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Elizabethan Collection (page 14)

"Exploring the Glorious Elizabethan Era: From Queen Elizabeth I to Shakespearean Theatre" Step back in time to the magnificent reign of Queen Elizabeth I

Background imageElizabethan Collection: Longleat House, Wiltshire (colour photo)

Longleat House, Wiltshire (colour photo)
3094726 Longleat House, Wiltshire (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: All-Hallows-by-the-Tower, Barking)

Background imageElizabethan Collection: Entrance, Burghley House, Stamford, Lincolnshire (colour photo)

Entrance, Burghley House, Stamford, Lincolnshire (colour photo)
3094843 Entrance, Burghley House, Stamford, Lincolnshire (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Entrance, Burghley House, Stamford, Lincolnshire)

Background imageElizabethan Collection: Longleat House, Wiltshire (b / w photo)

Longleat House, Wiltshire (b / w photo)
3094779 Longleat House, Wiltshire (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Longleat House, Wiltshire. Postcard, early 20th century.); © Look and Learn

Background imageElizabethan Collection: Lord Howard of Effringham on the Ark Royal, engaging Don Alonzo da Leyva

Lord Howard of Effringham on the Ark Royal, engaging Don Alonzo da Leyva, Spanish Armada (colour litho)
3094482 Lord Howard of Effringham on the Ark Royal, engaging Don Alonzo da Leyva, Spanish Armada (colour litho) by English School

Background imageElizabethan Collection: Effigy of Queen Elizabeth I (colour litho)

Effigy of Queen Elizabeth I (colour litho)
3095823 Effigy of Queen Elizabeth I (colour litho) by English School, (20th century); Private Collection; (add.info.: Effigy of Queen Elizabeth I. Postcard, early 20th century.); © Look and Learn

Background imageElizabethan Collection: Queen Elizabeth reviewing the Buffs (colour litho)

Queen Elizabeth reviewing the Buffs (colour litho)
3093807 Queen Elizabeth reviewing the Buffs (colour litho) by English School, (20th century); Private Collection; (add.info.: Queen Elizabeth reviewing the Buffs)

Background imageElizabethan Collection: Montacute House, Somerset (colour photo)

Montacute House, Somerset (colour photo)
3096730 Montacute House, Somerset (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Montacute House, Somerset)

Background imageElizabethan Collection: Titlepage of The shoemakers holiday by Thomas Dekker, 1600

Titlepage of The shoemakers holiday by Thomas Dekker, 1600
2653545 Titlepage of The shoemakers holiday by Thomas Dekker, 1600 by English School, (17th century); Private Collection; (add.info.: The Shomakers Holiday. Or the Gentle craft)

Background imageElizabethan Collection: The Ingle Nook (engraving)

The Ingle Nook (engraving)
1616223 The Ingle Nook (engraving) by Petherick, Horace (1839-1919); Private Collection; (add.info.: The Ingle Nook. Illustration for The Illustrated Sporting and Dramatic News, 11 December 1880)

Background imageElizabethan Collection: Grandfathers Birthday (engraving)

Grandfathers Birthday (engraving)
1602697 Grandfathers Birthday (engraving) by Leloir, Louise (1853-1940); Private Collection; (add.info.: Grandfathers Birthday. Illustration for The Illustrated London News, 23 December 1876)

Background imageElizabethan Collection: Front cover of Printers Pie magazine illustrated by John Hassall showing Simple Simon

Front cover of Printers Pie magazine illustrated by John Hassall showing Simple Simon rummaging in his pocket for money to give ye Pieman except in this case, the Pie is the magazine

Background imageElizabethan Collection: Front cover of Printers Pie, 1914 with a cover illustration by John Hassall showing a oe

Front cover of Printers Pie, 1914 with a cover illustration by John Hassall showing a oe of his typical medieval or Elizabethan characters visiting a baker for a very large pie

Background imageElizabethan Collection: Front cover of Printers Pie magazine for 1911, illustrated by John Hassall

Front cover of Printers Pie magazine for 1911, illustrated by John Hassall and featuring one of his typical medieval characters chasing after a dog

Background imageElizabethan Collection: The Ballad of the Beggar of Bethnal Green (engraving)

The Ballad of the Beggar of Bethnal Green (engraving)
1592157 The Ballad of the Beggar of Bethnal Green (engraving) by Robertson, Victor John (fl.1892-1903); Private Collection; (add.info.: The Ballad of the Beggar of Bethnal Green)

Background imageElizabethan Collection: Old Newington Church

Old Newington Church
Sir William Patten, Lord of the Manor, built the present Old Church, bordering Clissold Park on the north side of Church Street, in 1563

Background imageElizabethan Collection: Stoke Newington Church

Stoke Newington Church
The Old Church is the only remaining Elizabethan church in London and one of the oldest in the country to have been built as an Anglican church

Background imageElizabethan Collection: Fairy Tales (colour litho)

Fairy Tales (colour litho)
1598285 Fairy Tales (colour litho) by English School, (19th century); Private Collection; (add.info.: Fairy Tales. Illustration for The Illustrated London News, Christmas Number 1897)

Background imageElizabethan Collection: Millicent Sowerby

Millicent Sowerby
Elizabethan boy and girl at a stile. Romance. Date: circa 1905

Background imageElizabethan Collection: Part of the London Wall in the churchyard of St. Giles

Part of the London Wall in the churchyard of St. Giles
Part of the ancient London Wall in the churchyard of St. Giles, Cripplegate, London. Built in the third century, and repaired by London Mayor Ralph Joceline in 1477

Background imageElizabethan Collection: Grave monument to the Elizabethan herald William Camdem

Grave monument to the Elizabethan herald William Camdem
Grave monument to the Elizabethan antiquarian and herald William Camdem, died 1623, in Poets Corner, Westminster Abbey. Copperplate engraving by John Thomas Smith after original drawings by members

Background imageElizabethan Collection: Crypt of the ancient priory of Black-Nuns

Crypt of the ancient priory of Black-Nuns
Remains of the crypt part of the ancient priory of Black-Nuns, adjoining St. Helens Church, Bishopsgate Street. Copperplate engraving by John Thomas Smith after original drawings by members of

Background imageElizabethan Collection: Rosamonds Pond, St. James Park, circa 1758

Rosamonds Pond, St. James Park, circa 1758 (filled up in 1770). Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T

Background imageElizabethan Collection: Moor Park, Hertfordshire, the seat of Robert Williams, 1825

Moor Park, Hertfordshire, the seat of Robert Williams, 1825. Built in the Palladian style by surveyor Sir James Thornhill from designs by Giacomo Leoni and gardens by Capability Brown

Background imageElizabethan Collection: Pencarrow House, seat of Lady Mary Molesworth

Pencarrow House, seat of Lady Mary Molesworth. Stately home in Cornwall. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1826

Background imageElizabethan Collection: Magnetic needles on a terrella will point towards the north pole, A

Magnetic needles on a terrella will point towards the north pole, A
539362 Magnetic needles on a terrella will point towards the north pole, A. other needles will do likewise, even though the surface of the terrella is uneven, as at O

Background imageElizabethan Collection: Elizabeth Regina, illustration from Chap-books of the Eighteenth Century

Elizabeth Regina, illustration from Chap-books of the Eighteenth Century
489687 Elizabeth Regina, illustration from Chap-books of the Eighteenth Century by John Ashton, pub. 1882 (litho) by English School

Background imageElizabethan Collection: The Terrella experiments, page from Chapter 3 of De Magnete, Magneticisque Corporibus

The Terrella experiments, page from Chapter 3 of De Magnete, Magneticisque Corporibus
STC311043 The Terrella experiments, page from Chapter 3 of De Magnete, Magneticisque Corporibus, et de Magno Magnete Tellure, pub

Background imageElizabethan Collection: Philip Howard (oil on canvas)

Philip Howard (oil on canvas)
DON279054 Philip Howard (oil on canvas) by Barraud, Henry (1811-74); 64.8x69.9 cm; His Grace The Duke of Norfolk, Arundel Castle; (add.info.: Sir Philip Howard (1557-95), thirteenth earl of Arundel

Background imageElizabethan Collection: Sir Francis Drake (engraving)

Sir Francis Drake (engraving)
PNP269587 Sir Francis Drake (engraving) by English School, (16th century); Private Collection; (add.info.: Sir Francis Drake (1540-1596)

Background imageElizabethan Collection: Coiners at Work, 1577 (woodcut) (sepia photo)

Coiners at Work, 1577 (woodcut) (sepia photo)
STC347542 Coiners at Work, 1577 (woodcut) (sepia photo) by English School, (16th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageElizabethan Collection: A Family Meal, c. 1600 (woodcut) (sepia photo)

A Family Meal, c. 1600 (woodcut) (sepia photo)
STC347515 A Family Meal, c.1600 (woodcut) (sepia photo) by English School, (17th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageElizabethan Collection: Landscape with Harvesters Returning Home, c. 1595-1605 (pen & brown ink on paper)

Landscape with Harvesters Returning Home, c. 1595-1605 (pen & brown ink on paper)
SGS119982 Landscape with Harvesters Returning Home, c.1595-1605 (pen & brown ink on paper) by Peacham, Henry (c.1576-1643); 15.9x15.7 cm; The Berger Collection at the Denver Art Museum

Background imageElizabethan Collection: The Quadrangle, Cotehele House, c. 1830-40 (colour litho)

The Quadrangle, Cotehele House, c. 1830-40 (colour litho)
STC119567 The Quadrangle, Cotehele House, c.1830-40 (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageElizabethan Collection: The Fore Part of the Bones, plate from The Historie of Man

The Fore Part of the Bones, plate from The Historie of Man
AFC116187 The Fore Part of the Bones, plate from The Historie of Man published by John Banister (1540-1610), 1578 (engraving) by English School

Background imageElizabethan Collection: Robert Dudley, Earl of Leicester (c. 1532-88) 1576 (w / c on ivory)

Robert Dudley, Earl of Leicester (c. 1532-88) 1576 (w / c on ivory)
NUL111330 Robert Dudley, Earl of Leicester (c.1532-88) 1576 (w/c on ivory) by Hilliard, Nicholas (1547-1619); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageElizabethan Collection: The Belman of London, 1608 (woodcut)

The Belman of London, 1608 (woodcut)
XJF100255 The Belman of London, 1608 (woodcut) by English School, (17th century); Private Collection; (add.info.: Title page of a tract by Thomas Dekker (c.1570-c.1641)

Background imageElizabethan Collection: Englands Famous Discoverers (engraving) (b / w photo)

Englands Famous Discoverers (engraving) (b / w photo)
XJF105710 Englands Famous Discoverers (engraving) (b/w photo) by English School, (16th century); Private Collection; English, out of copyright

Background imageElizabethan Collection: Portrait of William Cecil, 1st Baron Burghley (1520-98) (oil on panel)

Portrait of William Cecil, 1st Baron Burghley (1520-98) (oil on panel)
MFI123724 Portrait of William Cecil, 1st Baron Burghley (1520-98) (oil on panel) by English School, (16th century); Parham House, West Sussex, UK; eMark Fiennes Archive; English, out of copyright

Background imageElizabethan Collection: Portrait of Sir John Mason (1503-66) from Memoirs of the Court of Queen

Portrait of Sir John Mason (1503-66) from Memoirs of the Court of Queen
STC146750 Portrait of Sir John Mason (1503-66) from Memoirs of the Court of Queen Elizabeth, published in 1825 (w/c and gouache on paper) by Essex

Background imageElizabethan Collection: Portrait of Mildred Cooke, Lady Burghley from Memoirs of the Court of Queen

Portrait of Mildred Cooke, Lady Burghley from Memoirs of the Court of Queen
STC146163 Portrait of Mildred Cooke, Lady Burghley from Memoirs of the Court of Queen Elizabeth, published in 1825 (w/c and gouache on paper) by Essex



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"Exploring the Glorious Elizabethan Era: From Queen Elizabeth I to Shakespearean Theatre" Step back in time to the magnificent reign of Queen Elizabeth I, as depicted in George Gower's iconic portrait from 1588. Her regal presence and power are captured flawlessly, showcasing her influence over England and Ireland. In another stunning portrayal by Nicholas Hilliard, we witness "The Ermine Portrait" of Queen Elizabeth I in 1585. This masterpiece immortalizes her elegance and grace, symbolized by the ermine fur draped around her shoulders. Experience the vibrant atmosphere of an Elizabethan London with its bustling streets and lively theaters like The Globe. Performances filled with drama, comedy, and romance transported audiences into a world crafted by brilliant playwrights such as William Shakespeare. Even scientific discoveries thrived during this era. Dr. William Gilbert demonstrates his groundbreaking experiments on electricity to none other than Queen Elizabeth I herself. Their curiosity for knowledge pushed boundaries and paved the way for future advancements. Meet Bess of Hardwick, also known as Countess of Shrewsbury - a remarkable woman who left an indelible mark on history through her influential role at court and impressive architectural achievements like Wollaton Hall in Nottingham. Travel across Norfolk with Saxton's Map from 1574; it offers a glimpse into the intricate details of towns, villages, rivers, forests that shaped daily life during this period. Relive one of England's most significant naval battles - when the Golden Lion fiercely attacked Santa Ana during the Spanish Armada conflict. The bravery displayed by English forces underlines their determination to protect their homeland against foreign invasions. Witness both tragedy and resilience through images depicting The Great Fire of London in 1666. Despite widespread destruction caused by flames engulfing buildings throughout the cityscape, Londoners united to rebuild their beloved capital stronger than ever before.