative partnership. This image serves as a testament to their shared vision for artistic excellence and their significant contributions to the Arts and Crafts movement. Furthermore, Burne-Jones's involvement with the Kelmscott Press is noteworthy; he designed title pages and opening pages for its editions of literary classics like "The Works of Geoffrey Chaucer. " These designs exemplify his mastery of combining typography, illustration, and decorative elements into harmonious compositions. Among Burne-Jones's painted masterpieces is "Danae or The Tower of Brass" (1887-88), an oil-on-canvas depiction brimming with mythological allure. The artist skillfully captures Danaë's vulnerability within her gilded prison tower—an allegory for desire trapped by materialism. "The Angel, " another remarkable oil-on-panel artwork by Burne-Jones, radiates celestial beauty and serenity.