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King Cophetua and the Beggar Maid, 1884, (1912). Artist: Sir Edward Coley Burne-Jones
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King Cophetua and the Beggar Maid, 1884, (1912). Artist: Sir Edward Coley Burne-Jones
King Cophetua and the Beggar Maid, 1884, (1912). A colour print from Famous Paintings with an Introduction by Gilbert Chesterton, Cassell and Company, London, New York, Toronto, 1912
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Media ID 14907278
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Beggar Beggars Burne Jones Edward Burne Jones Edward Coley Pre Raphaelite Sir Edward Burne Jones Sir Edward Coley Sir Edward Coley Burne Jones Armour Print Collector2
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King Cophetua and the Beggar Maid, 1884 (1912) - A Captivating Tale of Love and Social Divide
EDITORS COMMENTS
. In this print by Sir Edward Coley Burne-Jones, we are transported to the enchanting world of King Cophetua and the Beggar Maid. Set in the 19th century, this pre-Raphaelite masterpiece beautifully captures a moment that is both mythical and deeply human. The image depicts a monarch adorned in regal attire, his crown shining brightly atop his head. Clad in intricate armor, he stands as a symbol of power and authority. Beside him stands a beggar maid, her vibrant colors contrasting with her poverty-stricken appearance. This stark juxtaposition between wealth and destitution highlights the social divide prevalent during that era. Yet amidst these differences, love blossoms. The concept of love transcending societal boundaries is at the heart of this artwork. It tells us that true affection knows no class or status; it can bridge even the widest gaps. Burne-Jones' use of color adds depth to this narrative. The rich hues bring life to each character's emotions while emphasizing their individuality within society's constraints. As we gaze upon this print from Famous Paintings with an Introduction by Gilbert Chesterton, we are reminded not only of Burne-Jones' artistic genius but also of our own capacity for compassion and understanding across divides – be they social or otherwise.
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